Masters Of Noir Vol Ii Part 8

I'd put off the paper work as long as I could, but now I sat down at a typewriter and filled out a Complaint Report form as thoroughly as I could, at this stage of the investigation, and then did the same with the other routine forms.

When I finished with the forms, I had gone as far as I could go. I had almost dozed off staring at the typewriter, so I went down to the corner and brought back a quart carton of black coffee.

I was sipping at it when Ben Muller came in.

"Any luck?" I asked.

"Maybe she took a walk, maybe she didn't," he said. "She checked out of the hotel when she said she did, but that's as far as I got." He reached for the coffee and drank steadily until he had finished a good half of it. "You want me to talk to her, Pete?"

"Nope. Let her think a while longer."

He shrugged. "Suits me." He sat down at his desk and put his head down on his arms. "Don't wake me up unless I inherit a million bucks, Pete."

The phone on my desk rang. It was Tom Volz, of the Tenth.

"We got something for you, Pete," he said. "Eddie Willard."

"Where'd you grab him?"

"We didn't. He walked in."

"The h.e.l.l!"

"Sure did, Pete. About two minutes ago. He says he won't talk to anybody but you. That's fine with us. We got our own troubles."

"We'll be there before you can hang up," I said.

"What's the deal?" Ben asked.

"They've got Eddie Willard, over at the Tenth."

He stood up, yawning widely. "Fine. Maybe we'll get to bed some time this year after all."

The boys at the Tenth gave Eddie Willard and me the rear interrogation room to talk in. Willard had said he wouldn't say a word if anyone else was in the room with us, and I'd left Ben shooting the breeze with Tom Volz. Neither Willard nor I sat down. He was about my height, but a lot thicker-bodied. He had a lot of dark hair and restless dark eyes that never seemed to blink.

"I'm going to give you this fast and hard and all in one piece," he said. "I've heard of you a lot. I think I'll get a clean shake."

I nodded. "What's on your mind, Mr. Willard?"

"I heard a rumble you were looking for Leda and me. I would have turned in up at your precinct, but I didn't want to take a chance on getting tagged by some other cop before I got there."

"Where's your wife, Mr. Willard?"

"I'll get to that. First I want to tell you that I'm doing this to save my own hide. No other reason. I've done a lot for Leda in my time, and now I'm through." He paused a moment, biting at his lip. "Here it is, the whole thing. I just found out about Leda this morning, see? I've been married to her eight years, but I never knew until this morning just what a rotten woman she really was. The only reason I found out then is because she was scared crazy. She didn't kill Teddy Connors, you understand. But she'd been fooling around with him, over at Janice Pedrick's dump and all."

"Did she have any part in the killing?" I asked.

"Not exactly. Bucky Sullivan killed him. Here's the way it went. Leda was working for a guy down in the Village, a jeweler. This guy was trying to make time with her, and she kind of led him on because he slipped her a few extra bucks now and then. Anyhow, this guy-Dannion, his name is-had been knocking down on his income tax. Every time someone paid cash for something, he'd stash the money in his safe. G.o.d knows how long he'd been putting it away, but one night he got half crocked and told Leda about it. He said there was twenty thousand in the safe-and when she didn't believe him, he showed her."

I lit a cigarette and leaned up against the edge of the table. I didn't say anything.

"Well, Leda had been fooling around a lot with this G.o.dd.a.m.ned Teddy Connors," Willard went on. "Connors had dropped a word now and then that made her think he might be able to do something about that twenty grand. She put it up to him, and sure enough Connors gets Bucky Sullivan, a guy he used to spar with in the old days, and the two of them went over to the jewelry shop and hit it. They got the dough all right, but Connors-he saw a chamois bag in a corner of the safe, and he took that along too, without saying anything to Bucky about it."

"What was in the bag?"

"Sapphires. About a dozen of them. Worth a lot more than diamonds. Anyhow, this jeweler reported the stones missing, and called the insurance company. But he didn't say anything about the money, because he was afraid to. He got into the country illegally, about fifteen years ago, and he knew that if the feds heard about that twenty grand and started smelling around, he might be deported." He took a deep breath. "Well, the insurance company wasn't getting anywhere. Finally they let it out in the right places that they'd pay a flat four grand for return of the stones, and no questions asked. When Bucky Sullivan got the rumble, he knew what Connors had pulled. It made him sore as h.e.l.l, to think his old buddy had held out on him, and he went on the prowl."

