Daniel Deronda Part 62
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"_Beatissimi voi.
Che offriste il petto alle nemiche lance Per amor di costei che al sol vi diede_"--
to the joyous outburst of an exultant Allegro in--
"_Oh viva, oh viva: Beatissimi voi Mentre nel monde si favelli o scriva._"
When she had ended, Klesmer said after a moment--
"That is Joseph Leo's music."
"Yes, he was my last master--at Vienna: so fierce and so good," said Mirah, with a melancholy smile. "He prophesied that my voice would not do for the stage. And he was right."
"_Con_tinue, if you please," said Klesmer, putting out his lips and shaking his long fingers, while he went on with a smothered articulation quite unintelligible to the audience.
The three girls detested him unanimously for not saying one word of praise. Mrs. Meyrick was a little alarmed.
Mirah, simply bent on doing what Klesmer desired, and imagining that he would now like to hear her sing some German, went through Prince Radzivill's music to Gretchen's songs in the "Faust," one after the other without any interrogatory pause. When she had finished he rose and walked to the extremity of the small s.p.a.ce at command, then walked back to the piano, where Mirah had risen from her seat and stood looking toward him with her little hands crossed before her, meekly awaiting judgment; then with a sudden unknitting of his brow and with beaming eyes, he stretched out his hand and said abruptly, "Let us shake hands: you are a musician."
Mab felt herself beginning to cry, and all the three girls held Klesmer adorable. Mrs. Meyrick took a long breath.
But straightway the frown came again, the long hand, back uppermost, was stretched out in quite a different sense to touch with finger-tip the back of Mirah's, and with protruded lip he said--
"Not for great tasks. No high roofs. We are no skylarks. We must be modest." Klesmer paused here. And Mab ceased to think him adorable: "as if Mirah had shown the least sign of conceit!"
Mirah was silent, knowing that there was a specific opinion to be waited for, and Klesmer presently went on--"I would not advise--I would not further your singing in any larger s.p.a.ce than a private drawing-room. But you will do there. And here in London that is one of the best careers open. Lessons will follow. Will you come and sing at a private concert at my house on Wednesday?"
"Oh, I shall be grateful," said Mirah, putting her hands together devoutly. "I would rather get my bread in that way than by anything more public. I will try to improve. What should I work at most?"
Klesmer made a preliminary answer in noises which sounded like words bitten in two and swallowed before they were half out, shaking his fingers the while, before he said, quite distinctly, "I shall introduce you to Astorga: he is the foster-father of good singing and will give you advice." Then addressing Mrs. Meyrick, he added, "Mrs. Klesmer will call before Wednesday, with your permission."
"We shall feel that to be a great kindness," said Mrs. Meyrick.
"You will sing to her," said Klesmer, turning again to Mirah. "She is a thorough musician, and has a soul with more ears to it than you will often get in a musician. Your singing will satisfy her:--
'Vor den Wissenden sich stellen;'
you know the rest?"
"'Sicher ist's in alien Fallen.'"
said Mirah, promptly. And Klesmer saying "Schon!" put out his hand again as a good-bye.
He had certainly chosen the most delicate way of praising Mirah, and the Meyrick girls had now given him all their esteem. But imagine Mab's feeling when suddenly fixing his eyes on her, he said decisively, "That young lady is musical, I see!" She was a mere blush and sense of scorching.
"Yes," said Mirah, on her behalf. "And she has a touch."
"Oh, please, Mirah--a scramble, not a touch," said Mab, in anguish, with a horrible fear of what the next thing might be: this dreadful divining personage--evidently Satan in gray trousers--might order her to sit down to the piano, and her heart was like molten wax in the midst of her. But this was cheap payment for her amazed joy when Klesmer said benignantly, turning to Mrs. Meyrick, "Will she like to accompany Miss Lapidoth and hear the music on Wednesday?"
"There could hardly be a greater pleasure for her," said Mrs. Meyrick.
"She will be most glad and grateful."
