The Vertical City Part 31
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"You see, Morton, she's such a little thing. A little thing with big eyes. All her life those eyes have looked right down into me, believing everything I ever told her. About you too, Morton. Good things. Not that I'm ashamed of anything I ever told her. My only wrong was ignorance.
And innocence. Innocence of the kind of lesson I was to learn from you."
"Nothin' was ever righted by harping on it, Hattie."
"But I want you to understand--O G.o.d, make him understand--she's such a sensitive little thing. And as things stand now--glad I'm her mother.
Yes, glad--black-face and all! Why, many's the time I've gone home from the theater, too tired to take off my make-up until I got into my own rocker with my ankles soaking in warm water. They swell so terribly sometimes. Rheumatism, I guess. Well, many a time when I kissed her in her sleep she's opened her eyes on me--black-face and all. Her arms up and around me. I was there underneath the black! She knows that! And that's what she'll always know about me, no matter what you tell her.
I'm there--her mother--underneath the black! You hear, Morton! That's why you must let us--live--"
"My proposition is the mighty decent one of a gentleman."
"She's only a little baby, Morton. And just at that age where being like all the other boys and girls is the whole of her little life. It's killing--all her airiness and fads and fancies. Such a proper little young lady. You know, the way they clip and trim them at finis.h.i.+ng school. Sweet-sixteen nonsense that she'll outgrow. To-night, Morton, she's at a party. A boy's. Her first. That fine-looking yellow-haired young fellow and his sister that bring her home every afternoon. At their house. Gramercy Park. A fine young fellow--Phi Pi--"
"Looka here, Hattie, are you talking against time?"
"She's home asleep by now. I told her she had to be in bed by eleven.
She minds me, Morton. I wouldn't--couldn't--wake her. Morton, Morton, she's yours as much as mine. That's G.o.d's law, no matter how much man's law may have let you s.h.i.+rk your responsibility. Don't hurt your own flesh and blood by coming back to us--now. I remember once when you cut your hand it made you ill. Blood! Blood is warm. Red. Sacred stuff.
She's your blood, Morton. You let us alone when we needed you. Leave us alone, now that we don't!"
"But you do, Hattie girl. That's just it. You're running things a woman's way. Why, a man with the right promoting ideas--"
There was a fusillade of bangs on the door now, and a shout as if the hair on the voice were rising in anger.
"All out or the doors 'll be locked on yuh! Fine doings!"
She grasped her light wrap from its hook, and her hat with its whirl of dark veil, fitting it down with difficulty over the fizz of wig.
"Come, Morton," she said, suddenly. "I'm ready. You're right, now or never."
"Your face!"
"No time now. Later--at home! She'll know that I'm there--under the black!"
"So do I, Hattie. That's why I--"
"I'm not one of the ready-made heroines you read about. That's not my idea of sacrifice! I'd let my child hang her head of my shame sooner than stand up and marry you to save her from it. Marcia wouldn't want me to! She's got your face--but my character! She'll fight! She'll glory that I had the courage to let you tell her the--truth! Yes, she will,"
she cried, her voice pleading for the truth of what her words exclaimed.
"She'll glory in having saved me--from you! You can come! Now, too, while I have the strength that loathing you can give me. I don't want you skulking about. I don't want you hanging over my head--or hers! You can tell her to-night--but in my presence! Come!"
"Yes, sir," he repeated, doggedly and still more doggedly. "Yes, siree!"
Following her, trying to be grim, but his lips too soft to click.
"Yes--sir!"
They drove up silently through a l.u.s.terless midnight with a threat of rain in it, hitting loosely against each other in a s.h.i.+ver-my-timbers taxicab. Her pallor showing through the brown of her face did something horrid to her.
It was as if the skull of her, set in torment, were looking through a transparent black mask, but, because there were not lips, forced to grin.
And yet, do you know that while she rode with him Hattie's heart was high? So high that when she left him finally, seated in her little lamplit living room, it was he whose unease began to develop.
"I--If she's asleep, Hattie--"
Her head looked so sure. Thrust back and sunk a little between the shoulders.
"If she's asleep, I'll wake her. It's better this way. I'm glad, now. I want her to see me save myself. She would want me to. You banked on mock heroics from me, Morton. You lost."
Marcia was asleep, in her narrow, pretty bed with little bowknots painted on the pale wood. About the room all the tired and happy muss of after-the-party. A white-taffeta dress with a whisper of real lace at the neck, almost stiffishly seated, as if with Marcia's trimness, on a chair. A steam of white tulle on the dressing table. A b.u.t.tonhole gardenia in a tumbler of water. One long white-kid glove on the table beside the night light. A naked cherub in a high hat, holding a pink umbrella for the lamp shade.
"Dear me! Dear me!" screamed Hattie to herself, fighting to keep her mind on the plane of casual things. "She's lost a glove again. Dear me!
Dear me! I hope it's a left one to match up with the right one she saved from the last pair. Dear me!"
She picked up a white film of stocking, turning and exploring with spread fingers in the foot part for holes. There was one! Marcia's big toe had danced right through. "Dear me!"
Marcia sleeping. Very quietly and very deeply. She slept like that.
Whitely and straightly and with the covers scarcely raised for the ridge of her slim body.
Sometimes Marcia asleep could frighten Hattie. There was something about her white stilliness. Lilies are too fair and so must live briefly.
That thought could clutch so that she would kiss Marcia awake. Kiss her soundly because Marcia's sleep could be so terrifyingly deep.
"Marcia," said Hattie, and stood over her bed. Then again, "Mar-cia!" On more voice than she thought her dry throat could yield her.
There was the merest flip of black on the lacy bosom of Marcia's nightgown, and Hattie leaned down to fleck it. No. It was a pin--a small black-enameled pin edged in pearls. Automatically Hattie knew.
"Pi Phi!"
"Marcia," cried Hattie, and shook her a little. She hated so to waken her. Always had. Especially for school on rainy days. Sometimes didn't.
Couldn't. Marcia came up out of sleep so reluctantly. A little dazed. A little secretive. As if a white bull in a dream had galloped off with her like Persephone's.
Only Hattie did not know of Persephone. She only knew that Marcia slept beautifully and almost breathlessly. Sweet and low. It seemed silly, sleeping beautifully. But just the same, Marcia did.
Then Hattie, not faltering, mind you, waited. It was better that Marcia should know. Now, too, while her heart was so high.
Sometimes it took as many as three kisses to awaken Marcia. Hattie bent for the first one, a sound one on the tip of her lip.
"Marcia!" she cried. "Marcy, wake up!" and drew back.
Something had happened! Darkly. A smudge the size of a quarter and the color of Hattie's guaranteed-not-to-fade cheek, lay incredibly on Marcia's whiteness.
Hattie had smudged Marcia! _Hattie Had Smudged Marcia!_
There it lay on her beautiful, helpless whiteness. Hattie's smudge.
It is doubtful, from the way he waited with his soft hat dangling from soft fingers, if Morton had ever really expected anything else.
Momentary unease gone, he was quiet and Southern and even indolent about it.
"We'll go to Greenwich first thing in the morning and be married," he said.
"Sh-h-h!" she whispered to his quietness. "Don't wake Marcia."
The Vertical City Part 31
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The Vertical City Part 31 summary
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