The Creed Of Violence Part 8

"You are?"

"Rawbone, Mr. Hecht."

"And the card means to me?"

"I saw Merrill two days ago outside El Paso. He told me to meet him here. Introduce myself to you. Said there might be some work for me with him."

"Two days? Where again?"

"A roadhouse near Fort Bliss. He was with a couple of gents."

The old man rubbed his lower lip with the tip of his finger. Was that worry or doubt in those fierce old eyes?

"How do you know James?"

Rawbone laughed. "You ever see that photo he carries in his wallet? Manila Harbor. The China. Him and members of his squad. The one on the far right is yours truly. 'Course I was younger." He winked. "And more brash."

He could see the old man was taking the trap. "Is Merrill back?" he asked.

"He is not."

"Oh," said Rawbone. He'd edged the word in disappointment. Then, with a hint of worry himself, said, "I thought he would be."

"I thought he would be, too."

The son watched the two men from the street. They might look like a curious pair, but stripped down, the son had a feeling they were brothers of necessity. The talking went on for a while, though it was mostly Rawbone, who seemed appropriately toned down and serious. The son-of-a-b.i.t.c.h even got to the point where he was showing Hecht the automatic he carried in his belt, the old man regarding it deferentially.

THE BOY FOUND Anthony Hecht easily enough. He had been working the Customs House rally with a gang of other boys, running to get buggies for tips, sprinting to the tobacconist or the saloon around the corner for beer and liquor.

"I was asked to deliver this to you, sir." He held out one of the ALLIANCE FOR PROGRESS fliers. It had been folded in half.

Rawbone watched as the old man read. The s.h.i.+ll was being applied to him alright, and hard. Hecht's eyes grew enormous and wild, and that but for an instant, otherwise the old man was as self-contained as a can of processed meat.

"Who asked you to deliver this?"

"A fella outside."

Hecht followed the boy as best he could, but he was already amongst the night crowd on the sidewalk when Hecht caught up with him.

"He was here," said the boy.

"Was he driving a truck?"

"No. He was standing here. And he pointed at you."

JOHN LOURDES WALKED back to the funeraria to wait. It was quiet when he arrived. Upstairs was an apartment. Panes of light emanated from the adobe walls where a hulking shadow leaned into the porch railing above. It was McMa.n.u.s. He called for John Lourdes to come upstairs.

The apartment was filthy. Wash hung from a line in an area by the stove. A near-hairless mongrel drank from drip puddles that had acc.u.mulated on the floor. There were reels of film everywhere. An old ratty couch was literally buried under them. McMa.n.u.s sat at a table strewn with beer bottles. He was rolling what looked to be a cigarette when he told John Lourdes to sit and steal himself a Single X.

Rolling that cigarette with just one hand, he was dexterous as some dancing fancy. "You were asking about the Alliance for Progress and Anthony Hecht." He licked the paper closed and pointed it at a reel of film lying on the table. "I've got something to runup on the projector. If you find it valuable, maybe you'll toss a little extra goodwill my way."

John Lourdes thumbed open the beer cap. "Why not." He drank. "It's not my goodwill I'll be handing out."

McMa.n.u.s raised his prosthesis with its oddly spread fingers. "There we go."

"You lose your arm in the war?"

McMa.n.u.s lit up, and when John Lourdes got a scent of that tobacco he knew what it was. McMa.n.u.s offered the young man a draw.

"I'll stick with the beer."

"Too bad Rawbone's not here. He's partial to the reefer. It's a little something we all picked up in Manila, besides the clap." McMa.n.u.s set the cigarette down on the edge of the table. He reached inside his stained s.h.i.+rt and pulled out a necklace. Resting in his palm was this enormous snow-white human front tooth, root and all.

"I got into a stupid fight with a stupider drunk. I hit him so hard his tooth embedded in the bone of my middle knuckle. Right to the root it went. The fool must have had rabies or something 'cause I got an infection and the arm had to come off. I wear it to remember-don't never do anything stupid."

