Dogs Of War Part 27

Then he put his hand on the b.u.t.t of his pistol.

Scott could very easily read the other's mind. If the Doone captain died now, the chances were that Mendez could merge with the Doones and a.s.sume control. The politico-military balance lay that way.

If Scott lived, it was probable that he would be elected cinc.

It was, therefore, decidedly to Mendez's advantage to kill the prisoned man.

A shadow crossed the doorway. Mendez, his back to the newcomer, did not see Commander Bienne halt on the threshold, scowling at the tableau. Scott knew that Bienne understood the situation as well as he himself did. The commander realized that in a very few moments Mendez would draw his gun and fire.

Scott waited. The cinc's fingers tightened on his gun belt.

Bienne, grinning crookedly, said, "I thought that sh.e.l.l had finished you, sir. Guess it's hard to kill a Dooneman."

Mendez took his hand off the gun, instantly regaining his poise. He turned to Bienne.

"I'm glad you're here, commander. It'll probably take both of us to move that beam."

"Shall we try, sir?"

Between the two of them, they managed to s.h.i.+ft the weight off Scott's torso. Briefly the latter's eyes met Bienne's. There was still no friendliness in them, but there was a look of wry self-mockery.

Bienne hadn't saved Scott's life, exactly. It was, rather, a question of being a Dooneman. For Bienne was, first of all a soldier, and a member of the Free Company.

Scott tested his limbs; they worked.

"How long was I out, commander?"

"Ten minutes, sir. The Armageddon Armageddon's in sight."

"Good. Are the h.e.l.ldivers veering off?"

Bienne shook his head. "So far they're not suspicious."

Scott grunted and made his way to the door, the others at his heels. Mendez said, "We'll need another control s.h.i.+p."

"All right. The Arquebus. Arquebus. Commander, take over here. Cinc Mendez-" Commander, take over here. Cinc Mendez-"

A flitterboat took them to the Arquebus, Arquebus, which was still in good fighting trim. The monitor which was still in good fighting trim. The monitor Armageddon, Armageddon, Scott saw, was rolling helplessly in the trough of the waves. In accordance with the battle plan, the Doone s.h.i.+ps were leading the h.e.l.ldivers toward the apparently capsized giant. The technicians had done a good job; the false keel looked shockingly convincing. Scott saw, was rolling helplessly in the trough of the waves. In accordance with the battle plan, the Doone s.h.i.+ps were leading the h.e.l.ldivers toward the apparently capsized giant. The technicians had done a good job; the false keel looked shockingly convincing.

Aboard the Arquebus, Arquebus, Scott took over, giving Mendez the auxiliary control for his sub-strafers. The cinc beamed at Scott over his shoulder. Scott took over, giving Mendez the auxiliary control for his sub-strafers. The cinc beamed at Scott over his shoulder.

"Wait till that monitor opens up, Captain."

"Yeah... we're in bad shape, though."

Neither man mentioned the incident that was in both their minds. It was tacitly forgotten-the only thing to do now.

Guns were still bellowing. The h.e.l.ldivers were pouring their fire into the Doone formation, and they were winning. Scott scowled at the screens. If he waited too long, it would be just too bad.

Presently he put a beam on the Armageddon. Armageddon. She was in a beautiful position now, midway between two of the h.e.l.ldivers' largest battles.h.i.+ps. She was in a beautiful position now, midway between two of the h.e.l.ldivers' largest battles.h.i.+ps.

"Unmask. Open fire."

Firing ports opened on the monitor. The sea t.i.tan's huge guns snouted into view. Almost simultaneously they blasted, the thunder drowning out the noise of the lighter guns.

"All Doone s.h.i.+ps attack," Scott said. "Plan R-7."

This was it. This was it! This was it!

The Doones raced in to the kill. Blasting, bellowing, shouting, the guns tried to make themselves heard above the roaring of the monitor. They could not succeed, but that savage, invincible onslaught won the battle.

