The Doll Part 1

The Doll.

THE LOST SHORT STORIES.

Daphne du Maurier.

Contents.

East Wind.

The Doll.

And Now to G.o.d the Father A Difference in Temperament Frustration Piccadilly.

Tame Cat Mazie Nothing Hurts for Long Week-End.

The Happy Valley And His Letters Grew Colder The Limpet.

Acknowledgments.

East Wind.

Nearly a hundred miles west of the Scillies, far from the main track of s.h.i.+ps, lies the small, rocky island of St Hilda's. Only a few miles square, it is a barren, rugged place, with great jagged cliffs that run steep into deep water. The harbour is hardly more than a creek, and the entrance like a black hole cut out of the rock. The island rises out of the sea a queer, misshapen crag, splendid in its desolation, with a grey face lifted to the four winds. It might have been thrown up from the depths of the Atlantic in a moment of great unrest, and set there, a small defiant piece of land, to withstand forever the anger of the sea. Over a century ago few knew of its existence, and the many sailors who saw its black outline on the horizon imagined it to be little more than a solitary rock, standing like a sentinel in mid-ocean.

The population of St Hilda's has never exceeded seventy, and the people are descendants of the original settlers from the Scillies and Western Ireland. Their only means of livelihood used to be the catching of fish and the cultivation of the soil. Today things are greatly changed, owing to the monthly call of a coastal steamer, and the installation of wireless. But in the middle half of the last century, years would sometimes pa.s.s without communication with the mainland, and the people had degenerated into quiet, listless folk, the inevitable result of intermarriage. There were no books then, no papers, and even the small chapel that had been built by the original settlers had fallen into disuse. Year in, year out, the life remained unchanged, with never a new face or a fresh thought to break the monotony of the days. Sometimes, on the horizon, the faint glimmer of a sail would be seen, and the people would gaze with wonder in their eyes, but slowly the sail would become a far-off speck, and the unknown s.h.i.+p pa.s.s into oblivion.

They were peaceable folk, these natives of St Hilda's, born to a quiet, untroubled existence as monotonous as the waves that broke against their sh.o.r.es. They knew nothing of the world beyond the island, they saw no more momentous happenings than birth and death and the changes of the seasons. Their lives were untouched by great emotions, by great sorrows; their desires had never been lit, but lay imprisoned within their souls. They lived blindly, happily, like children, content to grope in the dark and never to search for the something that lay beyond their darkness. Some inner sense warned them that in their ignorance dwelt security, a happiness that was never wild, never triumphant, but peaceful and silent. They walked with their eyes to the ground; they had become weary of looking upon a sea where no s.h.i.+p came, of lifting their faces to a sky that seldom changed.

Summer and winter pa.s.sed, children grew into men and women there was no more in life than these things. Far away lay the other lands dwelt in by strange people, where the life was said to be hard and men had to fight for their existence. Sometimes an islander would sail away, shaping his course for the mainland and promising to return with news of the rest of the world. Perhaps he was drowned, or picked up by some pa.s.sing s.h.i.+p; no one could say, for he never came back. No one who left the island returned. Even the few s.h.i.+ps that so rarely visited St Hilda's came once only, and pa.s.sed not again.

It was almost as if there were no such place, as if the island were a dream, a phantom creation of a sailor's brain, something rising out of the sea at midnight as a challenge to reality, then vanis.h.i.+ng in surf and mist to be forgotten, to be half-consciously remembered years later, flickering for a bewildered second in a dusty brain as a dead thought. Yet to the people of St Hilda's the island was reality, the s.h.i.+ps that came and went were their phantoms.

There was only the island. Beyond it lay the ghostly, the intangible; the truth was in the seared rock, in the touch of the soil, in the sound of the waves breaking against the cliffs. This was the belief of the humble fisherfolk, and they cast their nets during the day, and gossiped over the harbour wall at evening with never a thought of the lands across the sea. At dawn the men set off to fish, and when their nets were filled they would return to the island and climb the steep path that led to the fields, to work with stolid patience at the soil.

