The Maltese Falcon Part 10

"I suppose you do now," she said, looking at her sandwich again, her face serious. "But-oh!-I'm so tired of it, and I do so hate having to talk about it. Wouldn't it-wouldn't it be just as well to wait and let you learn about it as you say you will?"

Spade laughed. "I don't know. You'll have to figure that out for yourself. My way of learning is to heave a wild and unpredictable monkey-wrench into the machinery. It's all right with me, if you're sure none of the flying pieces will hurt you."

She moved her bare shoulders uneasily, but said nothing. For several minutes they ate in silence, he phlegmatically, she thoughtfully. Then she said in a hushed voice: "I'm afraid of you, and that's the truth."

He said: "That's not the truth."

"It is," she insisted in the same low voice. "I know two men I'm afraid of and I've seen both of them tonight."

"I can understand your being afraid of Cairo," Spade said. "He's out of your reach."

"And you aren't?"

"Not that way," he said and grinned.

She blushed. She picked up a slice of bread encrusted with grey liverwurst. She put it down on her plate. She wrinkled her white forehead and she said: "It's a black figure, as you know, smooth and s.h.i.+ny, of a bird, a hawk or falcon, about that high." She held her hands a foot apart.

"What makes it important?"

She sipped coffee and brandy before she shook her head. "I don't know," she said. "They'd never tell me. They promised me five hundred pounds if I helped them get it. Then Floyd said afterward, after we'd left Joe, that he'd give me seven hundred and fifty."

"So it must be worth more than seventy-five hundred dollars?"

"Oh, much more than that," she said. "They didn't pretend that they were sharing equally with me. They were simply hiring me to help them."

"To help them how?"

She lifted her cup to her lips again. Spade, not moving the domineering stare of his yellow-grey eyes from her face, began to make a cigarette. Behind them the percolator bubbled on the stove.

"To help them get it from the man who had it," she said slowly when she had lowered her cup, "a Russian named Kemidov."

"How?"

"Oh, but that's not important," she objected, "and wouldn't help you"-she smiled impudently-"and is certainly none of your business."

"This was in Constantinople?"

She hesitated, nodded, and said: "Marmora."

He waved his cigarette at her, saying: "Go ahead, what happened then?"

"But that's all. I've told you. They promised me five hundred pounds to help them and I did and then we found that Joe Cairo meant to desert us, taking the falcon with him and leaving us nothing. So we did exactly that to him, first. But then I wasn't any better off than I had been before, because Floyd hadn't any intention at all of paying me the seven hundred and fifty pounds he had promised me. I had learned that by the time we got here. He said we would go to New York, where he would sell it and give me my share, but I could see he wasn't telling me the truth." Indignation had darkened her eyes to violet. "And that's why I came to you to get you to help me learn where the falcon was."

"And suppose you'd got it? What then?"

"Then I'd have been in a position to talk terms with Mr. Floyd Thursby."

Spade squinted at her and suggested: "But you wouldn't have known where to take it to get more money than he'd give you, the larger sum that you knew he expected to sell it for?"

"I did not know," she said.

Spade scowled at the ashes he had dumped on his plate. "What makes it worth all that money?" he demanded. "You must have some idea, at least be able to guess."

"I haven't the slightest idea."

He directed the scowl at her. "What's it made of?"

"Porcelain or black stone. I don't know. I've never touched it. I've only seen it once, for a few minutes. Floyd showed it to me when we'd first got hold of it."

Spade mashed the end of his cigarette in his plate and made one draught of the coffee and brandy in his cup. His scowl had gone away. He wiped his lips with his napkin, dropped it crumpled on the table, and spoke casually: "You are are a liar." a liar."

She got up and stood at the end of the table, looking down at him with dark abashed eyes in a pinkening face. "I am a liar," she said. "I have always been a liar."

"Don't brag about it. It's childish." His voice was goodhumored. He came out from between table and bench. "Was there any truth at all in that yarn?"

She hung her head. Dampness glistened on her dark lashes. "Some," she whispered.

"How much?"

"Not-not very much."

Spade put a hand under her chin and lifted her head. He laughed into her wet eyes and said: "We've got all night before us. I'll put some more brandy in some more coffee and we'll try again."