"And caught up with him at Janice Pedrick's place?" I said.

"That's right. Leda and Connors had been shacked up there all night. This morning, Connors went out for some cigarettes. That's when Bucky saw him. He trailed him back to the apartment. He had a gun, and he forced Connors to let him in with him. He told Connors he'd let him go if Connors gave him the rocks, but Connors couldn't do that."

"Why not?"

"Because Leda had conned him out of them. She'd sold them for peanuts. He was real gone on her, I guess. He was an ugly guy, and no woman had ever given him a tumble before. Anyhow, Bucky went nuts. He hit Connors across the throat with the side of his hand and knocked him out. Then he clipped Leda over the temple with the b.u.t.t of his gun. She fell down and made out she was unconscious, but she wasn't. Then Bucky grabbed a rag or something and started choking Connors. He turned his back on Leda a moment, and she saw her chance and jumped up and beat it."

I rubbed my cigarette out in a tray, studying him. "Why'd you and your wife check out of your hotel, Mr. Willard?"

"I must have been a little crazy myself, I guess. Leda-she was almost nuts. She thought sure her part in the jewelry heist would come out, once they really got to checking. She'd done a bit out on the West Coast once, for fingering another guy to a burglar-and that's something else I didn't know till this morning. And she said it'd be her word against Bucky's, and that she might end up in the death house with him. Anyhow, I couldn't think straight, right at first. All I could think about was trying to help her get away. And then all at once it hit me, what a G.o.dd.a.m.ned fool I'd been all these years. And all of a sudden I knew I wasn't going to be a nanny for her any more. I'd had a gut full of her. It was like I was seeing her for the first time since I'd known her."

"If she's earned a fall, then she's going to take it alone-is that what you mean?"

"You're d.a.m.ned right. I've been a chump long enough. From now on, she's on her own."

"Where is she now?"

"She's in room fourteen-oh-nine, at the Milsener Hotel."

We picked up Leda Willard. She was in such a state of panic that it took us almost two hours to get a coherent story from her. But when we did, it was a complete admission. She was too frightened to fight us, even too frightened to be capable of lying. She completely absolved Janice Pedrick and Eddie Willard of any implication.

Four nights later we cornered Bucky Sullivan in the men's room of a bar in Harlem. He shot it out with us, and took two slugs through the chest. While he was waiting to be operated on, he became convinced he was dying and called for a priest. Afterward, he made a full admission. Declarations by persons who think they are dying are powerful instruments. It was powerful enough to close the case for us, though Bucky Sullivan lived through the operation.

He was very bitter toward the doctor who saved him. He couldn't understand why the State should save his life-only to send him up the river and take it away from him again in the electric chair.

I DON'T FOOL AROUND by CHARLES JACKSON

Tonight Lynette McCaffrey was wearing a short red skirt that seemed all torn and jagged around the edge, like fringe; and when George Burton, watching through the open window, looked more carefully, he saw that it was fringe. Above the skirt was a thin blouse that you could see through, and above that, a small close-fitting hat of silver straw, with her brown curls bunched out below the curling brim. On her feet were flat sandals, the kind that children used to wear. He had never seen a fringed skirt before, or sandals on a girl her age, or a hat at the Yacht Club dance. As if her beauty alone was not enough to set her apart, it was like Lynette McCaffrey to wear something different, to create a new style, to get herself looked at and talked about. George Burton followed her around the floor with his eyes, and hoped that it was love.

The small orchestra from the city was playing Hindustan Hindustan and she was dancing with Arthur Wallace again. Art had on white flannels and a blue double-breasted jacket with s.h.i.+ning bra.s.s b.u.t.tons. The flannels were certainly his own, because he had been wearing them all summer long at the Sat.u.r.day night dances. George Burton said aloud, "d.a.m.n Dad anyway," feeling a momentary burst of anger that frightened him. and she was dancing with Arthur Wallace again. Art had on white flannels and a blue double-breasted jacket with s.h.i.+ning bra.s.s b.u.t.tons. The flannels were certainly his own, because he had been wearing them all summer long at the Sat.u.r.day night dances. George Burton said aloud, "d.a.m.n Dad anyway," feeling a momentary burst of anger that frightened him.

He looked around quickly to see if anybody had heard. There was no one. He was alone on the raised edge of weather-beaten planks that ran alongside the Clubhouse to the broad pier fronting the bay. But if his father had only let him borrow his white flannels, which fitted perfectly all right if he tightened the belt enough, he might have had a chance with a girl like Lynette McCaffrey.

