The Call of the Blood Part 21
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"Per Dio! Would you have me squeak like a woman, signore?"
Delarey laughed and said no more. But he knew it was not Gaspare's voice he had heard.
The net was drawn up now for the last time, and as soon as Delarey had dressed they set out to walk to the caves on the farther side of the rocks, where they meant to sleep till Carmela was about and ready to make the frittura. To reach them they had to clamber up from the beach to the Messina road, mount a hill, and descend to the Caffe Berardi, a small, isolated shanty which stood close to the sea, and was used in summer-time by bathers who wanted refreshment. Nito and the rest walked on in front, and Delarey followed a few paces behind with Gaspare. When they reached the summit of the hill a great sweep of open sea was disclosed to their view, stretching away to the Straits of Messina, and bounded in the far distance by the vague outlines of the Calabrian Mountains. Here the wind met them more sharply, and below them on the pebbles by the caffe they could see the foam of breaking waves. But to the right, and nearer to them, the sea was still as an inland pool, guarded by the tree-covered hump of land on which stood the house of the sirens. This hump, which would have been an islet but for the narrow wall of sheer rock which joined it to the main-land, ran out into the sea parallel to the road.
On the height, Delarey paused for a moment, as if to look at the wide view, dim and ethereal, under the dying moon.
"Is that Calabria?" he asked.
"Si, signore. And there is the caffe. The caves are beyond it. You cannot see them from here. But you are not looking, signorino!"
The boy's quick eyes had noticed that Delarey was glancing towards the tangle of trees, among which was visible a small section of the gray wall of the house of the sirens.
"How calm the sea is there!" Delarey said, swiftly.
"Si, signore. That is where you can see the light in the window from our terrace."
"There's no light now."
"How should there be? They are asleep. Andiamo?"
They followed the others, who were now out of sight. When they reached the caves, Nito and the boys had already flung themselves down upon the sand and were sleeping. Gaspare scooped out a hollow for Delarey, rolled up his jacket as a pillow for his padrone's head, murmured a "Buon riposo!" lay down near him, buried his face in his arms, and almost directly began to breathe with a regularity that told its tale of youthful, happy slumber.
It was dark in the cave and quite warm. The sand made a comfortable bed, and Delarey was luxuriously tired after the long walk and the wading in the sea. When he lay down he thought that he, too, would be asleep in a moment, but sleep did not come to him, though he closed his eyes in antic.i.p.ation of it. His mind was busy in his weary body, and that little cry of a woman still rang in his ears. He heard it like a song sung by a mysterious voice in a place of mystery by the sea. Soon he opened his eyes. Turning a little in the sand, away from his companions, he looked out from the cave, across the sloping beach and the foam of the waves, to the darkness of trees on the island. (So he called the place of the siren's house to himself now, and always hereafter.) From the cave he could not see the house, but only the trees, a formless, dim ma.s.s that grew about it. The monotonous sound of wave after wave did not still the cry in his ears, but mingled with it, as must have mingled with the song of the sirens to Ulysses the murmur of breaking seas ever so long ago.
And he thought of a siren in the night stealing to a hidden place in the rocks to watch him as he drew the net, breast high in the water. There was romance in his mind to-night, new-born and strange. Sicily had put it there with the wild sense of youth and freedom that still possessed him.
Something seemed to call him away from this cave of sleep, to bid his tired body bestir itself once more. He looked at the dark forms of his comrades, stretched in various att.i.tudes of repose, and suddenly he knew he could not sleep. He did not want to sleep. He wanted--what? He raised himself to a sitting posture, then softly stood up, and with infinite precaution stole out of the cave.
The coldness of the coming dawn took hold on him on the sh.o.r.e, and he saw in the east a mysterious pallor that was not of the moon, and upon the foam of the waves a light that was ghastly and that suggested infinite weariness and sickness. But he did not say this to himself. He merely felt that the night was quickly departing, and that he must hasten on his errand before the day came.
He was going to search for the woman who had cried out to him in the sea.
