Hawk: A Stepbrother Romance Part 58

"s.h.i.+t. I don't know. Where the f.u.c.k is Martin?"

"I don't know. Where are we?"

"There's another... you gotta be f.u.c.king kidding me," he blurts out. "Follow me. I'm not leaving you here."

"Where are we going?"

"There's another tunnel."

Chapter Twenty-One.

Victor "We're leaving," I tell her, and take her into the Scary Tunnel.

Eve never says a word, she just follows me, clutching my hand with hers. Her skin is sticky, dried blood from her scalp. It's not as bad as she probably thinks it is. Any scalp wound bleeds like a stuck pig. It's matted in her hair, a dark clump of rust on the white gold.

She keeps her head down as we traverse the tunnel. My every step is sure. I know where I'm going. The first time I came through here, it felt five miles long. First thing I need to do is get Eve to safety, then I need to get my hands on Martin. The son of a b.i.t.c.h is not getting away with this. The end of the tunnel isn't far. Once we reach it I open the trap door and Eve hauls herself up the short staircase and out, and I'm right behind her, breathing free air on the other side of the wall.

"What is all this?"

"My family used to shelter runaway slaves," I tell her, panting. "Back during the Civil War. Before that, too, I guess."

I can see the flames over the treeline. It's all burning, everything.

"The house," she says.

"f.u.c.k the house. Pictures of my Mom and Dad. Pictures of you and me. My life was in that house..." I trail off.

"No," I touch her shoulder and pull her to me. "My life is right here. The rest of it can be replaced. Let's get out of here, I want you safe."

"How?"

The Toyota is still parked under the trees. My neighbor the dairy farmer must not have noticed it. Please let the key still be in the ignition. Of course, it is. The door is still unlocked. I help Eve into the pa.s.senger's seat, rush around to the other side, and start her up. It's rough going back to the road.

Headlights flash in my rear view mirror. Oh s.h.i.+t.

I tromp the pedal and the little hatchback gives her all. I suddenly feel sorry for disparaging her before. I wish for the Firebird but the Firebird is sitting in a garage somewhere right when I need her. The Toyota tries her best, and I weave from one side of the road to the other, so they can't ram me, but there's headlights up ahead. I should have known. Martin wasn't going to just leave us to die without some kind of plan B. I don't think they figured on me, though. I weave around the oncoming truck, gripping the wheel so hard it creaks. The front tire hits soft shoulder but I wrestle the car back onto the road, a dazed Eve lurching this way and that in the seat behind me. Eve has the shotgun.

"You know how to load that?"

She shakes her head.

"Push the lever on the top. It opens in the middle. Stick the sh.e.l.ls in the holes. They can only go in the one way. Don't touch the triggers."

As she fumbles with it, I drive. There's two packs of them hot on our tail, and they're catching up. The Toyota's little motor is screaming, but it's built light, to save weight for gas mileage. She holds her own, especially on these winding roads where the big lumbering trucks have to slow for turns. I don't. Eve snaps the gun closed.

There's a flash behind us. They say you never hear the one that gets you. That's because the bullet goes faster than the sound, and the crack comes after the back gla.s.s shatters. Something spins and bounces on my lap. They hit the rear view mirror, knocked it right off the mount and popped a hole in the winds.h.i.+eld, a spiderweb folding across my vision. I weave in the road as they fire again, more flashes, more pops. The mirror on Eve's side shatters into a million pieces, and falls away into the night. Another crack and her window blows out.

"Get down," I bark at her, pus.h.i.+ng her down into the footwell.

It doesn't matter. For bullets a car like this might as well be made of tinfoil. There's no cover from a bullet in here. I see a flash. Headlamps, this time.

A Mercedes. It's f.u.c.king Martin, weaving around the two trucks.

I can't outrun them, but I can't outdrive them. I can't outdrive Martin, not in that. f.u.c.king German engineering.

I pull Eve back against the seat. She winces, clutching her hand.

