Two Caravans Part 1

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Two Caravans.

by Marina Lewycka.

Synopsis:

From the author of the international bestseller A Short History of Tractors in Ukrainian comes a tender and hilarious novel about a crew of migrant workers from three continents who are forced to flee their English strawberry field for a journey across all of England in pursuit of their various dreams of a better future.

Somewhere in the heart of the green and pleasant land called England is a valley filled with strawberries. A group of migrant workers, who hail from Eastern Europe, China, and Africa have come here to harvest them for delivery to British supermarkets, and end up living in two small trailer homes, a men's trailer and a woman's trailer. They are all seeking a better life (and in their different ways they are also, of course, looking for love) and they've come to England, some legally, some illegally, to find it. They are supervised-some would say exploited-by Farmer Leaping, a red-faced Englishman who treats everyone equally except for the Polish woman named Yola, the boss of the crew, who favors him with her charms in exchange for something a little extra on the side. But the two are discreet, and all is harmonious in this cozy vale-until the evening when Farmer Leaping's wife comes upon him and Yola and does what any woman would do in this situation: She runs him down in her red sports car. By the time the police arrive the migrant workers have piled into one of the trailer homes and hightailed it out of their little arcadia, thus setting off one of the most enchanting, merry, and moving picaresque journeys across the length and breadth of England since Chaucer's pilgrims set off to Canterbury.



Along the way, the workers' fantasies about England keep rudely b.u.mping into the ignominious, brutal, and sometimes dangerous realities of life on the margins for migrs in the new globalized labor market. Some of them meet terrible ends, some give up and go back home, but for those who manage to hang in for the full course of this madcap ride, the rewards-like the strawberries-prove awfully sweet-especially for the young Ukrainians from opposite sides of the tracks, Andriy and Irina, whose initial mutual irritation blossoms into love.

Two Caravans

There is a field-a broad south-sloping field sitting astride a long hill that curves away into a secret leafy valley. It is sheltered by dense hedges of hawthorn and hazel threaded through with wild roses and evening-scented honeysuckle. In the mornings, a light breeze carries up over the Downs, just enough to kiss the air with the fresh salty tang of the English Channel. In fact so delightful is the air that, sitting up here, you might think you were in paradise. And in the field are two caravans, a men's caravan and a women's caravan.

If this was really the Garden of Eden, though, there ought to be an apple tree, thinks Yola. But it is the Garden of England, and the field is full of ripening strawberries. And instead of a snake, they have the Dumpling.

Sitting on the step of the women's caravan, painting her toenails fuchsia pink, pet.i.te voluptuous Yola watches the Dumpling's Land Rover pull in through the gate at the bottom of the field, and the new arrival clamber down out of the pa.s.senger seat. Really, she cannot for the life of her understand why they have sent this two-zloty-pudding of a girl, when what is clearly needed is another man-preferably someone mature, but with his own hair and nice legs, and a calm nature-who will not only pick faster, but will bring a pleasant s.e.xual harmony to their small community, whereas anyone can see that this little miss is going to set the fox among the chickens, and that all the men will be vying for her favours and not paying attention to what they are really here for, namely the picking of strawberries. This thought is so annoying that it makes Yola lose concentration on her middle toe, which ends up looking like a botched amputation.

And there is also the question of s.p.a.ce, Yola broods, studying the new girl as she makes her way past the men's caravan and up the field. Although there are more women than men, the women's caravan is the smaller, just a little four-berth tourer that you might tow behind when you go off on holiday to the Baltic. Yola, as the supervisor, is a person of status, and although pet.i.te she is generously proportioned, so naturally she has a single bunk to herself. Marta, her niece, has the other single bunk. The two Chinese girls-Yola can never get the hang of their names-share the fold-out double bed, which, when extended, takes up the whole floor s.p.a.ce. That's it. There is no room for anyone else.

The four of them have done their best to make their caravan seem bright and homely. The Chinese girls have stuck pictures of baby animals and David Beckham on the walls. Marta has stuck a picture of the Black Virgin of Krakow beside David Beckham. Yola, who likes things to smell nice, has set a bunch of wild flowers in a cup, hedge roses, campion and white-gold honeysuckle, to sweeten the air.

A particularly charming feature of their caravan is the clever storage s.p.a.ce: there are compact cupboards, cunning head-level lockers and drawers with delightful decorative handles where everything can be hidden away. Yola likes things to be neat. The four women have become skilled at avoiding each other, skirting round each other in the small s.p.a.ce with womanly delicacy, unlike men, who are defective creatures, p.r.o.ne to be clumsy and take up unnecessary room, though of course they can't help it and they do have some good points, which she will tell you about later.