The group of cottages was cl.u.s.tered together at the water's edge, with seldom more than two rooms to contain an entire family. Here the women bent over their fires, cooked, and darned their men's clothes, talking peacefully from dawn till dusk.

One cottage stood apart from the others, built high on the cliff and looking down upon the creek. Today only the site remains, and instead of a cottage stands the ugly wireless station; but sixty years ago this was the home of the chief fisherman of St Hilda's. Here Guthrie dwelt with his wife Jane, living as children, content in each other, unmindful of desire, ignorant of distress.

Guthrie stood on the cliffs at twilight, watching the sea. Below him in the harbour the fis.h.i.+ng boats rocked, moored for the night. The men gossiped over the harbour wall and the sound of their voices rose to him, mingled with the thin cries of children. The little quay was slippery with spray and blood and the scales of dead fish. The smoke curled from the chimneys, a thin blue column, twisting and turning in the air. From the door of his cottage came Jane, her hands to her eyes, searching for him. 'Come away down!' she called. 'The supper's been ready an hour since. Ye'll find un spoilt, as likely as not.' He waved his arm and turned, pausing to glance at the horizon for the last time. The sky was speckled with white loose-flocked clouds, and the sea, changing from the oily smoothness of the day, was running past the harbour in a low swell. Already there was a wash upon the rocks, at the eastward entrance. A soft humming sound came to his ears, as the sea gathered force, and a cool breeze played with his hair. He ran down the hill to the village, and cried to the fishermen who were standing by the wall.

''Tis the East Wind startin',' he told them. 'Can't ye see the sky like a fish's tail, and the big lumpin' sea awash on the rocks? Before midnight there'll be a gale to blow your heads off, and the sea angrier than the devil himself. Look to the boats.'

The harbour was sheltered from the wind, yet the vessels were moored securely fore and aft to prevent the possibility of their breaking adrift.

After he had seen that everything was safe for the night, Guthrie climbed the path to his cottage on the cliff. He ate his supper in silence. He felt restless and excited; the quiet atmosphere of the cottage seemed to oppress him. He tried to occupy himself in mending a hole in one of his nets, but he could not give his mind to the task. The net slipped from his hands; he turned his head and listened. It seemed as if a cry had risen out of the night. Yet there was nothing, only the low hum of the wind, and the sound of surf breaking upon the rocks. He sighed and gazed into the fire, oddly disturbed, his soul heavy within him.

In the bedroom, with her head by the window, Jane knelt, listening to the sea. Her heart beat strangely, her hands trembled, she wanted to creep from the cottage and run onto the cliffs where she would feel the true force of the wind. It would strike upon her breast and sweep the hair from her face, she would hear the singing of it in her ears, she would smell the salt tang of the spray as it stung her lips and her eyes. The longing came upon her to laugh with the wind, to cry with the sea, to open wide her arms and be possessed by something which would envelop her like a dark cloak and prevent her from straying far away on the lonely cliffs amongst the tall gra.s.s. She prayed for the day to dawn, not gently as was its custom, but fiercely, with the sun burning the fields and the wind sweeping the white-edged seas, bringing destruction. She would stand and wait upon the sh.o.r.e, feeling the wet sand beneath her naked feet.

A footstep sounded outside the room and she turned with a little s.h.i.+ver from the window. It was Guthrie. He gazed at her solemnly and bade her shut out the sound of the wind. They undressed quietly and lay beside each other in the narrow bed without a word. He could feel the warmth of her body, but his heart was not with her. His thoughts left his form, imprisoned there at her side, and fled into the night. She felt him go, yet minded not. She put away his cold hands from her, and gave herself to her own dreams, where he could have no entrance.

Thus they slept together in each other's arms, yet separately; like dead things in a grave, their souls long vanished and forgotten.

