The Vertical City Part 1
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The Vertical City.
by Fannie Hurst.
SHE WALKS IN BEAUTY
By that same architectural gesture of grief which caused Jehan at Agra to erect the Taj Mahal in memory of a dead wife and a cold hearthstone, so the Bon Ton hotel, even to the pillars with red-freckled monoliths and peac.o.c.k-backed lobby chairs, making the a.n.a.logy rather absurdly complete, reared its fourteen stories of "elegantly furnished suites, all the comforts and none of the discomforts of home."
A mausoleum to the hearth. And as true to form as any that ever mourned the dynastic bones of an Augustus or a Hadrian.
An Indiana-limestone and Vermont-marble tomb to Hestia.
All ye who enter here, at sixty dollars a week and up, leave behind the lingo of the fireside chair, parsley bed, servant problem, cretonne shoe bags, hose nozzle, striped awnings, attic trunks, bird houses, ice-cream salt, spare-room matting, bungalow ap.r.o.ns, mayonnaise receipt, fruit jars, spring painting, summer covers, fall cleaning, winter apples.
The mosaic tablet of the family hotel is nailed to the room side of each door and its commandments read something like this:
One ring: Bell Boy.
Two rings: Chambermaid.
Three rings: Valet.
Under no conditions are guests permitted to use electric irons in rooms.
Cooking in rooms not permitted.
No dogs allowed.
Management not responsible for loss or theft of jewels. Same can be deposited for safe-keeping in the safe at office.
Note:
Our famous two-dollar Table d'Hote dinner is served in the Red Dining Room from six-thirty to eight. Music.
It is doubtful if in all its hothouse garden of women the Hotel Bon Ton boasted a broken finger nail or that little brash place along the forefinger that tattles so of potato peeling or asparagus sc.r.a.ping.
The fourteenth-story manicure, steam bath, and beauty parlors saw to all that. In spite of long bridge table, lobby divan, and table-d'hote seances, "tea" where the coffee was served with whipped cream and the tarts built in four tiers and mortared in mocha filling, the Bon Ton hotel was scarcely more than an average of fourteen pounds overweight.
Forty's silhouette, except for that cruel and irrefutable place where the throat will wattle, was almost interchangeable with eighteen's.
Indeed, Bon Ton grandmothers with backs and French heels that were twenty years younger than their throats and bunions, vied with twenty's profile.
Whistler's kind of mother, full of sweet years that were richer because she had dwelt in them, but whose eyelids were a little weary, had no place there.
Mrs. Gronauer, who occupied an outside, southern-exposure suite of five rooms and three baths, jazzed on the same cabaret floor with her granddaughters.
Many the Bon Ton afternoon devoted entirely to the possible lack of length of the new season's skirts or the intricacies of the new filet-lace patterns.
Fads for the latest personal accoutrements gripped the Bon Ton in seasonal epidemics.
The permanent wave swept it like a tidal one.
In one winter of afternoons enough colored-silk sweaters were knitted in the lobby alone to supply an orphan asylum, but didn't.
The beaded bag, cunningly contrived, needleful by needleful, from little strands of colored-gla.s.s caviar, glittered its hour.
Filet lace came then, sheerly, whole yokes of it for crepe-de-Chine nightgowns and dainty scalloped edges for camisoles.
Mrs. Samstag made six of the nightgowns that winter--three for herself and three for her daughter. Peach-blowy pink ones with lace yokes that were scarcely more to the skin than the print of a wave edge running up sand, and then little frills of pink-satin ribbon, caught up here and there with the most delightful and unconvincing little blue-satin rosebuds.
It was bad for her neuralgic eye, the meanderings of the filet pattern, but she liked the delicate threadiness of the handiwork, and Mr. Latz liked watching her.
There you have it! Straight through the lacy mesh of the filet to the heart interest.
Mr. Louis Latz, who was too short, slightly too stout, and too shy of likely length of swimming arm ever to have figured in any woman's inevitable visualization of her ultimate Leander, liked, fascinatedly, to watch Mrs. Samstag's nicely manicured fingers at work. He liked them pa.s.sive, too. Best of all, he would have preferred to feel them between his own, but that had never been.
Nevertheless, that desire was capable of catching him unawares. That very morning as he had stood, in his sumptuous bachelor's apartment, strumming on one of the windows that overlooked an expansive tree-and-lake vista of Central Park, he had wanted very suddenly and very badly to feel those fingers in his and to kiss down on them.
Even in his busy broker's office, this desire could cut him like a swift lance.
He liked their taper and their rosy pointedness, those fingers, and the dry, neat way they had of stepping in between the threads.
Mr. Latz's nails were manicured, too, not quite so pointedly, but just as correctly as Mrs. Samstag's. But his fingers were stubby and short.
Sometimes he pulled at them until they cracked.
Secretly he yearned for length of limb, of torso, even of finger.
On this, one of a hundred such typical evenings in the Bon Ton lobby, Mr. Latz, sighing out a satisfaction of his inner man, sat himself down on a red-velvet chair opposite Mrs. Samstag. His knees, widespread, taxed his knife-pressed gray trousers to their very last capacity, but he sat back in none the less evident comfort, building his fingers up into a little chapel.
"Well, how's Mr. Latz this evening?" asked Mrs. Samstag, her smile encompa.s.sing the question.
"If I was any better I couldn't stand it," relis.h.i.+ng her smile and his reply.
The Bon Ton had just dined, too well, from fruit flip _a la_ Bon Ton, mulligatawny soup, filet of sole _saute_, choice of or both _poulette emince_ and spring lamb _grignon_, and on through to fresh strawberry ice cream in fluted paper boxes, _pet.i.ts fours_, and _demi-ta.s.se_.
Groups of carefully corseted women stood now beside the invitational plush divans and peac.o.c.k chairs, paying twenty minutes' after-dinner standing penance. Men with Wall Street eyes and blood pressure slid surrept.i.tious celluloid toothpicks and gathered around the cigar stand.
Orchestra music flickered. Young girls, the traditions of demure sixteen hanging by one-inch shoulder straps, and who could not walk across a hardwood floor without sliding the last three steps, teetered in bare arm-in-arm groups, swapping persiflage with pimply, patent-leather-haired young men who were full of nervous excitement and eager to excel in return badinage.
Bell hops scurried with folding tables. Bridge games formed.
The theater group got off, so to speak. Showy women and show-off men.
Mrs. Gronauer, in a full-length mink coat that enveloped her like a squaw, a t.i.tillation of diamond aigrettes in her t.i.tianed hair, and an aftermath of scent as tangible as the trail of a wounded shark, emerged from the elevator with her son and daughter-in-law.
"Foi!" said Mr. Latz, by way of somewhat unduly, perhaps, expressing his own kind of cognizance of the scented trail.
"_Fleur de printemps_," said Mrs. Samstag, in quick olfactory a.n.a.lysis.
"Eight-ninety-eight an ounce." Her nose crawling up to what he thought the cunning perfection of a sniff.
The Vertical City Part 1
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The Vertical City Part 1 summary
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