Until Thy Wrath Be Past Part 29

An hour and a half later, Isak Krekula returns from his rounds. Hjalmar is sitting at the kitchen table.

"I've started heating up the sauna," he says. "Do you want to join me?"

On the table is a six-pack of strong beer.

Isak has no desire to take a sauna. He has been visiting someone who has served up something stronger than coffee, that much is obvious to his son. But Isak eyes the beer with interest.

Hjalmar handles his father skilfully. He does not nag him. Does not ask the same question twice. Gives the impression that it is all the same to him in no circ.u.mstances must Isak catch on to the fact that Hjalmar has been set the task of making sure his father has a bath. Isak stands in the doorway and says nothing. Hjalmar picks up the beer and a towel only one. Isak lets him pa.s.s. Hjalmar makes his way down to the sauna.

He puts the beers in a bucket full of snow, to keep them cold. He gives himself a good wash, then sits down in the sauna and pours water over the hot stones. There is a hissing and a spluttering, and the hot steam rises to the top bench, where he is sitting. His skin feels burning hot. He tries to ignore the fact that his stomach is resting on his thighs it is disturbing to realize how fat he has become.

Instead, he thinks about how it has become obvious that the house is now the home of two elderly people. In the old days, whenever you started up the sauna there was always a dry smell of pine wood, Russian soap and the fire in the stove. Now when he pours water onto the stones, there is a smell of ingrained dirt it is a long time since the benches were last given a good scrubbing.

He has almost forgotten his father when he hears the outside door slam. Bending over, he fishes a beer out of the bucket.

Isak comes in and clambers up to the top bench. Hjalmar hands his father a beer, which he swigs rapidly. Then takes another swallow.

There is not much of him left, Hjalmar thinks. A frail old body, thinning hair that is far too long, coa.r.s.e skin covered in the pock-marks and blotches typical of old age. It does not seem very long since muscles rippled when Isak rolled up his sleeves, or since he could lift the tailboard on one of his lorries without a.s.sistance.

Wrath, Hjalmar thinks. Isak's anger is just as strong as it ever was. It provides the backbone that keeps him upright. The anger he feels, knowing that the other villagers are whispering behind his back, the b.a.s.t.a.r.ds, half of whom would've been unemployed if it hadn't been for his haulage business; the anger directed at the tax authorities, those d.a.m.ned bloodsuckers, desk-bound wimps who have no idea what life is all about; the anger directed at local politicians, at insurance companies, at company directors, at the jerks in Stockholm, at the evening tabloids, at celebs (junkies, the lot of 'em), at the unemployed and s.h.i.+rkers on benefits idle swine who malinger and cheat and live off the hard work of others; at everything he sees on the television news bulletins, game shows, docu-soaps, why the h.e.l.l should he pay for a licence to watch s.h.i.+t like that?; at whoever is responsible for the fruit in the supermarket at Skaulo, a pile of rotting c.r.a.p surrounded by swarms of f.u.c.king fruit flies; at immigrants and gypsies; at academics a gang of presumptuous poseurs with ramrods shoved up their a.r.s.eholes.

At Hjalmar. When Hjalmar pa.s.sed his thirteenth birthday, his father stopped beating him, reduced it to an occasional box on the ears or smack in the face. When Hjalmar celebrated his eighteenth birthday, his father stopped all that as well.

But his anger did not subside. All that changed was the way it was expressed. Isak's body has grown weaker as he has become older. He can no longer lift a kitchen chair and smash it to pieces by bas.h.i.+ng it against the wall. His voice is now the bearer of his anger. It has become shriller, squeakier. His choice of words is cruder. He searches for words at the very bottom of the dunghill. He wallows in s.e.xual references and swearwords like a village dog in the body of a dead cow.

And now it is directed at Kerttu. It simply has to come out. All that wrath boiling and fermenting inside Isak.

"Huh, that f.u.c.king woman. So she's gone swanning off to the doctor's now, has she?" he says.