He slipped the cigarette in his mouth and stood. He tucked the reel of film up under his arm. "Let's go see about some goodwill."

McMa.n.u.s threaded the projector in the dark. A charge of smoky light shot past where John Lourdes stood. Out of the dark a world opened. He was suddenly a traveler on the Gulf Coast of Mexico. From a sandy ridgetop a vast panorama of oil fields. Moments cut from one to the next-plumes of charred air rising from refineries, a legion of worker huts, a train moving off into a seared wasteland.

"These are newsreels President Diaz had filmed to show off the country. Prosperity and publicity. But mostly they're about him."

He held the cigarette near his nose and snorted in the smoke. "I like the world better in black and white. It seems closer to the soul of things that way. What say you, Mr. Lourdes?"

The scene s.h.i.+fted again. El Presidente in all his aging pomp and splendor was flanked by an array of dignitaries and businessmen and generals. He stood with hand on saber gesturing for the viewer to come and witness for himself a burgeoning world.

The camera cut from oil-soaked men at a huge derrick to an army of laborers constructing a pipeline to a tanker waiting at sea. The men smiled for the camera, but they were a poor, tired lot.

It was when the entourage with the president began to move that John Lourdes noticed Anthony Hecht. And who should be there just back and behind him?

The scene s.h.i.+fted again and John Lourdes asked, "Can you stop the film. And go back. Just, I saw someone."

The moment froze. The screen went white. McMa.n.u.s reeled back the film and as the scenes replayed John Lourdes stepped into the light and his arm's shadow reached out to point. "There's Anthony Hecht. Do you know him?"

"Only by name ... Alliance for Progress."

"And that man. Just behind him. Do you know him?"

"I do not."

"Ever seen him?"

"I have not. Who is it?"

"James Merrill."

In the film, Hecht leaned around and said something to Merrill, who nodded. As they moved past the camera, another man was revealed with Merrill.

Only this was no ordinary man. He had a nighthawk face that seemed at odds with his snowy white hair and mustache. He wore a gray suit and, in fact, was rather young. Somewhere in age between Rawbone and John Lourdes.

"I know the one with Merrill," said McMa.n.u.s. "The white-haired fellow."

John Lourdes studied the man on film. He walked with his hands folded behind his back. He was polished and erect and he moved with an economy of motion and gesture.

"He used to be a Texas Ranger. College-educated. Was.h.i.+ngton, or a place like that. Was a professor before. Doctor Stallings is how he's called."

The last of the film rattlesnaked through the sprockets. John Lourdes disappeared somewhere in that empty screen chasing yet what he did not know.

"The Ranger ... what does he do now?"

"Private security."

McMa.n.u.s turned off the projector. The room went dark.

Sometimes there is only the vague outline of a thing moving through an uncharted obscurity. What John Lourdes had suddenly was a sense of pure exhilaration he was hunting down a truth that would hold all this together. Yet, he also experienced a sense of pure dread. It seemed unremitting and without cause, but it was there.

When light from the doorway fell long upon that room John Lourdes saw he and McMa.n.u.s were not alone. The little man who'd been sleeping on the desk who Rawbone had roughed up entered and was carrying a shotgun. He made a wide berth around both men, keeping close to the wall. Where he was pointing those double black barrels was clear.

EIGHTEEN.

-MMANUEL, I'M GOING to relieve Mr. Lourdes of his weapon."

McMa.n.u.s eased around John Lourdes and with a meaty grip lifted the automatic with slow care. He then slid it down into his belt.

He went to the projector and picked up the cigarette and took another long hit of smoke and placed it back down. His eyes got watery and he grinned a bit. He began to rethread the film through the projector.

"We're gonna see this newsreel again and you'll explain about these people and what you're doing here and why there's a truckload of weapons in my garage."

"What you're doing is ill advised."

"Is it! Well ... I smoked this marijuana just to keep me eased up. 'Cause I'm p.r.o.ne ... that's why I told you the tooth story. Oh, and that notebook of yours. Put it on the bench there."

