The Gatekeepers - Raven's Gate Part 4

Matt came out of the shop, noticing that more of the villagers had arrived in the square. There were at least a dozen of them, talking among themselves. He hurried over to the bike. There was a bag behind the saddle and he thrust the package in. He just wanted to get back on the road, away from the village. But it wasn't to be. As he wheeled the bicycle round, a hand suddenly appeared, grabbing hold of the handle-bars. Matt followed the arm it belonged to and found himself looking up at a man in his thirties with straw-coloured hair and a round, ruddy face. He was dressed in a baggy jersey and jeans. He was strong. Matt could tell that from the ease with which he held the bike.

"Let me go!"

Matt tried to pull the bike away but the man held on to it. "That's not very friendly," he said. "What's your name?"

"Why do you want to know?"

"You're Matthew Freeman, aren't you?"

Matt said nothing. They were both still holding the bike. It had become a barrier between them.

"They sent you here on this project?"

"That's right. Yes. You all know that a so why ask?"

"Listen to me, Matthew Freeman," he said suddenly. "You don't want to be hanging around this village. You don't want to be anywhere near here. Do you understand me? I shouldn't be talking to you like this. But if you know what's good for you, you'll get away. You'll go as far away as you can and you won't come back. Do you hear me? You need to-"

He broke off. The chemist had come out of his shop and was standing there in the doorway watching the two of them. The man let go of Matt's bike and hurried away. He didn't look back.

Matt got on to the bicycle and pedalled out of the village. Ahead of him, the pine trees waited, black and ominous. Already it was growing dark.

WHISPERS.

Matt was standing on a tower of glistening stone. It was the dead of night but somehow he could still see. Far beneath him the waves rolled forward as if in slow motion, thick and oily. There were rocks slanting outwards, each one razor-sharp. The waves hovered, then threw themselves forward, tearing themselves apart. The wind howled. There was a storm raging. Jagged spears of lightning crashed down a but the lightning was black not white a and now he realized that the entire world had been turned inside out, like the negative of a photograph.

In the distance, he could see four people, standing on a grey, deserted beach. Three boys and a girl, all of them about his own age. They were too far away for him to be able to see their faces, but somehow he recognized them and knew they were waiting for him. He had to reach them, but there was no way. He was trapped on his tower of rock. The storm was growing and now there was something dark and terrible stretching out across the sea. A giant wing that was folding around him. The girl was calling to him.

"Matthew! Matthew!"

The wind caught the two words and tossed them aside. The girl pleaded with him but time was running out for her too. The beach cracked and began to break up. Dark crevices appeared, the sand spilling into them. The waves were rus.h.i.+ng in. The four of them were trapped, unable to move.

"I'm coming!" Matt called.

He took a step towards them and stumbled, then twisted forward and fell. He cried out. But there was nothing to stop him. Everything spun as he plummeted through the night sky, down towards the sea.

Matt woke up with a start.

He was lying in bed at Hive Hall. He could make out the wooden beams on the ceiling, the dried flowers in their vase on the chest of drawers. There was a full moon, the pale light was.h.i.+ng through the room. For a moment he lay still, thinking about his dream. He had dreamt it many times, not just at Hive Hall but before. It was always the same, apart from two things. Each time, the presence he had felt forming itself a the folding wing or whatever it was a had come a little closer to taking shape. And each time, he woke up a few seconds later, a few centimetres nearer the end of his fall. He wondered what would happen if he didn't wake up in time.

He looked at his watch, turning it to the window to check. It was almost midnight. It had been ten o'clock when he went to bed. What had woken him up? He had been exhausted by the day's work and should have slept through.

And then he heard it.

It was faint and far away, and yet still quite clear, carried on the stillness of the night. It came from the wood, sliding over the silver tips of the trees under the moonlight.

Whispering.

At first Matt thought it was nothing more than the wind rustling through the branches, but there was no wind. And as he threw back the cover and sat up in bed, he heard another sound. It was underneath the whispers, constant and unchanging. A soft, electronic hum. The whispers stopped, then started again. The hum went on.