"Seat belt!" I bellow, and she doesn't even blink before she yanks it on. I fumble at mine and take a sharp turn one-handed, the wheel straining against my wrist. I burned my hand somehow and I don't even realize it until now, when the wheel starts to slide in my palm and grinds against the burn, sending lancing agony up my arm.

Martin swings wide. He's trusting in the speed and handling of his machine. I can't slow down in a sharp turn, have to put more power to the drive wheel to keep from losing control. He might be overcorrecting, he might be doing it on purpose, but the end result is the same. The big Benz side-swipes the little Toyota and then we're bouncing and the cracked winds.h.i.+eld is full of sky, then dirt. For a single gut-twisting moment I think we might roll but she stays upright, jounces down the hill into a dead field, cras.h.i.+ng through more cut corn stalks. f.u.c.king corn. Martin's Mercedes grinds to a stop and he surges out, gun in hand.

I draw the shotgun out of Eve's hands smoothly, in a single motion, but the seat belt catches my leg as I kick the door open and I go down. I squeeze one trigger. Martin is already down, but his driver's side door window shatters along with the shocking report of the shotgun. I have another shot. I roll, free my leg, touch off the other trigger, punch a dozen holes in Martin's door but he's not there. He was moving around the other side. Eve is out of the car. Moving around the front, crawling. Good girl. The engine block will give her some cover, the bullets will go through the car but not the solid aluminum block of the engine. There are some sh.e.l.ls on the floor. The box I was carrying split open sometime, maybe during the crash, maybe before. I grab a handful, shove two down the shotgun's throat and get up.

At some point, I hurt my leg. Can't worry about that now. Martin is over there somewhere. I can't see him.

I guess if this was a movie, wind would blow, the soundtrack would come up, and we'd face off, staring each other down for a moment before firing the climactic shot of our duel. Instead, Martin looks startled when he sees me and starts shooting wildly, and so do I.

Just like they said, I don't hear the one that gets me. I never hear the sound, just feel as sledghammer in my thigh. A second too late I tug both triggers and the shotgun goes off. I lurch around and Martin spins. I see blood. I think I got him.

He turns back and clutches his face. Somehow I missed with a f.u.c.king shotgun. He strides over, clutching his face. There's blood between his fingers. I got his ear. Hah.

I clutch my leg. That's a lot of blood. It doesn't hurt.

I'm pretty sure that's bad. I'm sorry, Eve.

Martin kicks the shotgun away, not that I could have reloaded it. He raises the pistol and aims at my head.

"Boy, you are no end of trouble. It will be very difficult to explain this."

"Yeah," I manage to rasp, "Sorry about that."

He shrugs, and then Eve picks up the shotgun and swings it like Ol' Betsy in a cheap Western and bashes the b.u.t.tstock right into Martin's skull. His hands shock open and the pistol drops right out of his grip. He turns back, moves to grapple the gun away from Eve, but she recovers from the swing and puts her full weight into it, twisting it like she's swinging a baseball bat. The stock hits his upper arm and there's a solid meaty crack, and he howls, clutching at the limb. Her backswing catches him right on the kneecap.

Watching a man's leg fold up the wrong way is unpleasant, even if it's a simple f.u.c.k like Martin Ross.

He goes down to the ground, rolls. His hand slips behind his back.

Of course f.u.c.king Martin would have a backup. He slips the little black pistol from his back pocket. Eve doesn't see it. She raises the shotgun over her head, ready to bring the sharp bottom corner of the b.u.t.tstock right down on his f.u.c.king head, but I can already see it playing out, as in slow motion. He's going to shoot her right in the gut.

His pistol, the one he dropped, is slick with blood in my hand. Doesn't matter. I put the muzzle against the side of Martin's head. He stops as he feels it. Eve sees the pistol in his good hand.

Bang, bang. Once and then twice for sure. Eve screams. She's covered in blood.

Mostly not hers. That works for me.

The shotgun falls with a thump in the dry dirt and suddenly she's tugging at my arm.

I'm so tired. I need a nap. Just let me sleep, d.a.m.n it.

When I don't get up she locks both arms around mine and pulls me over the ground. She wraps something around my leg and shoves me in the pa.s.senger's seat. I flop over as she pushes the door shut and climbs in the other side. The little Toyota groans as she pulls back up onto the road.