It was nearly impossible to maneuver a monitor into battle formation, but, once that was accomplished, the only thing that could stop the monster was atomic power.

But the h.e.l.ldivers fought on, trying strategic formation. They could not succeed. The big battlewagons could not get out of range of the Armageddon's Armageddon's guns. And that meant- guns. And that meant- Cinc Flynn's face showed on the screen.

"Capitulation, sir. Cease firing."

Scott gave orders. The roar of the guns died into humming, incredible silence.

"You gave us a great battle, cinc."

"Thanks. So did you. Your strategy with the monitor was excellent"

So-that was that Scott felt something go limp inside of him. Flynn's routine words were meaningless; Scott was drained of the vital excitement that had kept him going till now.

The rest was pure formula.

Token depth charges would be dropped over Virginia Keep. They would not harm the Dome, but they were the rule. There would be the ransom, paid always by the Keep which backed the losing side. A supply of korium, or its negotiable equivalent The Doone treasury would be swelled. Part of the money would go into replacements and new keels. The life of the forts would go on.

Alone at the rail of the Arquebus, Arquebus, heading for Virginia Keep, Scott watched slow darkness change the clouds from pearl to gray, and then to invisibility. He was alone in the night. The wash of waves came up to him softly as the heading for Virginia Keep, Scott watched slow darkness change the clouds from pearl to gray, and then to invisibility. He was alone in the night. The wash of waves came up to him softly as the Arquebus Arquebus rushed to her destination, three hundred miles away. rushed to her destination, three hundred miles away.

Warm yellow lights gleamed from ports behind him, but he did not turn. This, he thought, was like the cloud-wrapped Olympus in Montana Keep, where he had promised Ilene-many things.

Yet there was a difference. In an Olympus a man was like G.o.d, shut away completely from the living world. Here, in the unbroken dark, there was no sense of alienage. Nothing could be seen-Venus has no moon, and the clouds hid the stars. And the seas are not phosph.o.r.escent.

Beneath these waters stand the Keeps, Scott thought. They hold the future. Such battles as were fought today are fought so that the Keeps may not be destroyed.

And men will sacrifice. Men have always sacrificed, for a social organization or a military unit. Man must create his own ideal. "If there had been no G.o.d, man would have created Him."

Bienne had sacrificed today, in a queer, twisted way of loyalty to his fetish. Yet Bienne still hated him, Scott knew.

The Doones meant nothing. Their idea was a false one. Yet, because men were faithful to that ideal, civilization would rise again from the guarded Keeps. A civilization that would forget its doomed guardians, the watchers of the seas of Venus, the Free Companions yelling their mad, futile battle cry as they drove on-as this s.h.i.+p was driving-into a night that would have no dawn.

Ilene.

Jeana.

It was no such simple choice. It was, in fact, no real choice at all. For Scott knew, very definitely, that he could never, as long as he lived, believe wholeheartedly in the Free Companions. Always a sardonic devil deep within him would be laughing in bitter self-mockery.

The whisper of the waves drifted up.

It wasn't sensible. It was sentimental, crazy, stupid, slopping thinking.

But Scott knew, now, that he wasn't going back to Ilene.

He was a fool.

But he was a soldier.

When Kuttner and Moore wrote Clash by Night, Clash by Night, they created a sub-genre of SF about mercenaries based on the condottieri of Quattrocento Italy. Hammer's Slammers and my career as a professional writer stem more or less directly from the fact I read this story when I was thirteen. Gordy d.i.c.kson, Jerry Pournelle, and I suspect many other writers could say something similar. they created a sub-genre of SF about mercenaries based on the condottieri of Quattrocento Italy. Hammer's Slammers and my career as a professional writer stem more or less directly from the fact I read this story when I was thirteen. Gordy d.i.c.kson, Jerry Pournelle, and I suspect many other writers could say something similar.

-DAD.

About the Author.

