Blue Collar, White Collar, No Collar Part 36

"Denise," he said one evening as they closed up the store. "You need some friends."

Her face flushed deeply. She put her coat on with a roughness to her gestures. "I have friends," she said, breathlessly.

"Of course you do. But here in town." He waited by the door until she got her purse from out back. "You might go square dancing at the Grange Hall. Olive and I used to go. It's a nice group of people."

She stepped past him, her face moist, the top of her hair pa.s.sing by his eyes. "Or maybe you think that's square," he said in the parking lot, lamely.

"I am square," she said, quietly.

"Yes," he said, just as quietly. "I am too." As he drove home in the dark, he pictured being the one to take Denise to a Grange Hall dance. "Spin your partner, and promenade . . . ," her face breaking into a smile, her foot tapping, her small hands on her hips. No-it was not bearable, and he was really frightened now by the sudden emergence of anger he had inspired in her. He could do nothing for her. He could not take her in his arms, kiss her damp forehead, sleep beside her while she wore those little-girl flannel pajamas she'd worn the night Slippers died. To leave Olive was as unthinkable as sawing off his leg. In any event, Denise would not want a divorced Protestant; nor would he be able to abide her Catholicism.

They spoke to each other little as the days went by. He felt coming from her now an unrelenting coldness that was accusatory. What had he led her to expect? And yet when she mentioned a visit from Tony Kuzio, or made an elliptical reference to seeing a movie in Portland, an answering coldness arose in him. He had to grit his teeth not to say, "Too square to go square dancing, then?" How he hated that the words lovers' quarrel went through his head.

And then just as suddenly she'd say-ostensibly to Jerry McCarthy, who listened those days with a new comportment to his bulky self, but really she was speaking to Henry (he could see this in the way she glanced at him, holding her small hands together nervously)-"My mother, when I was very little, and before she got sick, would make special cookies for Christmas. We'd paint them with frosting and sprinkles. Oh, I think it was the most fun I ever had sometimes"-her voice wavering while her eyes blinked behind her gla.s.ses. And he would understand then that the death of her husband had caused her to feel the death of her girlhood as well; she was mourning the loss of the only herself she had ever known-gone now, to this new, bewildered young widow. His eyes, catching hers, softened.

Back and forth this cycle went. For the first time in his life as a pharmacist, he allowed himself a sleeping tablet, slipping one each day into the pocket of his trousers. "All set, Denise?" he'd say when it was time to close. Either she'd silently go get her coat, or she'd say, looking at him with gentleness, "All set, Henry. One more day."

Daisy Foster, standing now to sing a hymn, turns her head and smiles at him. He nods back and opens the hymnal. "A mighty fortress is our G.o.d, a bulwark never failing." The words, the sound of the few people singing, make him both hopeful and deeply sad. "You can learn to love someone," he had told Denise, when she'd come to him in the back of the store that spring day. Now, as he places the hymnal back in the holder in front of him, sits once more on the small pew, he thinks of the last time he saw her. They had come north to visit Jerry's parents, and they stopped by the house with the baby, Paul. What Henry remembers is this: Jerry saying something sarcastic about Denise falling asleep each night on the couch, sometimes staying there the whole night through. Denise turning away, looking out over the bay, her shoulders slumped, her small b.r.e.a.s.t.s just slightly pus.h.i.+ng out against her thin turtleneck sweater, but she had a belly, as though a basketball had been cut in half and she'd swallowed it. No longer the girl she had been-no girl stayed a girl-but a mother, tired, and her round cheeks had deflated as her belly had expanded, so that already there was a look of the gravity of life weighing her down. It was at that point Jerry said sharply, "Denise, stand up straight. Put your shoulders back." He looked at Henry, shaking his head. "How many times do I keep telling her that?"

"Have some chowder," Henry said. "Olive made it last night." But they had to get going, and when they left, he said nothing about their visit, and neither did Olive, surprisingly. He would not have thought Jerry would grow into that sort of man, large, clean-looking-thanks to the ministrations of Denise-not even so much fat anymore, just a big man earning a big salary, speaking to his wife in a way Olive had sometimes spoken to Henry. He did not see her again, although she must have been in the region. In her birthday notes, she reported the death of her mother, then, a few years later, her father. Of course she would have driven north to go to the funerals. Did she think of him? Did she and Jerry stop and visit the grave of Henry Thibodeau?

