Blood Harvest Part 12

'OK, OK!'

He carried on up.

Harry walked forward until he was in the centre of the wide, dark s.p.a.ce. Three rows of ornate brick columns held up the vaulted ceiling. The floor was not the earth one he'd expected but was lined with old headstones like the church paths at ground level.

'Just incredible,' muttered Gareth at his side.

The two men walked on. A few yards ahead the wall to their right seemed to come to an abrupt halt and Harry's torch hit blackness. As the two men drew closer they realized an archway led through the wall. They could see nothing beyond.

'You first,' said Gareth.

'Wimp.'

Harry stepped through the black archway and shone his torch around. 'Well, I'll be ...' he began. The underground s.p.a.ce on the other side of the wall was even bigger than the church crypt.

'We're under the old church,' said Gareth, who'd followed close behind. 'Two churches, one ma.s.sive cellar.'

'I don't imagine storage s.p.a.ce is going to be a problem somehow,' said Harry, s.h.i.+ning his torch round to see arched and gated alcoves against the far wall. 'I don't think this was ever just a cellar. There's too much ornamentation. I think it was used for wors.h.i.+p. Can you hear water?'

'Yeah. Sounds a bit more than a burst pipe,' said Gareth. 'I think it's coming from over here.'

Gareth led the way; Harry followed, admiring the stonework around the walls, with its carvings of roses, leaves and insects. He saw a procession of carved stone pilgrims heading for a shrine. The flags beneath his feet were worn smooth. For hundreds of years monks had silently trod these stones. Ahead of him, Gareth had found the source of the water sounds.

'I have never seen anything like this,' he was saying.

Set into the furthest wall of the cellar was a ma.s.sive stone scallopsh.e.l.l. Water was streaming into it from a narrow pipe several inches above and then, almost like a decorative water feature in someone's garden, it poured over the sides of the sh.e.l.l and disappeared into a grille. Harry held out his hand and scooped up some of the water. It was freezing. He held it to his mouth, sniffed, then dipped in his tongue.

'Probably drinkable,' he said. 'Do you think this was some sort of ma.s.sive priest hole for the monks? When enemies came they fled down here. With their own water supply they could probably hole up for weeks.'

'There are several underground streams around here,' said Gareth. 'We had to watch out for them when we were putting the house foundations in. Maybe you can bottle it.'

'Heptonclough Spring,' said Harry, nodding. 'Has a ring to it.'

'So can we discuss this whole crypt-versus-cellar business?' said Gareth, who was s.h.i.+ning his torch into the nearest of the alcoves. 'Because I can't help thinking there are dead things yonder.'

Shapes loomed out of the fog and for a moment Tom slowed down. Then he realized there had been buildings here at one time. He was looking at their ruins.

'Tom, stop now!'

She meant it this time. There was no mistaking that particular tone and volume. He waited until his mother and Millie had caught up. Both looked tired.

The previous night, when his mother had come racing from her studio, smelling of paint and strong coffee, to find her eldest son crouched terrified behind his bedroom door, Tom had been convinced the little girl was still somewhere in the house. He'd refused to go back to bed until everywhere absolutely every possible hiding place had been searched.

Joe, the lying toe-rag, had refused to back him up, to admit that he too had seen the girl, had even spoken to her. Joe had just opened his eyes until they were as wide as saucers and shaken his head.

'Thank you,' said his mum. 'Now can we all stay together, please? No one is going out of my sight in this fog. OK, I think it's this way.'

With Millie on one hip, Alice set off and the boys trailed behind. Tom kept his eyes on the ground. If Joe said anything to wind him up he would land him one.

They reached the edge of a copse of trees just as the fog seemed to lift a little. A carpet of beech leaves lay before them. The trees were old and ma.s.sive. Tom and his family stepped forward until they were in amongst them. The tiny cottage, straight out of a fairy tale, appeared before them.

Harry and Gareth were standing beside a small, stone-lined alcove. The entrance was covered in intricate ironwork and the gate was locked.

'Don't have the key to that one,' said Harry.

'Really not a problem, mate,' replied Gareth, shaking his head.

Beyond the ironwork the two men could see four carved stone coffins, set on shelves on either side of the alcove. p.r.o.ne statues of men in clerical robes lay on each of them. The name Thomas Barwick was inscribed on the first. He'd been abbot in the year 1346. The writing on the other coffins was too worn for Harry to make it out. The men started walking back down the length of the cellar, s.h.i.+ning their torches into each locked alcove they pa.s.sed. They stopped at the last. Beyond the stone coffins, set into the far wall, was a wooden door.

'Where do you think that leads?' said Gareth. 'I've completely lost my bearings.'

Harry shrugged. He had too. 'There are some old keys in the desk in the vestry,' he said. 'Shoved to the back of one of the drawers.'

'Another day, perhaps,' said Gareth.

