One Man in His Time Part 21

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Darrow laughed grimly. "That's right, sir, that's the way I've worked it out in my mind. The crowd will come a little way after a fact; but in the end it gets tired because the fact won't work magic, like that conjure-stuff of the darkeys, and then it turns and goes back to the old names that mean nothing. Only when a crowd moves all together it's dangerous because it's like the flood-tide and ebb-tide of the sea."

"And the most irritating part of it," said Stephen, with an insight which had sometimes visited him in the trenches, "is that it gets what it deserves because it can always have whatever it wants--even the truth and honest government."

They were pa.s.sing rows of narrow old-fas.h.i.+oned tenement-houses, standing, like crumbling walls of red brick, behind sagging wooden fences; and suddenly, while Stephen's eyes were on the lights that came and went so fitfully in the bas.e.m.e.nt dining-rooms, Darrow stopped the car in the gutter of cobblestones, and motioned in silence toward the pavement. As Stephen got out, he glanced vaguely round him at the strange neighbourhood.

"Where are we?"

"North of Marshall Street. A quarter which was once very prosperous; but that was before your day. This is one of several rows of old houses, well-built in their time, better built, indeed, than any houses we're putting up now; but their day is over. The cost of repairing them would be so great that the agent is deliberately letting the property run down in the hope that this part of the street will soon be turned over to negroes. The negroes are so crowded in their quarter that they are obliged to expand, and when they do, this investment will yield a still higher interest. Coloured tenants stand crowding better than white ones, and they will pay a better rent for worse housing. As it is the rent of these houses has doubled since the beginning of the war."

"Good G.o.d!" said Stephen. "Do we stop here?"

"I want you to see Canning, the man the Governor told you about. He can't pay his rent, which was raised last Sat.u.r.day, and the family is moving to-morrow."

"He ought to be paid for living here. Where will he go?"

"Oh, people can always find a worse place, if they look long enough.

Canning was in the war, by the way. He's got some nervous trouble--not crazy enough to be taken care of--just on edge and unstrung. The war used him up, I reckon, and anxiety and undernourishment used up his wife and children. It all seems to have come out in the baby--queerest little kid you ever saw--born about a year ago. Mighty funny--ain't it?--the way we let children just a few squares away from us grow up pinched, half-starved, undersized, uneducated, and as little moral as the gutters can make 'em, and all the time we're parading and begging and even collecting the pennies out of orphan asylums, for the sake of the children on the other side of the world. But it's a queer thing, charity, however you happen to look at it. My father used to say--and he had as much sense as any man I ever met--that charity is the greatest traveller under the sun; and even if it begins at home it ain't ever content to stop there over night."

Standing there in the dim street, before the silent rows of bleak houses with their tattered window-shades and their fitful lights, Stephen stared wonderingly at the gaunt shape of the man before him. For the first time he was brought face to face with the other half of his world, with the half of the world where poverty and toil are stark realities.

This was the way men like Darrow were thinking, men perhaps like Gideon Vetch! These men saw poverty not as a sentimental term, but as a human experience. They knew, while he and his kind only imagined. With a sensation as acute as physical nausea, a sensation that the thought of the Germans used to bring when he was in the trenches, there swept over him a memory of the social hysteria which had followed, like a mental pestilence or famine, in the track of the war. The moral plat.i.tudes, the sentimental philanthropy, and the hypocritical command of conscience to put all the world, except our own cellars, in order, where were these impulses now in a time which had gone mad with the hatred of work and the craving for pleasure? Yet he had once thought that he was returning to a world which could be rebuilt on a foundation of justice, and it was this lost belief, he knew, which had made him bitter in spirit and unfair in judgment.

The gate swung back with a grating noise, and they entered the yard, and walked over scattered papers and empty bottles to the narrow flight of brick steps, which led from the ground to the area in front of the bas.e.m.e.nt dining-room. As Stephen descended by the light from the dust-laden window, a chill dampness rose like a fog from the earth below and filled his nostrils and mouth and throat--a dampness which choked him like the effluvium of poverty. Glancing in from the area a moment later, he saw a scantily furnished room, heated by an open stove and lighted by a single jet of gas, which flickered in a thin greenish flame. In the centre of the room a pine table, without a cloth, was laid for supper, and three small children, in chairs drawn close together, were impatiently drumming with tin spoons on the wood. A haggard woman, in a soiled blue gingham dress, was bringing a pot of coffee from the adjoining room; and in one corner, on a sofa from which the stuffing sagged in bunches, a man sat staring vacantly at a hole in the rag carpet. Tied in a high chair, which stood apart as if it were the pedestal of an idol, a baby, with the smooth unlined face not of an infant, but of a philosopher, was mutely surveying the scene.