"You're looking fresh as a daisy," he tells Daisy Foster in the parking lot outside the church. It is their joke; he has said it to her for years.

"How's Olive?" Daisy's blue eyes are still large and lovely, her smile ever present.

"Olive's fine. Home keeping the fires burning. And what's new with you?"

"I have a beau." She says this quietly, putting a hand to her mouth.

"Do you? Daisy, that's wonderful."

"Sells insurance in Heathwick during the day, and takes me dancing on Friday nights."

"Oh, that's wonderful," Henry says again. "You'll have to bring him around for supper."

"Why do you need everyone married?" Christopher has said to him angrily, when Henry has asked about his son's life. "Why can't you just leave people alone?"

He doesn't want people alone.

At home, Olive nods to the table, where a card from Denise lies next to an African violet. "Came yesterday," Olive says. "I forgot."

Henry sits down heavily and opens it with his pen, finds his gla.s.ses, peers at it. Her note is longer than usual. She had a scare late in the summer. Pericardial effusion, which turned out to be nothing. "It changed me," she wrote, "as experiences do. It put all my priorities straight, and I have lived every day since then with the deepest grat.i.tude for my family. Nothing matters except family and friends," she wrote, in her neat, small hand. "And I have been blessed with both."

The card, for the first time ever, was signed, "Love."

"How is she?" asks Olive, running water into the sink. Henry stares out at the bay, at the skinny spruce trees along the edge of the cove, and it seems beautiful to him, G.o.d's magnificence there in the quiet stateliness of the coastline and the slightly rocking water.

"She's fine," he answers. Not at the moment, but soon, he will walk over to Olive and put his hand on her arm. Olive, who has lived through her own sorrows. For he understood long ago-after Jim O'Casey's car went off the road, and Olive spent weeks going straight to bed after supper, sobbing harshly into a pillow-Henry understood then that Olive had loved Jim O'Casey, had possibly been loved by him, though Henry never asked her and she never told, just as he did not tell her of the gripping, sickening need he felt for Denise until the day she came to him to report Jerry's proposal, and he said: "Go."

He puts the card on the windowsill. He has wondered what it has felt like for her to write the words Dear Henry. Has she known other Henrys since then? He has no way of knowing. Nor does he know what happened to Tony Kuzio, or whether candles are still being lit for Henry Thibodeau in church.

Henry stands up, Daisy Foster fleeting through his mind, her smile as she spoke of going dancing. The relief that he just felt over Denise's note, that she is glad for the life that unfolded before her, gives way suddenly, queerly, into an odd sense of loss, as if something significant has been taken from him. "Olive," he says.

She must not hear him because of the water running into the sink. She is not as tall as she used to be, and is broader across her back. The water stops. "Olive," he says, and she turns. "You're not going to leave me, are you?"

"Oh, for G.o.d's sake, Henry. You could make a woman sick." She wipes her hands quickly on a towel.

He nods. How could he ever tell her-he could not-that all these years of feeling guilty about Denise have carried with them the kernel of still having her? He cannot even bear this thought, and in a moment it will be gone, dismissed as not true. For who could bear to think of himself this way, as a man deflated by the good fortune of others? No, such a thing is ludicrous.

"Daisy has a fellow," he says. "We need to have them over soon."

Eudora Welty.

DEATH OF A.

TRAVELING SALESMAN.

R. J. Bowman, who for fourteen years had traveled for a shoe company through Mississippi, drove his Ford along a rutted dirt path. It was a long day! The time did not seem to clear the noon hurdle and settle into soft afternoon. The sun, keeping its strength here even in winter, stayed at the top of the sky, and every time Bowman stuck his head out of the dusty car to stare up the road, it seemed to reach a long arm down and push against the top of his head, right through his hat-like the practical joke of an old drummer, long on the road. It made him feel all the more angry and helpless. He was feverish, and he was not quite sure of the way.

This was his first day back on the road after a long siege of influenza. He had had very high fever, and dreams, and had become weakened and pale, enough to tell the difference in the mirror, and he could not think clearly. . . . All afternoon, in the midst of his anger, and for no reason, he had thought of his dead grandmother. She had been a comfortable soul. Once more Bowman wished he could fall into the big feather bed that had been in her room. . . . Then he forgot her again.