This new girl-she skips straight up to the caravan and drops her bag down right in the middle of the floor. She has come from Kiev, she says, looking around her with a smile on her face. Irina is her name. She looks tired and dishevelled, with a faint whiff of chip fat about her. Where does she think she is going to keep that bag?

Where does she think she is going to sleep? What does she have to smile about? That's what Yola wants to know.

"Irina, my baby, you can still change your mind! You don't have to go!"

Mother was wailing and dabbing at her pinky eyes with a tissue, causing an embarra.s.sing scene at Kiev bus station.

"Mother, please! I'm not a baby!"

You expect your mother to cry at a moment like this. But when my craggy old Pappa turned up too, his s.h.i.+rt all crumpled and his silver hair sticking up like an old-age porcupine, OK, I admit it rattled me. I hadn't expected him to come to see me off.

"Irina, little one, take care."

"Shcho ti, Pappa. What's all this about? Do you think I'm not coming back?"

"Just take care, my little one." Sniffle. Sigh.

"I'm not little, Pappa. I'm nineteen. Do you think I can't look after myself?"

"Ah, my little pigeon." Sigh. Sniffle. Then Mother started up again. Then-I couldn't help myself-I started up too, sighing and sniffling and dabbing my eyes, until the coach driver told us to get a move on, and Mother shoved a bag of bread and salami and a poppy-seed cake into my hands, and we were off. From Kiev to Kent in forty-two hours.

OK, I admit, forty-two hours on a coach is not amusing. By the time we reached Lviv, the bread and salami were all gone. In Poland, I noticed that my ankles were starting to swell. When we stopped for fuel somewhere in Germany I stuffed the last crumbs of the poppy-seed cake into my mouth and washed it down with nasty metallic-tasting water from a tap that was marked not for drinking. In Belgium my period started, but I didn't notice until the dark stain of blood seeped through my jeans into the seat. In France I lost all sensation in my feet. On the ferry to Dover I found a toilet and cleaned myself up. Looking into the cloudy mirror above the washbasin I hardly recognised the wan dark-eyed face that stared back at me-was that me, that scruffy straggle-haired girl with bags under her eyes? I walked about to restore the circulation in my legs, and standing on the deck at dawn I watched the white cliffs of England materialise in the pale watery light, beautiful, mysterious, the land of my dreams.

At Dover I was met off the boat by Vulk, waving a bit of card with my name on it-Irina Blazkho. Typical-he'd got the spelling wrong. He was the type Mother would describe as a person of minimum culture, wearing a horrible black fake-leather jacket, like a comic-strip gangster-what a koshmarl koshmarl-it creaked as he walked. All he needed was a gun.

He greeted me with a grunt. "Hrr. You heff pa.s.sport? Peppers?"

His voice was deep and sludgy, with a nasty whiff of cigarette smoke and tooth decay.

This gangster-type should brush his teeth. I fumbled in my bag, and before I could say anything he grabbed my pa.s.sport and Seasonal Agricultural Worker papers and stowed them in the breast pocket of his koshmar koshmar jacket. jacket.

"I keep for you. Is many bed people in England. Can stealing from you."

He patted the pocket, and winked. I could see straightaway that there was no point in arguing with a person of this type, so I hoisted my bag onto my shoulder and followed him across the car park to a huge s.h.i.+ny black vehicle that looked like a cross between a tank and a Zill, with darkened windows and gleaming chrome bars at the front-a typical mafia-machine. These high-status cars are popular with primitive types and social undesirables. In fact he looked quite like his car: overweight, built like a tank, with a gleaming silver front tooth, a s.h.i.+ny black jacket, and a straggle of hair tied in a ponytail hanging down his back like an exhaust pipe. Ha ha.

He gripped my elbow, which was quite unnecessary-stupid man, did he think I might try to escape?-and pushed me onto the back seat with a shove, which was also unnecessary. Inside, the mafia-machine stank even more of tobacco. I sat in silence looking nonchalantly out of the window while he scrutinised me rudely through the rear-view mirror. What did he think he was staring at? Then he lit up one of those thick vile-smelling cigars-mother calls them New Russian cigarettes-what a stink!-and started puffing away. Puff. Stink.

I didn't take in the scenery that flashed past through the black-tinted gla.s.s-I was too tired-but my body registered every twist in the lane, and the sudden jerks and jolts when he braked and turned. This gangster-type needs some driving lessons.

