Charlie Chan - Charlie Chan Carries On Part 3
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"One moment, sir. I had another little adventure."
"Oh, you did? What was that?"
"On my four o'clock round, when I reached this floor, the light was no longer burning. Everything was black darkness. *Burnt out,' I thought, and I reached for my electric torch. Suddenly, as I put my hand to my pocket, I was conscious of some one standing at my side. Just felt him there, sir, breathing hard in the quiet night. I got the torch out and flashed it on. I saw the person was wearing gray clothes, sir - and then the torch was knocked from my hand. We struggled there, at the top of the stairs - but I'm not so young as I once was. I did get hold of the pocket of his coat - the right-hand pocket - trying to capture him and he trying to break away. I heard the cloth tear a bit. Then he struck me and I fell. I was out for a second, and when I knew where I was again, he had gone."
"But you are certain that he wore a gray suit? And that you tore the right-hand pocket of his coat?"
"I'd swear to those two points, sir."
"Did you get any idea at this time that you were dealing with the same man you had encountered on your two o'clock round?"
"I couldn't be sure of that, sir. The second one seemed a bit heavier. But that might have been my imagination, as it were."
"What did you do next?"
"I went downstairs and told the night porter. Together we searched the entire house as thoroughly as we could without disturbing any of the guests. We found no one. We debated about the police - but this is a very respectable and famous hotel, sir, and it seemed best -"
"Quite right, too," the manager put in.
"It seemed best to keep out of the daily press, if possible. So we did nothing more then, but of course I reported both incidents to Mr. Kent when he arrived this morning."
"You've been with Broome's a long time, Eben?" Duff inquired.
"Forty-eight years, sir. I came here as a boy of fourteen."
"A splendid record," the inspector said. "Will you please go now and wait in Mr. Kent's office. I shall want you later on."
"With pleasure, sir," the watchman replied, and went out.
Duff turned to Hayley. "I'm going down to meet that round the world crowd," he remarked. "If you don't mind a suggestion, old chap, you might get a few of your men in from the station and, while I'm holding these people below-stairs, have a look at their rooms. Mr. Kent will no doubt be happy to act as your guide."
"I should hardly put it that way," said Kent gloomily. "However, if it must be done -"
"I'm afraid it must. A torn bit of watch-chain - a gray coat with the pocket ripped - it's hardly likely you'll succeed, Hayley. But of course we dare not overlook anything." He turned to the fingerprint expert and the photographer, who were still on the scene. "You lads finished yet?"
"Just about, sir," the fingerprint man answered.
"Wait for me here, both of you, and clear up all odds and ends," Duff directed. He went with Hayley and Kent into the hall. There he stood, looking about him. "Just four rooms on this corridor," he remarked. "Rooms 27, 28 and 29, occupied by Mrs. Spicer, poor Drake and Honywood. Can you tell me who has room 30 - the only one remaining? The one next to Honywood?"
"That is occupied by a Mr. Patrick Tait," Kent replied. "Another member of the Lofton party. A man of about sixty, very distinguished-looking - for an American. I believe he has been a well-known criminal lawyer in the States. Unfortunately he suffers from a weak heart, and so he is accompanied by a traveling companion - a young man in the early twenties. But you'll see Mr. Tait below, no doubt - and his companion too."
Duff went alone to the first floor. Doctor Lofton was pacing anxiously up and down before a door. Beyond, Duff caught a glimpse of a little group of people waiting amid faded red-plush splendor.
"Ah, Inspector," the doctor greeted him. "I haven't been able to round up the entire party as yet. Five or six are still missing, but as it's nearly ten, they should be in soon. Here is one of them now."
A portly, dignified man came down the corridor from the Clarges Street entrance. His great shock of snow-white hair made him appear quite distinguished - for an American.
"Mr. Tait," said Lofton, "meet Inspector Duff, of Scotland Yard."
