Breath, Eyes, Memory Part 13

Chapter 20.

Louise came home for supper that night. She brought with her a furless grey pig that looked like a wild rat. My grandmother was cooking in the yard, her fried dumplings sizzling as she turned them over in the pan.

"I brought you one of my pigs," Louise said, holding the animal towards me. "This is one of my smaller ones, a recent born."

"Mesi mil fwa. How very nice." I said.

"It's a gift, not for money," she said.

Brigitte reached up to grab the pig's brown eyes. Louise quickly pulled the pig away from my daughter's wandering fingers.

"Mesi," I said. "Thank you very much. Are you listed in the town record book now?"

"Listed for certain," she said. "Atie listed herself and your grandmother too."

Louise gently stroke the pig's back, letting his tail dart across her chin.

"They had this for us at the Poste and Telegramme bureau." Tante Atie pulled an International Express letter out of her satchel.

The letter bore my mother's Nostrand Avenue address.

"Old woman, where's the ca.s.sette machine?" shouted Tante Atie.

My grandmother pointed to her room. Tante Atie rushed inside and came back with their ca.s.sette player. She laid it on the steps and ripped open the envelope.

My grandmother walked over and sat on the bottom step. She kept her eyes on the clouding sky as my mother's voice came through the small speakers.

"Allo, Manman, Atie. Good morning or good night, if it's morning or night. I hope your health is good. Me, you know how it goes. I am swimming with the current. At least I'm not in a mental hospital. I hope you got the money I sent last month, Manman. No, I haven't forgotten that little extra you asked me to send, so you can plan your funeral. In any case, there is no hurry. Manman, you are still a young woman.

"Speaking of young people, I don't want to trouble your spirits, but I received a telephone call from Sophie's husband not too long ago, telling me that he was on some sort of musical tour. He left Sophie at home with their child and it happens he keeps calling Sophie at their house and she is not there. He is very uneasy."

I wanted to stop the tape, but my grandmother was listening closely, her wrinkled forehead drawn into a knot.

The pig squealed loudly, momentarily drowning out my mother's voice. My grandmother reached over and yanked the pig's tail. Louise pulled the pig away and buried its face in her chest. The pig whimpered and oinked even louder. Louise placed her hands over its snout and tried to drown out its bawl.

"The husband thought she might have come to spend the time with me. I am already having panic attacks about this. Could be she came to her senses, but not to return to me. I have already lit some candles for her. Green for life, like you've always said."

I tapped the stop b.u.t.ton with my toes. The pig began to wail more loudly as though it suddenly felt it could. My grandmother got up and went back to her cooking.

"Isn't it time you reconciled?" Tante Atie said.

Chapter 21.

Louise tied the pig to a pole in the yard. My grandmother fed it a pile of old avocado peels before we ate.

"How much money do you still need to pay for the trip?" I asked Louise.

"I made only ten gourdes since the last time you saw me," she said.

Brigitte stretched out her hand to grab the fireflies buzzing around us.

After the meal, we sat on the back porch and listened as Atie read from her notebook.

She speaks in silent voices, my love.Like the cardinal bird, kissing its own image.Li pale vwa mwin, Flapping wings, fallen change Broken bottles, whistling snakes And boom bang drums. And boom bang drums.She speaks in silent voices, my love.I drink her blood with milk And when the pleasure peaks, my love leaves.

Louise had helped her paraphrase the poem from a book of French poetry that Louise had read when she was still in school.

"You're a poet too," I said to Tante Atie.

She pressed her notebook against her chest.

After her reading, she and Louise strolled into the night, like silhouettes on a picture postcard.

My grandmother took the ca.s.sette player to her room to listen to the rest of my mother's message.

I heard my mother's voice coming through the thin walls.

"I am not having the short breath anymore, but every so often, I do find myself dreaming the bad dreams. I thought it would end, but lately it seems to be beginning all over again."

Brigitte was still awake, even after my grandmother fell asleep. I wrapped her in a thick blanket, took her outside to show her the sky. Tante Atie was sitting on the steps feeding the pig.

"Is it male or female?" I asked.

"What difference does it make to the pig?" she asked.

"I want to give it a name."

"Call it Paul or Paulette, Jean or Jeanne. The pig will not protest. You do not have to name something to make it any more yours."

"Are you in a sour mood?"

"My life, it is nothing," she said.

"What is the matter? Do you miss Croix-des-Rosets?"

"Croix-des-Rosets was painful. Here, though, there is nothing. Nothing at all. The sky seems empty even when I am looking at the moon and stars."

There were drums throbbing in the distance. Some staccato conch sh.e.l.ls answered the call.

"I wish I had never left you," I said.

"You did not leave me. You were summoned away. We must graze where we are tied."

"I wish I had stayed with you."

"You must not go back and rearrange your life. It is no use for what has already happened. Sometimes, there is nothing we can do."

"Do you want to go back to Croix-des-Rosets?" I asked.

"I know old people, they have great knowledge. I have been taught never to contradict our elders. I am the oldest child. My place is here. I am supposed to march at the head of the old woman's coffin. I am supposed to lead her funeral procession. But even if lightning should strike me now, I will say this: I am tired. I woke up one morning and I was old myself."

She threw a small green mango at the pig.

