The James Deans Part 1

THE JAMES.

DEANS.

by Reed Farrel Coleman.

FOREWORD.

by Michael Connelly.

The request came in the way most of them do. Email. It was simple enough; would I be willing to write a foreword for a book about to be republished. The request was from a bookseller and publisher I admire and the book happened to be one I had already read and even liked quite a bit. So this was a no-brainer. I could knock off a 500-word appreciation in an hour tops and everybody would be happy. I quickly answered yes.

The book is called The James Deans and it was written by Reed Farrel Coleman (I thought only serial killers were publicly known by all three names). It was originally published a few years back to wide acclaim and subsequent award notices. So far so good. I read it back then, liked it, enjoyed it and then put it on the shelf. When David Thompson dropped me a line to ask for a new foreword I said no problem. I would reread the book and go right to work.

So here's the rub. In rereading the book I relearned why I liked it so much and why it absolutely deserves this second tour of duty. The problem is that I liked the book mostly for its ending and the risk the author took in arriving there. How do I write about the end of a book at the beginning of it? I mean, sure the voice of private eye Moses Prager is purely original in a world where you rarely find that. And yes the book's evocation of New York neighborhoods-rich and poor-have that you-know-it-when-you-see-it feel of the truth about them. The story is solid and full of what I call the right stuff-the seamless integration of the protagonist with the case and the world around him. This book has it in spades. It's not really a story about a missing persons case. It's about Moe Prager, and I'm here to tell you that it takes an expert hand to pull that off in the way Reed Farrel Coleman does.

But it's the end of the story where this book and Coleman s.h.i.+ne brightest. So here's the deal. Stop reading this foreword here. Right now. Go on and read the book and enjoy the story. Then check back here after. I will have more to say upon your return.

I mean it. Go! I will put in a convenient s.p.a.ce below this line so you will know just where to pick this up after you're finished the book. Enjoy the read and we'll talk soon.

Okay, so you're back. Good read, huh? Let's talk about the ending and I will try not to give too much away because most of you probably can't be trusted. You act like you went off and read the book, but I wonder.

So, what can you say about an author so daring that he would kill his own protagonist on the last page?

See? I got you! Now go read the G.o.dd.a.m.n book. Get out of here and come back after. I mean it.

That's better. I'm glad you have read the full book. Now we can talk about it. Let me start by talking about writing and the writer. There are no hard and fast rules when it comes to writing. You can do whatever you want and n.o.body is going to stop you. You might have an editor or an agent make suggestions about something or have opinions, but at the end of the day it's all on the writer. You make your choices based on instinct and experience. And you live or die with the results.

Now, we're talking about crime fiction here. In fact, what is a more intrinsic form of crime fiction than the private eye novel? It's the cla.s.sic form of the entire genre. And with that form come expectations. Not rules, but expectations. Expectations that justice will be served, that good triumphs over evil and loose details are tied up in bows in the end. Perhaps, the highest expectation of all is the idea that a bad man will pay for his crime.

That's not what happens here. What happens is that Reed Farrel Coleman turns the cla.s.sic expectations upside down and in doing so creates his own cla.s.sic. Call it an anti-cla.s.sic. Call it gray fiction, a story caught between black and white.

To be sure, Moe Prager succeeds in figuring out the essential mystery. He knows what happened to the missing person even if he doesn't find her. He even figures out the essential manipulation of the case. His own manipulation. But it is a testament to the author that he broke free of expectations and common form to write his own unique tale. I once said that Moe Prager was my kind of private eye. I should add to that at this point and say Reed Farrel Coleman is my kind of author.

Michael Connelly.

Los Angeles.

October 2008.

for Rosanne.

ACKNOWLEDGMENTS.

I'd like to thank David and McKenna and my friends the Schares, but none of it would be worth anything without Rosanne, Kaitlin, and Dylan.

Chapter One.

THE RECEPTION WAS at the Lonesome Piper Country Club. The piper was so lonely because no one could afford the members.h.i.+p dues. Situated on a twenty-four-karat parcel of Long Island's Gold Coast, the clubhouse, the former manse of a railroad robber baron, sat on a tree-lined bluff overlooking the Sound and Connecticut beyond. One peek at the place and you immediately understood why Old New York money had claimed this piece of the island as its enclave.

I had to admit that even if the marriage didn't last the honeymoon, Craig and Constance would have a h.e.l.l of a wedding alb.u.m. As the photographer clicked away-"That's right. That's right. Groom, turn a little more to your left. Good. Smile. Perfect. Perfect. Hold it. Just one more ..."-I couldn't help but be curious how Aaron and I had wound up on the guest list. Considering the social status of our fellow invitees, my brother and I had a lot more in common with the help.