This desolate hill country! And he seemed to be going the wrong way-it was as if he were going back, far back. There was not a house in sight. . . . There was no use wis.h.i.+ng he were back in bed, though. By paying the hotel doctor his bill he had proved his recovery. He had not even been sorry when the pretty trained nurse said good-bye. He did not like illness, he distrusted it, as he distrusted the road without signposts. It angered him. He had given the nurse a really expensive bracelet, just because she was packing up her bag and leaving.

But now-what if in fourteen years on the road he had never been ill before and never had an accident? His record was broken, and he had even begun almost to question it. . . . He had gradually put up at better hotels, in the bigger towns, but weren't they all, eternally, stuffy in summer and drafty in winter? Women? He could only remember if he thought of one woman he saw the worn loneliness that the furniture of that room seemed built of. And he himself-he was a man who always wore rather wide-brimmed black hats, and in the wavy hotel mirrors had looked something like a bullfighter, as he paused for that inevitable instant on the landing, walking downstairs to supper. . . . He leaned out of the car again, and once more the sun pushed at his head.

Bowman had wanted to reach Beulah by dark, to go to bed and sleep off his fatigue. As he remembered, Beulah was fifty miles away from the last town, on a graveled road. This was only a cow trail. How had he ever come to such a place? One hand wiped the sweat from his face, and he drove on.

He had made the Beulah trip before. But he had never seen this hill or this petering-out path before-or that cloud, he thought shyly, looking up and then down quickly-any more than he had seen this day before. Why did he not admit he was simply lost and had been for miles? . . . He was not in the habit of asking the way of strangers, and these people never knew where the very roads they lived on went to; but then he had not even been close enough to anyone to call out. People standing in the fields now and then, or on top of the haystacks, had been too far away, looking like leaning sticks or weeds, turning a little at the solitary rattle of his car across their countryside, watching the pale sobered winter dust where it chunked out behind like big squashes down the road. The stares of these distant people had followed him solidly like a wall, impenetrable, behind which they turned back after he had pa.s.sed.

The cloud floated there to one side like the bolster on his grandmother's bed. It went over a cabin on the edge of a hill, where two bare chinaberry trees clutched at the sky. He drove through a heap of dead oak leaves, his wheels stirring their weightless sides to make a silvery melancholy whistle as the car pa.s.sed through their bed. No car had been along this way ahead of him. Then he saw that he was on the edge of a ravine that fell away, a red erosion, and that this was indeed the road's end.

He pulled the brake. But it did not hold, though he put all his strength into it. The car, tipped toward the edge, rolled a little. Without doubt, it was going over the bank.

He got out quietly, as though some mischief had been done him and he had his dignity to remember. He lifted his bag and sample case out, set them down, and stood back and watched the car roll over the edge. He heard something-not the crash he was listening for, but a slow, unuproarious crackle. Rather distastefully he went to look over, and he saw that his car had fallen into a tangle of immense grapevines as thick as his arm, which caught it and held it, rocked it like a grotesque child in a dark cradle, and then, as he watched, concerned somehow that he was not still inside it, released it gently to the ground.

He sighed.

Where am I? he wondered with a shock. Why didn't I do something? All his anger seemed to have drifted away from him. There was the house, back on the hill. He took a bag in each hand and with almost childlike willingness went toward it. But his breathing came with difficulty, and he had to stop to rest.

It was a shotgun house, two rooms and an open pa.s.sage between, perched on the hill. The whole cabin slanted a little under the heavy heaped-up vine that covered the roof, light and green, as though forgotten from summer. A woman stood in the pa.s.sage.

He stopped still. Then all of a sudden his heart began to behave strangely. Like a rocket set off, it began to leap and expand into uneven patterns of beats which showered into his brain, and he could not think. But in scattering and falling it made no noise. It shot up with great power, almost elation, and fell gently, like acrobats into nets. It began to pound profoundly, then waited irresponsibly, hitting in some sort of inward mockery first at his ribs, then against his eyes, then under his shoulder blades, and against the roof of his mouth when he tried to say, "Good afternoon, madam." But he could not hear his heart-it was as quiet as ashes falling. This was rather comforting; still, it was shocking to Bowman to feel his heart beating at all.

Stock-still in his confusion, he dropped his bags, which seemed to drift in slow bulks gracefully through the air and to cus.h.i.+on themselves on the gray prostrate gra.s.s near the doorstep.

