If Winter Comes Part 4

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Mabel was two years younger than Sabre, twenty-five at the time of her marriage and just past her thirtieth birthday when the separate rooms were first occupied. Her habit of sudden laughter, rather loud, which Sabre first noticed in connection with their differing views on the mean streets visit, was rather characteristic of her. Her laugh came suddenly, and very heartily, at anything that amused her and without her first smiling or suggesting by any other sign that she was amused. And it came thus abruptly out of a face whose expression was normally rather severe. Probably of the same mentality was her habit of what Sabre called "flying up." She "flew up" without her speech first warming up; but of her flying up, unlike her sudden burst of laughter, Sabre came to know certain premonitory symptoms in her face. Her face what he called "tightened." In particular he used to notice a curious little constriction of the sides of her nose, rather as though invisible tweezers were pressing it.

She had rather a long nose and this pleased her, for she once read somewhere that long noses were aristocratic. She stroked her nose as she read.

Her complexion was pale, though this was perhaps exaggerated by her colouring, which was dark. Her features were noticeably regular and noticeably refined, though her eyes were the least little bit inclined to be prominent: when Sabre married the Dean of Tidborough's only daughter, it was said that he had married "a good-looking girl"; also that he had married "a very nice girl"; those were the expressions used.

She liked the company of men and she was much liked by men (the opinion of the garrulous Hapgood may be recalled in this connection). She very much liked the society of women of her own age or older than herself, and she was very popular with such. She did not like girls, married or unmarried.

II

Mabel belonged to that considerable cla.s.s of persons who, in conversation, begin half their sentences with "And just imagine--"; or "And only fancy--"; or "And do you know--." These exclamations, delivered with much excitement, are introductory to matters considered extraordinary. Their users might therefore be imagined somewhat easily astonished. But they have a compensatory steadiness of mind in regard to much that mystifies other people. To Mabel there was nothing mysterious in birth, or in living, or in death. She simply would not have understood had she been told there was any mystery in these things. One was born, one lived, one died. What was there odd about it? Nor did she see anything mysterious in the intense preoccupation of an insect, or the astounding placidity of a primrose growing at the foot of a tree. An insect--you killed it. A flower--you plucked it. What's the mystery?

Her life was living among people of her own cla.s.s. Her measure of a man or of a woman was, Were they of her cla.s.s? If they were, she gladly accepted them and appeared to find considerable pleasure in their society. Whether they had attractive qualities or unattractive qualities or no qualities at all did not affect her. The only quality that mattered was the quality of being well-bred. She called the cla.s.ses beneath her own standard of breeding "the lower cla.s.ses", and so long as they left her alone she was perfectly content to leave them alone. In certain aspects the liked them. She liked "a civil tradesman" immensely; she liked a civil charwoman immensely; and she liked a civil workman immensely. It gave her as much pleasure, real pleasure that she felt in all her emotions, to receive civility from the cla.s.ses that ministered to her cla.s.s--servants, tradespeople, gardeners, carpenters, plumbers, postmen, policemen--as to meet any one in her own cla.s.s. It never occurred to her to reckon up how enormously varied was the cla.s.s whose happy fortune it was to minister to her cla.s.s and she would not have been in the remotest degree interested if any one had told her how numerous the cla.s.s was. It never occurred to her that any of these people had homes and it never occurred to her that the whole of the lower cla.s.ses lived without any margin at all beyond keeping their homes together, or that if they stopped working they lost their homes, or that they looked forward to nothing beyond their working years because there was nothing beyond their working years for them to look forward to. Nor would it have interested her in the remotest degree to hear this. The only fact she knew about the lower cla.s.ses was that they were disgustingly extravagant and spent every penny they earned. The woman across the Green who did her was.h.i.+ng had six children and a husband who was an agricultural labourer and earned eighteen and sixpence a week.

These eight lived in three rooms and "if you please" they actually bought a gramophone! Mabel instanced it for years after she first heard it. The idea of that cla.s.s of person spending money on anything to make their three rooms lively of an evening was scandalous to Mabel. She heard of the gramophone outrage in 1908 and she was still instancing it in 1912. "And those are the people, mind you," she said in 1912, "that we have to buy these National Insurance stamps for!"

III

Mabel was not demonstrative. She had no enthusiasms and no sympathies.

Enthusiasms and sympathies in other people made her laugh with her characteristic burst of sudden laughter. It was not, as with some persons, that matters calling for sympathy made her impatient,--as very robust people are often intensely impatient with sickness and infirmity.