Despite himself, Matt felt the hairs on the back of his neck begin to p.r.i.c.kle. The sounds were far away but the horrible thing was that they could have been coming from somewhere inside the building. They were all around him. He got out of bed and went over to the window.

The moon slid behind a cloud and for a moment everything was dark. Yet there was a light. In the surrounding darkness, somewhere not far from the edge of the wood, he could see a faint glow. The light was being swallowed up by the trees, hemmed in on all sides. However, some of it had escaped through gaps in the branches and had spread out, the cold white shafts evaporating in the air. It was electric, not the light of a fire. And it seemed to be coming from the same source as the sound.

Who was there? What could be happening in the middle of a Yorks.h.i.+re wood a and could it have something to do with the warning he had been given only that afternoon?

"You don't want to be anywhere near here. Do you understand me?"

Suddenly Matt wanted to know a and almost before he had worked out what he was doing he had put on his clothes, opened the door and slipped out. He paused for a moment, listening for any sound within the farmhouse. Mrs Deverill's room was at the end of the corridor. The door was closed and Matt had never seen inside her room. He guessed she would be sound asleep. She always went to bed at exactly half past nine. The last thing he wanted to do was wake her up. Moving more carefully now, he tiptoed down the stairs and into the living room. Again, the portrait of Mrs Deverill's ancestor watched him as he made for the front door. Its eyes almost seemed to follow him. The face was dark and secretive.

It was cold in the yard. Nothing stirred. Matt could hear the whispers more clearly now. They seemed not only louder but closer. He could even make out some of the words a not that they made any sense.

"NODEB ... TEMOCMOD ... EMANY ... NEVAEH ... NITRA."

The strange sounds danced around him as he stood there, alone in the night. They were human whispers. Human and yet at the same time unworldly. He wondered what to do. Part of him wanted to get out the bicycle and try to get nearer. Part of him wanted to go back to bed and forget the whole thing. And then he noticed something that he should have seen straight away.

Mrs Deverill's car wasn't there.

The Land Rover was always parked in the same place, next to the barn, and it had been there at dinner time. Could she have left Hive Hall? Was she somewhere in the wood, part of whatever it was that was going on? Was Matt alone at the farm?

He went back into the living room. The portrait was the first thing he noticed and this time he knew it wasn't his imagination: it had definitely changed a second time. The figure had raised a hand and a skeletal finger was now pointing upwards, as if ordering him to bed. Matt was certain it hadn't been painted that way.

Matt did go upstairs, but not to his own room. He had to know if he was right, even though he dreaded what he must do. He crept to the end of the corridor and knocked gently on Mrs Deverill's door. There was no reply. He knocked a second time, louder. Then he opened the door.

He found himself looking into a cold, empty room with bare floorboards and an iron bed. There was a wardrobe and a chest of drawers but little else. The bed was empty. He was right. Mrs Deverill wasn't here. At last he'd been given the opportunity he needed.

Matt had already decided he was going back to London. Now he knew it was going to happen tonight. By daybreak he would have reached the motorway and he would hitch-hike south. He had no doubt that Mrs Deverill would call the police, but the further away he managed to get, the harder it would be for them to find him. Once he reached London, he would be safe. But he needed cash. Money was the difference between survival and constant danger. He would have to buy food. He'd need to find a room. There must be money in the house. He would find it and steal it now.

He began in the kitchen. No longer caring how much noise he made, he rifled through the drawers and cupboards, opened jars and boxes, trying to work out where Mrs Deverill kept her housekeeping funds. He could still hear the whispering, although it was more intermittent now. Was it coming to an end? He glanced at his watch. A quarter past one. He moved more quickly, afraid that the woman could return at any time. There was no money in the room. He looked for her handbag. A handbag would mean cash and possibly credit cards. But she must have taken it with her.