Her eyelids drooped. "Oh, I'm so tired," she said tremulously, "so tired of it all, of myself, of lying and thinking up lies, and of not knowing what is a lie and what is the truth. I wish I-"

She put her hands up to Spade's cheeks, put her open mouth hard against his mouth, her body flat against his body.

Spade's arms went around her, holding her to him, muscles bulging his blue sleeves, a hand cradling her head, its fingers half lost among red hair, a hand moving groping fingers over her slim back. His eyes burned yellowly.

10.

THE BELVEDERE DIVAN.

Beginning day had reduced night to a thin smokiness when Spade sat up. At his side Brigid O'Shaughnessy's soft breathing had the regularity of utter sleep. Spade was quiet leaving bed and bedroom and shutting the bedroom-door. He dressed in the bathroom. Then he examined the sleeping girl's clothes, took a flat bra.s.s key from the pocket of her coat, and went out.

He went to the Coronet, letting himself into the building and into her apartment with the key. To the eye there was nothing furtive about his going in: he entered boldly and directly. To the ear his going in was almost unnoticeable: he made as little sound as might be.

In the girl's apartment he switched on all the lights. He searched the place from wall to wall. His eyes and thick fingers moved without apparent haste, and without ever lingering or fumbling or going back, from one inch of their fields to the next, probing, scrutinizing, testing with expert certainty. Every drawer, cupboard, cubbyhole, box, bag, trunk-locked or unlocked-was opened and its contents subjected to examination by eyes and fingers. Every piece of clothing was tested by hands that felt for telltale bulges and ears that listened for the crinkle of paper between pressing fingers. He stripped the bed of bedclothes. He looked under rugs and at the under side of each piece of furniture. He pulled down blinds to see that nothing had been rolled up in them for concealment. He leaned through windows to see that nothing hung below them on the outside. He poked with a fork into powder and cream-jars on the dressing-table. He held atomizers and bottles up against the light. He examined dishes and pans and food and food-containers. He emptied the garbage-can on spread sheets of newspaper. He opened the top of the flush-box in the bathroom, drained the box, and peered down into it. He examined and tested the metal screens over the drains of bathtub, washbowl, sink, and laundry-tub.

He did not find the black bird. He found nothing that seemed to have any connection with a black bird. The only piece of writing he found was a week-old receipt for the month's apartment-rent Brigid O'Shaughnessy had paid. The only thing he found that interested him enough to delay his search while he looked at it was a double-handful of rather fine jewelry in a polychrome box in a locked dressing-table-drawer.

When he had finished he made and drank a cup of coffee. Then he unlocked the kitchen-window, scarred the edge of its lock a little with his pocket-knife, opened the window-over a fire-escape-got his hat and overcoat from the settee in the living-room, and left the apartment as he had come.

On his way home he stopped at a store that was being opened by a puffy-eyed s.h.i.+vering plump grocer and bought oranges, eggs, rolls, b.u.t.ter, and cream.

Spade went quietly into his apartment, but before he had shut the corridor-door behind him Brigid O'Shaughnessy cried: "Who is that?"

"Young Spade bearing breakfast."

"Oh, you frightened me!"

The bedroom-door he had shut was open. The girl sat on the side of the bed, trembling, with her right hand out of sight under a pillow.

Spade put his packages on the kitchen-table and went into the bedroom. He sat on the bed beside the girl, kissed her smooth shoulder, and said: "I wanted to see if that kid was still on the job, and to get stuff for breakfast."

"Is he?"

"No."

She sighed and leaned against him. "I awakened and you weren't here and then I heard someone coming in. I was terrified."

Spade combed her red hair back from her face with his fingers and said: "I'm sorry, angel. I thought you'd sleep through it. Did you have that gun under your pillow all night?"

"No. You know I didn't. I jumped up and got it when I was frightened."

He cooked breakfast-and slipped the flat bra.s.s key into her coat-pocket again-while she bathed and dressed.

She came out of the bathroom whistling En Cuba. En Cuba. "Shall I make the bed?" she asked. "Shall I make the bed?" she asked.

"That'd be swell. The eggs need a couple of minutes more."

Their breakfast was on the table when she returned to the kitchen. They sat where they had sat the night before and ate heartily.

"Now about the bird?" Spade suggested presently as they ate.

She put her fork down and looked at him. She drew her eyebrows together and made her mouth small and tight. "You can't ask me to talk about that this morning of all mornings," she protested. "I don't want to and I won't."