The music ended with a matched crescendo of piano and banjo, and Lynette and Art strolled from the floor toward the open doors at the bay end. She did not applaud, as the other girls did, and when Art Wallace saw how indifferent she was, he arrested his palms in midair and didn't applaud either. She reached into a side pocket of Art's jacket and drew out a pack of cigarettes. Right in front of everybody she put one in her mouth and tilted her face up for a light. Then, with the cigarette hanging from her lip in the most wonderful way, she pa.s.sed through the doors and out to the pier.

George Burton had never felt so lonely, but he was not, except for one brief moment, really unhappy. He loved from afar, and merely to look on was enough. In fact he was almost happy. He waited for, and appreciated, each new feeling of exaltation; and when these came, he felt a strong new sense of being older, aware that he was experiencing himself in a way that he never had before. But Lynette was out of sight now, so after another minute he moved along the raised beam toward the open pier.

It was a marvelous August night, cool and clear, and there was a yellow moon hanging over the bluff at the far end of the bay, right over that part of the Bluff where his parents' cottage was. He heard the wash and slap of the small waves against the pilings beneath the wharf, and he saw the gently swaying night lights, and their bobbing reflections, on the sailboats anch.o.r.ed offsh.o.r.e. Several couples stood around in the light that streamed from the Clubhouse, waiting for the band to start up again. Then he found Lynette McCaffrey.

She was seated on the flat top of one of the low iron posts at the edge of the pier. Four or five fellows hovered about her admiringly, but George knew they were thinking far more of themselves and the figures they cut than they were of her; not one of them could begin to appreciate how marvelous she was. He edged closer to listen, but not near enough, he thought, to be seen. He heard her say, "Just look at that moon." Then, in the most matter-of-fact tone, as if she had been merely commenting on the weather, she added: "It's as yellow as p.i.s.s"-and George Burton fell in love for good and all.

Lynette McCaffrey was the new girl that summer. Her family was from Cleveland, and she not only thought, but said openly, that Parsons Point was dead. What on earth was there to do in a dump like this, why didn't somebody put some life in the old place, where were all the mean men?-things like that. It had never occurred to George Burton before that the Point was dead, but he accepted the idea at once. Well, not really. It was dead for her-how could it help being?-but with a girl like Lynette McCaffrey around, it was far from dead for him.

For almost a month, now, every single day had been different, and better, than last year, because of the certainty and promise that sometime or other before nightfall, he would run into Lynette McCaffrey not once or twice but several times: sailing on the bay, having a soda at Mike's, climbing the steep path to her cottage on the Bluff (and not leaning forward in the effort, as nearly everybody else did), sunning herself in a yellow or red or green bathing suit on the pier where the Wrinkle Wrinkle came in (actually swimming was for kids), or, dressed in a fresh new frock in the late afternoon, sauntering down to the post office below the Bluff to get the evening mail. When they met, he always waited for her to speak first, and she always did. "Hi, Georgie," she said, in the most democratic fas.h.i.+on. He hated being called Georgie by anybody, but when she said it, somehow it became her own special name for him, private and intimate as if it were something between them, a kind of secret that was his and hers together. came in (actually swimming was for kids), or, dressed in a fresh new frock in the late afternoon, sauntering down to the post office below the Bluff to get the evening mail. When they met, he always waited for her to speak first, and she always did. "Hi, Georgie," she said, in the most democratic fas.h.i.+on. He hated being called Georgie by anybody, but when she said it, somehow it became her own special name for him, private and intimate as if it were something between them, a kind of secret that was his and hers together.

George Burton was going on seventeen, and he had heard that Lynette was almost two years older. But because he was as tall and nearly as grown-up looking as she was, he hoped n.o.body had told her how young he was. The fellows she hung around with were all her own age and pretty sophisticated, which was why he didn't like to talk with her in their presence-their snappy line always showed him up-and this was also why he avoided joining the little group around her now. But suddenly, to his astonishment, thrill, and a funny feeling in his stomach something like stage fright, Lynette called out to him in the dark: "Why Georgie Burton, what are you doing skulking around in the shadows like a-like I don't know what?" And while the fellows laughed, she added: "Come on over here where you belong!"

