Two Caravans Part 3

She pointed out of the window. Instead of the farmer's Land Rover, a huge black mafia-machine was pulling up at the bottom of the field. My heart thumped. It was like a fist punching my chest. The car door swung open, and a bulky black-clad figure emerged. Even at that distance I recognised him.

Vulk looked around, then he started walking clumsily up the field, treading on the clumps of strawberries. I didn't stop to think. I jumped up and dashed out of the door without looking behind me. I slipped through the gap in the hedge into the copse. My heart was thumping away. Keeping my head down, I crept along the other side of the hedge, away from the caravan and back into a thicket of trees. Behind a dense evergreen bush I crouched down and listened. I could hear voices, men's and women's, but I couldn't hear what they were saying. The blood was beating so loud inside my head I couldn't hear my own thoughts. It was like one of those bad dreams where the beating of your own heart wakes you up. Thump thump. I dug my nails into my palms, but the pain was real.

After a while, Yola came out into the field and called my name.

"Irina? Irina? Come, girl, there is a handsome-man visitor for you."

That woman is so dire. Why doesn't she go off with Vulk herself if she likes him so much? He's probably just her type. I sat motionless, holding onto my breath, until Yola gave up and went back to the caravan. Then I let my breath out. But still I sat tight. This was a waiting game between us, him and me. On a branch, a few inches from my nose, a spider was spinning its web, working away furiously. I watched as it dropped down onto a lower twig, then clambered back up its silky ladder, heaving its fat body on its spidery little legs. Then it sat in the centre of its web and waited for its prey to pull at the threads.

After some time I heard Vulk's voice. He was by the hedge. He started calling, "Little flower! Come, little flower! Come!"

That sludgy voice. My stomach turned. I couldn't see from my hiding place, but I could imagine the ponytail flicking from side to side.

"Come! Come!"

I breathed in and held my breath. My heart was thumping so loud I was sure he must be able to hear it as he wandered up and down beside the hedge, his footsteps heavy on the ground. Crunch crunch. "Little flower! Little flower!"

Then a horrible familiar smell hit my nostrils. He had lit a cigar. He must be standing in the field by the hedge, smoking. Puff. Stink. I couldn't see him but I could smell him nearby. My whole body was tense, my breathing fast and shallow, like when you're trying to run in a nightmare but your limbs are locked. I couldn't tell how much time had pa.s.sed. The light was fading from the sky. After a while the smell of the cigar faded, too. Was it safe to come out? I was just about to move when I heard voices again. He was back at the caravan. I strained my ears. I couldn't catch what he said, but I heard Yola's vulgar laugh, then after another eternity the sound I'd been waiting for-the engine of the mafia-machine starting up.

The gate closed with a clack clack, and the engine noise dissipated into the stillness.

It was twilight when I finally dared to emerge from my hiding place, back into the brightness of the caravan.

"Oh, here you are!" cried Marta. "I was so worried."

"Here you are!" Yola's voice had a scolding edge. She looked me up and down, and winked in a vulgar way. "You hev secret lower." She said it in English, for the benefit of the Chinese girls. "Good-looking man looking for you."

"Not so good-looking." I wrinkled my nose.

The Chinese girls laughed.

"Good-looking enough," said Yola. "Not a baldie. Plenty good hairs."

"Too long. Looks like woman hairs," said Chinese Girl One. "Like Toh-mah." They both giggled like mad.

"He had flowers," said Yola.

"Flowers? What for?" The thought of him bringing me flowers made me feel sick.

"A flower in hand for you. Hee hee." Chinese Girl Two cupped her chin in her hands laughing with glee. "Pink flower. Pink. Flower of love." As though pink would make all the difference. They all thought it was a big joke.

"I do not want those flowers," I said nonchalantly. I was still elated at my escape, and the last thing I wanted was to remember that terrifying journey, the cold chips, the nausea, the fear. "The man is not only old, but he is rather ugly, with minimum culture."

"We are all G.o.d's creatures," said Marta reproachfully. I suppose no one has ever given her flowers, on account of her large nose. She is a very kind person, but sometimes I think she takes her religion too far.

