John The Balladeer Part 28

"Wait until the sun slides down behind the mountain," she mocked at him. "Wait until dark. See what I make happen then."

"I don't have to wait," he said. "I've made my mind up."

"Then why should I wait, either?" she snarled out, "Why not do the thing now?"

She lifted up her hands, crooked like claws. She began to say a string of wild words, in whatever language I don't know. Zeb gave back from her.

"I hate things like this, folks," I said, and I upped with the bucket and flung that water from the spring all over her.

She screamed like an animal caught in a trap. I saw yellow foam come a-slathering out of her mouth.

She whirled round and whirled round again and slammed down, and by then you couldn't see her on account of the thick dark steam that rose.

Zeb ran back off a dozen steps, but I stood there to watch, the empty bucket in my hand.

The steam thinned, but you couldn't see Craye Sawtelle. She was gone.

Only that black dress, twisted and empty, and only those two black sandals on the soaked ground, with no feet in them. Naught else. Not a sigh of Craye Sawtelle. The last of the steam drifted off, and Zeb and I stared at each other.

She's gone," Zeb gobbled in his throat. "Gone. How did you-"

"Well"-I steadied my voice-"yesterday you said it washed away air bad thing whatever. So I thought I'd see if it would do that. No doubt about it, Craye Sawtelle was badness through and through."

He looked down at the empty dress and empty sandals. "Blessed water," he said. "Holy water. You made it so."

"I can't claim that, Zeb. More likely it was your doing, when you started in to use it for help to sick and troubled folks."

"But you knew that if you threw it on her-"

"No." I shook my head. "I just only hoped it would work, and it did. Wherever Craye Sawtelle's been washed to, I don't reckon she'll be back from there."

He looked up along the trail. Yonder came Tilda Fleming.

"Tilda," he said her name. "What shall I tell Tilda?"

"Why not tell her what's in your heart for her?" I asked. "I reckon she's plumb ready to hark at you."

He started to walk toward her and I headed back to the cabin.

Owls Hoot in the Daytime

That time back yonder, I found the place myself, the way folks in those mountains allowed I had to.

I was rough hours on the way, high up and then down, over ridges and across bottoms, where once there'd been a road. I found a bridge across a creek, but it was busted down in the middle, like a warning not to use it. I splashed across there. It got late when I reached a cove pushed in amongst close-grown trees on a climbing slope.

An owl hooted toward where the sun sank, so maybe I was on the right track, a path faint through the woods. I found where a gate had been, a rotted post with rusty hinges on it. The trees beyond looked dark as the way to h.e.l.l, but I headed along that snaky-winding path till I saw the housefront. The owl hooted again, off where the gloom grayed off for the last of daylight.

That house was half logs, half ancient whipsawed planks, weathered to dust color. Trees crowded the sides, branches crossed above the shake roof. The front-sill timber squatted on pate rocks. The door had come down off its old leather hinges. Darkness inside. Two windows stared, with flowered bushes beneath them. The gra.s.sy yard s.p.a.ce wasn't a great much bigger than a parlor floor.

"What ye wish, young sir?" a sc.r.a.py voice inquired me, and I saw somebody a-sitting on a slaty rock at the house's left corner.

"I didn't know anybody was here," I said, and looked at him and he looked at me.

I saw a gnarly old man, his ruined face half-hid in a blizzardy white beard, his body wrapped in a brown robe. Beside him hunkered down what looked like a dark-haired dog. Both of them looked with bright, squinty eyes, a-making me recollect that my s.h.i.+rt was rumpled, that I sweated under my pack straps, that I had mud on my boots and my dungaree pant cuffs.

"If ye nair knowed n.o.body was here, why'd ye come?" sc.r.a.ped his voice.

"It might could be hard to explain."

"I got a lavish of time to hark at yore explanation."

I grinned at him. "I go up and down, a-viewing the country over. I've heard time and again about a place so far off of the beaten way that owls hoot in the daytime and they have possums for yard dogs."

An owl hooted somewhere.

"That's a saying amongst folks here and yonder," said the old man, his broad brown hand a-stroking his beard.

"Yes, sir," I agreed him, "but I heard tell it was in this part of the country, so I thought I'd find out."

The beard stirred as he clamped his mouth. "Is that all ye got to do with yore young life?"

"Mostly so," I told him the truth. "I find out things."

The animal alongside him hiked up its long snout.

It was the almightiest big possum I'd ever seen, big as a middling-sized dog. Likely it weighed more than fifty pounds. Its eyes dug at me.

"Folks at the county seat just gave me general directions," I went on. "I found an old road in the woods.

Then I heard the owl hoot and it was still daytime, so I followed the sound here."

I felt funny, a-standing with my pack straps galled into me, to say all that.

"I've heard tell an owl hoot by daytime is bad luck," sc.r.a.ped the voice in the beard. "Heap of that a-going, if it's so."

"Over in Wales, they say an owl hooting means that a girl's a-losing her virginity," I tried to make a joke.

"Hum." Not exactly a laugh. "Owls must be kept busy a-hooting for that, too." He and the possum looked me up and down. "Well, since ye come from so far off, why don't me bid ye set and rest?"

"Thank you, sir." I unslung my pack and put it down and laid my guitar on it. Then I stepped toward the dark door hole.

"Stay out of yonder," came quick warning words. "What's inside is one reason why n.o.body comes here but me. Set down on that stump acrost from me. What might I call ye?"

I dropped down on the stump. "My name's John. And I wish you'd tell me more about how is it folks don't come here."

"I'm Maltby Sanger, and this here good friend I got with me is named Ung. The rest of the saying's fact, too. I keep him for a yard dog."

Ung kept his black eyes on me. His coa.r.s.e fur was grizzled gray. His forepaws clasped like hands under his shallow chin.