Steeling himself, Hjalmar takes a swig of beer.

"I suppose she has to find someone she can flash her b.o.o.bs at," Isak says, and fortifies himself with another swallow.

He goes on to argue that it is a good job there are folk around who get paid for gaping at naked old crones. So that n.o.body else has to look at their drooping dugs, their sagging bellies, their dried-up p.u.s.s.ies. No, it's better to feast your eyes on young women, isn't that right, Hjallie? But then, for Christ's sake, Hjallie hasn't a clue about that.

"I don't suppose you've ever had one, have you? Eh?"

Hjalmar wants to say, "Pack it in now." But he knows better.

Nevertheless Isak notices how distressed his son has become as a result of his ranting. That he has. .h.i.t the nail on the head. With what he has said about Kerttu, and what he has said about his son's naivety. The fact that Hjalmar has never had a woman. Isak cannot know for sure, but he keeps on at him.

"Not even a good screw with some dead-drunk tart?" he says.

That seems to have eased things for Isak. The pressure inside him is reduced when he tortures his son. Hjalmar looks down at his fat belly draped over his thighs.

"I don't want to hear any more about Mother," he says, pouring water over the stones so that the steam fizzles and splutters.

Isak pauses for a moment. His son does not usually have anything to say for himself. But the older man cannot hold back.

"You think," he says, and the influence of the toddies he drank in the village and the strong beer in the sauna is making itself felt, "you seem to think that she's a saint."

Leaning back against the wall, he farts loudly.

"A saint in h.e.l.l," he says. "You should know. August '43. The resistance hid Danish and Norwegian freedom fighters and Finnish deserters. She was b.l.o.o.d.y brilliant at getting people to talk. Sweet and young and innocent, you know what I'm saying. In those days. Some Danish resistance fighters had escaped from a German iron-ore freighter in Lule harbour they'd been working as slave labourers. Three of them. She went to a dance and persuaded a young man to tell her all about it. Everything. Made a b.l.o.o.d.y wh.o.r.e of herself, that's what she did. They were in a hut in the forest. Things didn't turn out well for them at all."

Hjalmar is filled with horror and disgust. What? What is his father saying?

Isak turns to look at his son. Something resembling a smile creeps over his face. A grin. Hjalmar thinks he looks like a snake, a bug, something you find when you turn over a stone. His old-man's teeth protrude provocatively. He does not have false teeth, but what he does have is enough to send s.h.i.+vers up your spine.

"What's happened to Simon and Wilma?" Isak says.

Hjalmar shrugs.

Isak does not know. n.o.body has told him. Of course he has his suspicions. The alcohol encourages him to ask. He is raving over having been excluded, shut out. He has been shrugged off, an old man who does not count. Someone who has to be protected. Someone who cannot be trusted. He is not allowed to know. He is not allowed to drive a car. Anger is gnawing away inside him like a parasite.

"She'll burn in h.e.l.l," he says. "You probably think that's what will happen to me. But she'll be a few levels further down. So there."

His tone of voice changes. He becomes self-absorbed.

"So there, so there," he says over and over again.

Then he falls silent. Seems to regret having said too much.

"Huh," he says petulantly. "It wasn't all that hot in here. You didn't make the fire hot enough. There's still too much of a chill in the walls."

He clambers down from the bench and goes out into the cooling room. Hjalmar can hear him splas.h.i.+ng away in the wash basin. Then the outside door closes with a bang.

"What about Hjorleifur Arnarson?" Martinsson says. "What happened to him?"

"That was Tore," Hjalmar says. "He hit him with a piece of firewood. We couldn't risk him having seen something. We moved him. Knocked the kitchen stool over. Opened the cupboard and put one of the rucksacks inside it. It was supposed to look like an accident." Closing his eyes, he recalls his brother telling him to hold up Hjorleifur's blood-covered head so that it would not leave a trail on the floor when Tore dragged him along by his legs.