Raymond Banks was known for intricate, well-plotted science fiction stories that appeared in a variety of science fiction magazines, including The Magazine of Fantasy & Science Fiction The Magazine of Fantasy & Science Fiction and and Galaxy, Galaxy, during the 1950s and 60s. Some of his notable stories are "The Short Ones," "The Littlest People," and "The City that Loves You." during the 1950s and 60s. Some of his notable stories are "The Short Ones," "The Littlest People," and "The City that Loves You."

James Blish (19211975) spent his career writing stories about certain aspects of science fiction, psychic powers, miniature humans, and antigravity, for example, and then expanded those stories into longer pieces with the broader scope of a novel. The finished pieces The Seedling Stars, A Case of Conscience, The Seedling Stars, A Case of Conscience, and and Jack of Eagles Jack of Eagles are prime examples of how his novels grew from short stories. He also produced excellent television novelizations, most notably the are prime examples of how his novels grew from short stories. He also produced excellent television novelizations, most notably the Star Trek Star Trek logs 112 and the cla.s.sic novel logs 112 and the cla.s.sic novel Spock Must Die! Spock Must Die!

David Drake writes, "I was born in 1945, got my under graduate degree at the University of Iowa, and was in the middle of Duke Law School when I was drafted and sent to Viet Nam. I came back, finished law school, and became for eight years a.s.sistant Town Attorney for the Town of Chapel Hill. I'd never thought of being a writer, but I've always loved to tell stories. I'd sold a few stories before I was drafted. After I came back to the World I started writing seriously-as therapy, I now believe, though at the time I loudly told myself that I was fine, perfectly normal. (Thank goodness the way I was then isn't isn't normal, at least for human beings.) The Hammer's Slammers series, of which this is an example, resulted from that focus on writing after my return." normal, at least for human beings.) The Hammer's Slammers series, of which this is an example, resulted from that focus on writing after my return."

Joe Haldeman's first science fiction novel, The Forever War, The Forever War, won both the Hugo and Nebula Awards when it was published in 1974. Since then, he has returned to the theme of future war several times, most notably in his trilogy won both the Hugo and Nebula Awards when it was published in 1974. Since then, he has returned to the theme of future war several times, most notably in his trilogy Worlds, Worlds Apart, Worlds, Worlds Apart, and and Worlds Enough and Time, Worlds Enough and Time, about a future Earth facing nuclear extinction, and about a future Earth facing nuclear extinction, and Forever Peace, Forever Peace, a further exploration of the dehumanizing potential of armed conflict Other novels include a further exploration of the dehumanizing potential of armed conflict Other novels include Mindbridge, All My Sins Remembered, Mindbridge, All My Sins Remembered, and his alternate world opus and his alternate world opus The Hemingway Hoax, The Hemingway Hoax, expanded from his Nebula Awardwinning novella of the same name. His powerful non-science fiction writing includes expanded from his Nebula Awardwinning novella of the same name. His powerful non-science fiction writing includes War Year, War Year, drawn from experiences during his tour of duty in Viet Nam, and drawn from experiences during his tour of duty in Viet Nam, and 1968, 1968, a portrait of America in the Viet Nam era. a portrait of America in the Viet Nam era.

Harry Harrison has turned out many multi-layered science fiction novels that examine the evolution of war, bureaucracy, and society while masquerading as comedic s.p.a.ce opera adventures. His series characters include interstellar thief, con man, and troubleshooter "Slippery Jim" DiGriz, from the Stainless Steel Rat Stainless Steel Rat series, hapless soldier Bill in the series, hapless soldier Bill in the Bill the Galactic Hero Bill the Galactic Hero novels, and numerous others. He is also a renowned editor, having worked with such luminaries in the field as John W. Campbell, Brian Aldiss, and Bruce McAllister. He has also edited his own anthologies, including the acclaimed novels, and numerous others. He is also a renowned editor, having worked with such luminaries in the field as John W. Campbell, Brian Aldiss, and Bruce McAllister. He has also edited his own anthologies, including the acclaimed Nova Nova series. series.