It was wonderful. Lynette McCaffrey had said it herself; and as he went over and stood beside her, he felt that maybe he did belong. Then the music started up, Lynette reached out a hand toward Hank Van Duser, and let herself be pulled to her feet. "I promised Van this one, but Georgie, will you dance the next one with me? I haven't danced with you once all summer. Not once! Here, take my cigarette ... " George Burton took her cigarette between thumb and forefinger and Lynette moved off toward the lighted dance floor arm in arm with Van.

The small orchestra was playing Oh Gee, Say Gee, Oh Gee, Say Gee, and George stood there on the dark wharf holding the cigarette. Everybody else had gone in. He looked at the cigarette. It was a gold-tipped Violet Milo rapidly getting shorter and shorter, now, as it burned down to the end. In a few seconds he would have to throw it away, and he didn't want to do that. Of course he didn't expect it to last all through the dance, till Lynette and Hank came back out again, but he wanted to keep it as long as he could. Finally he held it up to his lips, took a small short puff, then dropped it over the side of the pier into the water. Because of the music, he did not hear the tiny hiss it must have made as it hit the water. and George stood there on the dark wharf holding the cigarette. Everybody else had gone in. He looked at the cigarette. It was a gold-tipped Violet Milo rapidly getting shorter and shorter, now, as it burned down to the end. In a few seconds he would have to throw it away, and he didn't want to do that. Of course he didn't expect it to last all through the dance, till Lynette and Hank came back out again, but he wanted to keep it as long as he could. Finally he held it up to his lips, took a small short puff, then dropped it over the side of the pier into the water. Because of the music, he did not hear the tiny hiss it must have made as it hit the water.

The moon, rising higher over the Bluff at the far end of the bay, was getting smaller now, and it was also paler, whiter, no longer the color that Lynette had said it was-said in a way that n.o.body else on earth, certainly no other girl, would have described it. Her word had almost taken his breath away, but it had been exactly right, and he was filled with admiration for her originality and daring. The thought of dancing with her, actually holding her in his arms at last, right in front of all the other fellows, was a thought almost too much to bear; and he hoped he could bring it off in a casual fas.h.i.+on, or at least that it would look that way.

He stood there listening, waiting, and now the piano was going it alone, accompanied for the moment only by the drummer, who slapped the big drum softly with a pair of wire flyswatters which gave off a whispering, swis.h.i.+ng sound, just right for the piano solo. He looked through the open door into the brightly-lighted Clubhouse and saw Lynette, her head in its silver straw bonnet resting on Hank Van Duser's shoulder, gazing up into Van's face as they moved slowly around the floor. He could have watched her forever. It was almost as good as the dream that was to be realized any minute now.

The tune came to an end and Van and Lynette and a bunch of others sauntered out onto the dark pier again.

She looked for and found him sitting on the iron post where she had sat. She came up to him at once and placed her two hands on his shoulders in the friendliest, the most affectionate gesture in the world. His heart swelled with pride as he saw how the other fellows noticed. She said, her voice a breathless thrilling stage-whisper, so personal, so intimate, almost like a kind of lovemaking: "Georgie honey, I've made a ghastly mistake. I could simply kill myself. Van reminded me that I promised the next dance to that fool of a Freddie Vincent, and then after that it's Art Wallace again, and then Van, and-that's the way it goes, kid. So listen, honey, why don't we do this? Next Sat.u.r.day night I promise to save you two dances for just you and me alone. I'm just as sorry as I can be, I'm simply crushed and heartbroken. But I'll make it up to you next time, Georgie, honest and true."

The word honey honey struck him to the heart, but he said, "Why sure, that's okay, I understand, don't give it another thought." He avoided looking at the other fellows standing around, and concentrated on Lynette's face alone, giving her a smile that he hoped looked all right and that she could see, and the others could see too, in the half-dark of the wharf. Immediately, then, Lynette fell into an animated conversation with the fellows standing around, and he heard her make fun of that silly little orchestra from the so-called city-("Do they actually have the gall to call themselves a struck him to the heart, but he said, "Why sure, that's okay, I understand, don't give it another thought." He avoided looking at the other fellows standing around, and concentrated on Lynette's face alone, giving her a smile that he hoped looked all right and that she could see, and the others could see too, in the half-dark of the wharf. Immediately, then, Lynette fell into an animated conversation with the fellows standing around, and he heard her make fun of that silly little orchestra from the so-called city-("Do they actually have the gall to call themselves a dance dance orchestra, and my word, why don't they play something that isn't about a thousand years old!")-and he heard the fellows laugh. It was so like Lynette; it was all part of that wonderful outside world she came from, the great world of the future, far away from Arcadia and Parsons Point. orchestra, and my word, why don't they play something that isn't about a thousand years old!")-and he heard the fellows laugh. It was so like Lynette; it was all part of that wonderful outside world she came from, the great world of the future, far away from Arcadia and Parsons Point.