She never would say, "I have no patience with such and such or so and so." She had plenty of patience. It was simply that she had no imagination whatsoever. Whatever she saw or heard or read, she saw or heard or read exactly as the thing presented itself. If she saw a door she saw merely a piece of wood with a handle and a keyhole. It may be argued that a door is merely a piece of wood with a handle and a keyhole, and that is what Mabel would have argued. But a door is in fact the most intriguing mystery in the world because of what may be the other side of it and of what goes on behind it. To Mabel nothing was on the other side of anything she saw and nothing went on behind it.

A person or a creature in pain was to Mabel a person or a creature "laid up." Laid up--out of action--not working properly: like a pencil without a point. A picture was a decoration in paint and was either a pretty decoration in paint or a not pretty decoration in paint. Music was a tune, and was either a tune or merely music. A book was a story, and if it was not a story it was simply a book. A flower was a decoration.

Poetry, such as

"While the still morn went out with sandals grey,"

was simply writing which, obviously, had no real meaning whatsoever, and obviously--well, read the thing--was not intended to have any meaning. A fine deed was fine precisely in proportion to the social position of the person who performed it. Scott's death at the South Pole, when that was announced in 1913, was fine because he was a gentleman. The disaster of the colliers entombed in the Welsh Senghenydd mine which happened in the same year was sad. "How sad!" She read the account, on the first day, with the paper held up wide open and said "How sad!" and turned on to something for which the paper might be folded back at the place and read comfortably. Scott's death she read with the paper folded back at the account. She liked seeing the pictures of Lady Scott and of Scott's little boy. She read the caption under one of the pictures of the wives and families of the four hundred and twenty-nine colliers killed in the Senghenydd mine, but not under any of the others. The point she noted was that all the women "of that cla.s.s" wore "those awful cloth caps",--the colliers' women just the same as the women in the mean streets of Tidborough Old Town.

She was never particularly grateful for anything given to her or done for her; not because she was not pleased and glad but because she could invest a gift with no imagination of the feelings of the giver. The thing was a present just as a pound of bacon was a pound of bacon. You said thank you for the present just as you ate the bacon. What more was to be said?

She revelled in gossip, that is to say in discussion with her own cla.s.s of the manners and doings of other people. She thought charity meant giving jelly and red flannel to the poor; she thought generosity meant giving money to some one; she thought selfishness meant not giving money to some one. She had no idea that the only real charity is charity of mind, and the only real generosity generosity of mind, and the only real selfishness selfishness of mind. And she simply would not have understood it if it had been explained to her. As people are judged, she was entirely nice, entirely worthy, entirely estimable. And with that, for it does not enter into such estimates, she had neither feelings of the mind nor of the heart but only of the senses. All that her senses set before her she either overvalued or undervalued: she was the complete and perfect sn.o.b in the most refined and purest meaning of the word.

She was much liked, and she liked many.

CHAPTER V

I

The Penny Green Garden House Development Scheme was begun in 1910. In 1908, the year of the measles and the separated bedrooms, no shadow of it had yet been thrown. It never occurred to any one that a railway would one day link Penny Green with Tidborough and all the rest of the surrounding world, or that a railway to Tidborough was desirable. Sabre bicycled in daily to Fortune, East and Sabre's, and the daily ride to and fro had become a curious pleasure to him.

There had once occurred to him as he rode, and thereafter had persisted and acc.u.mulated, the feeling that, on the daily, solitary pa.s.sage between Tidborough and Penny Green, he was mysteriously detached from, mysteriously suspended between, the two centres that were his two worlds,--his business world and his home world.

With its daily recurrence the thought developed: it enlarged to the whimsical notion that here, on his bicycle on the road, he was magically escaped out of his two worlds, not belonging to or responsible to either of his two worlds, which amounted to delicious detachment from all the universe. A mysteriously aloof, free, irresponsible att.i.tude of mind was thus obtained: it was a condition in which--as one looking down from a high tower on scurrying, antlike human beings--their oddness, their futility, the apparent aimlessness of their excited scurrying became apparent; hence frequent thought, on these rides, on the rather odd thing that life was.

He was not in the least aware that so simple, so practical and so obviously essential a thing as his daily ride--as simple, practical and obviously essential as getting out of bed in the morning and returning to bed at night--was moulding a mind always p.r.o.ne to develop meditative grooves. But it did develop his mind in the extraordinary way in which minds are moulded by the most simple habits. In this mere matter of conveyance a philosopher might trace back a singularly brutal and callous murder to the moulding into callous and brutal regard of other people's sufferings rendered into a perfectly gentle mind by the habit of daily travelling to business in London on the top of a motor omnibus.