The old man held out his hand. "How do you do, sir?" Ho had a deep booming voice. "What is this I hear? A murder? Incredible. Quite incredible. Who - may I ask - who is dead?"
"Just step inside, Mr. Tait," Duff answered. "You'll know the details in a moment. A rather distressing affair -"
"It is, indeed." Tait turned and with a firm step crossed the threshold of the parlor. For a moment he stood, looking about the group inside. Then he gave a strangled little cry, and pitched forward on to the floor.
Duff was the first to reach him. He turned the old man over, and with deep concern noted his face. It was as blank as that of the dead man in room 28.
Chapter IV.
DUFF OVERLOOKS A CLUE.
The next instant a young man was at Duff's side, a good-looking American with frank gray eyes, now somewhat startled. Removing a small, pearl-like object from a bottle, he crushed it in his handkerchief, and held the latter beneath the nose of Mr. Patrick Tait.
"Amyl nitrite," he explained, glancing up at the inspector. "It will bring him around in a moment, I imagine. It's what he told me to do if he had one of these attacks."
"Ah, yes. You are Mr. Tait's traveling companion?"
"I am. My name's Mark Kennaway. Mr. Tait is subject to this sort of thing, and that is why he employed me to come with him." Presently the man on the floor stirred and opened his eyes. He was breathing heavily and his face was whiter than his shock of snowy hair.
Duff had noted a door on the opposite side of the room and crossing to it, he discovered that it led to a smaller parlor, among the furnis.h.i.+ngs of which was a broad and comfortable couch. "Best get him in here, Mr. Kennaway," he remarked. "He's still too shaky to go upstairs." Without another word, he picked the old man up in his arms and carried him to the couch. "You stay here with him," Duff suggested. "I'll talk to you both a little later." Returning to the larger room, he closed the door behind him.
For a moment he stood looking about the main lounge of Broome's Hotel. Plenty of red plush and walnut had been the scheme of the original decorator, and it had remained undisturbed through the years. There was a bookcase with a few dusty volumes, a pile of provincial papers on a table, on the walls a number of sporting prints, their once white mats yellowed by time.
The group of very modern people who sat now in this musty room were regarding Inspector Duff with serious and, it seemed to him, rather anxious eyes. Outside the sun had at last broken through the fog, and a strong light entered through the many-paned windows, illuminating these faces that were to be the chief study of the detective for a long time to come.
He turned to Lofton. "Some of your party are still missing?"
"Yes - five. Not counting the two in the next room - and of course, Mrs. Potter."
"No matter," shrugged Duff. "We may as well get started." He drew a small table into the middle of the floor, and sitting down beside it, took out his notebook. "I presume every one here knows what has happened. I refer to the murder of Mr. Drake in room 28 last night." No one spoke, and Duff continued. "Allow me to introduce myself. I am Inspector Duff, of Scotland Yard. I may say, first of all, that this entire group, and all the other members of your party, must remain together here at Broome's Hotel until released by the authorities at the Yard."
A little man, with gold-rimmed eyegla.s.ses, leaped to his feet. "Look here, sir," he cried in a high shrill voice, "I propose to leave the party immediately. I am not accustomed to being mixed up with murder. In Pittsfield, Ma.s.sachusetts, where I come from -"
"Ah, yes," said Duff coldly. "Thank you. I scarcely knew where to begin. We will start with you." He took out a fountain pen. "Your name, please?"
"My name is Norman Fenwick." He p.r.o.nounced it Fennick.
"Spell the last name, if you will."
"F-e-n-w-i-c-k. It's an English name, you know."
"Are you English?"
"English descent, yes. My ancestors came to Ma.s.sachusetts in 1650. During the Revolution they were all loyal to the mother country."
"That," smiled Duff grimly, "was some time ago. It will hardly enter into the present case." He stared with some distaste at the little man who was so obviously eager to curry favor with the British. "Are you traveling alone?"
"No, I'm not. My sister is with me." He indicated a colorless, gray-haired woman. "Miss Laura Fenwick."