When they awoke the dawn had broken in the sky. The sun shone blindly from a blue heaven, scorching the earth. Great seas, tipped with foam, crashed against the cliff and swept the rocks outside the harbour, and all the while the East Wind blew, tossing the gra.s.s, scattering the hot white sand, forcing its triumphant path through the white mist and the green waves like a demon let loose upon the island.

Guthrie went to the window and looked out upon the day. A cry came from his lips and he ran from the cottage, unable to believe his eyes. Jane followed him. The folk in the other cottages had risen too and stood staring at the harbour, their hands lifted in amazement, their excited voices filling the air with sound yet fading away, indistinguishable from the wind. For there in the harbour, dwarfing the little fis.h.i.+ng boats with her great spars, the sails stretched upon her yards to dry in the morning sun, lay a brig at anchor, rocking against wind and tide.

Guthrie stood on the quay amongst the crowd of fishermen. The whole of St Hilda's was gathered there to welcome the strangers from the brig. Tall, dark men they were, these sailors from beyond the sea, with narrow almond eyes and white teeth that gleamed as they laughed. They spoke in a different tongue. Guthrie and his fellows questioned them, while the women and children surrounded them with gaping mouths, gazing into their faces, feeling their clothes with timid, wondering hands.

'How did ye find the entrance to the harbour,' cried Guthrie, 'with the wind an' the sea in league together against ye? 'Tis the devil himself that hath sent ye here maybe.'

The sailors laughed and shook their heads. They could not understand what he said. Their eyes wandered beyond him and the fishermen to the women. They smiled and spoke amongst themselves, happy at their discovery.

All the while the sun beat down upon their heads and the East Wind blew, scorching the air like a breath from h.e.l.l. No man went forth to fish that day. Great mountainous seas thundered past the harbour mouth and the fis.h.i.+ng boats remained at anchor, small and insignificant beside the strange brig.

Something of madness seemed to fall upon the people of St Hilda's. Their nets lay neglected and unmended beside their cottage doors, the fields and flowers remained untended on the hills above the village. There was no interest in their lives but the sailors from the s.h.i.+p. They clambered upon the brig, leaving no part of her unvisited, they touched the strangers' clothes with excited, inquisitive fingers. The sailors laughed at them, they hunted in the sea chests and gave the men cigarettes, they found bright scarves and coloured kerchiefs for the women. Guthrie led them out upon the cliffs, swaggering a little like a young boy, a cigarette between his lips.

The fishermen threw wide their cottage doors, jealous of one another's hospitality, each one desirous of extending the greatest welcome. The sailors soon explored the island; they thought it a poor, barren place, without interest. They descended to the sh.o.r.e and formed themselves into groups on the quayside, yawning, idle, hoping for a change of weather. The time hung heavily upon their hands.

Still the East Wind blew, scattering the sand, turning the earth to dust. The sun blazed from a cloudless sky, the big seas swept round the sh.o.r.es, green, foam-flecked, twisting and turning like a live thing. The sun set streaky and windswept, pointing orange fingers to the sky. The night came, warm and alive. The very air was restless. The sailors found the disused chapel at the end of the village and encamped there, fetching tobacco and brandy from the brig.

There seemed to be no order amongst them. They had no discipline, they obeyed no rules. Two men only remained on the brig to watch. The fisherfolk wondered not at their conduct; their presence on the island was so wonderful and rare a thing, nothing counted but this. They joined the sailors in the chapel, they tasted brandy for the first time. The night rang with cries and song. The island was a new place now, broken of peace, swayed by suggestion and filled with strange desires. Guthrie stood amongst his companions, his cheeks flushed, his cold eyes bright and foolish. He held a gla.s.s in his hand, he swallowed the brandy with deep, contented draughts. He laughed with the sailors, wildly, without reason; what did it matter if he could not understand their words? The lights swayed before his eyes, the ground sloped beneath his feet, it seemed as if he had never lived before. The wind could shout and the sea thunder and roar, the world called to him now. Beyond the island lay the other lands, the homes of these sailors. Here he would find life, and beauty, and strange, incredible adventures. No more would he bend his back, toiling at the useless soil. The songs of the sailors rang in his ears, the tobacco smoke blinded his eyes, the brandy seemed to mix with the blood in his veins.

