The Old Adam Part 19

"What is it?" Edward Henry asked irritably. "Speak up!"

"A gentleman wishes to know if he can speak to you in the next room, sir."

"Well, he can't."

"He said it was urgent, sir."

Scowling, Edward Henry rose. "Excuse me," he said. "I won't be a moment. Help yourselves to the liqueurs. You chaps can go, I fancy."

The last remark was addressed to the gentlemen in waiting.

The next room was the vast bedroom with two beds in it. Edward Henry closed the door carefully, and drew the portiere across it. Then he listened. No sound penetrated from the scene of the supper.

"There _is_ a telephone in this room, isn't there?" he said to Joseph.

"Oh, yes; there it is! Well, you can go."

"Yes, sir."

Edward Henry sat down on one of the beds by the hook on which hung the telephone. And he cogitated upon the characteristics of certain members of the party which he had just left. "I'm a 'virgin mind,' am I?" he thought. "I'm a 'clean slate'? Well! ... Their notion of business is to begin by discussing the name of the theatre! And they haven't even taken up the option! Ye G.o.ds! 'Intellectual!' 'Muses!' 'The Orient Pearl.' And she's fifty--that I swear! Not a word yet of real business--not one word! He may be a poet. I dare say he is. He's a conceited a.s.s. Why, even Bryany was better than that lot. Only Sachs turned Bryany out. I like Sachs. But he won't open his mouth....

'Capitalist!' Well, they spoilt my appet.i.te, and I hate champagne! ...

The poet hates money.... No, he 'hates the thought of money.' And she's changing her mind the whole blessed time! A month ago she'd have gone over to Pilgrim, and the poet too, like a house a fire! ...

Photographed indeed! The bally photographer will be here in a minute!

... They take me for a fool! ... Or don't they know any better? ...

Anyhow, I am a fool.... I must teach 'em summat!"

He seized the telephone.

"h.e.l.lo!" he said into it. "I want you to put me on to the drawing-room of Suite No. 48, please. Who? Oh, me! I'm in the bedroom of Suite No.

48. Machin, Alderman Machin. Thanks. That's all right."

He waited. Then he heard Marrier's Kensingtonian voice in the telephone, asking who he was.

"Is that Mr. Machin's room?" he continued, imitating with a broad farcical effect the acute Kensingtonianism of Mr. Marrier's tones. "Is Miss Ra-ose Euclid there? Oh! She is? Well, you tell her that Sir John Pilgrim's private secretary wishes to speak to her. Thanks. All right. _I'll_ hold the line."

A pause. Then he heard Rose's voice in the telephone, and he resumed:

"Miss Euclid? Yes. Sir John Pilgrim. I beg pardon! Banks? Oh, _Banks_! No, I'm not Banks. I suppose you mean my predecessor. He's left. Left last week. No, I don't know why. Sir John instructs me to ask if you and Mr. Trent could lunch with him to-morrow at wun-thirty?

What? Oh! At his house. Yes. I mean flat. Flat! I said flat. You think you could?"

Pause. He could hear her calling to Carlo Trent.

"Thanks. No, I don't know exactly," he went on again. "But I know the arrangement with Miss Pryde is broken off. And Sir John wants a play at once. He told me that. At once! Yes. 'The Orient Pearl.' That was the t.i.tle. At the Royal first, and then the world's tour. Fifteen months at least, in all, so I gathered. Of course I don't speak officially. Well, many thanks. Saoo good of you. I'll tell Sir John it's arranged. One-thirty to-morrow. Good-bye!"

He hung up the telephone. The excited, eager, effusive tones of Rose Euclid remained in his ears. Aware of a strange phenomenon on his forehead, he touched it. He was perspiring.

"I'll teach 'em a thing or two," he muttered.

And again:

"Serves her right.... 'Never, never appear at any other theatre, Mr.

Machin!' ... 'Bended knees!' ... 'Utterly!' ... Cheerful partners! Oh, cheerful partners!"

He returned to his supper-party. n.o.body said a word about the telephoning. But Rose Euclid and Carlo Trent looked even more like conspirators than they did before; and Mr. Marrier's joy in life seemed to be just the least bit diminished.

"So sorry!" Edward Henry began hurriedly, and, without consulting the poet's wishes, subtly turned on all the lights. "Now, don't you think we'd better discuss the question of taking up the option? You know, it expires on Friday."

"No," said Rose Euclid girlishly. "It expires to-morrow. That's why it's so _fortunate_ we got hold of you to-night."

"But Mr. Bryany told me Friday. And the date was clear enough on the copy of the option he gave me."

"A mistake of copying," beamed Mr. Marrier. "However, it's all right."

"Well," observed Edward Henry with heartiness, "I don't mind telling you that for sheer calm coolness you take the cake. However, as Mr. Marrier so ably says, it's all right. Now, I understand if I go into this affair I can count on you absolutely, and also on Mr. Trent's services."

He tried to talk as if he had been diplomatising with actresses and poets all his life.

"Absolutely!" said Rose.

And Mr. Carlo Trent nodded.

"You Iscariots!" Edward Henry addressed them, in the silence of the brain, behind his smile. "You Iscariots!"

The photographer arrived with certain cases, and at once Rose Euclid and Carlo Trent began instinctively to pose.

"To think," Edward Henry pleasantly reflected, "that they are hugging themselves because Sir John Pilgrim's secretary happened to telephone just while I was out of the room!"

CHAPTER V

MR. SACHS TALKS

I.

It was the sudden flash of the photographer's magnesium light, plainly felt by him through his closed lids, that somehow instantly inspired Edward Henry to a definite and ruthless line of action. He opened his eyes and beheld the triumphant group, and the photographer himself, victorious over even the triumphant, in a superb pose that suggested that all distinguished mankind in his presence was naught but food for the conquering camera. The photographer smiled indulgently, and his smile said: "Having been photographed by me, you have each of you reached the summit of your career. Be content. Retire! Die! Destiny is accomplished!"

"Mr. Machin," said Rose Euclid, "I do believe your eyes were shut!"

"So do I!" Edward Henry curtly agreed.

"But you'll spoil the group!"

"Not a bit of it!" said Edward Henry. "I always shut my eyes when I'm being photographed by flash-light. I open my mouth instead. So long as something's open, what does it matter?"

The truth was that only in the nick of time had he, by a happy miracle of ingenuity, invented a way of ruining the photograph. The absolute necessity for its ruin had presented itself to him rather late in the proceedings, when the photographer had already finished arranging the hands and shoulders of everybody in an artistic pattern. The photograph had to be spoilt for the imperative reason that his mother, though she never read a newspaper, did as a fact look at a picture newspaper, _The Daily Film_, which from pride she insisted on paying for out of her own purse, at the rate of one halfpenny a day. Now _The Daily Film_ specialised in theatrical photographs, on which it said it spent large sums of money; and Edward Henry in a vision had seen the historic group in a future issue of the _Film_. He had also, in the same vision, seen his mother conning the said issue, and the sardonic curve of her lips as she recognised her son therein, and he had even heard her dry, cynical, contemptuous exclamation: "Bless us!" He could never have looked squarely in his mother's face again if that group had appeared in her chosen organ! Her silent and grim scorn would have crushed his self-conceit to a miserable, hopeless pulp. Hence his resolve to render the photograph impossible.

"Perhaps I'd better take another one?" the photographer suggested.

"Though I think Mr.--er--Machin was all right." At the supreme crisis the man had been too busy with his fireworks to keep a watch on every separate eye and mouth of the a.s.semblage.