'I can't believe no one told me this was here,' said Harry. 'Its historical significance could be huge. There'll be coach parties visiting.'

'Maybe that's why it's been kept so quiet,' suggested Gareth. 'Does your churchwarden strike you as the sort of man who wants his town turned into a tourist attraction?'

'He doesn't own the whole town,' said Harry, annoyed. Abbots from hundreds of years ago could be interred in this very s.p.a.ce. It was an incredible find.

'Just most of it.'

'Yeah, well he doesn't own the church. And he certainly doesn't own this.'

'Red Riding Hood's house,' said Tom, forgetting that he was sulking.

'Red Riding Hood's grandmother's house,' corrected his mother, as Millie toddled up to the cottage's front door.

Unlike the ruined buildings they'd just pa.s.sed, the cottage seemed solid and in good repair. The walls were intact, the roof looked sound, the front door firm on its hinges. There were even two windows, with shutters pulled tight. And a chimney.

Alice reached out and tried the door handle. Locked. She turned back to her children and shrugged. 'Guess Grandmother's not home,' she said. 'I think this must be the cottage Jenny told us about. The one she and her sister used to play in.'

Tom s.h.i.+vered. He glanced at Joe, who was looking down at the ground, as though he had no interest in the cottage. A sudden thought struck Tom. What if this cottage was where the girl lived?

'Let's go,' he announced. Alice nodded and the family walked on until they came to the Tor.

'Can we climb up, Mum?' asked Joe.

'Absolutely not,' replied Alice. 'In this fog and without your father, this is as far as we're going.'

Tom was staring up at the ma.s.sive pile of rocks that disappeared into cloud. There was something about the way they towered over him that made him feel nervous. And he certainly didn't like looking up, the way his mum and Joe and even Millie were doing. Turning away, he cried out before he could stop himself.

'What's the matter?' called Alice, spinning round.

'There's someone over there,' said Tom. 'In the trees. Someone watching us.'

Alice frowned and screwed up her eyes. Then she looked quickly from right to left. 'I can't see anything,' she said. 'Just trees.'

Tom moved closer to his mother. A tall, thin figure had been standing amongst the trees, watching. Once spotted, it had moved, fading back into the fog. Tom turned to glare at Joe, then stopped himself. It hadn't really looked the right shape or height to be the girl.

'Come on,' said Alice. 'We should get back. I don't think this fog is going to lift. Quick as we can, everyone.' Hoisting Millie on to her hip again, she set off towards the trees. Then she stopped. 'There is is someone there,' she said in a quiet voice. 'Hold on a sec, Joe.' someone there,' she said in a quiet voice. 'Hold on a sec, Joe.'

Tom felt a lump forming in his chest. He couldn't see anything, or at least ... his mother was reaching into her pocket. She brought out her mobile and looked at the screen. Then she pressed some keys and held it to her ear.

'Who are you phoning?' said Tom.

'Daddy,' replied Alice, before shaking her head. 'He must still be underground.'

She looked behind them once more and then set off again, heading downhill. First Joe and then Tom followed. Neither of them spoke. Every few steps Alice slowed down and looked back. After a few seconds Tom found himself doing the same thing. Just grey cloud behind. Already the Tor had disappeared.

After a few minutes, they reached the copse. The trees seemed to Tom to have grown taller since the family had last walked past them. He moved closer to his mother and realized Joe had done the same thing. No one seemed to want to speak. Even Millie was unusually silent. Alice hadn't put her mobile away. She glanced at it again and Tom could see her thumb hovering over one of the keys. It looked as if his mother was getting ready to press 9.

'Mummy, I'm scared,' said Joe in a small voice.

'There's nothing to be scared of, sweetheart,' replied his mother quickly, in a voice that seemed a bit shriller than normal. 'We'll be home in ten minutes.'

She set off again, more slowly this time, one step in front of the other. When Tom looked up he could see her eyes darting from side to side. They were in the midst of the trees now. Everywhere they turned, dark shadows surrounded them.

'Tom, poppet,' said Alice, without looking at him. 'If I were to tell you to, could you take Joe's hand and run as fast as you possibly can down the hill and find Daddy?'

'Why?' said Tom.

'He's probably still in the church,' said Alice. 'Maybe at home. Could you find him and tell him where we are?'

'What about you and Millie?'

'I'll look after Millie. I just know how fast you are. I know you and Joe could get home really quickly. Can you do that for me, angel?'

Tom wasn't sure. Run in the fog and leave his mother behind? They were almost through the trees now. The mist wasn't quite so thick lower down the moor. The outlines of Heptonclough's buildings were starting to appear. They could see further down the hill.

'Oh, for heaven's sake,' said Alice, stopping and closing her eyes. 'Oh, for heaven's sake, Tom, you scared the life out of me.'

