White Noise Part 32

"What can you do about it?"

"What can any dier do? Isn't it implicit in his makeup that he can't cross over?"

"Let's think about that. Let's examine the nature of the beast, so to speak. The male animal. Isn't there a fund, a pool, a reservoir of potential violence in the male psyche?"

"In theory I suppose there is."

"We're talking talking theory. That's theory. That's exactly exactly what we're talking. Two friends on a tree-shaded street. What else but theory? Isn't there a deep field, a sort of crude oil deposit that one might tap if and when the occasion warrants? A great dark lake of male rage." what we're talking. Two friends on a tree-shaded street. What else but theory? Isn't there a deep field, a sort of crude oil deposit that one might tap if and when the occasion warrants? A great dark lake of male rage."

'That's what Babette says. Homicidal rage. You sound like her."

"Amazing lady. Is she right or wrong?"

"In theory? She's probably right."

"Isn't there a sludgy region you'd rather not know about? A remnant of some prehistoric period when dinosaurs roamed the earth and men fought with flint tools? When to kill was to live?"

"Babette talks about male biology. Is it biology or geology?"

"Does it matter, Jack? We only want to know whether it is there, buried in the most prudent and una.s.suming soul."

"I suppose so. It can be. It depends."

"Is it or isn't it there?"

"It's there, Murray. So what?"

"I only want to hear you say it. That's all. I only want to elicit truths you already possess, truths you've always known at some basic level."

"Are you saying a dier can become a killer?"

"I'm only a visiting lecturer. I theorize, I take walks, I admire the trees and houses. I have my students, my rented room, my TV set. I pick out a word here, an image there. I admire the lawns, the porches. What a wonderful thing a porch is. How did I live a life without a porch to sit on, up till now? I speculate, I reflect, I take constant notes. I am here to think, to see. Let me warn you, Jack. I won't let up."

We pa.s.sed my street and walked up the hill to the campus.

"Who's your doctor?"

"Chakravarty," I said.

"Is he good?"

"How would I know?"

"My shoulder separates. An old s.e.xual injury."

"I'm afraid to see him. I put the printout of my death in the bottom drawer of a dresser."

"I know how you feel. But the tough part is yet to come. You've said good-bye to everyone but yourself. How does a person say good-bye to himself? It's a juicy existential dilemma."

"It certainly is."

We walked past the administration building.

"I hate to be the one who says it, Jack, but there's something that has to be said."

"What?"

"Better you than me."

I nodded gravely. "Why does this have to be said?"

"Because friends have to be brutally honest with each other.

I'd feel terrible if I didn't tell you what I was thinking, especially at a time like this."

"I appreciate it, Murray. I really do."

"Besides, it's part of the universal experience of dying. Whether you think about it consciously or not, you're aware at some level that people are walking around saying to themselves, 'Better him than me.' It's only natural. You can't blame them or wish them ill."

"Everyone but my wife. She wants to die first."

"Don't be so sure," he said.

We shook hands in front of the library. I thanked him for his honesty.

"That's what it all comes down to in the end," he said. "A person spends his life saying good-bye to other people. How does he say good-bye to himself?"

I threw away picture-frame wire, metal book ends, cork coasters, plastic key tags, dusty bottles of Mercurochrome and Vaseline, crusted paintbrushes, caked shoe brushes, clotted correction fluid. I threw away candle stubs, laminated placemats, frayed pot holders. I went after the padded clothes hangers, the magnetic memo clipboards. I was in a vengeful and near savage state. I bore a personal grudge against these things. Somehow they'd put me in this fix. They'd dragged me down, made escape impossible. The two girls followed me around, observing a respectful silence. I threw away my battered khaki canteen, my ridiculous hip boots. I threw away diplomas, certificates, awards and citations. When the girls stopped me, I was working the bathrooms, discarding used bars of soap, damp towels, shampoo bottles with streaked labels and missing caps.

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Do not carry your code on your person. REMEMBER. You cannot access your account unless your code is entered properly. Know your code. Reveal your code to no one. Only your code allows you to enter the system.