Andriy has drunk at least eight cans of lager, and now he has his back towards the field and is concentrating on the pleasurable sensation of aiming a warm torrent of p.i.s.s at a stubborn nettle growing out of the hedge. It wavers under the stream, but bounces back. He takes aim and hits it again. It bends but doesn't break. Its sharp leaves glisten cheekily as he zips up his fly. I'll be back to get you later, he promises the dogged little plant.

As he returns towards the caravan in the fading illusory dusk, his eyes light on a vision of incredible beauty. Is he drunk or dreaming? Generously proportioned, sensuously curved, beautiful yet mysterious, ferocious yet pliant, monstrous yet perfectly crafted. He stretches out his hand, his fingers trembling to touch. Yes, she is real. He strokes the gleaming body of black and chrome. He walks around her. Yes, from every angle, she is perfect.

And inside? He tries the pa.s.senger door. It is not locked. He climbs in, clambers across to the driver's seat, sinks into the soft but firm tobacco-fragrant leather. What height. What power. He fondles the leather-cased steering wheel. He runs his hands over the dashboard. What an array of controls. He depresses the clutch. He s.h.i.+fts through all the gears. The transmission glides like b.u.t.ter. He tries out the brake and accelerator pedals. They are firm but yielding. He searches for the ignition key. It is not there. He tries the glove compartment. He feels inside. Something is there-something bulky and cold. Not keys. A gun. Devil's b.u.m!

He takes it out, holds it, turns it over in his hands. His fingers close around it. Its menace is palpable. He opens it up-why are there only five bullets in the barrel? What happened to the sixth? Not quite knowing why, he takes the gun and slips it into the pocket of his trousers. The weight pulls against his belt. He likes the feeling of its presence, close to him but out of sight. He climbs down from the vehicle and quietly closes the door.

By the time he gets back to the bonfire, he finds that all the women have gone inside. Emanuel is asleep. Vitaly has disappeared. Tomasz is still singing sadly to himself. He decides to have one more go at that wretched nettle before turning in for the night. He is standing in the shadow between the hedge and the men's caravan when he sees the owner of the black four-by-four come down the field and climb into the driver's seat. Even in the dusky light, Andriy can see that he is an unprepossessing man. What a waste. And then there's the little matter of the gun-what does he need a gun for?

The events that follow take place so quickly, and in such a confusion of dazzle and darkness and too much lager, that afterwards, he is never quite sure exactly what happened.

Just as the twilight swallows up the tail-lights of the four-by-four, the sound of another engine rips through the stillness of the valley. At first he thinks it is the farmer's Land Rover running rough, but the sound is louder, deeper, with an exciting throbbing under-beat. He steps out, hoping to catch a glimpse as it races by. But the engine stops at the gate, the gate swings open, and in roars the red Ferrari, hood down, headlights blazing. He feels his head start to spin. Twice in one night. This must be a dream. And then out of the Ferrari steps the blonde.

She is perhaps more mature than he imagined, but the confusing light can play all sorts of tricks. She is tall, too, taller than him, with blond hair pinned in an untidy nest on top of her head. She is wearing tight white trousers that catch the dazzle of the headlights, revealing a shape that is not as shapely as he dreamed, maybe more sedan model, but still definitely the blonde blue-eyed Angliska rosa Angliska rosa. She steps forward without noticing him lurking by the caravan, and strides up into the field.

"Lawrence!" she shouts, in a voice that is sharp and resonant with fury. "Lawrence, where are you? Come here, you b.a.s.t.a.r.d!"

Her words echo around the valley, and are met with silence.

Despite his initial disappointment, Andriy thinks he should seize the moment, if only for the sake of the Ferrari. This is after all a night of magic, in which two amazing things have already happened, and all sorts of mysteries and transformations may be possible. He steps out of the shadows opening his palms in a gesture of appeas.e.m.e.nt.

"Lady..."

She swings round to face him.

"And who are you?" she barks. Really, her voice is not as he had imagined it either.

"Lady..."

Suddenly his English deserts him. So stepping forward he does something he has seen older men do in Ukraine, but has never done before in his life, something that would normally make him cringe with embarra.s.sment to think of; but now it just seems the right thing to do. He takes her hand, lifts it to his lips and kisses it.