He had some potato chips wrapped in a paper bundle on the pa.s.senger seat beside him, and every now and then he would plunge his left fist in, grab a handful of chips and cram them into his mouth. Grab. Cram. Chomp. Grab. Cram. Chomp. Not very refined. The chips smelt fantastic, though. The smell of the cigar, the lurching motion as he steered with one hand and stuffed his mouth with the other, the low dragging pain from my period-it was all making me feel queasy and hungry at the same time. In the end, hunger won out. I wondered what language this gangster type would talk. Belarusian? He looked too dark for a Belarus. Ukrainian? He didn't look Ukrainian. Maybe from somewhere out east? Chechnya? Georgia? What do Georgians look like? The Balkans? Taking a guess, I asked in Russian, "Please, Mister Vulk, may I have something to eat?"

He looked up. Our eyes met in the rear-view mirror. He had real gangster-type eyes-poisonous black berries in eyebrows as straggly as an overgrown hedge. He studied me in that offensive way, sliding his eyes all over me.

"Little flower vants eating?" He spoke in English, though he must have understood my Russian. Probably he came from one of those newly independent nations of the former Soviet Union where everyone can speak Russian but n.o.body does. OK, so he wanted to talk English? I'd show him.

"Yes indeed, Mister Vulk. If you could oblige me, if it does not inconvenience you, I would appreciate something to eat."

"No problema, little flower!"

He helped himself to one more mouthful of chips-grab, cram, chomp-then scrunched up the remnants in the oily paper and pa.s.sed them over the back of the seat. As I reached forward to take them, I saw something else nestled down on the seat beneath where the chips had been. Something small, black and scary. Shcho to! Shcho to! Was that a real gun? Was that a real gun?

My heart started hammering. What did he need a gun for? Mamma, Pappa, help me! Mamma, Pappa, help me! OK, just pretend not to notice. Maybe it's not loaded. Maybe it's just one of those cigar lighters. So I unfolded the crumpled paper-it was like a snug, greasy nest. The chips inside were fat, soft and still warm. There were only about six left, and some sc.r.a.ps. I savoured them one at a time. They were lightly salty, with a touch of vinegar, and they were just-mmm!-indescribably delicious. The fat clung to the edges of my lips and hardened on my ringers, so I had no choice but to lick it off, but I tried to do it discreetly. OK, just pretend not to notice. Maybe it's not loaded. Maybe it's just one of those cigar lighters. So I unfolded the crumpled paper-it was like a snug, greasy nest. The chips inside were fat, soft and still warm. There were only about six left, and some sc.r.a.ps. I savoured them one at a time. They were lightly salty, with a touch of vinegar, and they were just-mmm!-indescribably delicious. The fat clung to the edges of my lips and hardened on my ringers, so I had no choice but to lick it off, but I tried to do it discreetly.

"Thank you," I said politely, for rudeness is a sign of minimum culture.

"No problema. No problema." He waved his fist about as if to show how generous he was. "Food for eat in transit. All vill be add to your living expense."

Living expense? I didn't need any more nasty surprises. I studied his back, the creaky stretched-at-the-seams jacket, the ragged pony-tail, the thick yellowish neck, the flecks of dandruff on the fake-leather collar. I was starting to feel queasy again.

"What is this, expense?"

"Expense. Expense. Foods. Transports. Accommodations." He took both hands off the steering wheel and waved them in the air.

"Life in vest is too much expensive, little flower. Who you think vill be pay for all such luxury?"

Although his English was appalling, those words came rolling out like a prepared speech. "You think this vill be providing all for free?"

So Mother had been right. "Anybody can see this agency is run by crooks. Anybody but you, Irina." (See how Mother has this annoying habit of putting me down?) "And if you tell them lies, Irina, if you pretend to be student of agriculture when you are nothing of the sort, who will help you if something goes wrong?"

Then she went on in her hysterical way about all the things that go wrong for Ukrainian girls who go West-all those rumours and stories in the papers.

"But everyone knows these things only happened to stupid and uneducated girls, Mother. They're not going to happen to me."

"If you will please say me what are the expenses, I will try to meet them."

I kept my voice civilised and polite. The chrome-bar tooth gleamed.

"Little flower, the expense vill be first to pay, and then you vill be pay. Nothing to be discuss. No problema."

"And you will give me back my pa.s.sport?"