You know, I've never let her drive. I wasn't even sure she could. Guess it doesn't matter.

I fade in and out. Red and blue lights bruise the night sky. Eve stops the car, gets out screaming and waving her hands.

At some point, somebody picks me up. I keep calling for Eve.

A small, silky hand closes tight around mine.

"I'm here," she says, over and over and over. "I'm here."

I keep hearing it as I drift off.

When I finally wake up again I feel like I'm covered in concrete. The lights blind me, so I press my eyes shut. Eve's soft hand grips mine.

"Hey," she murmurs.

I still can't open my eyes.

"Where the h.e.l.l am I?"

"You're in the hospital, Vic. You got shot in your leg and your hand was pretty badly burned."

"Oh."

That would explain why my leg hurts so badly I'd like to tear it off.

I finally manage to get my eyes open. Eve has a bandage around her head and a cast on her hand.

"It's not as bad as it looks," she says, quickly.

I touch her cheek. She rubs against my palm.

"They won't let me get in the bed with you, but they can't make me leave."

I listen patiently as she tells me what's going on. First, and most importantly, I'm not going back to prison. As soon as she was able, she sent Alicia and her lawyers to Martin's house, gathered up a mound of evidence linking him to, well, everything, and papers were being filed to plead for an official pardon from the governor. There was quite a bit of proof that I was not involved in anything I was convicted of.

It's a shame Martin died. Apparently head wounds like that are fatal. If he was alive he'd be under in investigation for murder. For Evelyn's mother, for my father, for my mother; the police were looking into the possibility of poison. For all of them and for Brittany Andrews.

Martin wasn't big on loose ends. Brittany bought a new car with her generous severance package after my trial, and moved to Arizona. A few weeks later her steering gave out and she crashed into a ditch. She wasn't found out there for over a week. Crash wasn't fatal.

Suddenly all my anger at her tastes bitter and cruel and I try to will it away, but I can't stop myself from knowing I felt it, if that makes any sense.

After a long discussion, Eve and I decided to take Amsel public. As the sole owner she had the right. The company was in rough shape and the initial public offering was dicey. It cut her net worth by two-thirds, but it brought legitimate investors on board and Eve retained a large interest in the company, enough to turn things around. Good people there could bring some honor back to the family name, I guess. I was done with that, and so was she. The dividends from her stock go in the bank, and she took out a hefty chunk to help me follow my dreams and go along with me.

There was nothing to do about the house. By the time I was ready to limp my way out to see it, there was nothing but a burnt, charred sh.e.l.l, a few piles of bricks here and there sticking up like the carca.s.s of a long dead animal, baked in the sun. It's amazing the kind of things that survive a fire. A photo alb.u.m came out, almost untouched, and my father's magnifying gla.s.s, a few things here and there. In one wing of the house there was an antique chair just sitting there with some black soot on the seat. I don't even know how to explain that. What could be salvaged, was salvaged. We sold off the land to a developer and banked the money, not needing all that much. There was an insurance claim, of course. Since Martin and Vitali set the fire, we cashed in big time. My parents and so on back through the generations were meticulous about inventorying the contents of the house, and those antiques inside were probably worth more than the land. The insurance hadn't been updated since Dad died, but it was more than enough to set us up for life.

I had everything I needed. The garage, not being attached to the house, survive the fire. We sold all the cars.

Except one, obviously. She was waiting for me at the garage where I had the truck tow her. It was like the scene at the end of the movie where the hero's dog has miraculously survived and runs up before they all head into the sunset. Except the car just sat there, being a car. I mean, I was conceived in the back seat of that thing, I'm pretty sure. It was my dad's car, and now it's all that's left of him. Other than me, I mean. Eight generations of Amsel men fought in the Revolution and the Civil War, built a huge financial empire, built that house. Now all that remains is me and my Trans-Am.

We could do lots of things, the two of us. Start a new business, buy into others, find work in the financial sector, become angel investors.

