The Bravo Part 52
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"A million pardons, Bellissima Gelsomina, but indignation is the uppermost feeling, when one in office sees his rights attacked by the mult.i.tude. Send me to Corfu, or to Candia, if you please, and I will bring back the color of every stone in their prisons, but do not send me among rebels. My gorge rises at the sight of villany!"
As the keeper's daughter withdrew, while her father's a.s.sistant was making this protestation of loyalty, the latter was compelled to give vent to the rest of his indignation in a soliloquy.
One of the tendencies of oppression is to create a scale of tyranny, descending from those who rule a state, to those who domineer over a single individual. He, who has been much accustomed to view men, need not be told that none are so arrogant with their inferiors, as those who are oppressed by their superiors; for poor human nature has a secret longing to revenge itself on the weak for all the injuries it receives from the strong. On the other hand, no cla.s.s is so willing to render that deference, when unexacted, which is the proper meed of virtue, and experience, and intelligence, as he who knows that he is fortified on every side against innovations on his natural rights. Thus it is, that there is more security against popular violence and popular insults in these free states, than in any other country on earth, for there is scarcely a citizen so debased as not to feel that, in a.s.suming the appearance of a wish to revenge the chances of fortune, he is making an undue admission of inferiority.
Though the torrent may be pent up and dammed by art, it is with the constant hazard of breaking down the unnatural barriers; but left to its own course, it will become the tranquil and the deep stream, until it finally throws off its superfluous waters into the common receptacle of the ocean.
When Gelsomina returned to her visitors, it was with a report favorable to their tranquillity. The riot in the court of the palace, and the movement of the Dalmatians, had drawn all eyes in another direction; and although some errant gaze might have witnessed their entrance into the gate of the prison, it was so natural a circ.u.mstance, that no one would suspect females of their appearance of remaining there an instant longer than was necessary. The momentary absence of the few servants of the prison, who took little heed of those who entered the open parts of the building, and who had been drawn away by curiosity, completed their security. The humble room they were in was exclusively devoted to the use of their gentle protector, and there was scarcely a possibility of interruption, until the council had obtained the leisure and the means of making use of those terrible means, which rarely left anything it wished to know concealed.
With this explanation Donna Violetta and her companion were greatly satisfied. It left them leisure to devise means for their flight, and kindled a hope, in the former, of being speedily restored to Don Camillo. Still there existed the cruel embarra.s.sment of not possessing the means of acquainting the latter with their situation. As the tumult ceased, they resolved to seek a boat, avored by such disguises as the means of Gelsomina could supply, and to row to his palace; but reflection convinced Donna Florinda of the danger of such a step, since the Neapolitan was known to be surrounded by the agents of the police.
Accident, which is more effectual than stratagem in defeating intrigues, had thrown them into a place of momentary security, and it would be to lose the vantage-ground of their situation to cast themselves, without the utmost caution, into the hazards of the public ca.n.a.ls.
At length the governess bethought her of turning the services of the gentle creature, who had already shown so much sympathy in their behalf, to account. During the revelations of her pupil, the feminine instinct of Donna Florinda had enabled her to discover the secret springs which moved the unpractised feelings of their auditor. Gelsomina had listened to the manner in which Don Camillo had thrown himself into the ca.n.a.l to save the life of Violetta, with breathless admiration; her countenance was a pure reflection of her thoughts, when the daughter of Tiepolo spoke of the risks he had run to gain her love, and woman glowed in every lineament of her mild face, when the youthful bride touched on the nature of the engrossing tie which had united them, and which was far too holy to be severed by the Senate's policy.
"If we had the means of getting our situation to the ears of Don Camillo," said the governess, "all might yet be saved; else will this happy refuge in the prison avail us nothing."
"Is the cavalier of too stout a heart to shrink before those up above?"
demanded Gelsomina.
"He would summon the people of his confidence, and ere the dawn of day we might still be beyond their power. Those calculating senators will deal with the vows of my pupil as if they were childish oaths, and set the anger of the Holy See itself at defiance, when there is question of their interest."
"But the sacrament of marriage is not of man; that, at least, they will respect!"
"Believe it not. There is no obligation so solemn as to be respected, when their policy is concerned. What are the wishes of a girl, or what the happiness of a solitary and helpless female, to their fortunes? That my charge is young, is a reason why their wisdom should interfere, though it is none to touch their hearts with the reflection that the misery to which they would condemn her, is to last the longer. They take no account of the solemn obligations of grat.i.tude; the ties of affection are so many means of working upon the fears of those they rule, but none for forbearance; and they laugh at the devotedness of woman's love, as a folly to amuse their leisure, or to take off the edge of disappointment in graver concerns."
"Can anything be more grave than wedlock, lady?"
"To them it is important, as it furnishes the means of perpetuating their honors and their proud names. Beyond this, the council looks little at domestic interests."
"They are fathers and husbands!"