Constance had worked for us for about six months while she was finis.h.i.+ng up at Juilliard. That was over a year ago, and it wasn't like she was employee of the century or anything. True, we liked her well enough, as did our customers, but we never fooled ourselves that she'd stay on. Constance was a wealthy, handsome, and talented young woman who was more playing at work than working. It was as if she were fulfilling some sort of missionary obligation to teach the children of the Third World how to read.

Frankly, I didn't care why we were invited. All I knew was that Katy, my wife, was in better spirits today. Smiling, even dancing with me a little, she seemed almost her old self. She had taken time with her makeup, fussed with her hair, worn a dress that accentuated her curves. She had kissed me hard on the mouth for the first time in months, making a show of wiping her lipstick off my lips with her fingers. It was as if she had awoken from a coma.

"Excuse me, sir," a red-jacketed waiter said, just touching my shoulder. "Mr. Geary, the bride's father, would like a word. He's waiting for you in the East Egg Room."

It wasn't up for discussion, and I was curious anyway.

The East Egg Room was a private s.p.a.ce on the other side of the clubhouse, away from the dining area and close to the men's locker room. It was all walnut paneling, green gla.s.s ashtrays, and nailhead chairs, and smelled like the ghosts of my father's cigars. This was the place where members played poker, drank scotch or cognac, made private deals. Mr. Geary smiled at my entrance, but with proper restraint. Six feet tall and square shouldered, he was a man of sixty with the weathered good looks of a cowboy. A cowboy with a North Sh.o.r.e dentist and a personal trainer. He looked perfectly at ease in his surroundings and gray morning coat.

"Mr. Prager," Geary said, offering me his firm hand. "A pleasure to meet you. Connie tells me you and your brother treated her very well during the time of her employment. I trust you and Mrs. Prager are enjoying yourselves."

"Very much so. Thank you."

He cleared his throat. The prepared text or pretext out of the way, he was ready to move on to the real business of the day.

"Do you know Steven Brightman?" my host asked, picking up his Manhattan off a green-felt-covered card table.

"Should I?"

"Come, take a stroll with me, Mr. Prager."

We stepped through the pro shop, toward the practice putting green and along the driving range. Several of the members nodded to Geary; a few took a moment to congratulate him. They regarded me with suspicion, some scowling as if I were one rung up the evolutionary ladder from silverfish.

"Do you follow politics, Moe? May I call you Moe?"

"No and yes. I'm an ex-cop, Mr. Geary. Cops don't have much use for politicians, though politicians got lots of uses for cops. None of 'em any good as far as I can tell. And yeah, you can call me Moe."

"Though I sometimes find them as distasteful as you do, a man in my position inevitably makes the acquaintance of several politicians."

"No doubt."

He pointed out to the first-hole tee box. "Do you play?"

"Some. Brooklyn isn't exactly a hotbed of great golfers."

"You know why they call it golf?"

"Because all the other four-letter words are taken."

"Exactly."

I suppose he thought telling me the oldest golf joke on earth was meant to show he was just a regular Joe, that we weren't really that different, he and I, in spite of minor details like wealth, religion, breeding, schooling, and career. Did he have a career? I wondered what he had time for besides being rich.

"You should play more, you know," he continued. "It's a real thinking man's game. Chess with sticks is how I view it. The uninitiated believe ball striking is the talent, but it's the ability to manage the course, to think your way around it, that makes a good golfer."

There was a message for me in there somewhere.

"No offense, Mr. Geary, but what's this-"

"A young woman named Moira Heaton, the daughter of an ex-policeman like yourself, was working as an intern for a state senator. She left his office on Thanksgiving Eve 1981 and never made it home. She's been missing ever since. Not a dissimilar story to that of your brother-in-law, Patrick."

"Do you research all your wedding guests this thoroughly?"

He laughed, but not loudly enough to disturb anyone's backswing. "No, Moe, not all my guests."

"This is where I guess that the missing girl worked for Brightman and that you think I can help find her, right?"

"Actually, Moe, I was hoping you would have heard of this and saved me the trouble of the background details. Short of that, yes, I think you might be able to help."

"Sorry, Mr. Geary, I really appreciate having been invited here and I have had a good time, but I-"

He shushed me politely. "Moe, a wise man listens before making up his mind, and all I'm asking is that you consider taking this on. If, when all is said and done, you choose not to get involved, then we'll shake hands and part amicably."

This guy was good. Never had the promise of a friendly handshake sounded so much like a threat.