The effect is instantaneous. The Angliska rosa Angliska rosa grabs him in both her arms, and kisses him ferociously on the mouth. This is a pleasant surprise. He knows he is quite attractive to women-well, he's had some successes in the past-but never before has the magic been so immediate. Leaning back on the bonnet of the Ferrari, she pulls him down on top of her and kisses him vigorously. Her lips are warm and taste of whisky. Her body, like the upholstery of the four-by-four, is firm but yields to his touch. grabs him in both her arms, and kisses him ferociously on the mouth. This is a pleasant surprise. He knows he is quite attractive to women-well, he's had some successes in the past-but never before has the magic been so immediate. Leaning back on the bonnet of the Ferrari, she pulls him down on top of her and kisses him vigorously. Her lips are warm and taste of whisky. Her body, like the upholstery of the four-by-four, is firm but yields to his touch.

"You'll do, poppet." She rips open the b.u.t.tons of his s.h.i.+rt. What's going on here? Is this a typical English display of pa.s.sion? He notices with another small stab of disappointment that the sports car is not a Ferrari at all but a Honda (still, it is a sports car, and a red one) and her Angliska rosa Angliska rosa mouth is insistent and dominating in a way that reminds him strangely of...yes, his first kiss. Vagvaga Riskegipd sitting astride him on the steps of Sheffield City Hall, forcing her determined little tongue between his lips. These Angliski women! mouth is insistent and dominating in a way that reminds him strangely of...yes, his first kiss. Vagvaga Riskegipd sitting astride him on the steps of Sheffield City Hall, forcing her determined little tongue between his lips. These Angliski women!

Then he hears the engine-roar of another car pulling into the field, but when he tries to take a look, she yanks his head down firmly, his mouth on hers. Her tongue is working hard. The next thing he hears is Yola's voice, shrieking from the top of the field, "Dumpling! Dumpling! Watch out!"

Fighting back against the blonde's embrace, he lifts his head and sees the farmer standing by the Land Rover, staring back at him. He doesn't look very pleased. Pinned to the bonnet of the sports car in the grip of the blonde, Andriy is starting to wonder whether it was wise to surrender to the pa.s.sion of this unpredictable Angliska rosa Angliska rosa.

"What the h.e.l.l...? You b.i.t.c.h! You b.l.o.o.d.y b.i.t.c.h!" The farmer strides towards them. The Angliska rosa Angliska rosa looks up over Andriy's shoulder and with her free hand, not the one that is fumbling with his fly zip, she gestures at the farmer with two fingers. Andriy tries to seize the moment to escape, but the blonde holds him fast, and now the enraged farmer runs forward with a roar, and flings himself onto Andriy's back. Holy whiskers! This is not turning out at all according to plan. He is trapped between the two of them like the meat in some mad sandwich. The farmer's weight is crus.h.i.+ng the breath out of him. As the farmer thrashes about, his rough hands grappling with Andriy's throat, the blonde wriggles out from underneath them, clambers back into the sports car and turns the engine on. The car lurches forward and the farmer slides off the bonnet onto the ground with a thud. looks up over Andriy's shoulder and with her free hand, not the one that is fumbling with his fly zip, she gestures at the farmer with two fingers. Andriy tries to seize the moment to escape, but the blonde holds him fast, and now the enraged farmer runs forward with a roar, and flings himself onto Andriy's back. Holy whiskers! This is not turning out at all according to plan. He is trapped between the two of them like the meat in some mad sandwich. The farmer's weight is crus.h.i.+ng the breath out of him. As the farmer thrashes about, his rough hands grappling with Andriy's throat, the blonde wriggles out from underneath them, clambers back into the sports car and turns the engine on. The car lurches forward and the farmer slides off the bonnet onto the ground with a thud.

"Watch out, my Dumpling!"

Andriy, still hanging onto the bonnet, hears Yola's shriek at the top of the field, and looking round he sees her tottering down between the clumps of strawberries in her flimsy high-heeled sandals. The farmer sees her too as he picks himself up.

"Go back, Primrose!" He waves her away.

The car reverses, revs up a bit, then suddenly accelerates forward. There is a horrible crunch. The farmer falls writhing to the ground. The car reverses and revs up again. Andriy is hanging onto a windscreen wiper with one hand and hammering on the gla.s.s with the other.

"Stop! Stop!"

"My Dumpling!"

He hears Yola's cry behind him, but he can't quite see what's happening. As the car lurches forward again, he flings himself off and lands on top of the farmer, who is rolling on the ground twisted up in agony, his mouth open as if in a scream, though only faint gurgling noises are corning out. Andriy disentangles himself shakily and stares in horror. The bones of the farmer's left leg are sticking out all over the place. The car is reversing and revving up again.