"They train you to find a husband," she said. "They poke at your panties in the middle of the night, to see if you are still whole. They listen when you pee, to find out if you're peeing too loud. If you pee loud, it means you've got big s.p.a.ces between your legs. They make you burn your fingers learning to cook. Then still you have nothing."

The pig jumped up in the air to catch an avocado peel. The jump tightened the cord around its neck, nearly causing it to choke. Tante Atie rushed over and loosened the rope.

"Take your baby inside," she said. "I know you have heard them, the frightening stories of the night."

The pig oinked all night. Tante Atie woke up several times to check on it. My grandmother got up to see what all the commotion was about.

"That Louise causes trouble." My grandmother turned her wrath to Tante Atie. "Everything from her shadow to that pig is trouble."

"Don't trouble me tonight, old woman." Tante Atie strained to control her voice.

The pig started a slow nasal whine.

"I will kill it," said my grandmother. "I will kill it."

My daughter woke up with a sharp cry.

I fed her and rocked her back to sleep. The pig, it was still crying, but there was nothing I could do.

Louise was out of breath when she ran up to the house the next morning. Her face was reddened with tears and her blouse soaked with sweat.

My grandmother motioned for me to take the baby inside the house. I backed myself into the doorway while clinging tightly to my daughter.

I watched from the threshold as Tante Atie gave Louise a cup of cold water from the jug beneath the porch.

"Li alle. It's over," Louise said, panting as though she had both asthma and the hiccups at the same time. "They killed Dessalines."

"Who killed Dessalines?" asked my grandmother.

"The Macoutes killed Dessalines."

Louise buried her head in Tante Atie's shoulder. Their faces were so close that their lips could meet if they both turned at the same time.

"Calm now," said Tante Atie, as she ma.s.saged Louise's scalp.

"That's why I need to go," sobbed Louise. "I need to leave."

"A poor man is dead and all you can think about is your journey," snapped my grandmother.

"Next might be me or you with the Macoutes," said Louise.

"We already had our turn," said my grandmother. "Sophie, you keep the child behind the threshold. You are not to bring her out until that restless spirit is in the ground."

In the fairy tales, the Tonton Macoute was a bogeyman, a scarecrow with human flesh. He wore denim overalls and carried a cutla.s.s and a knapsack made of straw. In his knapsack, he always had sc.r.a.ps of naughty children, whom he dismembered to eat as snacks. If you don't respect your elders, then the Tonton Macoute will take you away.

Outside the fairy tales, they roamed the streets in broad daylight, parading their Uzi machine guns.

Who invented the Macoutes? The devil didn't do it and G.o.d didn't do it.

Ordinary criminals walked naked in the night. They slicked their bodies with oil so they could slip through most fingers. But the Macoutes, they did not hide. When they entered a house, they asked to be fed, demanded the woman of the house, and forced her into her own bedroom. Then all you heard was screams until it was her daughter's turn. If a mother refused, they would make her sleep with her son and brother or even her own father.

My father might have been a Macoute. He was a stranger who, when my mother was sixteen years old, grabbed her on her way back from school. He dragged her into the cane fields, and pinned her down on the ground. He had a black bandanna over his face so she never saw anything but his hair, which was the color of eggplants. He kept pounding her until she was too stunned to make a sound. When he was done, he made her keep her face in the dirt, threatening to shoot her if she looked up.

For months she was afraid that he would creep out of the night and kill her in her sleep. She was terrified that he would come and tear out the child growing inside her. At night, she tore her sheets and bit off pieces of her own flesh when she had nightmares.

My grandmother sent her to a rich mulatto family in Croix-des-Rosets to do any work she could for free room and board, as a restavek. Even though my mother was pregnant and half insane, the family took her in anyway because my grandmother had cooked and cleaned in their house for years, before she married my grandfather.

My mother came back to Dame Marie after I was born. She tried to kill herself several times when I was a baby. The nightmares were just too real. Tante Atie took care of me.

The rich mulatto family helped my mother apply for papers to get out of Haiti. It took four years before she got her visa, but by the time she began to recover her sanity, she left.

Tante Atie took me to Croix-des-Rosets, so I could go to school. And when I left, she moved back here, to Dame Marie, to take care of my grandmother.

Somehow Dessalines's death brought to mind all those frightening memories. My grandmother would not let me take Brigitte outside until Dessalines was laid to rest in the ground. That night, I opened the window to listen to the night breeze rustling through the dry tcha tcha bean pods in the distance.

Tante Atie was talking to Louise. Her voice was m.u.f.fled, her breathing quickened, as she sobbed loudly.

"It is the calm and silent waters that drown you. I never thought it would make me so sad to look in Sophie's face."

The pig gave a sudden cry as Louise rushed away. Tante Atie slipped inside the house through a side door.

"Nothing should have taken you out into that black night." My grandmother was waiting inside. "Did a bird nest in your hair? You seem to have lost your mind."

"Maybe a good death would save me from all this," Tante Atie said.

I heard a thump, like a slap across the face.

Tante Atie stormed out of the house and marched out to the porch.

When I came out, Tante Atie was sitting with a lamp and her notebook on her lap. I folded the flaps of Joseph's s.h.i.+rt between my legs and sat on the top step next to her.

"Do you ever visit Mr. Augustin?" I asked.

"No," she said. "Sometimes people just disappear from our lives and it is not a bad thing."

We sat silently and looked at the stars for a while.