The Simple Art Of Murder Part 14

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Steve said harshly: "Yeah-and what were you doing all that time-manicuring your nails?"

"We weren't around when it happened. It took us a little time to find out the why of it."

Steve said: "So that was worth killing four people for, was it? And as for Dolores Chiozza, she wouldn't have wiped her feet on Leopardi-then, on any time since. But you had to put her in the middle too, with your rotten little revenge murder. You make me sick, George. Tell your big tough brother to get on with his murder party."

The big man grinned and said: "Nuff talk, George. See has he a gat-and don't get behind him or in front of him. This bean-shooter goes on through."

Steve stared at the big man's .45. His face was hard as white bone. There was a thin cold sneer on his lips and his eyes were cold and dank.



Millar moved softly in his fleece-lined slippers. He came around the end of the table and went close to Steve's side and reached out a hand to tap his pockets. He stepped back and pointed: "In there."

Steve said softly: "I must be nuts. I could have taken you then, George."

Gaff Talley banked: "Stand away from him."

He walked solidly across the room and put the big Colt against Steve's stomach hand. He reached up with his left hand and worked the Detective Special from the inside breast pocket. His eyes were sharp on Steve's eyes. He held Steve's gun out behind him. "Take this, George."

Millar took the gun and went over beyond the big table again and stood at the far corner of it. Gaff Talley backed away from Steve.

"You're through, wise guy," he said. "You got to know that. There's only two ways outa these mountains and we gotta have time. And maybe you didn't tell n.o.body. See?"

Steve stood like a rock, his face white, a twisted half-smile working at the corners of his lips. He stared hand at the big man's gun and his stare was faintly puzzled.

Millar said: "Does it have to be that way, Gaff?" His voice was a croak now, without tone, without its usual pleasant huskiness.

Steve turned his head a little and looked at Millar. "Sure it has, George. You're just a couple of cheap hoodlums after all. A couple of nasty-minded s.a.d.i.s.ts playing at being revengers of wronged girlhood. Hillbilly stuff. And right this minute you're practically cold meat-cold, rotten meat."

Gaff Talley laughed and c.o.c.ked the big revolver with his thumb. "Say your prayers, guy," he jeered.

Steve said grimly: "What makes you think you're going to b.u.mp me off with that thing? No sh.e.l.ls in it, strangler. Better try to take me the way you handle women-with your hands."

The big man's eyes flicked down, clouded. Then he roared with laughter. "Geez, the dust on that one must be a foot thick," he chuckled. "Watch."

He pointed the big gun at the floor and squeezed the trigger. The firing pin clicked dryly-on an empty chamber. The big man's face convulsed.

For a short moment n.o.body moved. Then Gaff turned slowly on the b.a.l.l.s of his feet and looked at his brother. He said almost gently: "You, George?"

Milar licked his lips and gulped. He had to move his mouth in and out before he could speak.

"Me. Gaff. I was standing by the window when Steve got out of his car down the road, I saw him go into the garage. I knew the car would still be warm. There's been enough killing, Gaff. Too much. So I took the sh.e.l.ls out of your gun."

Millar's thumb moved back the hammer on the Detective Special. Gaff's eyes bulged. He stared fascinated at the snubnosed gun. Then he lunged violently towards it, flailing with the empty Colt. Millar braced himself and stood very still and said dimly, like an old man: "Goodbye, Gaff."

The gun jumped three times in his small neat hand. Smoke curled lazily from its muzzle. A piece of burned log fell over in the fireplace.

Gaff Talley smiled queerly and stooped and stood perfectly still. The gun dropped at his feet. He put his big heavy hands against his stomach, said slowly, thickly: "'S all right, kid. 'S all night, I guess... I guess I..."

His voice trailed off and his legs began to twist under him. Steve took three long quick silent steps, and slammed Millar hard on the angle of the jaw. The big man was still falling-as slowly as a tree falls.

Millar spun across the room and crashed against the end wall and a blue-and-white plate fell off the plate-molding and broke. The gun sailed from his fingers. Steve dived for it and came up with it. Millar crouched and watched his brother.

Gaff Talley bent his head to the floor and braced his hands and then lay down quietly, on his stomach, like a man who was very tired. He made no sound of any kind.

Daylight showed at the windows, around the red gla.s.s-curtains. The piece of broken log smoked against the side of the hearth and the rest of the fine was a heap of soft gray ash with a glow at its heart.

Steve said dully: "You saved my life, George-or at least you saved a lot of shooting. I took the chance because what I wanted was evidence. Step over there to the desk and write it all out and sign it."

Millar said: "Is he dead?"

"He's dead, George. You killed him. Write that too."

Millar said quietly: "It's funny. I wanted to finish Leopardi myself, with my own hands, when he was at the top, when he had the farthest to fall. Just finish him and then take what came. But Gaff was the guy who wanted it done cute. Gaff, the tough mug who never had any education and never dodged a punch in his life, wanted to do it smart and figure angles. Well, maybe that's why he owned property, like that apartment house on Court Street that Jake Stoyanoff managed for him. I don't know how he got to Dolores Chiozza's maid. It doesn't matter much, does it?"