More than anything else in the room, more even than the sodden hopelessness of the man's expression, the hopelessness of neurasthenia, this baby, tied with a strip of gingham in his high chair, arrested and held Stephen's attention. Very pallid, with the pallor not of flesh but of an ivory image, with hair as thin and white as the hair of an old man, and eyes that were as opaque as blue marbles, the baby sat there, with its look of stoical philosophy and superhuman experience. And this look said as plainly as if the tiny mute lips had opened and spoken aloud: "I am tired before I begin. I am old before I begin. I am ending before I begin."

Darrow knocked at the door, and the woman opened it with the coffee-pot still in her hand.

"So you've come back," she said in a voice that was without surprise and without grat.i.tude.

"I came back to ask what you've done about a place. This gentleman is with me. You don't mind his stepping inside a minute?"

"Oh, no, I don't mind. I don't mind anything." She drew back as she answered, and the two men entered the room and stood gazing at the stove with the look of embarra.s.sment which the sight of poverty brings to the faces of the well-to-do.

"When are you moving?" asked Darrow, withdrawing his gaze from the glimmer of the embers in the stove, and fixing it on the steam that issued from the coffee-pot.

"In the morning. We've found a cheaper place, though with rent going up every week, it looks as if we'd soon have nowhere worse to move to, unless it's gaol alley." Her tone dripped bitterness, and the lines of her pale lips settled into an expression of scornful resignation.

Without replying to her words, Darrow nodded in the direction of the young man, who had never looked up, but sat in the same rigid att.i.tude, with his vacant eyes staring at the hole in the carpet.

"Any better?"

"How can he be better," returned the woman grimly, "when all he does is to walk the streets until he's fit to drop, and then drag himself home and sit there like that for hours, too worn out even to lift his eyes from the floor. This is the last coffee I've got. I've been saving it since Christmas, but I made it for him because he seems more down than usual to-night." Then a nervous spasm shook her thin figure, and she added in a fierce whisper: "He's sick, that's the matter with him. He ain't sick enough to be in a government hospital, but he'd be better off if he was. Even when he gets work he ain't able to stick to it. The folks that hire him don't have any patience. As long as he was over yonder in France it looked as if every woman in America was knitting for him; and now since he's back here he can't get a job to keep him and the children alive."

"How have you fed the children?"

"On what I could get cheapest. You see how sickly and peaked they look, and it's been awful damp in these rooms sometimes. The doctor says he ain't sick; it ain't his body, it's his mind. He says he's had a kind of horror inside of him ever since he came home. He's turned against everything he used to do, and even everything he used to believe in."

"That's h.e.l.l!" exclaimed Stephen suddenly; and at her surprised glance, he added, "I've been there and I know. Nerves, they say, but just as real as your skin." He looked away from her to the man on the sofa. "To have _that_, and be in poverty!" Turning away from the father, his glance met the calm eyes of the baby fixed on him with that gaze which was as old and as pitiless as philosophy.

"Ma, may I help myself?" screamed one of the children, drumming loudly on the table. "I'd rather have bread and mola.s.ses!" cried another; and "Oh, Ma, when we move to-morrow will you let me take the kitten I found?"

"Well, I've talked to the Governor," said Darrow, in his level voice which sounded to Stephen so unemotional, "and I think we can find a job for your husband."

Suddenly the man on the sofa looked up. "I voted against him," he whispered angrily.

Darrow laughed shortly. "You don't know the Governor if you think he'd hold that against you," he replied. "But for that little weakness of his he might not be a political problem."

"That's the way he goes on," remarked the woman despairingly. "Always saying things straight out that other people would keep back. He don't care what happens, that's the whole truth of it. He don't care about anything on earth, not even his tobacco."

"Life!" thought Stephen, with a dull pain in his heart. "That's what life is!" And the old familiar feeling of suffocation, of distaste for everything that he had ever felt or thought or believed, smothered him with the dryness of dust. Going quickly over to the sofa, he laid his hand on the man's shoulder, and spoke in a high ringing voice which he tried to make cheerful. "It will pa.s.s, old fellow," he said, and could have laughed aloud at the insincerity of his tone. "I know because I've been there." And he added cynically, as a kind of sacrifice on the altar of truth: "Everything will pa.s.s if you only wait long enough."

The man started and looked up. With an air of surprise he glanced round the dingy room, at his wife, at the whimpering children, at the dispa.s.sionate baby enthroned in his high chair, and at the majestic profile of Darrow. "It's the rottenness of the whole blooming show," he said doggedly. "It ain't just the hole I'm in. I could put up with that if it wasn't for the rottenness of it all."

"I know," replied Stephen quietly. "There are times when the show does look rotten, but we're all in it together."