"My poor Dumpling!" Yola stumbles down the field and diving forward, tries to drag the farmer free. But he is too heavy for her. The car is heading at them. Andriy staggers to his feet and the two of them manage to heave the writhing farmer out of the way, missing by inches the front b.u.mper of the car, which has picked up some speed, the blonde Angliska rosa Angliska rosa grinning like a maniac behind the wheel. grinning like a maniac behind the wheel.

Cras.h.!.+ With a horrible rip of metal, it ploughs into the rear end of the men's caravan, which topples off its pile of bricks and lands at a crazy angle on its axle.

The Angliska rosa Angliska rosa gets out to inspect the damage to her car. Then she walks over to the farmer squirming on the ground in the glare of the headlights, and gives him a kick. gets out to inspect the damage to her car. Then she walks over to the farmer squirming on the ground in the glare of the headlights, and gives him a kick.

"You sleazy b.a.s.t.a.r.d. Next time it's curtains."

"Wendy," he groans, "it was nothing. Just a bit of slap and tickle."

Yola has been keeping out of the blonde's way, but self-control is not her strong point.

"Slapping ticker! What is slapping ticker? Eh?" She lays into him with her fuchsia-tipped toes. "I am primrose, not slapping ticker!"

"Yola, please..." Andriy struggles to restrain her, but she breaks free and takes a run at the farmer.

"Get off him!" shouts the blonde. "He may be a sleazeball, but he's my sleaze, not yours!" She dives at Yola, catching her off balance with one foot poised for a kick, and grabbing her round the waist she wrestles her to the ground. They are both panting and tearing at each other's hair.

"You all sleazes!" Yola writhes and thrashes, but the blonde is bigger and stronger than she is. "Let me go!"

"Stop! Please! Be calm!" cries Andriy, grabbing the blonde and holding her fast in his arms. "Lady, please..."

Seizing the moment, Yola scrambles away and takes cover in the men's caravan. He grasps the blonde's hand, which is clenched into a fist, and tries to raise it to his lips, but she wrenches it free, swings wide and lands it on his jaw with a crack.

Stars appear in the black s.p.a.ce behind his eyes.

The Chinese girls are staring out of the window, trying to work out what is going on in the field below. s.h.i.+fting between the blaze of headlights and the pools of darkness, the action is disjointed and confusing. They see the car reversing and driving forward. They see Yola launch herself at the body on the ground. They hear the smash as the car ploughs into the caravan. They see Irina standing with Marta, a little way below the caravan, watching the events at the bottom of the field. At some point in all the chaos, Vulk's four-by-four pulls in through the open gate and drives silently up round the margin of the strawberry rows to the women's caravan, headlights off. Irina looks round and sees him appear out of the darkness. She screams and makes a dash for the copse, but this time he chases and catches her. The Chinese girls witness the abduction, but they are unable to stop it. Vulk bundles Irina struggling and yelling into the back of his vehicle, and drives off into the night.

Bye-bye Strawberry. h.e.l.lo Mobilfon

I screamed and screamed. I could see the Chinese girls and Marta turn and run towards me. I could see their terrified faces, white in the blaze of the headlights. I felt the clamp of Vulk's hand on my shoulder, the grip of his arm across my throat. Then I blacked out. screamed and screamed. I could see the Chinese girls and Marta turn and run towards me. I could see their terrified faces, white in the blaze of the headlights. I felt the clamp of Vulk's hand on my shoulder, the grip of his arm across my throat. Then I blacked out.

When I came round, I was jolting and swaying about in a vehicle, pounding along a road in the dark. I could smell the familiar horrible tobacco stink of the leather upholstery pressed against my cheek. My stomach twisted up with horror and despair. How had I let this happen? You fool, Irina. Stupid. Careless idiot. Drop your guard for one moment and you've had it. You might as well be dead. Better to be dead. Better dead than...No, don't think of it. Blank it out. Blank You fool, Irina. Stupid. Careless idiot. Drop your guard for one moment and you've had it. You might as well be dead. Better to be dead. Better dead than...No, don't think of it. Blank it out. Blank.