Henry Kuttner (19141958) was primarily known for his work in science fiction, but occasionally turned out a witty dark fantasy or horror story like "Masquerade." The best of his short fiction can be found in the collection A Gnome There Was, No Boundaries, A Gnome There Was, No Boundaries, and and Return to Otherness. Return to Otherness. He cut his teeth writing for He cut his teeth writing for Weird Tales, Weird Tales, but his inventiveness and explorations of themes such as the robots, wonder children and madmen from the future soon had him contributing to many of the most popular magazines of the Pulp era. Working with his wife and writing partner C.L. Moore, he revisited the setting of "Clash by Night" in their excellent novel but his inventiveness and explorations of themes such as the robots, wonder children and madmen from the future soon had him contributing to many of the most popular magazines of the Pulp era. Working with his wife and writing partner C.L. Moore, he revisited the setting of "Clash by Night" in their excellent novel Fury. Fury.

Keith Laumer (19251993) was best known for his series of stories and novels about the interstellar, diplomat Jaime Retief, but he had written all types of science fiction in his career, from razor-sharp military fiction in his Bolo Bolo series to alternate reality fiction in his Imperium novels. His experience in the U.S. Army and Air Force served him well in extrapolating what the military of the future might be like. His diplomatic Retief stories were also grounded in real life experience from his tour of duty as a Foreign Service Vice-Consul in Rangoon. series to alternate reality fiction in his Imperium novels. His experience in the U.S. Army and Air Force served him well in extrapolating what the military of the future might be like. His diplomatic Retief stories were also grounded in real life experience from his tour of duty as a Foreign Service Vice-Consul in Rangoon.

Richard Matheson is one of the most respected dark fantasy and horror writers of the past forty years. His novel I Am Legend I Am Legend is considered one of the seminal vampire novels of the 20th century, a cla.s.sic tale of the last man on an Earth that is populated entirely by the undead. His books is considered one of the seminal vampire novels of the 20th century, a cla.s.sic tale of the last man on an Earth that is populated entirely by the undead. His books The Shrinking Man The Shrinking Man and and h.e.l.l House h.e.l.l House also broke new ground in the horror field. His work has been adapted for television as well, most notably as several episodes of original also broke new ground in the horror field. His work has been adapted for television as well, most notably as several episodes of original Twilight Zone Twilight Zone series, and also made into several recent motion pictures, including series, and also made into several recent motion pictures, including What Dreams May Come What Dreams May Come and and The Haunting. The Haunting.

C.L. Moore (19111987) never gained the critical or popular acclaim she deserved as one of the earliest female science fiction writers. She was often an uncredited coauthor with Henry Kuttner, combining on books that crossed the boundary between science fiction and fantasy such as Valley of the Flame Valley of the Flame and and Well of the Worlds. Well of the Worlds. However, the short fiction she wrote alone deserves recognition on its own merits of strong character development and psychological motivation of those characters. The two stories she's best known for are her first published tale "Shambleau," which introduced her hero Northwest Smith, and "Vintage Season" which details a group of tourists from the future watching the past un.o.bserved, the latter considered a cla.s.sic tale of speculative fiction. However, the short fiction she wrote alone deserves recognition on its own merits of strong character development and psychological motivation of those characters. The two stories she's best known for are her first published tale "Shambleau," which introduced her hero Northwest Smith, and "Vintage Season" which details a group of tourists from the future watching the past un.o.bserved, the latter considered a cla.s.sic tale of speculative fiction.

David Drake writes, "Mark L. Van Name, born in 1955, is Executive Vice President and General Manager, eTesting Labs Inc., a Ziff Davis Media company. He's a geek, which isn't uncommon today, and he's highly literate; which has never been common. The combination is close to unique; it made Mark one of the top computer journalists in the world before he moved into upper management. He's sold over a thousand computer-related articles, a couple dozen essays, and nine SF stories. For reasons that may become evident in this story, Mark is one of my closest friends. If we were either of us different people, that would scare the h.e.l.l out of us."