And he felt as if she were a creature of the night, of the moon and of the shadows, and as if he could never hope to find her in the glory of the day.
VII
Delarey stole along the beach, walking lightly despite his fatigue. He felt curiously excited, as if he were on the heels of some adventure. He pa.s.sed the Caffe Berardi almost like a thief in the night, and came to the narrow strip of pebbles that edged the still and lakelike water, protected by the sirens' isle. There he paused. He meant to gain that lonely land, but how? By the water lay two or three boats, but they were large and clumsy, impossible to move without aid. Should he climb up to the Messina road, traverse the spit of ground that led to the rocky wall, and try to make his way across it? The feat would be a difficult one, he thought. But it was not that which deterred him. He was impatient of delay, and the detour would take time. Between him and the islet was the waterway. Already he had been in the sea. Why not go in again? He stripped, packed his clothes into a bundle, tied roughly with a rope made of his handkerchief and bootlaces, and waded in. For a long way the water was shallow. Only when he was near to the island did it rise to his breast, to his throat, higher at last. Holding the bundle on his head with one hand, he struck out strongly and soon touched bottom again. He scrambled out, dressed on a flat rock, then looked for a path leading upward.
The ground was very steep, almost precipitous, and thickly covered with trees and with undergrowth. This undergrowth concealed innumerable rocks and stones which s.h.i.+fted under his feet and rolled down as he began to ascend, grasping the bushes and the branches. He could find no path.
What did it matter? All sense of fatigue had left him. With the activity of a cat he mounted. A tree struck him across the face. Another swept off his hat. He felt that he had antagonists who wished to beat him back to the sea, and his blood rose against them. He tore down a branch that impeded him, broke it with his strong hands, and flung it away viciously.
His teeth were set and his nerves tingled, and he was conscious of the almost angry joy of keen bodily exertion. The body--that was his G.o.d to-night. How he loved it, its health and strength, its willingness, its capacities! How he gloried in it! It had bounded down the mountain. It had gone into the sea and revelled there. It had fished and swum. Now it mounted upward to discovery, defying the weapons that nature launched against it. Splendid, splendid body!
He fought with the trees and conquered them. His trampling feet sent the stones leaping downward to be drowned in the sea. His swift eyes found the likely places for a foothold. His sinewy hands forced his enemies to a.s.sist him in the enterprise they hated. He came out on to the plateau at the summit of the island and stood still, panting, beside the house that hid there.
Its blind, gray wall confronted him coldly in the dimness, one shuttered window, like a shut eye, concealing the interior, the soul of the house that lay inside its body. In this window must have been set the light he had seen from the terrace. He wished there were a light burning now. Had he swum across the inlet and fought his way up through the wood only to see a gray wall, a shuttered window? That cry had come from the rocks, yet he had been driven by something within him to this house, connecting--he knew not why--the cry with it and with the far-off light that had been like a star caught in the sea. Now he said to himself that he should have gone back to the rocks and sought the siren there. Should he go now? He hesitated for a moment, leaning against the wall of the house.
"Maju torna, maju veni Cu li belli soi ciureri; Oh chi pompa chi nni fa; Maju torna, maju e cca!
"Maju torna, maju vinni, Duna isca a li disinni; Vinni riccu e ricchi fa, Maju viva! Maju e cca!"
He heard a girl's voice singing near him, whether inside the house or among the trees he could not at first tell. It sang softly yet gayly, as if the sun were up and the world were awake, and when it died away Delarey felt as if the singer must be in the dawn, though he stood still in the night. He put his ear to the shuttered window and listened.
"L'haju; nun l'haju?"
The voice was speaking now with a sort of whimsical and half-pathetic merriment, as if inclined to break into laughter at its own childish wistfulness.
"M'ama; nun m'ama?"
It broke off. He heard a little laugh. Then the song began again:
"Maju viju, e maju cgghiu, Bona sorti di Diu vgghiu; Ciuri di maju cgghiu a la campia, Diu, pinzaticci vu a la sorti mia!"