"Let me think about it, okay?" I parried. "At the moment I'd like to head back to the reception and dance with my wife a little."

"Absolutely. Pardon my taking you away from her. Convey my apologies, won't you?"

"I will. Again, congratulations."

When I got back to the reception, things had changed, and not for the better. Aaron was pacing a rut in the cart path outside the pro shop.

"Where the f.u.c.k have you been?"

"Getting a lecture on philosophy and the art of golf. Why?"

His lips turned down, anger changing to sadness. "It's Katy."

"What's Katy? What happened?"

"After you left, I was dancing with Cindy."

This was remarkable in itself. Aaron and my sister-in-law danced about as often as Siamese cats went scuba diving.

"Yeah, you were dancing and ..."

"One of Constance's cousins walked by our table carrying her newborn, and Katy asked if she could hold the baby."

"Oh, for chrissakes! She was happy today. Where is she?"

Aaron shrugged. "Still in the bathroom with Cindy."

Needless to say, my presence was less than welcomed in the ladies' room. Anyone who could flee did so at the sound of my voice. Only the attendant, a wrinkled old black woman in pink polyester and a silly frilled hat, protested. I chucked a twenty in her tip basket and her squawking came to an abrupt end. I nodded for Cindy to wait outside.

"Just tell everyone the toilets are flooding."

Guilty, wounded, Katy couldn't look at me. She angled her legs and chin toward the stall wall, her chest heaving as she tried to suppress her tears. I knelt down in front of her and held her hand. Her face was a mask of trembling embarra.s.sment.

"It's okay, kiddo. You've gotta stop punis.h.i.+ng yourself like this. You didn't do anything wrong."

A month, two months ago, these words would have been magic. Abracadabra! Presto chango! She would have stopped crying immediately, for I would have pushed her rage b.u.t.ton. First she'd aimed her accusing finger at G.o.d, then at herself, then me. Initially, I hadn't minded. I'd almost welcomed it in a martyrly fas.h.i.+on: if it helped Katy, I could take it. But eventually it left us both exhausted and bruised. No, the rage was gone, and in its place were only guilt and pain.

Our baby was dead. Had it been someone else's, someone I'd read about in the paper, I suppose I could have retreated into the comfort of cold philosophy. I could have played the semantics game. Was it really a baby at five months? A fetus? What? At least we still had Sarah. At least we had been spared the trauma our friends Cisco and Sheila had been forced to endure. Their son had been stillborn. What's worse, when Sheila's labor was induced, they knew their son was dead. Of course I'd been philosophical about it, spouting the usual bulls.h.i.+t about how it was better this way. What way was that? Better for whom, exactly? We haven't seen Cisco and Sheila for over a year now.

I realized I'd been punis.h.i.+ng myself, the way Katy had punished herself, the way she punished me. In spite of my Jewishness, I know only the guilty deserve to be punished, and even then, not always. Given the randomness of things, it's a miracle any of us get born at all. But that knowledge doesn't stop my mother's words from ringing in my ears: When things are good, watch out! In the world of her creation, we were always one breath short of disaster, one nightfall away from the sun's refusal to s.h.i.+ne. My mom lacked perspective. Now I had all the perspective I could stand.

"Life is hard for us all." That's what my friend Israel Roth says. "It's not a contest of whose life is worse. When the Gettys are sad, their misery is as real as mine or yours. Money is a retreat, not a fortress. Maybe I understand your mother, may she rest in peace, a little bit different than you. Life changes a person. Maybe she would regret some of her ways, take some things back. But she's gone and nothing can change the dead. Just say Kaddish and move on."

Mr. Roth, unlike me, has earned the right to be philosophical about death. The n.a.z.i tattoo on his forearm says so.

Still, things had been good. Katy's design business was taking off. Sarah-the smartest, most beautiful child on earth-was being two with a vengeance, but that was as it should be. City on the Vine and Bordeaux in Brooklyn, the wine shops Aaron and I owned, were booming. I had my doubts about Reaganomics, but the money seemed to be trickling down at least as far as our cash registers. What did I know about economics anyway? I voted for Jimmy Carter. Twice!

So, like I said, things had been good, were good. I wasn't even particularly itchy anymore. I'd worked my one case as a private investigator and gotten the notion out of my system. Besides, all I'd got for my trouble was bruised kidneys and a trunk full of other people's secrets. Who needed the grief? I had enough of my own. So I put my license back in the sock drawer with the rest of my dreams. Even the dust bunnies thought my license was a bit of a farce, a frightened man's conceit, a hedge against the ifs in life. Then we had the miscarriage. There are no hedges.