My shoulders were shaking. My hands and feet were icy cold. Mamma, Pappa, please help me. I am your little Irina. A treasure not a toy. Don't be angry. Help me. Surely someone will help me. This is England Mamma, Pappa, please help me. I am your little Irina. A treasure not a toy. Don't be angry. Help me. Surely someone will help me. This is England.

"Little flower OK?" That sludgy voice! I was crumpled up on the floor in front of the pa.s.senger seat, my legs folded awkwardly under me, my face resting on the leather seat. A few inches from my face was the tattered bunch of flowers.

"Little flower think she can running from Vulk. Little flower think she clever. But Vulk everywhere more clever. I vait. I come back. Houp! I catch. I make possibility."

Stop. Think. There must be some way...The car door-maybe it will open. The car is going fast. You'll be hurt-maybe killed. Better dead than...No. Stop. Think. Talk to him. Trick him with words. Think of something, quick. Mamma, Pappa, help me. Make a plan. The car door opens. No, the door is locked. No, the door opens. You fall, you roll. You are hurt but you are alive. You run. Someone will help you. This is England. You run. He runs after you. He has a gun.

Vulk shoved the battered bouquet at me so that the stems caught my hair.

"You like it, flower?"

I shut my eyes and kept quiet. I could hear the creak of his leather coat as he leaned over me. I could smell tobacco and tooth decay. He touched my face. I felt his rough fingers tracing the line of my cheek and my jaw. The car lurched. I kept my eyes shut. The fingers played down my neck. I felt them pressing and lingering in the hollow of my collarbone, creeping down under my blouse.

"Beautiful flower. You like it, flower?"

Think. Speak. You are clever-use your wits. The right words could save your life. Say something.

I couldn't say anything. My throat went into spasm. I started to retch violently. A dribble of lumpy fluid trickled out of my mouth onto the car seat. I felt the car slow down, swerve, and b.u.mp over rough ground. He must have pulled off the road. He leaned over and opened the car door on my side. We were on a shadowy track that seemed to lead into some woods. He pushed my head out of the door.

"You sick outside."

I retched again and again, my head hanging over the side of the car into the darkness. Vulk waited.

Now. Now's the time to run. Jump. Run for it. Into the wood. Duck behind the bushes. Vanish into the shadows of the trees. Lie still. Hide.

My eyes adjusted to the darkness. My body tensed. And as though he could read my thoughts, Vulk said, "You run I shoot with gun."

Better dead than...Blank. Dead. Blank.

I jumped.

I AM DOG I RUN I RUN I SMELL EARTH AND WOOD AND WATER TREES BUSHES BRAMBLES I SMELL FOX I SMELL RABBIT BUSHES TOO CLOSE TEAR SKIN I BLEED I RUN SHARP STONE PAW PAIN BLOOD LICK BLOOD PAIN I RUN FAR AWAY ANGRY DOG BARKS FAR AWAY MAN SHOUTS SILENCE IS CLOSE NIGHT-BIRD CALLS NIGHT-BIRD REPLIES BIRD-LOVE TALK SILENCE TREES BUSHES HEDGE LONG FIELD SWEET GRa.s.s MOONLIGHT I RUN I RUN I AM DOG I AM DOG I RUN I RUN I SMELL EARTH AND WOOD AND WATER TREES BUSHES BRAMBLES I SMELL FOX I SMELL RABBIT BUSHES TOO CLOSE TEAR SKIN I BLEED I RUN SHARP STONE PAW PAIN BLOOD LICK BLOOD PAIN I RUN FAR AWAY ANGRY DOG BARKS FAR AWAY MAN SHOUTS SILENCE IS CLOSE NIGHT-BIRD CALLS NIGHT-BIRD REPLIES BIRD-LOVE TALK SILENCE TREES BUSHES HEDGE LONG FIELD SWEET GRa.s.s MOONLIGHT I RUN I RUN I AM DOG.

"You'd better beat it," says Wendy. She is dialling something on her mobilfon. In the half-light, her face looks ashen and mad. Andriy stares at her, wondering what had possessed him.

"Beat?"

"Beat it. Before the police come."

He understands 'police come'.

"But I..."

"You rammed him with my car, didn't you? Dispute over wages."

"But..."

Andriy looks across at the farmer, but he seems to have pa.s.sed out.

"Who do you think the police will believe? Here." She tosses him a car key.