Hawk: A Stepbrother Romance Part 56

"My a.s.sistant is coming."

"Good. Just pray a cop doesn't roll up. I'm not supposed to be here. A parole violation would ruin my day."

"Oh. Great."

I shrug.

Half an hour later, we're sitting on the Firebird's b.u.mper and her a.s.sistant rolls up in a f.u.c.king Plymouth Voyager, I s.h.i.+t you not. At this point, I don't care. It could be a G.o.dd.a.m.n Volkswagen Beetle, as long as I can get out of here. Eve makes arrangements for a tow.

I look back at my car. My Dad's car.

Now it's personal, motherf.u.c.ker.

I crawl into the back of the van. Eve gets in with me, instead of riding up front, and settles against me, her arm around mine.

"Hey now," her a.s.sistant says.

Eve snorts. "Alicia, this is Victor."

"h.e.l.lo," she says, peering at me in the mirror. "I've heard a lot about you."

"It's all lies."

She smirks. "I hope not. Guess I have to ride you all back up home, huh?"

"Yeah," Eve yawns.

"I want pancakes."

They both glare at me.

"What happened?" Alicia asks.

"Somebody punctured the master cylinder on my car. They wanted to catch me off guard. Make it look like the brakes failed."

"You're sure somebody did that on purpose?"

I nod. "Had to be. It's a one in a million shot to..." I trail off.

"Victor?" Eve says, rising as I sit up next to her. She waits, biting her lip.

"My father died in a car accident," I say, calmly. "His brakes failed and a milk truck from a dairy farm up the road hit him at an intersection."

The whole car is quiet for a while.

"Victor," Eve says, very softly. "Did I ever tell you what happened to my mother?"

"No. I never asked. I didn't want to... I thought it would be painful."

Eve stares at nothing and murmurs, "A car accident."

I lean forward, fold my hands in my lap, and stare down at the floor. Fury burns in my lungs like hot smoke. I scrub my hands through my hair.

"I need access to Amsel's personnel files. You can do that, Eve."

"Yes. I just need a computer."

She chews her lip. She always does that when she's thinking, or upset. It's cute. I pull her close to me and she starts shaking. She was in that trough between the adrenaline release and the crash, and now it's. .h.i.tting her hard. She squeezes me back, her eyes shockingly wide. Her a.s.sistant keeps eyeing me in the rear view mirror.

"Are we going back to the house? I'd like to go home today. I haven't seen my family in over twenty-four hours."

"We might be in a lot of trouble," I say, calmly. "I think we should stay away from the estate."

"Come with me, then," she says, without missing a beat.

I shrug. Eve doesn't protest.

Her eyes close, and she sleeps on my shoulder. She didn't get much sleep last night, that's for sure. After a rush like that, it's natural to crash out. It hits me, too. After a few minutes of violent shaking as that I almost died realization settles in, I start nodding off along with her. The next time I open my eyes, Eve is still asleep, it's mid afternoon and we're caught in traffic. In the suburbs. This Alicia must live a ways away from the estate, closer to the city. I've never been overly fond of this place. It's got all the crowding and congestion and stale air of the city and exactly none of the personality. It feels like a ten minute drive takes about two hours, and then we're pulling into a driveway in front of a cookie cutter house in a newly minted subdivsion that wasn't here when I went away.

Eve stirs, holds my hand as we step out and stretch. Her a.s.sistant leads us inside.

Then the kids show up. They must be four and five, a boy and girl, tending towards chubby like their mother.

"These are my kids," Alicia says, hesitantly. "Hunter and Ashley."

The kids seem fascinated by Eve. They crowd around her.

"Are you mom's boss?" the boy asks.

"Um," Eve says, visibly nervous. Kids always rattled her nerves. "Yes."

"Shoo, kids, mommy has work to do." She turns to us. "I have a home office. We can access the personnel files from there."

The home office turns out to be an unused third bedroom, half packed with school supplies and kid desks. Eve locks us in and Alicia sits down to bring up the corporate VPN, and switches seats so Eve could log in. I stand behind her as she waits for it to connect.

"What are we looking for?"

"Pull up your father's personnel file."

It takes her a minute to find it.

Of course, it's blank. No commendations, no write ups, no notes, no evaluations, nothing. Fortunately that's not what I'm looking for.

"Nothing here," Eve notes.

"Everything is here," I say, pointing to the screen with my finger. "Look. He came on board when I was..." I do some quick math in my head. "Nine."

"So?"

"So, my father died in a car accident when I was twelve."

Eve's voice goes cold. "Vic, not everything bad in your life ties back to my father."

"Your mom died in a car accident. What kind of car accident?"

"I don't..." she trails off. "We never spoke about it. If I asked he'd give me a few sentences, and if I bothered him..."

My hands rest on her shoulders. I can feel her shudder all the way up my arms. I squeeze, gently. She takes a deep breath. I can't help myself and start playing with her hair. Annoyed, she tugs at my hand, but not very hard.