He tried the living room. Now the portrait seemed to watch angrily as he searched, looking behind the books and under the chairs in the hope that Mrs Deverill might have tucked her purse away. Matt hadn't turned on the lights a Noah might still be in the barn and he was afraid of giving himself away. He was crossing over to look around the fireplace when something screamed at him, sending him back, his heart pounding. It was Asmodeus, Mrs Deverill's cat. It had been asleep on one of the chairs but now it was standing up, as if electrocuted, its fur bristling, its eyes ablaze. It opened its mouth and hissed, revealing a set of white fangs. Matt stood still. The cat was going to attack him. He was sure of it. It was already bracing itself, the claws of its two front paws ripping at the material, practising what it was going to do to his face.

Matt looked around. There was a poker next to the fire; a heavy antique thing. He thought of s.n.a.t.c.hing it up but wasn't sure he could bring himself to use it. The cat's tail whipped briefly. Its eyes had never left him. He had dared to abuse Mrs Deverill's hospitality and now he was going to pay. The cat hissed a second time and leapt.

Matt was ready for it. There was a large basket beside the poker. Normally it would contain logs but for once it was empty. Matt grabbed it and threw it down over the cat even as it left the chair. He heard a terrible screaming and yowling, felt the claws battering desperately at the straw cage. Matt slammed the basket down on to the chair, imprisoning the cat inside. Holding the basket with one hand, he reached out with the other. Mrs Deverill had an old-fas.h.i.+oned sewing machine which was on the floor beside the chair. Using all his strength, Matt picked it up and dropped it on top of the basket. The straw creaked. The cat hurled itself against the side. But the basket held. Asmodeus wasn't going anywhere.

Matt straightened up. He was trembling from the shock of what had just happened. And he was suddenly aware of something else. There was no sound coming from the wood. The whispering had stopped. So far he had found nothing and he was running out of time.

There was just one room left.

He went back upstairs and into Mrs Deverill's bedroom. Surely he would find money here. He opened the wardrobe. Mrs Deverill's clothes hovered in the darkness, suspended from wire hangers with her shoes underneath. Matt was about to close the door when he noticed a cardboard box in the back corner. He leant down and opened it. There was something inside. Not money. Photographs.

He took one of them out and found himself looking at a cemetery. The photograph was black and white, taken with a telephoto lens. There was a crowd of people, dressed in the usual sombre clothes, and in the middle of them, a boy who was eight years old. Matt recognized him instantly and felt a surge of horror and sickness. He was looking at a picture of himself.

This was his parents' funeral.

Six years ago.

But it was impossible. n.o.body had taken any photographs. And even if they had, even if a journalist or someone had been there, what was this picture doing here? How had Mrs Deverill got hold of it?

There were two sheets of paper attached to the photograph by a clip. Matt slipped them loose, then turned them round so he could read them. An official police report. Each page was marked CONFIDENTIAL in red letters. In the half-light Matt tried to concentrate on the words: AND THE WITNESS STATEMENT OF MRS ROSEMARY GREEN IN RELATION TO THIS CASE IS NOT TO BE RELEASED AND WE RECOMMEND A COMPLETE MEDIA BLACKOUT. THE CHILD, MATTHEW FREEMAN, IS ONLY EIGHT YEARS OLD AND HAS DEMONSTRATED PRECOGNITIVE ABILITIES WHICH WOULD SEEM TO BE BEYOND...

Precognitive abilities. Matt didn't want to put the words into simple English. Nor did he want to read any more of the report. In that second, he made his decision. He thrust the box back into the corner, closed the wardrobe doors and left. In the living room, the portrait watched silently. Asmodeus slammed itself again and again against the sides of the basket, trying to escape. Matt didn't notice either of them. He threw open the door and ran across the yard.

He hadn't found any money but he would just have to do without it.

It was definitely time to leave.

It took Matt just a few minutes to cycle up to the crossroads. The night had grown colder and his breath frosted as he paused by the broken sign, taking his bearings. He had a choice of five country lanes, each one cutting through the wood in a different direction. He had just taken one from the farm, and he knew that one of them led to Lesser Malling. That left only three. He chose the middle path and set off, grateful for the moon showing him the way. There was no sound coming from the wood. The electric lights had been turned off. His greatest fear was that he could run into Mrs Deverill, returning from wherever she had been. He listened out for the sound of her Land Rover but there was nothing. He was utterly alone.

