The Call of the Blood Part 66

"It was very good of her to go," he said, more quietly. "Perhaps she has saved the life of the sick signore by going."

"Si, signore."

Gaspare said no more, but as they rode up, drawing ever nearer to the bare mountain-side and the house of the priest, Maurice's heart reiterated the thought of the boy. Why had Hermione ever gone? What a madness it had all been, her going, his staying! He knew it now for a madness, a madness of the summer, of the hot, the burning south. In this terrible quiet of the mountains, without the sun, without the laughter and the voices and the movement of men, he understood that he had been mad, that there had been something in him, not all himself, which had run wild, despising restraint. And he had known that it was running wild, and he had thought to let it go just so far and no farther. He had set a limit of time to his wildness and its deeds. And he had set another limit. Surely he had. He had not ever meant to go too far. And then, just when he had said to himself "E' finito!" the irrevocable was at hand, the moment of delirium in which all things that should have been remembered were forgotten. What had led him? What spirit of evil? Or had he been led at all? Had not he rather deliberately forced his way to the tragic goal whither, through all these sunlit days, these starry nights, his feet had been tending?

He looked upon himself as a man looks upon a stranger whom he has seen commit a crime which he could never have committed. Mentally he took himself into custody, he tried, he condemned himself. In this hour of acute reaction the cool justice of the Englishman judged the pa.s.sionate impulse of the Sicilian, even marvelled at it, and the heart of the dancing Faun cried: "What am I--what am I really?" and did not find the answer.

"Signorino?"

"Yes, Gaspare."

"When we get to that rock we shall see the house."

"I know."

How eagerly he had looked upward to the little white house on the mountain on that first day in Sicily, with what joy of antic.i.p.ation, with what an exquisite sense of liberty and of peace! The drowsy wail of the "Pastorale" had come floating down to him over the olive-trees almost like a melody that stole from paradise. But now he dreaded the turn of the path. He dreaded to see the terrace wall, the snowy building it protected. And he felt as if he were drawing near to a terror, and as if he could not face it, did not know how to face it.

"Signorino, there is no light! Look!"

"The signora and Lucrezia must be asleep at this hour."

"If they are, what are we to do? Shall we wake them?"

"No, no."

He spoke quickly, in hope of a respite.

"We will wait--we will not disturb them."

Gaspare looked down at the parcel he was holding with such anxious care.

"I would like to play the 'Tre Colori,'" he said. "I would like the first thing the signora hears when she wakes to be the 'Tre Colori.'"

"Hus.h.!.+ We must be very quiet."

The noise made on the path by the tripping feet of the donkeys was almost intolerable to him. It must surely wake the deepest sleeper. They were now on the last ascent where the mountain-side was bare. Some stones rattled downward, causing a sharp, continuous sound. It was answered by another sound, which made both Gaspare and Maurice draw rein and pull up.

As on that first day in Sicily Maurice had been welcomed by the "Pastorale," so he was welcomed by it now. What an irony that was to him!

For an instant his lips curved in a bitter smile. But the smile died away as he realized things, and a strange sadness took hold of his heart. For it was not the ceramella that he heard in this still hour, but a piano played softly, monotonously, with a dreamy tenderness that made it surely one with the tenderness of the deep night. And he knew that Hermione had been watching, that she had heard him coming, that this was her welcome, a welcome from the depths of her pure, true heart. How much the music told him! How clearly it spoke to him! And how its caress flagellated his bare soul! Hermione had returned expectant of welcome and had found nothing, and instead of coming out upon the terrace, instead of showing surprise, vexation, jealous curiosity, of a.s.suming the injured air that even a good woman can scarcely resist displaying in a moment of acute disappointment, she sent forth this delicate salutation to him from afar, the sweetest that she knew, the one she herself loved best.

Tears came into his eyes as he listened. Then he shut his eyes and said to himself, shuddering:

"Oh, you beast! You beast!"

"It is the signora!" said Gaspare, turning round on his donkey. "She does not know we are here, and she is playing to keep herself awake."

He looked down at his clock, and his eyes began to s.h.i.+ne.

"I am glad the signora is awake!" he said. "Signorino, let us get off the donkeys and leave them at the arch, and let us go in without any noise."

"But perhaps the signora knows that we are here," Maurice said.

Directly he had heard the music he had known that Hermione was aware of their approach.

"No, no, signore. I am sure she does not, or she would have come out to meet us. Let us leave the donkeys!"

He sprang off softly. Mechanically, Maurice followed his example.

"Now, signore!"

The boy took him by the hand and led him on tiptoe to the terrace, making him crouch down close to the open French window. The "Pastorale" was louder here. It never ceased, but returned again and again with the delicious monotony that made it memorable and wove a spell round those who loved it. As he listened to it, Maurice fancied he could hear the breathing of the player, and he felt that she was listening, too, listening tensely for footsteps on the terrace.

Gaspare looked up at him with bright eyes. The boy's whole face was alive with a gay and mischievous happiness, as he turned the handle at the back of his clock slowly, slowly, till at last it would turn no more. Then there tinkled forth to join the "Pastorale" the clear, trilling melody of the "Tre Colori."

The music in the room ceased abruptly. There was a rustling sound as the player moved. Then Hermione's voice, with something trembling through it that was half a sob, half a little burst of happy laughter, called out:

"Gaspare, how dare you interrupt my concert?"

"Signora! Signora!" cried Gaspare, and, springing up, he darted into the sitting-room.

But Maurice, though he lifted himself up quickly, stood where he was with his hand set hard against the wall of the house. He heard Gaspare kiss Hermione's hand. Then he heard her say:

"But, but, Gaspare----"

He took his hand from the wall with an effort. His feet seemed glued to the ground, but at last he was in the room.

"Hermione!" he said.

"Maurice!"

He felt her strong hands, strong and yet soft like all the woman, on his.

"Cento di questi giorni!" she said. "Ah, but it is better than all the birthdays in the world!"

He wanted to kiss her--not to please her, but for himself he wanted to kiss her--but he dared not. He felt that if his lips were to touch hers--she must know. To excuse his avoidance of the natural greeting he looked at Gaspare.

"I know!" she whispered. "You haven't forgotten!"

She was alluding to that morning on the terrace when he came up from the fis.h.i.+ng. They loosed their hands. Gaspare set the clock playing again.

"What a beauty!" Hermione said, glad to hide her emotion for a moment till she and Maurice could be alone. "What a marvel! Where did you find it, Gaspare--at the fair?"

"Si, signora!"

Solemnly he handed it, still playing brightly, to his padrona, just a little reluctantly, perhaps, but very gallantly.

"It is for you, signora."

"A present--oh, Gaspare!"