As a small boy, Gene Wolfe used to bide behind the candy case in the Richmond Pharmacy to read the pulps-and in a sense, he says, he has never come out His wife, Rosemary tries to keep him out of mischief ... still unaware-they've been together for more than 40 years-that he is it. He's written "No Planets Strike," which was nominated for a Hugo, plus a couple of hundred other stories. Also some books, he says with grand understatement, including Operation Ares, The Fifth Head of Cerberus Operation Ares, The Fifth Head of Cerberus and and Shadow & Claw. Shadow & Claw. The most recent is The most recent is Exodus From The Long Sun ... Exodus From The Long Sun ... part of part of The Book Of The Long Sun, The Book Of The Long Sun, a tetrology. a tetrology.

"Straw" by Gene Wolfe. Copyright 1974 by UPD Publis.h.i.+ng Corporation. First published in Galaxy, Galaxy, January 1975. Reprinted by permission of the author and his agents, the Virginia Kidd Literary Agency, Inc. January 1975. Reprinted by permission of the author and his agents, the Virginia Kidd Literary Agency, Inc.

"Tomb Tapper" by James Blish. Copyright 1956 by Street & Smith Publications, renewed 1984 by James Blish. First published in Astounding Science Fiction, Astounding Science Fiction, July 1956. Reprinted by permission of Executrix for the author's Estate, Judith Ann Lawrence Blish. July 1956. Reprinted by permission of Executrix for the author's Estate, Judith Ann Lawrence Blish.

"A Relic of War" by Keith Laumer. Copyright 1969 by Street & Smith Publications. First published in Astounding Science Fiction, Astounding Science Fiction, October 1969. Reprinted by permission of the Executor for the author's Estate, Jim Baen. October 1969. Reprinted by permission of the Executor for the author's Estate, Jim Baen.

"Basic Training" by Mark L. Van Name. Copyright 1998 by Mark L. Van Name. First published in Armageddon. Armageddon. Reprinted by permission of the author. Reprinted by permission of the author.

"Witch War" by Richard Matheson. Copyright 1951 by Richard Matheson. First published in Startling Stories Magazine, Startling Stories Magazine, July 1951. Reprinted by permission of the agent for the author's Estate, Don Congdon a.s.sociates. July 1951. Reprinted by permission of the agent for the author's Estate, Don Congdon a.s.sociates.

"Transstar" by Raymond Banks. Copyright 1960 by the Galaxy Publis.h.i.+ng Corp. First published in Galaxy, Galaxy, June 1960. Reprinted by permission of the author. June 1960. Reprinted by permission of the author.

"Time Piece" by Joe Haldeman. Copyright 1970 by Joe Haldeman. First published in Worlds of If Science Fiction Magazine, Worlds of If Science Fiction Magazine, July 1970. Reprinted by permission of the author. July 1970. Reprinted by permission of the author.

"Clash by Night" by Henry Kuttner and C.L. Moore. Copyright 1943 by Street & Smith Publications. First published in Astounding Science Fiction, Astounding Science Fiction, March 1943. Reprinted by permission of the agent for the author's Estate, Don Congdon a.s.sociates, Inc. March 1943. Reprinted by permission of the agent for the author's Estate, Don Congdon a.s.sociates, Inc.

HERE'S TO THE h.e.l.lIONS AND THE BATTLE HOUNDS!.

From the lowest grunts to the most decorated generals, true warriors always answer duty's call. And from Stone spears to cyborg stars.h.i.+ps, the materiel of battle accompanies them. In this stunning, explosive collection, David Drake-author of the cla.s.sic Hammer's Slammers Hammer's Slammers and one of the foremost figures of military science fiction-gathers the finest tales of martial danger and human drama in desperate futures. DOGS OF WAR includes timeless stories by: and one of the foremost figures of military science fiction-gathers the finest tales of martial danger and human drama in desperate futures. DOGS OF WAR includes timeless stories by: JOE HALDEMAN.

GENE WOLFE.

KEITH LAUMER.

HARRY HARRISON.

DAVID DRAKE.

RICHARD MATHESON.

...and many more.