Matt tried to concentrate on what he was doing. He didn't want to look at the woodland but he couldn't help being aware of it as it pressed in on him on all sides. The trunks of the trees, in their long lines, were silhouetted against the moon. They were like the solid bars of a huge open-air jail. The branches, swaying slightly, cast a thousand shadows over the ground. The pine needles rustled together and almost seemed to be whispering to themselves as he pedalled past.

Matt kept his eyes fixed on the road in front of him. He intended to cycle all night. The discovery of the photograph had made him determined. He was just going to have to chance it in London. Without money. Without anywhere to live. The police would probably find him in the end, but that didn't matter. They could put him in a secure training centre for as long as they liked... Anything, so long as it didn't involve Mrs Deverill or Lesser Malling.

Why did she have a photograph of him in her wardrobe? How had she got her hands on a secret police report? And what did the death of his parents mean to her? It was a horrible thought but he wondered if Mrs Deverill had known about him before he had been introduced to her by the LEAF Project. In which case, could she have in some way chosen him? But that would suggest that she had been planning whatever was going on in Lesser Malling for years and years, and that he had always somehow been part of it.

Well, to h.e.l.l with the whole lot of them, Matt thought. His aunt, his social worker, Mallory, Mrs Deverill... He had been pushed around for too long. It was time to start looking after himself. He might be able to get a job in a kitchen or a bed and breakfast. He looked old for his age. Grimly, he pushed down on the pedals, urging the old bike forward. He checked his watch again. Two o'clock in the morning! He was surprised so much time had pa.s.sed since he left the farm.

There was a crossroads coming up ahead of him. Matt slowed down, free-wheeling the last few metres. He looked around him. There was a choice of five directions and a broken signpost without any names. It took him half a minute to work out where he was. Somehow, the lane he had chosen had brought him round in a big circle. He was back exactly where he had begun.

Matt was annoyed with himself. He had wasted time and precious energy. Mrs Deverill might have got back to Hive Hall. She would have found the cat under the basket and checked Matt's room. Perhaps she had already called the police.

Gritting his teeth, Matt chose one of the other lanes and pedalled forward again. He was beginning to wish he had waited until the morning. No. He would have been set to work on the farm and, between them, Noah and Mrs Deverill always had him in their sight. He concentrated on his rhythm, left foot then right foot, listening to the bicycle chain as it groaned and creaked underneath him. The trees rolled by endlessly. About another twenty minutes pa.s.sed. Matt was strong and he was fit again after his illness. There was a dull ache in his legs but otherwise he was fine. The road turned a corner.

He stopped.

He was back at the crossroads. It was impossible. The lane he had been following had run straight and he must have covered at least two miles. He gazed at the broken signpost with disbelief. It was the same signpost. There could be no doubt of it.

Now he was angry. For this to happen once was unfortunate. But twice! It was stupid. He jerked the bike round and set off down the fifth lane, the one furthest away. He cycled more quickly this time, using his anger to lend himself strength. The night breeze rushed over his shoulders, cooling the sweat on the side of his head. A cloud covered the moon and suddenly everything was very dark. But Matt didn't slow down. The cloud separated and he lurched to a halt, unable to believe what was happening.

The fifth lane had somehow become the first lane. They had looped him back to the start. The broken signpost stood there, mocking him.

Very well. He set off back the way he had come, pa.s.sing Hive Hall. This lane had to go somewhere different. He cycled past the gate as quickly as he could. There were no lights visible at the end of the drive, so maybe Mrs Deverill wasn't back yet after all. The lane climbed steeply uphill a but that was good. A hill was something different. None of the other lanes had gone up or down. Matt no longer really cared where he was going, he just wanted to find a main road. He was fed up with the wood, fed up with country lanes.

He reached the top of the hill and stopped. For the first time he was really afraid. He had been cycling for the best part of an hour yet he still hadn't found a way out.

He was back at the crossroads where he had begun.

Matt was breathing heavily. His hands were clutching the handlebars so hard that the blood couldn't reach his fingers. He stopped there for a moment, considering his options. He didn't really have any. Either the night was playing tricks on him or something was happening that he didn't understand. But now he knew that he wouldn't get anywhere, even if he cycled all night.