Tom looked at his mother. She didn't look cross, she looked hugely relieved. He turned his head down the hill to see a figure a hundred yards or so away from them.

'It's Gillian,' she said. 'Out for one of her walks. Fancy being scared of Gillian.'

29.

8 October 'EVI, IT IT'S STEVE. STEVE. IS IS THIS THIS A A GOOD GOOD TIME? TIME?'

Evi looked at her watch. She was on her way to a children's home, to have her first meeting with a child who hadn't spoken in the ten days since the police had used their special powers under the Children Act to remove him from his home. It was a ten-minute journey. Ten minutes either side of that to get herself in and out of the car. But her supervisor had rung on her mobile. She could talk on the move.

'It's fine,' she said, gathering up her notepad and several pencils from the desk. 'I have a couple of minutes. Thanks for getting back.'

'Well, sorry it took so long, but we've been away. I only got back to the office this morning.'

'Anywhere nice?' Why did pencils permanently need sharpening? She leaned against the desk and fumbled in the drawer.

'Antigua. And yes, it was very nice. Now, this email of yours.'

'Any thoughts?' She'd found the sharpener. But holding the phone against her ear with her shoulder was going to play havoc with her back.

'You say the patient is making progress?' She could hear Steve sipping his usual strong black coffee.

'On the surface, yes,' said Evi. Two pencils sharpened, that would have to be enough. 'She's managing to curtail the drinking, the medication I've prescribed is working well, she's started to talk about the future.' OK, writing stuff, phone yes, she had that what the h.e.l.l had she done with the car keys?

'So what's the problem?'

'I just can't help feeling there's something she's not telling me,' said Evi. Her car keys were in her coat pocket. They were always in her coat pocket. 'She's very reluctant to talk about her early life, the death of her father, the appearance of a stepfather. There are times when it's as though a curtain comes down. Subject off limits.'

'You've not been seeing her that long, have you?'

'No, only a few weeks,' said Evi, wondering if she could get her coat on without falling over. 'And I know these things can take time. It's just that the Megan Connor business struck me as being quite a coincidence. I can't help thinking it would have had an impact.'

'You're probably right. But I'd wait for her to bring it up. Let her talk about what she's happy to talk about. You're still right at the start of treatment. There's plenty of time.'

'I know. I thought that myself. Just needed you to confirm it.' The coat was on, just. Evi hung her bag from the bespoke hook on her wheelchair and checked that her stick was in its place along the back. She sank down, still gripping the phone between her shoulder and her ear.

'That's my girl,' said Steve. 'I tell you what, though, I remember the Megan case well.'

'Oh?' Evi's office door had been hung to swing outwards when she pushed it with her foot.

'Yeah, a colleague of mine took a very close interest. He was doing some work on the effects of disasters on small communities.'

'How do you mean?' asked Evi, setting off along the corridor.

'When a community suffers an out-of-the-ordinary loss, its impact can be felt for quite some time,' said Steve. 'The place gets a slightly grim reputation with the outside world and that can start to affect how people there think and behave. He wrote a paper on the subject, it looked at places like Hungerford, Dunblane, Lockerbie, Aberfan. I'll try and dig it out for you.'

Evi turned the corner and nearly ran into a group of three colleagues chatting in the corridor. They stepped aside and she nodded her thanks. 'The BMJ BMJ did a piece on it too, not long ago,' Steve was saying. 'After a disaster, up to 50 per cent of the population can suffer from mental distress. The prevalence of mild or moderate disorders can double. Even severe disorders like psychosis increase.' did a piece on it too, not long ago,' Steve was saying. 'After a disaster, up to 50 per cent of the population can suffer from mental distress. The prevalence of mild or moderate disorders can double. Even severe disorders like psychosis increase.'

'But you're talking about major disasters, surely? Earthquakes, airplanes coming down, chemical plants exploding. Severe loss of life.' Evi pa.s.sed a woman and child in the corridor, then a porter.

'True, and I'm not trying to suggest that a couple of dead children can compare in any real way. But the Megan case was very high-profile. You should still expect there to be an impact on the community's mental health. On some level the people up there will feel responsible. They'll feel tainted.'

'So what happened previously could, albeit subconsciously, be affecting my patient's recovery?'

'I wouldn't be in the least bit surprised. You might want to find out more about what actually happened when your patient's daughter died. Read some old newspapers, talk to the GP in question. It'll give you a point of reference. You can compare what she's telling you with what you know about the facts. See if there are any discrepancies. You mustn't be confrontational, of course, but sometimes we learn more from what our patients don't tell us than from what they do. Make any sort of sense?'

Evi had reached the main door of the hospital. Some idiot had left a pile of packing crates at the top of the disabled ramp. 'Yes, it does,' she said, glaring at the crates. 'Thanks, Steve. I'm going to have to go now. I have to give somebody a serious b.o.l.l.o.c.king.'