It would only need to be shown that the gentle mind secured his seat with dignity and comfort at the bus's starting point and daily for years watched with amus.e.m.e.nt, and then with callousness and so with brutality the struggles of the unhappy fellow creatures who fought to a.s.sail it at its stopping places on the way to the City.

Mark Sabre was not in the least aware of any steadily permeating influence from his sense of detachment on this daily habit of years. But he was influenced. On entering his Penny Green world on the return home, or on entering his Tidborough office world, on the way out, he had sometimes a curious feeling of descending into this odd affair of life to which he did not really belong. And for the few moments while the feeling persisted he sometimes, more or less unconsciously, took towards affairs a rather whimsical att.i.tude, as though they did not really matter: an irritating att.i.tude, unpractical, it was sometimes hinted by his partners; an irritating att.i.tude--"You really are very difficult to understand sometimes"--it was often told him by Mabel.

II

This very matter of the bicycle ride, indeed, apart altogether from its effect upon his mood, supplied an instance of the kind of thing Mabel found it so difficult to understand in her husband.

He made what she called a childish game of it. Every day on the ride home, Sabre ceased pedalling at precisely the same point on the slope down into Penny Green and coasted until the machine came to a standstill within a few yards of his own gate. This point of cessation was never twice in a week at the same spot; and Sabre found great interest in seeing every day exactly where it would be, and by intense wriggling of his front wheel and prodigious feats of balancing, squeezing out of the machine's momentum the last possible fraction of an inch. There was a magnificent distance record when, on one single occasion only, he had been deposited plumb in line with his own gate; and there was a divertingly lamentable shortage record, touched on more than one occasion, when he had come to ground plumb in line with the gate of Mr.

Fargus, his neighbour on that side.

Each of these records, though marked by the gates, was also and more exactly marked by a peg hammered into the edge of the Green.

This was childish; and Mabel said it was childish when her attention was drawn to the diversion. On the day the great distance record was created he came rather animatedly into the kitchen where she happened to be. "I say, what's happened to that small wood axe? Is it in here?"

Mabel followed the direction of the convulsive start made by Low Jinks and produced the small wood axe from under the dresser, also directing at Low Jinks a glance which told Low Jinks what she perfectly well knew: namely that under the dresser was not the place for the small wood axe. "Whatever do you want it for all of a sudden?" Mabel asked.

He felt the edge with his thumb. "Low"--Mabel's face twitched. He had persisted in the idiotic and indecorous names, and her face always twitched when he used them--"Low, do you keep my axe for chopping coal or what?" And he addressed Mabel. "I'm getting fat, I think. I don't want the axe to cut lumps off myself, though. I'm going to chop a marking peg. I've done a heavyweight world's record on that run in on my bike--"

"Oh, _that_!" said Mabel.

And when he had gone out into the wood yard, Low Jinks staring after him with the uplifted eyebrows with which both sisters, the glum and the grim, commonly received the master's "ways", Mabel said in the gently pained way which was her admirable method of administering rebukes in the kitchen: "The woodshed is the place for the small wood axe, Rebecca."

Rebecca promptly unsmirked her smirk. "Yes, m'm."

A little later the sound of loud hammering took Mabel to the gate.

Across the road, at the edge of the Green, Sabre was energetically driving in the peg with the back of the axe. He was squatting and he looked up highly pleased with himself and, his words implied, with her.

"Come to see it? Good! How's that for an effort, eh? Look here now.

Yesterday I only got as far as here," and he walked some paces towards Mr. Fargus's gate and struck his heel in the ground and looked at her, smiling. "Absolutely the same conditions, mind you. No wind. And I always start from the top practically at rest; and yet always finish up different. Jolly funny, eh?"

She opened the gate for him. "What you can see in it!" she murmured.

He said, "Oh, well!"

III

But on the following day he was surprised and intensely pleased to see his champion peg gleaming white in the suns.h.i.+ne. Mabel was in the morning room, sewing.

"Hullo, sewing? I say, did you paint my peg? How jolly nice of you!"

She looked up. "Your peg? Whatever do you mean?"

"That record distance peg of mine. Painted it white, haven't you?"

"No, I didn't paint it!"

"Who the d.i.c.kens--? Well, I'll just wash my hands. Not had tea, have you? Good."

If Winter Comes Part 4

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If Winter Comes Part 4 summary

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