Steve said: "Go and write it. You were the one called Leopardi up and pretended to be the girl, huh?"

Millar said: "Yes. I'll write it all down, Steve. I'll sign it and then you'll let me go-just for an hour. Won't you, Steve? Just an hour's start. That's not much to ask of an old friend, is it, Steve?"

Millar smiled. It was a small, frail, ghostly smile. Steve bent beside the big sprawled man and felt his neck artery. He looked up, said: "Quite dead... Yes, you get an hour's start, George-if you write it all out."

Millar walked softly oven to a tall oak highboy desk, studded with tarnished bra.s.s nails. He opened the flap and sat down and reached for a pen. He unscrewed the top from a bottle of ink and began to write in his neat, clear accountant's handwriting.

Steve Grayce sat down in front of the fine and lit a cigarette and stared at the ashes. He held the gun with his left hand on his knee. Outside the cabin, binds began to sing. Inside there was no sound but the scratching pen.

NINE.

The sun was well up when Steve left the cabin, locked it up, walked down the steep path and along the narrow gravel road to his car. The garage was empty now. The gray sedan was gone. Smoke from another cabin floated lazily above the pines and oaks half a mile away. He started his car, drove it around a bend, past two old boxcars that had been converted into cabins, then on to a main road with a stripe down the middle and so up the hill to Crestline.

He parked on the main street before the Rim-of-the-World Inn, had a cup of coffee at the counter, then shut himself in a phone booth at the back of the empty lounge. He had the long distance operator get Jumbo Walters' number in Los Angeles, then called the owner of the Club Shalotte.

A voice said silkily: "This is Mr. Walters' residence."

"Steve Grayce. Put him on, if you please."

"One moment, please." A click, another voice, not so smooth and much harden. "Yeah?"

"Steve Grayce. I want to speak to Mr. Walters."

"Sorry. I don't seem to know you. It's a little early, amigo. What's your business?"

"Did he go to Miss Chiozza's place?"

"Oh." A pause. "The shamus. I get it. Hold the line, pal."

Another voice now-lazy, with the faintest colon of Irish in it. "You can talk, son. This is Walters."

"I'm Steve Grayce. I'm the man-"

"I know all about that, son. The lady is O.K., by the way. I think she's asleep upstairs. Go on."

"I'm at Crestline-top of the Arrowhead grade. Two men murdered Leopardi. One was George Millar, night auditor at the Carlton Hotel. The other his brother, an ex-fighter named Gaff Talley. Talley's dead-shot by his brother. Millar got away-but he left me a full confession signed, detailed, complete."

Walters said slowly: "You're a fast worker, son-unless you're just plain crazy. Better come in here fast. Why did they do it?"

"They had a sister."

Walters repeated quietly: "They had a sister... What about this fellow that got away? We don't want some hick sheriff on publicity-hungry county attorney to get ideas-"

Steve broke in quietly: "I don't think you'll have to worry about that, Mr. Walters. I think I know where he's gone."

He ate breakfast at the inn, not because he was hungry, but because he was weak. He got into his car again and started down the long smooth grade from Crestline to San Bernardino, a broad paved boulevard skirting the edge of a sheer drop into the deep valley. There were places where the road went close to the edge, white guard-fences alongside.

Two miles below Crestline was the place. The road made a sharp turn around a shoulder of the mountain. Cars were parked on the gravel off the pavement-several private cars, an official car, and a wrecking can. The white fence was broken through and men stood around the broken place looking down.

Eight hundred feet below, what was left of a gray sedan lay silent and crumpled in the morning suns.h.i.+ne.

PEARLS ARE A NUISANCE.

ONE.

It is quite true that I wasn't doing anything that morning except looking at a blank sheet of paper in my typewriter and thinking about writing a letter. It is also quite true that I don't have a great deal to do any morning. But that is no reason why I should have to go out hunting for old Mrs. Penruddock's pearl necklace. I don't happen to be a policeman.

It was Ellen Macintosh who called me up, which made a difference, of course. "How are you, darling?" she asked. "Busy?"

"Yes and no," I said. "Mostly no. I am very well. What is it now?"

"I don't think you love me, Walter. And anyway you ought to get some work to do. You have too much money. Somebody has stolen Mrs. Penruddock's pearls and I want you to find them."

"Possibly you think you have the police department on the line," I said coldly. "This is the residence of Walter Gage. Mr. Gage talking."

"Well, you can tell Mr. Gage from Miss Ellen Macintosh," she said, "that if he is not out here in half an hour, he will receive a small parcel by registered mail containing one diamond engagement ring."

"And a lot of good it did me," I said. "That old crow will live for another fifty years."