"It's a stubborn d.a.m.ned hussy," he said sadly and put a piece of roll into his mouth.

The youth who had shadowed Spade was not in sight when Spade and Brigid O'Shaughnessy crossed the sidewalk to the waiting taxicab. The taxicab was not followed. Neither the youth nor another loiterer was visible in the vicinity of the Coronet when the taxicab arrived there.

Brigid O'Shaughnessy would not let Spade go in with her. "It's bad enough to be coming home in evening dress at this hour without bringing company. I hope I don't meet anybody."

"Dinner tonight?"

"Yes."

They kissed. She went into the Coronet. He told the chauffeur: "Hotel Belvedere."

When he reached the Belvedere he saw the youth who had shadowed him sitting in the lobby on a divan from which the elevators could be seen. Apparently the youth was reading a newspaper.

At the desk Spade learned that Cairo was not in. He frowned and pinched his lower lip. Points of yellow light began to dance in his eyes. "Thanks," he said softly to the clerk and turned away.

Sauntering, he crossed the lobby to the divan from which the elevators could be seen and sat down beside-not more than a foot from-the young man who was apparently reading a newspaper.

The young man did not look up from his newspaper. Seen at this scant distance, he seemed certainly less than twenty years old. His features were small, in keeping with his stature, and regular. His skin was very fair. The whiteness of his cheeks was as little blurred by any considerable growth of beard as by the glow of blood. His clothing was neither new nor of more than ordinary quality, but it, and his manner of wearing it, was marked by a hard masculine neatness.

Spade asked casually, "Where is he?" while shaking tobacco down into a brown paper curved to catch it.

The boy lowered his paper and looked around, moving with a purposeful sort of slowness, as of a more natural swiftness restrained. He looked with small hazel eyes under somewhat long curling lashes at Spade's chest. He said, in a voice as colorless and composed and cold as his young face: "What?"

"Where is he?" Spade was busy with his cigarette.

"Who?"

"The fairy."

The hazel eyes' gaze went up Spade's chest to the knot of his maroon tie and rested there. "What do you think you're doing, Jack?" the boy demanded. "Kidding me?"

"I'll tell you when I am." Spade licked his cigarette and smiled amiably at the boy. "New York, aren't you?"

The boy stared at Spade's tie and did not speak. Spade nodded as if the boy had said yes and asked: "Baumes rush?"

The boy stared at Spade's tie for a moment longer, then raised his newspaper and returned his attention to it. "Shove off," he said from the side of his mouth.

Spade lighted his cigarette, leaned back comfortably on the divan, and spoke with good-natured carelessness: "You'll have to talk to me before you're through, sonny-some of you will-and you can tell G. I said so."

The boy put his paper down quickly and faced Spade, staring at his necktie with bleak hazel eyes. The boy's small hands were spread flat over his belly. "Keep asking for it and you're going to get it," he said, "plenty." His voice was low and flat and menacing. "I told you to shove off. Shove off."

Spade waited until a bespectacled pudgy man and a thin-legged blonde girl had pa.s.sed out of hearing. Then he chuckled and said: "That would go over big back on Seventh Avenue. But you're not in Romeville now. You're in my burg." He inhaled cigarette-smoke and blew it out in a long pale cloud. "Well, where is he?"

The boy spoke two words, the first a short guttural verb, the second "you."

"People lose teeth talking like that." Spade's voice was still amiable though his face had become wooden. "If you want to hang around you'll be polite."

The boy repeated his two words.

Spade dropped his cigarette into a tall stone jar beside the divan and with a lifted hand caught the attention of a man who had been standing at an end of the cigar-stand for several minutes. The man nodded and came towards them. He was a middle-aged man of medium height, round and sallow of face, compactly built, tidily dressed in dark clothes.

"h.e.l.lo, Sam," he said as he came up.

"h.e.l.lo, Luke."

They shook hands and Luke said: "Say, that's too bad about Miles."

"Uh-huh, a bad break." Spade jerked his head to indicate the boy on the divan beside him. "What do you let these cheap gunmen hang out in your lobby for, with their tools bulging their clothes?"

"Yes?" Luke examined the boy with crafty brown eyes set in a suddenly hard face. "What do you want here?" he asked.