Duff wrote again. "Now tell me, do either of you know anything about last night's affair?"
Mr. Fenwick bristled. "Just what do you mean by that, sir?"
"Come, come," the inspector protested. "I've a bit of a job here and no time to waste. Did you hear anything, see anything, or even sense anything that might have some bearing on the case?"
"Nothing, sir, and I can answer for my sister."
"Have you been out of the hotel this morning? Yes? Where?"
"We went for a stroll through the West End. A last look at London. We are both quite fond of the city. That's only natural, since we are of British origin -"
"Yes, yes. Pardon me, I must get on -"
"But one moment, Inspector. We desire to leave this party at once. At once, sir. I will not a.s.sociate -"
"I have told you what you must do. That matter is settled."
"Very well, sir. I shall interview our amba.s.sador. He's an old friend of my uncle's -"
"Interview him by all means," snapped Duff. "Who is next? Miss Pamela, we have had our chat. And Mrs. Spicer - I have seen you before. That gentleman next to you -"
The man answered for himself. "I am Stuart Vivian, of Del Monte, California." He was bronzed, lean, and would have been handsome had it not been for a deep scar across the right side of his forehead. "I must say that I'm quite in sympathy with Mr. Fenwick. Why should we be put under restraint in this affair? Myself, I was a complete stranger to the murdered man - I'd never even spoken to him. I don't know any of these others, either."
"With one exception," Duff reminded him.
"Ah - er - yes. With one exception."
"You took Mrs. Spicer to the theater last evening?"
"I did. I knew her before we came on this tour."
"You planned the tour together?"
"A ridiculous question," the woman flared.
"Aren't you rather overstepping the bounds?" cried Vivian angrily. "It was quite a coincidence. I hadn't seen Mrs. Spicer for a year, and imagine my surprise to come on to New York and find her a member of the same party. Naturally there was no reason why we shouldn't go on."
"Naturally," answered Duff amiably. "You know nothing about Mr. Drake's murder?"
"How could I?"
"Have you been out of the hotel this morning?"
"Certainly. I took a stroll - wanted to buy some s.h.i.+rts at the Burlington Arcade."
"Make any other purchases?"
"I did not."
"What is your business, Mr. Vivian?"
"I have none. Play a bit of polo now and then."
"Got that scar on the polo field, no doubt?"
"I did. Had a nasty spill a few years back."
Duff looked about the circle. "Mr. Honywood, just one more question for you."
Honywood's hand trembled as he removed the cigarette from his mouth. "Yes, Inspector?"
"Have you been out of the hotel this morning?"
"No, I - I haven't. After breakfast I came in here and looked over some old copies of the New York Tribune."
"Thank you. That gentleman next to you?" Duff's gaze was on a middle-aged man with a long hawk-like nose and strikingly small eyes. Though he was dressed well enough and seemed completely at ease, there was that about him which suggested he was somewhat out of place in this gathering.
"Captain Ronald Keane," he said.
"A military man?" Duff inquired.
"Why - er - yes -"
"I should say he is a military man," Pamela Potter put in. She glanced at Duff. "Captain Keane told me he was once in the British army, and had seen service in India and South Africa."
Duff turned to the captain. "Is that true?"
"Well -" Keane hesitated. "No, not precisely. I may have been - romancing a bit. You see - on board a s.h.i.+p - a pretty girl -"
"I understand," nodded the detective. "In such a situation one tries to impress, regardless of the truth. It has been done before. Were you ever in any army, Captain Keane?"
Again Keane hesitated. But the Scotland Yard man was in too close touch with records to make further lying on this point advisable. "Sorry," he said. "I - er - the t.i.tle is really honorary. It means - er - little or nothing."
"What is your business?"
"I haven't any at present. I've been - an engineer."
"How did you happen to come on this tour?"
"Why - for pleasure, of course."
Charlie Chan - Charlie Chan Carries On Part 3
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Charlie Chan - Charlie Chan Carries On Part 3 summary
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