He would just have to take his chances with Mrs Deverill. He turned the bike round and pedalled slowly back to the farm.

OMEGA ONE.

"He was in my room last night," Mrs Deverill said. She was talking on the telephone. The receiver was old-fas.h.i.+oned and heavy, made of black Bakelite. A thick wire coiled out of her hand. "I think he found the photographs."

"It was a mistake keeping them there."

"Perhaps. But there's something else I'm worried about. Matthew is stronger than he was when he first came here. I think he may be starting to work things out. I don't like having him here. If you ask me, we've got a tiger by the tail. We should deal with him before it's too late."

It was a man's voice at the other end of the phone. He spoke in a way that was very cold and deliberate. He had an educated voice. Perhaps he was a headmaster in an expensive private school. "What do you mean?" he demanded.

"Lock him up. There's a crypt in the church. We could put him in there, underground, somewhere n.o.body would find him. It's only for a few more weeks. And then we'll be done with him."

"No." The single word was final. "Right now the boy thinks he's ordinary. He has no idea of who or what he is. Bury him alive and you could actually help him discover himself. And what happens if the police or his social worker come calling? How will you explain where he is?"

"Suppose he escapes..."

"You know he can't escape. We have him contained. There's nothing he can do. And very soon we'll be ready for him. All you have to do is watch him. Where is he now?"

"I don't know. Somewhere in the yard."

"Watch him, Mrs Deverill. Don't let him out of your sight."

There was a click and the line went dead. Mrs Deverill weighed the phone in one hand, then lowered it. "Asmodeus!" she called.

The cat, sitting on the arm of a chair on the other side of the room, opened one eye and looked at her.

"You heard what he said," she snapped. "The boy..."

The cat leapt off the chair. With no effort, it sprang up on to a windowsill and then out of the window. Outside, Noah walked past, pus.h.i.+ng a wheelbarrow piled high with manure. The cat ran past him and continued up the lane. A moment later it had disappeared from sight.

Matt stood at the edge of the wood, looking down a tunnel of trees. The bicycle lay on its side on a gra.s.sy verge beside the road. Five minutes had pa.s.sed since he had slipped past Noah and made his way out of Hive Hall. But he still couldn't make up his mind.

Once again he was tempted to find his way to London. He must have been confused the night before. He had been unable to see where he was going and had somehow missed his way. But an inner voice warned not to try navigating the lanes again. He didn't want to waste any more time going round in circles, and anyway, there was another way out of this. The LEAF Project was supposed to be voluntary. A single phone call to Detective Superintendent Mallory was all it would take to get him out of this nightmare.

But before he did that, he wanted to know more. What were the sounds he had heard the night before? What was going on in the wood? There was only one way to find out.

Matt had pinpointed the spot from which he thought he saw the light coming. It had to be somewhere in front of him now. And yet he was unwilling to step off the road. It wasn't because of the story Mrs Deverill had told him a he doubted there was any chance of his wandering into a bog. It was the wood itself that scared him: its unnaturalness, the uncompromising lines. Nature wasn't meant to grow like this. How could he possibly find his way when every pine tree looked the same, when there were no hillocks, plants or streams to act as landmarks? And there was something else. The corridors between the trees seemed to go on for ever, stretching into a shadowy universe of their own. The darkness was waiting for him. He was like a fly on the edge of a huge web.

He made up his mind, stepped off the road and took twenty paces forward, following a single path. The pine needles crunched underneath his feet. Provided he didn't turn left or right, he would be fine. He would let the trees guide him. And if he thought he was getting lost, he would simply follow the same path back to the road.

And yet... He stopped to catch his breath. It really was extraordinary. He felt as if he had stepped through a mirror between two dimensions. On the road it had been a cool, bright spring morning. The atmosphere in the wood was strangely warm and sluggish. Shafts of sunlight, a deep, intense green, slanted in different directions. On the road, he had heard the twitter of birds and the lowing of a cow. In the wood, everything was silent ... as if sound were forbidden to enter.