38.

My head was between her b.r.e.a.s.t.s, where it seemed to be spending a lot of time lately. She stroked my shoulder.

"Murray says the problem is that we don't repress our fear."

"Repress it?"

"Some people have the gift, some don't."

"The gift? I thought repression was outdated. They've been telling us for years not to repress our fears and desires. Repression causes tension, anxiety, unhappiness, a hundred diseases and conditions. I thought the last thing we were supposed to do was repress something. They've been telling us to talk about our fears, get in touch with our feelings."

"Getting in touch with death is not what they had in mind. Death is so strong that we have to repress, those of us who know how."

"But repression is totally false and mechanical. Everybody knows that. We're not supposed to deny our nature."

"It's natural to deny our nature, according to Murray. It's the whole point of being different from animals."

"But that's crazy."

"It's the only way to survive," I said from her b.r.e.a.s.t.s.

She stroked my shoulder, thinking about this. Cray flashes of a staticky man standing near a double bed. His body distorted, rippling, unfinished. I didn't have to imagine his motel companion. Our bodies were one surface, hers and mine, but the delectations of touch were preempted by Mr. Gray. It was his pleasure I experienced, his hold over Babette, his cheap and sleazy power. Down the hall an eager voice said: "If you keep misplacing your ball of string, cage it in a Barney basket, attach some organizer clips to your kitchen corkboard, fasten the basket to the clips. Simple!"

The next day I started carrying the Zumwalt automatic to school. It was in the flap pocket of my jacket when I lectured, it was in the top drawer of my desk when I received visitors in the office. The gun created a second reality for me to inhabit. The air was bright, swirling around my head. Nameless feelings pressed thrillingly on my chest. It was a reality I could control, secretly dominate.

How stupid these people were, coming into my office unarmed.

Late one afternoon I took the gun out of my desk and examined it carefully. Only three bullets remained in the magazine. I wondered how Vernon d.i.c.key had used the missing ammo (or whatever bullets are called by people familiar with firearms). Four Dylar tablets, three Zumwalt bullets. Why was I surprised to find that the bullets were so unmistakably bullet-shaped? I guess I thought new names and shapes had been given to just about everything in the decades since I first became aware of objects and their functions. The weapon was gun-shaped, the little pointed projectiles rea.s.suringly bullet-shaped. They were like childhood things you might come across after forty years, seeing their genius for the first time.

That evening I heard Heinrich in his room, moodily singing "The Streets of Laredo." I stopped in to ask whether Orest had entered the cage yet.

"They said it was not humane. There was no place that would let him do it officially. He had to go underground."

"Where is underground?"

"Watertown. Orest and his trainer. They found a public notary there who said he would certify a doc.u.ment that said that Orest Mercator spent so many days incarcerated with these venomous reptiles blah blah blah."

"Where would they find a large gla.s.s cage in Watertown?"

"They wouldn't."

"What would they find?"

"A room in the only hotel. Plus there were only three snakes. And he got bit in four minutes."

"You mean the hotel let them place poisonous snakes in the room?"

"The hotel didn't know. The man who arranged the snakes carried them up in an airline bag. It was a whole ma.s.sive deception except the man showed up with three snakes instead of the agreed twenty-seven."

"In other words he told them he had access to twenty-seven snakes."

"Venomous. Except they weren't. So Orest got bit for nothing. The jerk."

"Suddenly he's a jerk."

'They had all this antivenom which they couldn't even use. The first four minutes."

"How does he feel?"

"How would you feel if you were a jerk?"

"Glad to be alive," I said.

"Not Orest. He dropped out of sight. He went into complete seclusion. n.o.body's seen him since it happened. He doesn't answer the door, he doesn't answer the phone, he doesn't show up at school. The total package."