The voice was not in the house. Delarey was sure of that now. He was almost sure, too, that it was the same voice which had cried out to him from the rocks. Moving with precaution, he stole round the house to the farther side, which looked out upon the open sea, keeping among the trees, which grew thickly about the house on three sides, but which left it unprotected to the sea-winds on the fourth.
A girl was standing in this open s.p.a.ce, alone, looking seaward, with one arm out-stretched, one hand laid lightly, almost caressingly, upon the gnarled trunk of a solitary old olive-tree, the other arm hanging at her side. She was dressed in some dark, coa.r.s.e stuff, with a short skirt, and a red handkerchief tied round her head, and seemed in the pale and almost ghastly light in which night and day were drawing near to each other to be tall and slim of waist. Her head was thrown back, as if she were drinking in the breeze that heralded the dawn--drinking it in like a voluptuary.
Delarey stood and watched her. He could not see her face.
She spoke some words in dialect in a clear voice. There was no one else visible. Evidently she was talking to herself. Presently she laughed again, and began to sing once more:
"Maju viju, e maju cgghiu, A la me'casa guaj nu' nni vgghiu; Ciuri di maju cgghiu a la campia, Oru ed argentu a la sacchetta mia!"
There was an African sound in the girl's voice--a sound of mystery that suggested heat and a force that could be languorous and stretch itself at ease. She was singing the song the Sicilian peasant girls join in on the first of May, when the ciuri di maju is in blossom, and the young countrywomen go forth in merry bands to pick the flower of May, and, turning their eyes to the wayside shrine, or, if there be none near, to the east and the rising sun, lift their hands full of the flowers above their heads, and, making the sign of the cross, murmur devoutly:
"Divina Pruvidenza, pruvvidtimi; Divina Pruvidenza, cunsulatimi; Divina Pruvidenza e granni a.s.sai; Cu' teni fidi a Diu, 'un pirisci mai!"
[Ill.u.s.tration: "HER HEAD WAS THROWN BACK, AS IF SHE WERE DRINKING IN THE BREEZE"]
Delarey knew neither song nor custom, but his ears were fascinated by the voice and the melody. Both sounded remote and yet familiar to him, as if once, in some distant land--perhaps of dreams--he had heard them before.
He wished the girl to go on singing, to sing on and on into the dawn while he listened in his hiding-place, but she suddenly turned round and stood looking towards him, as if something had told her that she was not alone. He kept quite still. He knew she could not see him, yet he felt as if she was aware that he was there, and instinctively he held his breath and leaned backward into deeper shadow. After a minute the girl took a step forward, and, still staring in his direction, called out:
"Padre?"
Then Delarey knew that it was her voice that he had heard when he was in the sea, and he suddenly changed his desire. Now he no longer wished to remain unseen, and without hesitation he came out from the trees. The girl stood where she was, watching him as he came. Her att.i.tude showed neither surprise nor alarm, and when he was close to her, and could at last see her face, he found that its expression was one of simple, bold questioning. It seemed to be saying to him quietly, "Well, what do you want of me?"
Delarey was not acquainted with the Arab type of face. Had he been he would have at once been struck by the Eastern look in the girl's long, black eyes, by the Eastern cast of her regular, slightly aquiline features. Above her eyes were thin, jet-black eyebrows that looked almost as if they were painted. Her chin was full and her face oval in shape.
She had hair like Gaspare's, black-brown, immensely thick and wavy, with tiny feathers of gold about the temples. She was tall, and had the contours of a strong though graceful girl just blooming into womanhood.
Her hands were as brown as Delarey's, well shaped, but the hands of a worker. She was perhaps eighteen or nineteen, and brimful of l.u.s.ty life.
After a minute of silence Delarey's memory recalled some words of Gaspare's, till then forgotten.
"You are Maddalena!" he said, in Italian.
The girl nodded.
"Si, signore."
She uttered the words softly, then fell into silence again, staring at him with her l.u.s.trous eyes, that were like black jewels.
The Call of the Blood Part 21
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The Call of the Blood Part 21 summary
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