"True, for to be legally the first, they must become the last. Marriage to them is not a tie of sacred and dear affinity, but the means of increasing their riches and of sustaining their names," continued the governess, watching the effect of her words on the countenance of the guileless girl. "They call marriages of affection children's games, and they deal with the wishes of their own daughters, as they would traffic with their commodities of commerce. When a state sets up an idol of gold as its G.o.d, few will refuse to sacrifice at its altar!"
"I would I might serve the n.o.ble Donna Violetta!"
"Thou art too young, good Gelsomina, and I fear too little practised in the cunning of Venice."
"Doubt me not, lady; for I can do my duty like another, in a good cause."
"If it were possible to convey to Don Camillo Monforte a knowledge of our situation--but thou art too inexperienced for the service!"
"Believe it not, Signora," interrupted the generous Gelsomina, whose pride began to stimulate her natural sympathies with one so near her own age, and one too, like herself, subject to that pa.s.sion which engrosses a female heart. "I may be apter than my appearance would give reason to think."
"I will trust thee, kind girl, and if the Sainted Virgin protects us, thy fortunes shall not be forgotten!"
The pious Gelsomina crossed herself, and, first acquainting her companions with her intentions, she went within to prepare herself, while Donna Florinda penned a note, in terms so guarded as to defy detection in the event of accident, but which might suffice to let the lord of St. Agata understand their present situation.
In a few minutes the keeper's daughter reappeared. Her ordinary attire, which was that of a modest Venetian maiden of humble condition, needed no concealment; and the mask, an article of dress which none in that city were without, effectually disguised her features. She then received the note, with the name of the street, and the palace she was to seek, a description of the person of the Neapolitan, with often-repeated cautions to be wary, and departed.
CHAPTER XXIV.
"Which is the wiser here?--Justice or iniquity?"
MEASURE FOR MEASURE.
In the constant struggle between the innocent and the artful, the latter have the advantage, so long as they confine themselves to familiar interests. But the moment the former conquer their disgust for the study of vice, and throw themselves upon the protection of their own high principles, they are far more effectually concealed from the calculations of their adversaries than if they practised the most refined of their subtle expedients. Nature has given to every man enough of frailty to enable him to estimate the workings of selfishness and fraud, but her truly privileged are those who can shroud their motives and intentions in a degree of justice and disinterestedness, which surpa.s.s the calculations of the designing. Millions may bow to the commands of a conventional right, but few, indeed, are they who know how to choose in novel and difficult cases. There is often a mystery in virtue. While the cunning of vice is no more than a pitiful imitation of that art which endeavors to cloak its workings in the thin veil of deception, the other, in some degree, resembles the sublimity of infallible truth.
Thus men too much practised in the interests of life, constantly overreach themselves when brought in contact with the simple and intelligent; and the experience of every day proves that, as there is no fame permanent which is not founded on virtue, so there is no policy secure which is not bottomed on the good of the whole. Vulgar minds may control the concerns of a community so long as they arc limited to vulgar views; but woe to the people who confide on great emergencies in any but the honest, the n.o.ble, the wise, and the philanthropic; for there is no security for success when the meanly artful control the occasional and providential events which regenerate a nation. More than half the misery which has defeated as well as disgraced civilization, proceeds from neglecting to use those great men that are always created by great occasions.
Treating, as we are, of the vices of the Venetian system, our pen has run truant with its subject, since the application of the moral must be made on the familiar scale suited to the incidents of our story. It has already been seen that Gelsomina was intrusted with certain important keys of the prison. For this trust there had been sufficient motive with the wily guardians of the jail, who had made their calculations on her serving their particular orders, without ever suspecting that she was capable of so far listening to the promptings of a generous temper, as might induce her to use them in any manner prejudicial to their own views. The service to which they were now to be applied proved that the keepers, one of whom was her own father, had not fully known how to estimate the powers of the innocent and simple.
Provided with the keys in question, Gelsomina took a lamp and pa.s.sed upwards from the mezzinino in which she dwelt, to the first floor of the edifice, instead of descending to its court. Door was opened after door, and many a gloomy corridor was pa.s.sed by the gentle girl, with the confidence of one who knew her motive to be good. She soon crossed the Bridge of Sighs, fearless of interruption in that unfrequented gallery, and entered the palace. Here she made her way to a door that opened on the common and public vomitories of the structure. Moving with sufficient care to make impunity from detection sure, she extinguished the light and applied the key. At the next instant she was on the vast and gloomy stairway. It required but a moment to descend it, and to reach the covered gallery which surrounded the court. A halberdier was within a few feet of her. He looked at the unknown female with interest; but as it was not his business to question those who issued from the building, nothing was said. Gelsomina walked on. A half-repenting but vindictive being was dropping an accusation in the lion's mouth.
Gelsomina stopped involuntarily until the secret accuser had done his treacherous work and departed. Then, when she was about to proceed, she saw that the halberdier at the head of the Giant's stairway was smiling at her indecision, like one accustomed to such scenes.
"Is there danger in quitting the palace?" she asked of the rough mountaineer.
"Corpo di Bacco! There might have been an hour since, Bella Donna; but the rioters are muzzled and at their prayers."