There was more than two hours to wait before the dance would be over at twelve and the Wrinkle Wrinkle would take them back home across the bay to the Bluff. When Freddie Vincent came and took her off to the dance floor, George Burton got up and went back along the weather-beaten planks beside the Clubhouse to the dirt road in back. He walked slowly down the dark lane to the brightly-lighted street where the bowling alley was, and the hot dog stand and the cheap dance hall that the nicer people didn't go to. He bought himself a hot dog and stood outside the dance hall looking in. It was one of those ten-cents-a-dance places, where you could go, girls as well as men, without escorts or a proper date. He watched the couples toddling around the floor. Some of the girls were pretty enough, but they were working girls for the most part, and there wasn't one of them in the whole place who had what Lynette McCaffrey had. What that was, he couldn't have said. It was a mysterious something that he had never before found in anyone else, and he knew it was love, all the more so because of his hurt. would take them back home across the bay to the Bluff. When Freddie Vincent came and took her off to the dance floor, George Burton got up and went back along the weather-beaten planks beside the Clubhouse to the dirt road in back. He walked slowly down the dark lane to the brightly-lighted street where the bowling alley was, and the hot dog stand and the cheap dance hall that the nicer people didn't go to. He bought himself a hot dog and stood outside the dance hall looking in. It was one of those ten-cents-a-dance places, where you could go, girls as well as men, without escorts or a proper date. He watched the couples toddling around the floor. Some of the girls were pretty enough, but they were working girls for the most part, and there wasn't one of them in the whole place who had what Lynette McCaffrey had. What that was, he couldn't have said. It was a mysterious something that he had never before found in anyone else, and he knew it was love, all the more so because of his hurt.

Keenly he felt his unhappiness, and he knew that all these strangers in the street, all these callous people who never felt anything, could not possibly know what he was feeling, or, if they did know, understand. It was something he himself had not felt before, ever, and he believed that there could not be many others in this world who had ever felt it, either. It was special and delicious and painful all at once, he knew that it set him apart, and he felt both lonelier and bigger, more capable of feelings, than anybody else had ever felt.

It was life, in short. Oh, there was no fun in being so vulnerable, so much more sensitive than other fellows, but wasn't that part of love, didn't it go with falling in love, could a man have one without the other-didn't it come from being more aware and susceptible to life than the common herd? He turned away from the dancing gay throng so ignorant of the deeper finer things, and wandered off alone toward the upper end of the Point, hugging his misery to himself ...

Finally he heard the three deep notes of the Wrinkle Wrinkle whistle, which meant that the boat was leaving for the Bluff in five minutes. He hurried back. whistle, which meant that the boat was leaving for the Bluff in five minutes. He hurried back.

The lights on the pier had been turned on, and a dozen or more couples who had been at the Yacht Club dance were crowding around for the trip home. The Wrinkle Wrinkle was a small narrow steamer, hardly bigger than a big launch, with a brightly-lighted cabin lined on both sides with a continuous leather-cus.h.i.+oned bench and an open deck above with a single bench athwart the steamer just in front of the small gla.s.sed-in place where the pilot stood at the wheel. By the time the final whistle blew, everybody was on board, the engines started up with a deep whine, the propeller churned the water at the stern into a noisy swirling foam, and they were off. was a small narrow steamer, hardly bigger than a big launch, with a brightly-lighted cabin lined on both sides with a continuous leather-cus.h.i.+oned bench and an open deck above with a single bench athwart the steamer just in front of the small gla.s.sed-in place where the pilot stood at the wheel. By the time the final whistle blew, everybody was on board, the engines started up with a deep whine, the propeller churned the water at the stern into a noisy swirling foam, and they were off.