Thank you, G.o.d, Martinsson thinks. That means we can put Tore behind bars. The spots of blood on his jacket plus Hjalmar's testimony. A watertight case.

"What are you intending to do now?" she says. "You're not thinking of shooting yourself, I hope?"

"No."

She starts talking more quickly.

"Because if you did . . ." she says, "I couldn't cope. Not after Lars-Gunnar Vinsa. I was there when he shot himself and Nalle. He'd locked me in the cellar."

"I know. I read about it. But I'm not going to."

Looking down at his mug of coffee, he shakes his head.

"Mind you, I did think about it."

He looks up at her.

"You told me to go out into the forest. And I did. Something happened that I can't explain. A bear looked at me. It came really close."

"And?"

"It was as if there was something bigger than me. And I don't mean the bear. Afterwards I just knew that I had to confess. I had to get it all out of me. All the lies."

She looks at him doubtfully.

"So why did you come out here?"

"I thought I'd better come here and wait."

"Wait for what?"

"I don't know. For whatever was going to happen. For everything that had to happen."

Tore Krekula stops the snow scooter beside Hjalmar's car. There is another car parked there as well. But smoke is only coming from Hjalmar's chimney. So who is there with Hjalmar? Tore texts the Road Licensing Authorities, asking who owns a car with that registration number. The reply comes immediately. Rebecka Martinsson, Kurravaara. Prosecutor. Her being there is not a problem. He will finish her off. And then his brother.

The death of Hjalmar Krekula will have to look like suicide. Given the state he seems to be in at the moment, he might well kill himself anyway. Maybe he just needs a bit of persuasion. Tore will fix that. Hjalmar killed Wilma and Simon. And as for Hjorleifur, let's see . . . Hjalmar borrowed Tore's jacket . . . No, that's no good: Hjalmar's so b.l.o.o.d.y fat, he would never fit into his brother's jacket. No, here we go: Tore was standing next to Hjorleifur, they were only going to talk to him but suddenly, without warning, Hjalmar lashed out with the lump of firewood. A splash of blood landed on Tore's jacket. Yes, that'll do the trick. Hjalmar murders the prosecutor, then kills himself. Somehow. Tore will have to improvise a bit, but it will be alright. It will all turn out O.K. No problem.

That b.l.o.o.d.y Hjalmar! What the h.e.l.l does he think he's playing at? There's not a grain of sense in that flabby skull of his. He lets himself crumble under pressure. But not Tore. He has a family to think about. Laura. His sons. Even if they are grown up now. And Mother and Father. Tore has been running the firm more or less on his own ever since he was fifteen. He has never had a week's holiday in the whole of his adult life. He has worked and taken on more responsibility. Worked and taken on more responsibility. And for what? So that his brother can take it all away from him? No.

Tintin is the first to hear the scooter. She raises her head and listens. At which point Vera barks. Only then do Martinsson and Hjalmar hear the sound of an engine coming closer. Hjalmar gets up and looks out of the window.

"Bad news," he says. "It's my brother."

Martinsson jumps up but where can she go? Out the door? What would happen then?

"There's no time for that," Hjalmar says. "He's here."

Martinsson hears the snow scooter's engine being switched off.

Now he's getting off the scooter, she thinks. Now he's going to come in.

Hjalmar turns to Martinsson and speaks. The words come tumbling out of his mouth faster than they have ever done in his life.

"Get into the bathroom," he says. "Lock the door. There's a window. Climb out. Run down to the river and across it. Stick to the scooter tracks. They'll have frozen over and with luck will take your weight. It's your only chance. I'll try to slow him down. But I can only talk to him. I can't lay a hand on him. I simply can't lay a hand on Tore."

The bathroom door locks from the inside. Martinsson fumbles with the hasp: she has to lift up the handle in order to thread the the hasp through the metal ring. The window is tiny, high up in the wall above the toilet. Martinsson stands on the toilet lid and releases the window catches. Using both hands, she opens the window. There are bottles of shampoo and detergent on the window ledge. She tosses them out into the snow. Then she grabs hold of the window frame and heaves herself up onto her elbows until she is hanging halfway out of the window. She wriggles through it until her hips are resting on the ledge. It is further up from the ground than she expected. She will have to do her best to avoid breaking her neck when she tumbles out.