I decided to wander over to my office and glance at some final exams. Most of the students had already departed, eager to begin the routine hedonism of another bare-limbed summer. The campus was dark and empty. There was a trembling mist. Pa.s.sing a line of trees, I thought I sensed someone edge in behind me, maybe thirty yards away. When I looked, the path was clear. Was it the gun that was making me jumpy? Does a gun draw violence to it, attract other guns to its surrounding field of force? I walked on quickly toward Centenary Hall. I heard footsteps on gravel, a conspicuous crunch. Someone was out there, on the edge of the parking area, in the trees and the mist. If I had a gun, why was I scared? If I was scared, why didn't I run? I counted off five paces, looked quickly left, saw a figure moving parallel to the path, in and out of deep shadow. I broke into a shambling trot, my gun hand in my pocket, clutching the automatic. When I looked again, he wasn't there. I slowed down warily, crossed a broad lawn, heard running, the meter of bounding feet. He was coming from the right this time, all-out, closing fast. I broke into a weaving run, hoping I'd make an elusive target for someone firing at my back. I'd never run in a weave before. I kept my head down, swerved sharply and unpredictably. It was an interesting way to run. I was surprised at the range of possibilities, the number of combinations I could put together within a framework of left and right swerves. I did a tight left, widened it, cut sharply right, faked left, went left, went wide right. About twenty yards from the end of the open area, I broke off the weave pattern and ran as fast and straight as I could for a red oak. I stuck out my left arm, went skidding around the tree in a headlong cranking countermotion, simultaneously using my right hand to pluck the Zumwalt from my jacket pocket, so that I now faced the person I'd been fleeing, protected by a tree trunk, my gun at the ready.

This was about as deft a thing as I'd ever done. I looked into the heavy mist as my attacker approached in little thudding footfalls. When I saw the familiar odd loping stride, I put the gun back in my pocket. It was Winnie Richards, of course.

"Hi, Jack. At first I didn't know who it was, so I used evasive tactics. When I realized it was you, I said to myself that's just the person I want to see."

"How come?"

"Remember that time you asked me about a secret research group? Working on fear of death? Trying to perfect a medication?"

"Sure-Dylar."

"There was a journal lying around the office yesterday. American Psychobiologist. American Psychobiologist. Curious story in there. Such a group definitely existed. Supported by a multinational giant. Operating in the deepest secrecy in an unmarked building just outside Iron City." Curious story in there. Such a group definitely existed. Supported by a multinational giant. Operating in the deepest secrecy in an unmarked building just outside Iron City."

"Why deepest secrecy?"

"It's obvious. To prevent espionage by compet.i.tive giants. The point is they came very close to achieving their objective."

"What happened?"

"A lot of things. The resident organizational genius, one of the forces behind the whole project, was a fellow named Willie Mink. He turns out to be a controversial fellow. He does some very, very controversial things."

"I'll bet I know the first thing he does. He runs an ad in a gossip tabloid asking for volunteers for a hazardous experiment. FEAR OF DEATH, it says."

"Very good, Jack. A little ad in some rinky-d.i.n.k newspaper. He interviews the respondents in a motel room, testing them for emotional integration and about a dozen other things in an attempt to work up a death profile for each person. Interviews in a motel. When the scientists and the lawyers find out about this, they go slightly berserk, they reprimand Mink, they put all their resources into computer testing. Berserk official reaction." "But that's not the end of it."

"How right you are. Despite the fact that Mink is now a carefully observed person, one of the volunteers manages to slip through the screen of watchfulness and begins a program of more or less unsupervised human experimentation, using a drug that is totally unknown, untested and unapproved, with side effects that could beach a whale. Ah unsupervised well-built human."

"Female," I said.

"Very correct. She periodically reports to Mink in the very motel where he originally did his interviewing, sometimes arriving in a taxi, sometimes on foot from the shabby and depressing bus terminal. What is she wearing, Jack?"

"I don't know."

"A ski mask. She is the woman in the ski mask. When the others find out about Mink's latest caper, there is a period of prolonged controversy, animosity, litigation and disgrace. Pharmaceutical giants have their code of ethics, just like you and me. The project manager is kicked out, the project goes on without him."

"Did the article say what happened to him?"

"The reporter tracked him down. He is living in the same motel where all the controversy took place."

"Where is the motel?"

"In Germantown."