"Maybe I'd ought to fix us some supper while we talk," said Maltby Sanger.

"Don't bother," I said. "I'll be a-heading back directly."

"Hark at me," he said, sc.r.a.pier than ever. "There ain't no luck a-walking these here woods by night."

"There'll be a good moon."

"That there's the worst part. The moon shows ye to what's afoot in the woods. Eat here tonight and then sleep here."

"Well, all right." I leaned down and unbuckled my pack. "But let me fix the supper, since I came without bidding." I fetched out a little poke of meal, a big old can of sardines in tomatoes. "If I could have some water, Mr. Sanger."

"'Round here, there's water where I stay at."

He got off his rock, and I saw that he was dwarfed. His legs under that robe couldn't be much more than knees and feet. He wouldn't stand higher than my elbow.

"Come on, John," he said, and I picked up a tin pan and followed him round the house corner.

Betwixt two trees was built a little shackly hut, poles up and down and clay-daubed for walls, other poles laid up top and covered with twigs and gra.s.s for a roof. In front of it, in what light was left, flowed a spring. I filled my pan and started back.

"Is that all the water ye want?" he asked after me.

"Just to make us some pone. I've got two bottles of beer to drink."

"Beer," he said, like as if he loved the word.

He waddled back, a-picking up wood as he came. We piled twigs for me to light with a match, then put bigger pieces on top. I poured meal into the water in the pan and worked up a batter. Then I found a flat rock and rubbed it with ham rind and propped it close to the fire to pour the batter on. Afterward I opened the sardines and got my fork for Maltby Sanger and took my spoon for myself. When the top of the pone looked brown enough, I turned it over with my spoon and knife, and I dug out those bottles of beer and twisted off the caps.

We ate, squatted on two sides of the fire. Maltby Sanger appeared to enjoy the sardines and pone, and he gave some to Ung, who held chunks in his paws to eat. When we'd done, not a crumb was left. "I relished that," allowed Maltby Sanger.

It had turned full dark, and I was glad for the fire.

"Ye pick that guitar, John?" he inquired. "Why not pick it some right now?"

I tuned my silver strings and struck chords for an old song I recollected. One verse went like this:

We sang good songs that came out new, But now they're old amongst the young, And when we're gone, it's just a few Will know the songs that we have sung.

"I G.o.d and that's a true word," said Maltby Sanger when I finished. "Them old songs is a-dying like flies."

I hushed the silver strings with my palm. "I don't hear that owl hoot," I said.

"It ain't daytime no more," said Maltby Sanger.

"Hark at me, sir," I spoke up. "Why don't you tell me just what's a-happening here, or anyway a-trying to happen?"

He gave me one of his beady looks and sighed a tired-out sigh. "How'll I start in to tell ye?"

"Start in at the beginning."

"Ain't no beginning I know of. The business is as old as this here mountain itself."

"Then it's right old, Mr. Sanger," I said. "I've heard say these are the oldest mountains on all this earth.

They go back before Adam and Eve, before the first of living things. But here we've got a house, made with hands." I looked at the logs, the planks. "Some man's hands."

"John," he said, "that there's just a housefront, built up against the rock, and maybe not by no man's hands, no such thing. I reckon it was put there to tole folks in. But I been here all these years to warn folks off, the way I tried to warn ye." He looked at me, and so did Ung, next to him. "Till I seen ye was set in yore mind to stay, so I let ye."

I studied the open door hole, so dark inside. "Why should folks be toled in, Mr. Sanger?"

"I've thought on that, and come to reckon the mountain wants folks right into its heart or its belly." He sort of stared his words into me. "Science allows this here whole earth started out just a ball of fire. The outside cooled down. Water come in for the sea, and trees and living things got born onto the land. But they say the fire's still inside. And fire's got to have something to feed on."

I looked at our own fire. It was burning small and hot, but if it got loose it could eat up that whole woods. "You remind me of old history things," I said, "when G.o.ds had furnaces inside them and sacrifices were flung into them."

"Right, John," he nodded me. "Moloch's the name in the Bible, fifth chapter of Amos, and I likewise think somewheres in Acts."

"The name's Molech another place," I said. "Second Kings; Preacher Ricks had it for a text one time.

How King Joash ruled that no man would make his son or daughter pa.s.s through the fire to Molech. You reckon this place is some way like that?"

"Might could be this here place, and places like it in other lands, gave men the idee of fiery G.o.ds to burn up their children."

I hugged my guitar to me, for what comfort it could give. "You wouldn't tell me all this," I said, "if you wanted to fool me into the belly of the mountain."

"I don't wors.h.i.+p no such," he snapped. "I told ye, I'm here to keep folks from a-meddling into there and not come out no more. It was long years back when I come here to get away from outside things. I wasn't much good at a man's work, and folks laughed at how dwarfished-down I was."

"I don't laugh," I said.

"No, I see ye don't. But don't either pity me. I wouldn't like that no more than I'd like laughter."

"I don't either pity you, Mr. Sanger. I judge you play the man, the best you can, and n.o.body can do more than that."

He patted Ung's grizzled back. "I come here," he said again, "and I heard tell about this place from the old man who was here then. I allowed I'd take over from him if he wanted to leave, so he left. It wonders me if this sounds like a made-up tale to ye."

"No, sir, I hark at air word you speak."

"If ye reckon this here is just some common spot, look on them flowers at the window by ye."

It was a s.h.a.ggy bush in the firelight. There were blue flowers. But likewise pinky ones, the color of blood-drawn meat. And dead white ones, with dark spots in them, like eyes.

"Three different flowers on one bush," he said. "I don't reckon there's the like of that, nowheres else on this earth."