As for the woman standing there, he saw at once that she was old. Since she could not possibly hear his heart, he ignored the pounding and now looked at her carefully, and yet in his distraction dreamily, with his mouth open.

She had been cleaning the lamp, and held it, half blackened, half clear, in front of her. He saw her with the dark pa.s.sage behind her. She was a big woman with a weather-beaten but unwrinkled face; her lips were held tightly together, and her eyes looked with a curious dulled brightness into his. He looked at her shoes, which were like bundles. If it were summer she would be barefoot. . . . Bowman, who automatically judged a woman's age on sight, set her age at fifty. She wore a formless garment of some gray coa.r.s.e material, rough-dried from a was.h.i.+ng, from which her arms appeared pink and unexpectedly round. When she never said a word, and sustained her quiet pose of holding the lamp, he was convinced of the strength in her body.

"Good afternoon, madam," he said.

She stared on, whether at him or at the air around him he could not tell, but after a moment she lowered her eyes to show that she would listen to whatever he had to say.

"I wonder if you would be interested-" He tried once more. "An accident-my car . . ."

Her voice emerged low and remote, like a sound across a lake. "Sonny he ain't here."

"Sonny?"

"Sonny ain't here now."

Her son-a fellow able to bring my car up, he decided in blurred relief. He pointed down the hill. "My car's in the bottom of the ditch. I'll need help."

"Sonny ain't here, but he'll be here."

She was becoming clearer to him and her voice stronger, and Bowman saw that she was stupid.

He was hardly surprised at the deepening postponement and tedium of his journey. He took a breath, and heard his voice speaking over the silent blows of his heart. "I was sick. I am not strong yet. . . . May I come in?"

He stooped and laid his big black hat over the handle on his bag. It was a humble motion, almost a bow, that instantly struck him as absurd and betraying of all his weakness. He looked up at the woman, the wind blowing his hair. He might have continued for a long time in this unfamiliar att.i.tude; he had never been a patient man, but when he was sick he had learned to sink submissively into the pillows, to wait for his medicine. He waited on the woman.

Then she, looking at him with blue eyes, turned and held open the door, and after a moment Bowman, as if convinced in his action, stood erect and followed her in.

Inside, the darkness of the house touched him like a professional hand, the doctor's. The woman set the half-cleaned lamp on a table in the center of the room and pointed, also like a professional person, a guide, to a chair with a yellow cowhide seat. She herself crouched on the hearth, drawing her knees up under the shapeless dress.

At first he felt hopefully secure. His heart was quieter. The room was enclosed in the gloom of yellow pine boards. He could see the other room, with the foot of an iron bed showing, across the pa.s.sage. The bed had been made up with a red-and-yellow pieced quilt that looked like a map or a picture, a little like his grandmother's girlhood painting of Rome burning.

He had ached for coolness, but in this room it was cold. He stared at the hearth with dead coals lying on it and iron pots in the corners. The hearth and smoked chimney were of the stone he had seen ribbing the hills, mostly slate. Why is there no fire? he wondered.

And it was so still. The silence of the fields seemed to enter and move familiarly through the house. The wind used the open hall. He felt that he was in a mysterious, quiet, cool danger. It was necessary to do what? . . . To talk.

"I have a nice line of women's low-priced shoes . . ." he said.

But the woman answered, "Sonny'll be here. He's strong. Sonny'll move your car."

"Where is he now?"

"Farms for Mr. Redmond."

Mr. Redmond. Mr. Redmond. That was someone he would never have to encounter, and he was glad. Somehow the name did not appeal to him. . . . In a flare of touchiness and anxiety, Bowman wished to avoid even mention of unknown men and their unknown farms.

"Do you two live here alone?" He was surprised to hear his old voice, chatty, confidential, inflected for selling shoes, asking a question like that-a thing he did not even want to know.

"Yes. We are alone."

He was surprised at the way she answered. She had taken a long time to say that. She had nodded her head in a deep way too. Had she wished to affect him with some sort of premonition? he wondered unhappily. Or was it only that she would not help him, after all, by talking with him? For he was not strong enough to receive the impact of unfamiliar things without a little talk to break their fall. He had lived a month in which nothing had happened except in his head and his body-an almost inaudible life of heartbeats and dreams that came back, a life of fever and privacy, a delicate life which had left him weak to the point of-what? Of begging. The pulse in his palm leapt like a trout in a brook.