This is going to be disastrous, she thinks, as she thrusts herself head first through the window.

At that same moment Tore Krekula flings open the door of the cottage.

"Where is she?" Tore says to his brother.

Hjalmar says nothing. Vera stands up and starts barking. As does Tintin.

"In there?" Tore says, nodding in the direction of the bathroom. Marching over to the door, he tugs at it.

"Come out of there!" he shouts, banging on the door so hard that it rattles against the frame.

"What the h.e.l.l have you told her?" he says to his brother. "Tell me!"

"The truth," Hjalmar says.

He is still sitting on the the sofa.

"The truth!" Tore says, mimicking his brother's voice. "You thick, bloated a.r.s.ehole!"

He kicks the bathroom door in. It flies open instantly. Thuds against the washbasin.

Tore peers inside. Empty. But the window is wide open.

Martinsson falls headlong out of the window. Lands on her back like a beetle. The snow is wet and soft, so she is unhurt; but it is nearly impossible to get up. She struggles in vain to stand.

Manages in the end. Her head is at the top of her body, and her feet at the bottom. But with every step, she sinks into the snow up to her waist. The river had seemed very close, but now it seems far, far away. She fights her way through the deep snow. Sinks down after every step. Her muscles tremble with the strain. The sun is broiling. Sweat pours off her. If only she can get as far as the snow-scooter tracks. The frost has hardened them. They will support her and she will be able to run across the river to the other side.

Tore looks out of the window. Down towards the river. Sees the prosecutor wading through the snow. She manages to crawl up onto the icy snow-scooter tracks, and is heading for the river. What is she thinking? That she can get away?

"Is the ice thick enough to take the scooter?" he says to his brother.

"No," Hjalmar says.

The dogs are restless. They are running around in circles and howling.

Tore does not believe his brother.

"You're lying," he says.

He pulls on his gloves. He will drive after her and mow her down. She is dead. She is already as good as dead.

When he opens the door, Tintin sneaks out.

Martinsson runs along the scooter track towards the river. It is like a strip of s.h.i.+ny ice on top of the powdery snow. She is a reindeer calf on wobbly legs. The wolf is not far away. Her limbs are exhausted after wading through the deep snow. She finds it hard to stay on the track. Her temples are throbbing. Her strenuous efforts have produced a bitter taste in her mouth.

She hears the sound of an engine behind her, and looks round. It is Tore on the snow scooter.

He will run her down. She will die in the snow, her insides mashed to a pulp, blood pouring out of her nose and mouth. Run, run.

Tore drives down the slope towards the riverbank. He is standing up on the scooter. The engine is roaring. He is catching her up. It will not take long. Martinsson stops and turns to face him.

I'm not going to survive this, she thinks.

He is only ten metres away now. She shuts her eyes.

She thinks about her farmor. How she always smelled slightly of the cowshed and tobacco smoke. How she used to get up at the crack of dawn and light the fire in the kitchen stove. Martinsson would drink tea with honey and milk, and eat a cheese sandwich. Her farmor would drink coffee and smoke her hand-rolled cigarettes. Martinsson thinks about her father. How he and Farmor and Martinsson would sit at Farmor's place stemming lingonberries. They each have a tray. Under one edge of the tray is a folded newspaper. The sound of the hard berries rolling across the tray and down towards the side, where the stemmed ones gather. Pulling off the stems and leaves, they nudge the trimmed berries so that they roll down the sloping tray. Martinsson finds spiders and other creepy-crawlies that must be rescued and released outdoors.

Then she hears the sound of the scooter sinking through the ice. The ice gives way with a crash. The engine bubbles away in the water, but finally falls silent. She hears Tore Krekula screaming.