Lynette McCaffrey, her legs crossed and one sandalled foot swinging, sat between Art Wallace and Hank Van Duser. She was smoking a cigarette against all the rules of the Wrinkle; Wrinkle; while the engines were in motion, smoking was not even permitted on the upper deck, much less inside in the cabin. Blowing directly onto their backs and necks, a chill wind streamed into the open windows as the boat gathered speed, colder in a way, because n.o.body was dressed for it, than a winter wind-the kind of chill wind that blows across the water on a summer midnight. Some of the girls huddled against their partners' shoulders, and the fellows put their arms around them. There was a great deal of laughter and lively talk, tossed back and forth among the pa.s.sengers, but it all rang hollow and false in George Burton's ear. Feeling out of it, wanting to be alone, he got up and turned toward the ladder-like steps that went up to the open deck above. Just as he began the climb, Lynette called out: while the engines were in motion, smoking was not even permitted on the upper deck, much less inside in the cabin. Blowing directly onto their backs and necks, a chill wind streamed into the open windows as the boat gathered speed, colder in a way, because n.o.body was dressed for it, than a winter wind-the kind of chill wind that blows across the water on a summer midnight. Some of the girls huddled against their partners' shoulders, and the fellows put their arms around them. There was a great deal of laughter and lively talk, tossed back and forth among the pa.s.sengers, but it all rang hollow and false in George Burton's ear. Feeling out of it, wanting to be alone, he got up and turned toward the ladder-like steps that went up to the open deck above. Just as he began the climb, Lynette called out: "Georgie! Don't go up there, kid. You're probably all sweaty after the dance and you'll catch your death."

"I'll be all right," he answered casually over his shoulder, and disappeared above.

He sat down on the bench in front of the pilot's cabin and folded his arms. It was wonderful the way she had said "sweaty"; every single one of the silly girls he knew would have said "perspiration." He was not a bit sweaty, of course, because he had not danced a single dance; but all the same, in a minute or two he began to be very cold. He sat there in the night wind s.h.i.+vering as if with a chill, and he thought of what Lynette had said about catching his death. He hoped he would. She had warned him, and he had ignored her warning. He hoped she would remember this, a few days from now, and remember, too, how he had gone up to the upper deck just the same, as if he just didn't care....

The Wrinkle Wrinkle was out in the middle of the bay now, and he saw the lights on Garfield and Cedar Island far off on one side, and a few lights still showing in the long row of cottages that lined the narrow sand bar between the bay and Lake Ontario. The bar shone palely in the moonlight, outlined against the expanse of the lake beyond, bright and wide in the moonlight like the open sea; it was like a reef or magic atoll of the South Seas, and he murmured: "Yon palm-fringed incandescent coast ... " The bar was only a piddling strip of gravelly sand strung with a lot of cheesy shacks that pa.s.sed for cottages and a few moth-eaten cottonwood trees, but the effect was all right.... was out in the middle of the bay now, and he saw the lights on Garfield and Cedar Island far off on one side, and a few lights still showing in the long row of cottages that lined the narrow sand bar between the bay and Lake Ontario. The bar shone palely in the moonlight, outlined against the expanse of the lake beyond, bright and wide in the moonlight like the open sea; it was like a reef or magic atoll of the South Seas, and he murmured: "Yon palm-fringed incandescent coast ... " The bar was only a piddling strip of gravelly sand strung with a lot of cheesy shacks that pa.s.sed for cottages and a few moth-eaten cottonwood trees, but the effect was all right....

They'll be sorry, he said to himself, a few days from now or next week, maybe, when he didn't turn up at the dance-though of course the news would get around long before then. They'd remember a lot of things about him and tell each other that he was a pretty darn nice guy after all and wish they had paid more attention to him while they had the chance. At the end of the season Lynette McCaffrey would go home to her set in Cleveland and tell them all that though Parsons Point was just a dump where there was nothing to do at all, where you simply went crazy sitting around all day doing nothing, there was one of the most wonderful fellows there that she had ever known in her life and before she got a chance to know him very well, the most terrible thing happened-it had plunged the whole place into the most awful gloom ... He gazed across the dark racing waters of the bay and thought: Next week all this will be the same, all this will be here, and I will not....

When the Wrinkle Wrinkle pulled in at the wharf below the Bluff and they all piled out, he waited till the last pa.s.senger had left the cabin before he climbed down the ladder and got off. In the moonlit dark he heard the cries of "So long" and "See you tomorrow" as the group broke up and the fellows took home their dates. Then he started up the steep path of the Bluff alone, careful to hang back so that he would not overtake those who were walking slowly on, arm linked in arm, ahead of him. pulled in at the wharf below the Bluff and they all piled out, he waited till the last pa.s.senger had left the cabin before he climbed down the ladder and got off. In the moonlit dark he heard the cries of "So long" and "See you tomorrow" as the group broke up and the fellows took home their dates. Then he started up the steep path of the Bluff alone, careful to hang back so that he would not overtake those who were walking slowly on, arm linked in arm, ahead of him.