"That doesn't mean much by itself," Alicia says.

"Does he have a private office?" I ask. I leave out in my house.

"Yes, back at our house in Philadelphia. He never sold it. He lives there most of the time, now."

I turn to Alicia. "Do you know where he is right now?"

"I'm not his a.s.sistant, but he's going to some kind of a function tonight. He won't be in town."

"Okay," I announce. "Just a little breaking and entering."

Eve shrugs her shoulders under my hands. "I have a key."

"Oh. Not so much the breaking, then. Just the entering."

Eve giggles.

"Have you two eaten today?"

Eve starts snickering to herself. I can't help it, I laugh a little, too.

"I'm serious. Kitchen. Now."

There's a command in her tone that I can't ignore, for some reason. The two of us end up in her little kitchen, eating fresh pancakes while her kids watch cartoons in the next room over. They seem a little young to be on their own. Maybe half an hour later their father rolls up, and is startled to see Eve in the kitchen when he walks in. He doesn't seem to know what to make of me. Alicia takes him aside to talk with him privately, away from us and the kids. I step away to make a phone call about my car. I have the towing company load her on a wrecker and bring her up to a garage I know that works on old General Motors cars. I'd do the repairs myself, but I don't think I'm going to find the time in the next few hours. Once that's done I sit at the table and feed Eve bites of pancake from my plate while she almost sits in my lap. We're like teenagers again.

No matter what happens, at least I have this, right now.

It gets late faster than I'd like. I really don't want Eve's poor a.s.sistant tied up in this, so I ask her to drive us to a rent-a-car place where I pick up a nondescript Hyundai and we drive into the city. Eve's old place isn't actually all that far from mine, maybe a twenty minute walk, but a much nicer part of the city, all ancient row houses, big Victorians. True to her word, Eve has a key and we walk right in the front door. She locks it behind us and I lead the way, slowly. There's no security system, or anything like that, but we leave the lights off anyway. It'll be dark soon, and it's already dark in the house. As I walk around, it strikes me how sterile everything is. This looks like one of those tour houses, where they invited people to walk through and gawk at old lamps. From the way Eve navigates the house, I'd say nothing has changed since she was a kid. She takes me around the corner from the entrance to a large room that takes up a whole corner of the house.

It reminds me, vaguely, of my father's study, except the antiques are all fake. It takes a practiced eye, or growing up in a three hundred year old house, to pick up on these things. No computer, at least none sitting out.

"I was never really allowed in here," Eve whispers.

I don't know why she's whispering, but I can see the fear making her tremble.

"What are we looking for?"

I shrug and start pulling at his drawers. Everything inside is inhumanly neat, like something out of an office supply catalog. Drawer after drawer.

The bottom one is fake, sort of. There's a safe bolted into the drawer itself. I crouch down, poke at it. I have no clue what the combination might be. d.a.m.n it.

Eve taps my shoulder.

"Look."

She's pulled a sc.r.a.pbook down from one of the shelves. She starts flipping through it.

Newspaper clippings?

I'm a little surprised to see anyone keeps stuff like this anymore. Eve whips through the pages in a flurry, skimming the articles glued to the pages. Finally she stops.

"This one is about my mother," she says, calmly. "Here's her picture."

From the look on her face I can see she hasn't seen many photographs of her mother.

"Police said it was a freak accident," she says. Her voice tightens. "Her brakes failed and she hit a tree."

"Her brakes," I say.

"Jesus Christ," Eve murmurs.

It startles me. She's usually so proper in her speech, at least when we're not, ah, in flagrante dilecto.

"Do you think..."

"That your father murdered your mother, then my father, and then tried to kill me, or us, the same way? Yeah, I do."

"These articles don't make any sense," she says, sitting in a side chair to go over them. "I mean, the articles make sense but they're randomly chosen. They're from the business section, obituaries, there's an article here about a missing person..." she trails off.

"It's not a sc.r.a.pbook," I say, softly. "It's a trophy case."

She looks up. "What? Oh my G.o.d, what?"

I swallow. "Eve, I think we better get out of here. Bring that."

She nods and tucks it under her arm.

A shadow pa.s.ses by the window. I grab Eve and pull her down to her knees with me, and creep along the floor. I can feel her heart hammering against me and she presses into my side. Just someone walking outside, I think. Then I hear the front door open and freeze.

Whispers pa.s.s back and forth. I can't understand them.

Oh, they're loud enough, but they're in Russian.

I look at Eve. She looks at me. I motion for her to wait, and she goes stock still. I listen to the creak of feet on old floorboards. Three shadows, three men. I edge closer to the hallway, ready to spring.

All at once there's a gun in my face, a sleek black automatic with along cylindrical suppressor.

"Stand up," the gunman says, in lightly accented English. He's wearing a ski mask, as are his two friends. One of them aims at Eve.