But she had already hung up so I put my hat on and went down and drove off in the Packard. It was a nice late April morning, if you cane for that sort of thing. Mrs. Penruddock lived on a wide quiet street in Carondelet Park. The house had probably looked exactly the same for the last fifty years, but that didn't make me any better pleased that Ellen Macintosh might live in it another fifty years, unless old Mrs. Penruddock died and didn't need a nurse any more. Mr. Penruddock had died a few years before, leaving no will, a thoroughly tangled-up estate, and a list of pensioners as long as a star boarder's arm.

I rang the front doorbell and the door was opened, not very soon, by a little old woman with a maid's ap.r.o.n and a strangled knot of gray hair on the top of her head. She looked at me as if she had never seen me before and didn't want to see me now.

"Miss Ellen Macintosh, please," I said. "Mr. Walter Gage calling."

She sniffed, turned without a word and we went back into the musty recesses of the house and came to a gla.s.sed-in porch full of wicker furniture and the smell of Egyptian tombs. She went away, with another sniff.

In a moment the door opened again and Ellen Macintosh came in. Maybe you don't like tall girls with honey-colored hair and skin like the first strawberry peach the grocer sneaks out of the box for himself. If you don't, I'm sorry for you.

"Darling, so you did come," she cried. "That was nice of you, Walter. Now sit down and I'll tell you all about it."

We sat down.

"Mrs. Penruddock's pearl necklace has been stolen, Walter."

"You told me that over the telephone. My temperature is still normal."

"If you will excuse a professional guess," she said, "it is probably subnormal-permanently. The pearls are a string of forty-nine matched pink ones which Mr. Penruddock gave to Mrs. Penruddock for her golden wedding present. She hardly even wore them lately, except perhaps on Christmas on when she had a couple of very old friends in to dinner and was well enough to sit up. And every Thanksgiving she gives a dinner to all the pensioners and friends and old employees Mr. Penruddock left on her hands, and she wore them then."

"You are getting your verb tenses a little mixed," I said, "but the general idea is clean. Go on."

"Well, Walter," Ellen said, with what some people call an arch look, "the pearls have been stolen. Yes, I know that is the third time I told you that, but there's a strange mystery about it. They were kept in a leather case in an old safe which was open half the time and which I should judge a strong man could open with his fingers even when it was locked. I had to go there for a paper this morning and I looked in at the pearls just to say h.e.l.lo-"

"I hope your idea in hanging on to Mrs. Penruddock has not been that she might leave you that necklace," I said stiffly. "Pearls are all very well for old people and fat blondes, but for tall willowy-"

"Oh shut up, darling," Ellen broke in. "I should certainly not have been waiting for these pearls-because they were false."

I swallowed hard and stared at her. "Well," I said, with a leer, "I have heard that old Penruddock pulled some cross-eyed rabbits out of the hat occasionally, but giving his own wife a string of phony pearls on her golden wedding gets my money."

"Oh, don't be such a fool, Walter! They were real enough then. The fact is Mrs. Penruddock sold them and had imitations made. One of her old friends, Mr. Lansing Gallemore of the Gallemore Jewelry Company, handled it all for her very quietly, because of course she didn't want anyone to know. And that is why the police have not been called in. You will will find them for her, won't you, Walter?" find them for her, won't you, Walter?"

"How? And what did she sell them for?"

"Because Mr. Penruddock died suddenly without making any provision for all these people he had been supporting. Then the depression came, and there was hardly any money at all. Only just enough to canny on the household and pay the servants, all of whom have been with Mrs. Penruddock so long that she would rather starve than let any of them go."

"That's different," I said. "I take my hat off to her. But how the d.i.c.kens am I going to find them, and what does it matter anyway-if they were false?"

"Well, the pearls-imitations, I mean-cost two hundred dollars and were specially made in Bohemia and it took several months and the way things are oven there now she might never be able to get another set of really good imitations. And she is terrified somebody will find out they were false, on that the thief will blackmail her, when he finds out they were false. You see, darling, I know who stole them."

I said, "Huh?" a word I very seldom use as I do not think it part of the vocabulary of a gentleman.

"The chauffeur we had here a few months, Walter-a horrid big brute named Henry Eichelberger. He left suddenly the day before yesterday, for no reason at all. n.o.body ever leaves Mrs. Penruddock. Her last chauffeur was a very old man and he died. But Henry Eichelberger left without a word and I'm sure he had stolen the pearls. He tried to kiss me once, Walter."

"Oh, he did," I said in a different voice. "Tried to kiss you, eh? Where is this big slab of meat, darling? Have you any idea at all? It seems hardly likely he would be hanging around on the street corner for me to punch his nose for him."

Ellen lowered her long silky eyelashes at me-and when she does that I go limp as a scrubwoman's back hair.

"He didn't run away. He must have known the pearls were false and that he was safe enough to blackmail Mrs. Penruddock. I called up the agency he came from and he has been back there and registered again for employment. But they said it was against their rules to give his address."

The Simple Art Of Murder Part 14

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The Simple Art Of Murder Part 14 summary

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