He came in through the back door of his parents' cottage and reached overhead for the string of the kitchen light. By now he really was sweaty, his s.h.i.+rt was sticking to his back under the tweed jacket, and he was chilled through and through. On the white oilcloth of the table he found a note in pencil from his mother, written on one of those oblong cards found in Shredded Wheat packages and held down by a saltcellar so that it wouldn't blow away in the breeze that came in strong through the screen door: "Be sure and empty the ice pan and this time don't forget!!!" don't forget!!!"

He smiled sadly to himself. What did his mother know-what did anybody know-of what had been happening to him this night, what he had been through and what he was feeling in his heart....

When he went out to his cot on the sleeping porch, which was open on three sides to the cold night breeze, he found that his mother had left his pajamas for him beside the pillow and turned the blankets down, ready for him to get in. An idea came to him. He stripped off the blankets and even the sheet, rolled them up in a great bundle and fired them into a corner of the porch; then he fired his pajamas after them. He would sleep raw tonight and really catch that death, just as Lynette McCaffrey had said he would. He started taking off his clothes.

But when he got down to his B.V.D.'s, it occurred to him that maybe it wasn't nice to go to bed naked, not when he was in love. If it had been just any old tramp, that would have been a different thing; but if he was going to do this because of a girl like Lynette McCaffrey, it wouldn't be quite decent for them to find him in the morning lying there without a st.i.tch on. He got on the bed in his underwear and lay flat on his back with his arms folded under his head and gazed off into the freezing night. He made every effort to lie rigid and stiff as a ramrod but it was difficult, because his body was shaken again and again by shudders of chill. But he refused to accept his physical feelings; he recognized only feelings far different, deeper, and truer. He had heard about mind-over-matter and he concentrated intensely on his emotion and his thoughts. Now another line of poetry sprang unpremeditated into his head and with a melancholy satisfaction he thought it was the most wonderful thing that had ever been thought or said in the world-why, it was as if it had been written for him alone: "Now more than ever seems it rich to die, To cease upon the midnight with no pain ... "

Suddenly he was wakened out of a deep sleep by a violent shaking that was not of the cold. He rolled over and sat up, startled. His mother stood there beside the cot, her hand on his shoulder, scolding him unmercifully.

"George Burton, are you out of your mind! What's the big idea of going to bed on a night like this without a blanket over you or even a sheet, sheet, for heaven's sakes? And my stars, sleeping in your underwear-are you crazy?" Scolding away, she fished up the roll of blankets and sheet from the corner of the porch, shook them out and spread them over his cot, tucking him carefully in on all sides. He didn't say a word to her but he was very grateful and surprised at himself all the same, as he was just about dying of the cold and he didn't think he could stand it another minute. for heaven's sakes? And my stars, sleeping in your underwear-are you crazy?" Scolding away, she fished up the roll of blankets and sheet from the corner of the porch, shook them out and spread them over his cot, tucking him carefully in on all sides. He didn't say a word to her but he was very grateful and surprised at himself all the same, as he was just about dying of the cold and he didn't think he could stand it another minute.

"Goodness knows how long you've been lying there exposed to the world like that-do you realize it's after two o'clock in the morning? Good thing for you, young man, that I got up to see if you were in! Really, George Burton, you're simply not to be trusted at all.... "

When she had gone back to her own room, he lay there with the blankets wrapped up tight and warm around his neck. He was asleep before he had time to think, almost before he had time to realize that above every other person on earth he hated Lynette McCaffrey....

In the morning he knew he would find her sunning, alone, on the pier. There was a small spur of pride in him as he told himself how he had finally seen through her. He was sure now that she had led him on, and that she had nearly made him kill himself.

" ... To cease upon the midnight with no pain," he quoted to himself again. But it would be broad daylight now, and he didn't suppose it would be absolutely painless ...

He went up to meet Lynette McCaffrey with no weapon but his hands, and he didn't even give a thought to what must inevitably come after.

NICE BUNCH OF GUYS by MICHAEL FESSIER

All the taxi drivers and the fellows who hung around the pool hall would tell you that Marty was a laugh; you should've seen him when the boys got him burnt up about something. He was more fun than a circus, was Marty. Not exactly crazy enough to be put in the nut house or anything like that, just goofy enough to be really pretty darn funny.