"Exact. You verk, you get pa.s.sport. You no verk, you no pa.s.sport. Someone mekka visit in you mamma in Kiev, say Irina no good verk, is mek big problem for her."

"I have heard that in England..."

"England is a change, little flower. Now England is land of possibility. England is not like in you school book."

I thought of das.h.i.+ng Mr Brown from Let's Talk English Let's Talk English-if only he were here!

"You have an excellent command of English. And of Russian maybe?"

"English. Russian. Serbo-Croat. German. All languages."

So he sees himself as a linguist; OK, keep him talking.

"You are not a native of these sh.o.r.es, I think, Mister Vulk?" are not a native of these sh.o.r.es, I think, Mister Vulk?"

"Think everything vat you like, little flower." He gave me a leery wink in the mirror, and a flash of silver tooth. Then he started tossing his head from side to side as if to shake out his dandruff.

"This, you like? Is voman attract?"

It took me a moment to realise he was referring to his ponytail. Was this his idea of flirtation? On the scale of attractiveness, I would give him zero. For a person of minimum culture he certainly had some pretensions. What a pity Mother wasn't here to put him right.

"It is absolutely irresistible, Mister Vulk."

"You like? Eh, little flower? You vant touch?"

The ponytail jumped up and down. I held my breath.

"Go on. Hrr. You can touch him. Go on," he said with horrible oily enthusiasm.

I reached out my hand, which was still greasy and smelt of chips.

"Go on. Is pleasure for you."

I touched it-it felt Like a rat's tail. Then he flicked his head, and it twitched beneath my fingers like a live rat.

"I heff hear that voman is cannot resisting such a hair it reminding her of men's oggan."

What on earth was he talking about now?

"Oggan?"

He made a crude gesture with his fingers.

"Be not afraid, little flower. It reminding you of boyfriend. Hah?"

"No, Mister Vulk, because I do not have a boyfriend."

I knew straightaway it was the wrong thing to say, but it was too late. The words just slipped out, and I couldn't bring them back.

"Not boyfriend? How is this little flower not boyfriend?" His voice was like warm chip fat. "Hrr. Maybe in this case is good possibility for me?"

That was a stupid mistake. He's got you now. You're cornered.

"Is perhaps sometime we make good possibility, eh?" He breathed cigar smoke and tooth decay. "Little flower?"

Through the darkened gla.s.s, I could see woodland flas.h.i.+ng past, all sunlight and dappled leaves. If only I could throw myself out of the vehicle, roll down the gra.s.sy bank and run into the trees. But we were going too fast. I shut my eyes and pretended to be asleep.

We drove on in silence for maybe twenty minutes. Vulk lit another cigar. I watched him through my lowered lashes, puffing away hunched over the wheel. Puff. Stink. Puff. Stink. How much further could it be? Then there was a crunching of gravel under the wheels, and with one last violent lurch the mafia-machine came to a halt. I opened my eyes. We had pulled up in front of a pretty steep-roofed farmhouse set behind a summery garden where there were chairs and tables set out on the lawn that sloped down to a shallow gla.s.sy river. Just like England is supposed to be. Now at last, I thought, there will be normal people; they will talk to me in English; they will give me tea.

But they didn't. Instead, a podgy red-faced man wearing dirty clothes and rubber boots came out of the house-the farmer, I guessed-and he helped me down from Vulk's vehicle, mumbling something I couldn't understand, but it was obviously not an invitation to tea. He looked me up and down in that same rude way, as though I was a horse he'd just bought. Then he and Vulk muttered to each other, too fast for me to follow, and exchanged envelopes.

"Bye-bye, little flower," Vulk said, with that chip-fat smile. "Ve meet again. Maybe ve mekka possibility?"

"Maybe."

I knew it was the wrong thing to say, but by then I was just desperate to get away.

The farmer shoved my bag into his Land Rover and then he shoved me in too, giving my behind a good feel with his hand as he did so, which was quite unnecessary. He only had to ask and I would have got in myself.

"I'll take you straight out to the field," he said, as we rattled along narrow winding lanes. "You can start picking this afternoon."

After some five kilometres, the Land Rover swung in through the gate, and I felt a rush of relief as at last I planted my feet on firm ground. The first thing I noticed was the light-the dazzling salty light dancing on the sunny field, the ripening strawberries, the little rounded caravan perched up on the hill and the oblong boxy caravan down in the corner, the woods beyond, and the long curving horizon, and I smiled to myself. So this is England.

Two Caravans Part 1

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Two Caravans Part 1 summary

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