As he reached into his pocket, John Lourdes shot a cursory glance at Emmanuel that McMa.n.u.s caught. He finished threading the film, then walked over to the bench. He shook his head in coa.r.s.e disappointment over John Lourdes. He picked up the notebook and in the same breath of motion brought his prosthesis down like a bludgeon across the side of John Lourdes's head.

The force drove John Lourdes back over the bench and he hit the floor with a ferocious groan. The room and everything about it were pure liquid. He struggled over onto his shoulder and tried to rise. He saw he was leaving splotches of blood on the wood slats.

McMa.n.u.s set the notebook in the palm of his wooden hand and thumbed pages with the other. John Lourdes used a bench to get to his knees. Blood from a laceration at the corner of one eye left a dripping red track down the side of his face. McMa.n.u.s remained impa.s.sive, reading page after page, while Emmanuel stood watch by the wall with the shotgun bearing down on John Lourdes. He was trying to collect himself when from that downturned face the eyes of McMa.n.u.s rose and they were telling.

"I see BOI written down here everywhere."

"This has nothing to do with you."

He took the notebook with his good hand. His great chest slowly expanded. "A friend and me used to rob homes in San Francisco. I was watch; he was the window jockey. We robbed this woman once who was a piano player. This was her arm, that's why it's too short. And why the thumb and pinky," he held out the prosthesis, "are so spread apart. So she could hit the keys." He made like he was actually playing. "It was built by a gent in Northampton, England." He turned his wrist as if John Lourdes might like to see where it had been engraved. "It makes a fine club. But nothing compared to what I got here in my pocket."

He wedged the notebook between two prosthetic fingers. With his good hand he removed a short and s.h.i.+ny black billy stick. He slipped his hand through the rawhide strap. He started toward John Lourdes and let it hang down at his thigh so he could get a good look at it. Standing over him, McMa.n.u.s asked, "Does Rawbone know you're with the BOI?"

John Lourdes did not answer and the billy came down on his kidney. There was a blinding charge of pain up his back. He was asked again, and again his answer was silence. He was clinging to the bench with one elbow when he heard a whoosh of air. The next blow landed with flawless accuracy. A tide of bile came up into his mouth, but his mind was curiously clear.

"Does he know?"

John Lourdes's head hung down as he tried to wrench himself upright.

"Does he know?"

"Why don't you ask me yourself?"

Rawbone stood in the doorway with derby in hand, a burner of light behind his shadowed features.

"He's with the BOI," said McMa.n.u.s.

Rawbone entered the room, approaching so Emmanuel and that shotgun were always within his field of vision. He spoke directly to John Lourdes. "It looks like you didn't do as I told you back at the Mills Building. Where to keep those eyes."

The son picked up the leading tone in the father's voice and with a slight turn of body saw Rawbone had his pocket automatic concealed in the derby.

"Did you know he was with the BOI?"

"Of course, I knew."

"And you brought him into my life?"

"This has nothing to do with your life. And there was money for you in it."

"You lied to me about him."

"I thought it was the most practical solution, knowing you."

McMa.n.u.s flung the notebook at the father. It hit his face and landed on the wood floor near the son.

"You're a s.h.i.+ll now for the BOL"

John Lourdes reached for the notebook. He gripped the bench to stand. Rawbone helped to get him upright.

"That's right. Get him up, dust him off. You're a G.o.dd.a.m.n butler. A manservant."

The father looked the son over to see how bad the beating was. "By the way, Mr. Lourdes, you've had some luck tonight."

The son, at that moment, was not so sure.

"Your note. It had the effect on Mr. Hecht you wanted."

John Lourdes nodded and wiped at the blood that was running down his face and neck. "Pay your friend what it's worth. And let's get from here."

"What do you want?"

McMa.n.u.s turned his attention to Rawbone. "What have you become?"

"I'll need my gun back," said John Lourdes.