Thereupon Klesmer bowed round to the three sisters more grandly than they had ever been bowed to before. Altogether it was an amusing picture--the little room with so much of its diagonal taken up in Klesmer's magnificent bend to the small feminine figures like images a little less than life-size, the grave Holbein faces on the walls, as many as were not otherwise occupied, looking hard at this stranger who by his face seemed a dignified contemporary of their own, but whose garments seemed a deplorable mockery of the human form.
Mrs. Meyrick could not help going out of the room with Klesmer and closing the door behind her. He understood her, and said with a frowning nod--
"She will do: if she doesn't attempt too much and her voice holds out, she can make an income. I know that is the great point: Deronda told me. You are taking care of her. She looks like a good girl."
"She is an angel," said the warm-hearted woman.
"No," said Klesmer, with a playful nod; "she is a pretty Jewess: the angels must not get the credit of her. But I think she has found a guardian angel," he ended, bowing himself out in this amiable way.
The four young creatures had looked at each other mutely till the door banged and Mrs. Meyrick re-entered. Then there was an explosion. Mab clapped her hands and danced everywhere inconveniently; Mrs. Meyrick kissed Mirah and blessed her; Amy said emphatically, "We can never get her a new dress before Wednesday!" and Kate exclaimed, "Thank heaven my table is not knocked over!"
Mirah had reseated herself on the music-stool without speaking, and the tears were rolling down her cheeks as she looked at her friends.
"Now, now, Mab!" said Mrs. Meyrick; "come and sit down reasonably and let us talk?"
"Yes, let us talk," said Mab, cordially, coming back to her low seat and caressing her knees. "I am beginning to feel large again. Hans said he was coming this afternoon. I wish he had been here--only there would have been no room for him. Mirah, what are you looking sad for?"
"I am too happy," said Mirah. "I feel so full of grat.i.tude to you all; and he was so very kind."
"Yes, at last," said Mab, sharply. "But he might have said something encouraging sooner. I thought him dreadfully ugly when he sat frowning, and only said, '_Con_tinue.' I hated him all the long way from the top of his hair to the toe of his polished boot."
"Nonsense, Mab; he has a splendid profile," said Kate.
"_Now_, but not _then_. I cannot bear people to keep their minds bottled up for the sake of letting them off with a pop. They seem to grudge making you happy unless they can make you miserable beforehand.
However, I forgive him everything," said Mab, with a magnanimous air, "but he has invited me. I wonder why he fixed on me as the musical one?
Was it because I have a bulging forehead, ma, and peep from under it like a newt from under a stone?"
"It was your way of listening to the singing, child," said Mrs.
Meyrick. "He has magic spectacles and sees everything through them, depend upon it. But what was that German quotation you were so ready with, Mirah--you learned puss?"
"Oh, that was not learning," said Mirah, her tearful face breaking into an amused smile. "I said it so many times for a lesson. It means that it is safer to do anything--singing or anything else--before those who know and understand all about it."
"That was why you were not one bit frightened, I suppose," said Amy.
"But now, what we have to talk about is a dress for you on Wednesday."
"I don't want anything better than this black merino," said Mirah, rising to show the effect. "Some white gloves and some new _bottines_."
She put out her little foot, clad in the famous felt slipper.
"There comes Hans," said Mrs. Meyrick. "Stand still, and let us hear what he says about the dress. Artists are the best people to consult about such things."
"You don't consult me, ma," said Kate, lifting up her eyebrow with a playful complainingness. "I notice mothers are like the people I deal with--the girls' doings are always priced low."
"My dear child, the boys are such a trouble--we could never put up with them, if we didn't make believe they were worth more," said Mrs.
Meyrick, just as her boy entered. "Hans, we want your opinion about Mirah's dress. A great event has happened. Klesmer has been here, and she is going to sing at his house on Wednesday among grand people. She thinks this dress will do."
"Let me see," said Hans. Mirah in her childlike way turned toward him to be looked at; and he, going to a little further distance, knelt with one knee on a ha.s.sock to survey her.
Daniel Deronda Part 62
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Daniel Deronda Part 62 summary
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