Gelsomina hesitated no longer. She descended the well known flight, down which the head of Faliero had rolled, and was soon beneath the arch of the gate. Here the timid and unpractised maid again stopped, for she could not venture into the square without a.s.suring herself, like a deer about to quit its cover, of the tranquillity of the place into which she was to enter.
The agents of the police had been too much alarmed by the rising of the fishermen not to call their usual ingenuity and finesse into play, the moment the disturbance was appeased. Money had been given to the mountebanks and ballad singers to induce them to reappear, and groups of hirelings, some in masks and others without concealment, were ostentatiously a.s.sembled in different parts of the piazza. In short, those usual expedients were resorted to which are constantly used to restore the confidence of a people, in those countries in which civilization is so new, that they are not yet considered sufficiently advanced to be the guardians of their own security. There are few artifices so shallow that many will not be their dupes. The idler, the curious, the really discontented, the factious, the designing, with a suitable mixture of the unthinking, and of those who only live for the pleasure of the pa.s.sing hour, a cla.s.s not the least insignificant for numbers, had lent themselves to the views of the police; and when Gelsomina was ready to enter the Piazzetta, she found both the squares partly filled. A few excited fishermen cl.u.s.tered about the doors of the cathedral, like bees swarming before their hive; but, on that side, there was no very visible cause of alarm. Unaccustomed as she was to scenes like that before her, the first glance a.s.sured the gentle girl of the real privacy which so singularly distinguishes the solitude of a crowd. Gathering her simple mantle more closely about her form, and settling her mask with care, she moved with a swift step into the centre of the piazza.
We shall not detail the progress of our heroine, as, avoiding the commonplace gallantry that a.s.sailed and offended her ear, she went her way on her errand of kindness. Young, active, and impelled by her intentions, the square was soon pa.s.sed, and she reached the place of San Nico. Here was one of the landings of the public gondolas. But at the moment there was no boat in waiting, for curiosity or fear had induced the men to quit their usual stand. Gelsomina had ascended the bridge, and was on the crown of its arch, when a gondolier came sweeping lazily in from the direction of the Grand Ca.n.a.l. Her hesitation and doubting manner attracted his attention, and the man made the customary sign which conveyed the offer of his services. As she was nearly a stranger in the streets of Venice, labyrinths that offer greater embarra.s.sment to the uninitiated than perhaps the pa.s.sages of any other town of its size, she gladly availed herself of the offer. To descend to the steps, to leap into the boat, to utter the word "Rialto," and to conceal herself in the pavilion, was the business of a minute. The boat was instantly in motion.
Gelsomina now believed herself secure of effecting her purpose, since there was little to apprehend from the knowledge or the designs of a common boatman. He could not know her object, and it was his interest to carry her in safety to the place she had commanded. But so important was success, that she could not feel secure of attaining it while it was still unaccomplished. She soon summoned sufficient resolution to look out at the palaces and boats they were pa.s.sing, and she felt the refres.h.i.+ng air of the ca.n.a.l revive her courage. Then turning with a sensitive distrust to examine the countenance of the gondolier, she saw that his features were concealed beneath a mask that was so well designed, as not to be perceptible to a casual observer by moonlight.
Though it was common on occasions for the servants of the great, it was not usual for the public gondoliers to be disguised. The circ.u.mstance itself was one justly to excite slight apprehension, though, on second thoughts, Gelsomina saw no more in it than a return from some expedition of pleasure, or some serenade perhaps, in which the caution of a lover had compelled his followers to resort to this species of concealment.
"Shall I put you on the public quay, Signora," demanded the gondolier,"
or shall I see you to the gate of your own palace?"
The heart of Gelsomina beat high. She liked the tone of the voice, though it was necessarily smothered by the mask, but she was so little accustomed to act in the affairs of others, and less still in any of so great interest, that the sounds caused her to tremble like one less worthily employed.
"Dost thou know the palace of a certain Don Camillo Monforte, a lord of Calabria, who dwells here in Venice?" she asked, after a moment's pause.
The gondolier sensibly betrayed surprise, by the manner in which he started at the question.
"Would you be rowed there, lady?"
"If thou art certain of knowing the palazzo."
The water stirred, and the gondola glided between high walls. Gelsomina knew by the sound that they were in one of the smaller ca.n.a.ls, and she augured well of the boatman's knowledge of the town. They soon stopped by the side of a water-gate, and the man appeared on the step, holding an arm to aid her in ascending, after the manner of people of his craft.
Gelsomina bade him wait her return, and proceeded.
There was a marked derangement in the household of Don Camillo, that one more practised than our heroine would have noted. The servants seemed undecided in the manner of performing the most ordinary duties; their looks wandered distrustfully from one to another, and when their half-frightened visitor entered the vestibule, though all arose, none advanced to meet her. A female masked was not a rare sight in Venice, for few of that s.e.x went upon the ca.n.a.ls without using the customary means of concealment; but it would seem by their hesitating manner that the menials of Don Camillo did not view the entrance of her who now appeared with the usual indifference.
"I am in the dwelling of the Duke of St. Agata, a Signore of Calabria?"
The Bravo Part 52
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The Bravo Part 52 summary
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