After I spend two days repairing the Firebird and find a body shop to fix up the paint scratches from the corn, Eve looks at me.

"Let's open our own shop."

Far be it from me to argue with her.

Chapter Twenty-Two.

Evelyn It took me a while to get used to the smell of motor oil, but here I am.

Carlisle, Pennsylvania is the last place I expected to end up. If you told me years ago I'd be sitting in a cramped office above a garage while my husband works under a '68 Chevelle replacing the transmission, doing the books for his garage, I'd have laughed in your face. Yet here I am. This is child's play compared to the kind of work I'm used to, mostly arithmetic. I should have known. We've been at it two years now and the Amsel Motors has gained a nationwide reputation for restorations of vintage General Motors automobiles. Just last week I oversaw taking out a loan to install a second rotisserie- not for cooking, a big machine that lifts cars and spins them around effortlessly, turning them all around for the restoration work. Victor can tell the year and model of just about any car with a glance at the headlights and I've seen him turn rusted out hulks into gleaming, beautiful works of art. Not least his Dad's Firebird, his first project. It has pride of place out front, gleaming black and menacing in front of the office. The new paint job is incredible.

I'm done, ready to close the books. I take a certain enjoyment from doing it old school, keeping track of everything on paper. Everything around here is like that, mechanical, simple. It brings a certain comfort to our surroundings. The only computer in the shop is in the corner of the office here. I use it to process orders for parts when Vic sends them up. I glance up at the clock, and see it's an hour past quitting time.

Sure enough, when I descend the staircase, Victor is still under the car he's working on, tinkering.

"Honey," I say, planting my fist on my hips. "It's quitting time. Come on."

Sighing, he ducks out from under the car. He is, of course, covered in grease.

"Let me get cleaned up."

"I'll go get started on dinner. If you don't show up in fifteen minutes I'm coming back to get you."

He gives me that look and heads off to clean up as I walk outside and across the long gravel drive to the house. We bought a manufactured house; it came in big sections on trucks and they put it together for us. For the first year we lived in the cramped apartment above the garage, which now serves as a storage room. Inside, I want to collapse into a chair but instead I put a pot of water to boil for macaroni and cheese and toss a pack of hot dogs in a pan to heat up. Simple fare, but as long as we're eating together it works for me.

Victor comes in after exactly fourteen minutes. Cleaning up means de-greasing himself. He kisses me on the cheek and ducks into the bathroom, and the shower starts. A half an hour later he comes out clean, and dinner is ready. There's still a faint smell of oil about him, as there always is, but I've started to like it. We serve ourselves, b.u.mping into each other purposely at the stove, and sit down in front of the television. Victor wears a thin t-s.h.i.+rt, and his tattoos show through.

I lean on the arm of the sofa while I eat, with my legs over his. He twists off the cap of his beer, then mine, and our fingers brush when he pa.s.ses it to me. I scarf down my food in big bites, barely chewing. Vic eats and swigs from his beer, and I drink mine down in big gulps. Before we moved in here I'd never even had a beer- when we dared out eat back during our college days I never drank, and I would occasionally take wine at the stupid parties my father made me attend while I was working for him, but only because I had to. I've learned to love the hoppy, bitter taste of the brews Vic picks out. He's a beer sn.o.b.

Our plates end up on the coffee table, beside a few empty beers for each of us. I'm feeling tipsy, and daring.

So, I slip onto his lap. He s.n.a.t.c.hes the remote and turns off the TV, and his hand slip up under my t-s.h.i.+rt, and he pulls me into a kiss as I straddle him. My hands slide under his s.h.i.+rt. His skin is still damp from the shower, and so is his hair. I twirl a finger in it. He lets it hang to his shoulders now, in thick coal black curls. He starts to tug my s.h.i.+rt up, and I stand up, pulling his hands. Without a word, he follows me down the hall and almost pushes me onto the bed. I fall face down and he tugs my jeans down as I undo the b.u.t.ton. Once they're over my hips and a.s.s they slide right off, and my underwear comes next, then his warm mouth on the small of my back, working his way up to peel off my s.h.i.+rt and unhook my bra.