He sold papers at the station. They were Posts and Marty yelled something that sounded like "Whoa", so all the fellows got a great kick out of yelling "Giddiap! Whoa!" at him and making him mad. He got screwy when they did that. He'd come across the street with his dirty checkered cap pulled down over one side of his face and his twisted mouth all squeezed up into a snarl.

"You old bootleggers," he'd say. "You old bootleggers!" The fellows got a special kick out of Marty calling 'em bootleggers and they'd laugh like anything. "I'm gonna get you," Marty would say. "Just you wait and see. You'd better not make fun of me."

"Aw, gos.h.!.+ Don't scare us like that," one of the fellows would say, and everybody'd laugh again. Everyone would gather around. There was always a laugh when you had Marty going. He'd lay his papers on the sidewalk and double up his fists. "Wanna fight?" he'd ask. Then everybody'd act afraid and beg Marty not to hit 'em. Of course they weren't afraid. Marty was just a little fellow and any of the fellows could have licked him easy with one hand. They were just kidding him for a laugh. Even Old Ironsides-that's what they called the corner cop-would come by and grin at Marty standing with his fists doubled up and acting like he was a tough guy.

They'd keep on kidding Marty and he'd start squealing like a stuck pig, he'd get so mad. You couldn't understand what he was saying when he got mad like that. Just a lot of cuss words that didn't make sense. And his mouth would froth like he was a mad dog or something.

Then somebody'd act like he really was going to fight Marty. He'd double up his fist and prance around and wiggle his arms and say, "All right, Marty, look out!" and he'd make a couple pa.s.ses at Marty. "Come on, put 'em up," the fellow would say, "I'm gonna knock your can off." Then Marty'd start whimpering like a little kid. He'd rub his eyes and back away and say, "You'd better not. You'd better not. I'll tell the cops, that's what I'll do." Then he'd grab his papers and run like h.e.l.l back across the street. Gee, it was funny!

It wouldn't be no time before he'd forget all about it and he'd be walking up and down the station platform yelling "Whoa, Whoa," or something that sounded like that. He sold a lot of papers because people felt sorry for him, I guess. He kept all his money in one pocket and when there wasn't anybody around he'd take it out and count it. He'd count his money seventy times a day. Guess it was the biggest kick he got out of life. And you couldn't get him to spend a nickel. n.o.body knew what he did with his money. He was nutty about money.

He was always begging for it. "Gimme a nirkel," he'd say, looking up at somebody. "Aw, go on, gimme a nirkel. Please," he'd say, "go on, please gimme a nirkel." It was funny the way he said nickel. There was something the matter with his tongue and he couldn't talk straight. He'd do anything for a nickel and that's no kidding. He'd do anything. anything. Sometimes when the fellows were drunk they'd get Marty in the back room of the pool hall and if you'd been there you'd seen there wasn't anything he wouldn't do for a nickel. Sometimes when the fellows were drunk they'd get Marty in the back room of the pool hall and if you'd been there you'd seen there wasn't anything he wouldn't do for a nickel.

But one of the biggest kicks was when the fellows would kid Marty about his girls. Of course he didn't have any. He was about thirty years old and he had a face like a monkey. His chin sprouted long black hairs that grew far apart and the fellows said he had pig's bristles instead of whiskers. I don't think he ever shaved but the whiskers didn't get any longer. It was funny to think of him having a girl. Gosh, no girl'd even look at him. Even the Mexican woman would chase him away when he'd go to her shack across the tracks and say what the fellows had put him up to saying.

"Hey, Marty," the fellows would say, "who's that hot number we saw with you last night?" And Marty'd grin sly, like he really had been out with a girl, and he'd say, "Nonna yer bursness" or something like that. And they'd say, "Can't you fix it up for us? Gee, she was a hot number. Oh, boy!" Marty'd act real proud like he really could and he'd say, "Naw sir, not youse guys. Not youse guys. T'h.e.l.l wit' ya."

The funniest thing was when somebody'd ask Marty what he did to the girl. It was a scream. He couldn't even p.r.o.nounce the word right. "Aw, you never had one in your life," they'd tell him and he'd get mad. "Tha's all you you know," he'd say. "Tha's all know," he'd say. "Tha's all you you know." All Marty knew about things like that was what he heard the fellows saying in the pool hall. But you'd thought he did all 'em himself the way he talked. know." All Marty knew about things like that was what he heard the fellows saying in the pool hall. But you'd thought he did all 'em himself the way he talked.