Then, because he felt that he could stand it no longer, he turned abruptly, and went out into the dusk of the area. In a few minutes Darrow joined him, and in silence the two men felt their way up the brick steps to the bare ground of the front yard.

"I don't know what I ought to do, but I've got to do something," said Stephen, when he had opened the gate and pa.s.sed through to the pavement where the car waited. Lifting his sensitive young face, he stared up at the row of decaying tenements. "What places for homes!"

For a moment Darrow looked at him without speaking; and then he answered in a voice which sounded as impersonal as the distant rumble of street cars. "I thought you might be interested because these houses, these and the other rows on the next block or two, are part of the Culpeper estate."

"The Culpeper estate?" repeated Stephen in an expressionless tone; and raising his eyes again he looked up at the bleak houses. In that instant, it seemed to him that he was seeing, not the sharp projection of the roofs against the ashen sky, but a long line of pleasant and prosperous generations. Beyond him stood his father, beyond his father stood his grandfather, beyond the tranquil succession of his grandfathers stood--what? Civilization? Humanity?

"Do you mean," he asked quietly, "that we--our family--own these houses?"

"The whole block, and the next, and the next. It is the Culpeper estate.

You've never seen 'em before, I reckon. I doubt even if your father has ever seen 'em. The agent attends to all this, and if the agent didn't see that the rents were as high as people would pay, or were paying in the next places, he would be soon out of a job. I'm not blaming him, you know. I've got a son-in-law who is a real estate agent. It's just one of the cases where it's n.o.body's fault, and everybody's."

Without replying, Stephen turned away and got into the car. He felt bruised and sick, and he wanted to be alone, to think things out by himself in the darkness. "This is only one instance," he thought, as they started down the dim street toward the white blaze of the business quarter in the distance. "Only one out of millions! In every city. All over the world it is the same. Wherever there is wealth it casts its shadow of poverty."

"I used to bother about it too when I was young," said the old man at his side. "I used to feel, I reckon, pretty near as bad as you are feeling now, but it don't last. When you get on a bit you'll sort of settle down and begin to work it out. That's life. Yes, but it ain't the whole of life. It ain't even the biggest part. Those folks we've been to see have had their good times like the rest of us, only we saw 'em just now when they were in the midst of a bad time. Life ain't confined to a ditch any more than it is to what Gideon calls a lily-pond. Keep your balance, that's the main thing. Whatever else you lose, you must be sure to keep your balance, or you'll be in danger of going overboard."

"Do you mean that there is no remedy for conditions like this?"

The old man pondered his answer so long that Stephen thought he had either given up or forgotten the question.

"The only remedy I have ever been able to see is to work not on conditions, but on human nature," he replied. "Improve human nature, and then you will improve the conditions in which it lives. Improve the rich as well as the poor. Teach 'em to be human beings, not machines, to one another--that's Gideon's idea, you know,--humanize--Christianize, if you like it better--civilize. It's a pretty hopeless problem--the individual case--charity is all rotten from root to branch. If you could see the harm that's been done by mistaken charity! Why, look at my friend, Mrs.

Page, now. She tried to work it out that way, and what came of it except more rottenness? And yet until the State looks after the unemployed, there is obliged to be charity."

"Do you mean Mrs. Kent Page?" asked Stephen in surprise, and remembered that his mother had once accused Corinna of trying to "undermine society."

"She is one of my best friends," answered the old man, with mingled pride and affection. "I go to see her in her shop every now and then, and I reckon she values my advice about her affairs as much as anybody's. Well, when she came home from Europe she found that she owned a row of tenements like this one, and her agent was profiteering in rents like most of the others. I wish you could have seen her when she discovered it. Splendid? Well, I reckon she's the most splendid thing this old world has ever had on top of it! She went straight to work and had those houses made into modern apartments--bathrooms, steam heat, and back yards full of trees and gra.s.s and flowers, just like Monroe Park, only better. The rent wasn't raised either! She put that back just where it was before the war; and then she let the whole row to the tenants for two years. You never saw anything like the interest she took in that speculation--you'd have thought to hear her that she was setting out to bring what the preachers call the social millennium."

"She never mentioned it to me," said Stephen, with interest. "How did it turn out?"

Darrow threw back his great head with a laugh. "I don't reckon she did mention it, bless her! It don't bear mentioning even now. Why, when she went back last fall to see those houses, she found that the tenants had all moved into dirty little places in the alley, and were letting out the apartments, at five times the rent they paid, to other tenants.

They were doing a little special profiteering of their own--and, bless your life, there wasn't so much as a blade of gra.s.s left in the yards, even the trees had been cut down and sold for wood. And you say she never mentioned it?"

"How could she? But, after all, I suppose the question goes deeper than that?"

One Man in His Time Part 21

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One Man in His Time Part 21 summary

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