He wondered over and over why the woman did not go ahead with cleaning the lamp. What prompted her to stay there across the room, silently bestowing her presence upon him? He saw that with her it was not a time for doing little tasks. Her face was grave; she was feeling how right she was. Perhaps it was only politeness. In docility he held his eyes stiffly wide; they fixed themselves on the woman's clasped hands as though she held the cord they were strung on.

Then, "Sonny's coming," she said.

He himself had not heard anything, but there came a man pa.s.sing the window and then plunging in at the door, with two hounds beside him. Sonny was a big enough man, with his belt slung low about his hips. He looked at least thirty. He had a hot, red face that was yet full of silence. He wore muddy blue pants and an old military coat stained and patched. World War? Bowman wondered. Great G.o.d, it was a Confederate coat. On the back of his light hair he had a wide filthy black hat which seemed to insult Bowman's own. He pushed down the dogs from his chest. He was strong, with dignity and heaviness in his way of moving. . . . There was the resemblance to his mother.

They stood side by side. . . . He must account again for his presence here.

"Sonny, this man, he had his car to run off over the prec'pice an' wants to know if you will git it out for him," the woman said after a few minutes.

Bowman could not even state his case.

Sonny's eyes lay upon him.

He knew he should offer explanations and show money-at least appear either penitent or authoritative. But all he could do was to shrug slightly.

Sonny brushed by him going to the window, followed by the eager dogs, and looked out. There was effort even in the way he was looking, as if he could throw his sight out like a rope. Without turning Bowman felt that his own eyes could have seen nothing: it was too far.

"Got me a mule out there an' got me a block an' tackle," said Sonny meaningfully. "I could catch me my mule an' git me my ropes, an' before long I'd git your car out the ravine."

He looked completely around the room, as if in meditation, his eyes roving in their own distance. Then he pressed his lips firmly and yet shyly together, and with the dogs ahead of him this time, he lowered his head and strode out. The hard earth sounded, cupping to his powerful way of walking-almost a stagger.

Mischievously, at the suggestion of those sounds, Bowman's heart leapt again. It seemed to walk about inside him.

"Sonny's goin' to do it," the woman said. She said it again, singing it almost, like a song. She was sitting in her place by the hearth.

Without looking out, he heard some shouts and the dogs barking and the pounding of hoofs in short runs on the hill. In a few minutes Sonny pa.s.sed under the window with a rope, and there was a brown mule with quivering, s.h.i.+ning, purple-looking ears. The mule actually looked in the window. Under its eyelashes it turned target-like eyes into his. Bowman averted his head and saw the woman looking serenely back at the mule, with only satisfaction in her face.

She sang a little more, under her breath. It occurred to him, and it seemed quite marvelous, that she was not really talking to him, but rather following the thing that came about with words that were unconscious and part of her looking.

So he said nothing, and this time when he did not reply he felt a curious and strong emotion, not fear, rise up in him.

This time, when his heart leapt, something-his soul-seemed to leap too, like a little colt invited out of a pen. He stared at the woman while the frantic nimbleness of his feeling made his head sway. He could not move; there was nothing he could do, unless perhaps he might embrace this woman who sat there growing old and shapeless before him.

But he wanted to leap up, to say to her, I have been sick and I found out then, only then, how lonely I am. Is it too late? My heart puts up a struggle inside me, and you may have heard it, protesting against emptiness. . . . It should be full, he would rush on to tell her, thinking of his heart now as a deep lake, it should be holding love like other hearts. It should be flooded with love. There would be a warm spring day. . . . Come and stand in my heart, whoever you are, and a whole river would cover your feet and rise higher and take your knees in whirlpools, and draw you down to itself, your whole body, your heart too.

But he moved a trembling hand across his eyes, and looked at the placid crouching woman across the room. She was still as a statue. He felt ashamed and exhausted by the thought that he might, in one more moment, have tried by simple words and embraces to communicate some strange thing-something which seemed always to have just escaped him. . . .

Sunlight touched the furthest pot on the hearth. It was late afternoon. This time tomorrow he would be somewhere on a good graveled road, driving his car past things that happened to people, quicker than their happening. Seeing ahead to the next day, he was glad, and knew that this was no time to embrace an old woman. He could feel in his pounding temples the readying of his blood for motion and for hurrying away.

"Sonny's. .h.i.tched up your car by now," said the woman. "He'll git it out the ravine right shortly."