The women danced with the sailors. Someone had found a concertina, and a fiddle with three strings. Crazy tunes broke into the air. The women had never danced before. They were whirled from their feet, their petticoats flying out behind them. The sailors laughed and sang, beating the measure with their feet upon the floor. The fishermen lolled stupidly against the walls, drunken, happy, careless of time. A sailor came across to Jane and smiled, holding out his arms. She danced with him, flushed, excited, eager to please. Faster, faster went the music, and faster flew their feet around the room. She felt his arm tighten round her waist, and was aware of the warmth of his body against hers. She could feel his breath upon her cheek. She raised her head and met his eyes. They looked into hers, seeing her naked, and he moistened his lips with his tongue. They smiled, reading each other's thoughts. An exquisite shudder, like the touch of a cool hand, ran through her. Her legs felt weak beneath her. She lowered her eyes, conscious of desire, and turned to see if Guthrie had noticed, guilty for the first time.

And the East Wind blew against the church, shaking the roof, and the surf broke and thundered on the sh.o.r.e.

The next day dawned the same, hot and relentless.

The wind did not weaken in its power, nor the sea lessen in its fury. The brig still rolled at her moorings amongst the fis.h.i.+ng boats. The fishermen leant with the sailors against the harbour wall, drinking and smoking, without thought, without energy, cursing the wind. The women idled at their cooking, neglected their mending. They stood at the doors of the cottages, new scarves round their shoulders, scarlet handkerchieves upon their heads, impatient with the children, restless, waiting for a smile.

The day pa.s.sed thus, and another night, and yet another day. The sun shone, the sea shuddered and crashed, the wind blew. No one left the harbour to fish, no one worked on the land. There seemed no shade on the island, the gra.s.s lay brown and withered, the leaves hung parched and despondent from the few trees. Night fell once more and the wind had not ceased. Guthrie sat in the cottage, his head between his hands, his brain empty. He felt ill and tired, like a very old man. Only one thing could prevent the sound of the wind from screaming in his ears and the heat of the sun from scorching his eyes. His lungs were dry, his throat ached. He staggered from the cottage and went down the hill to the church, where the sailors and the fishermen lay in heaps upon the floor, the brandy running from their mouths. He flung himself amongst them and drank greedily, senselessly, giving himself to it, forgetting the wind and the sea.

Jane closed the cottage door behind her and ran out onto the cliffs. The tall gra.s.s bathed her ankles and the wind leapt through her hair. It sang in her ears, a triumphant call. The sea flung itself upon the rocks below and loose flecks of foam scattered up towards her. She knew that if she waited he would come to her from the chapel. All day his eyes had followed her as she walked amongst the sailors by the harbour wall. Nothing mattered but this. Guthrie was drunk, asleep, forgotten, but here on the cliffs the stars shone upon her, and the East Wind blew. A dark shadow appeared from behind a clump of trees. For one moment she was afraid. One moment only.

'Who are you?' she called, but her voice fled to the wind.

The sailor came towards her. He flung off her clothes with deft, accustomed fingers; she put her hands before her eyes to hide her face. He laughed, and buried his lips in her hair. She stood then with arms outstretched, waiting, naked and unashamed, like a white phantom, broken and swept by the wind. Down in the chapel the men shouted and sang. They fought amongst themselves, mad with drink. One fisherman threw a knife and pinned his brother against the wall. He writhed like a serpent, screaming with pain.

Guthrie rose to his feet. 'Quiet, you dogs!' he shouted. 'Can you not drink in peace, and leave men to their dreams? Is it like this you wait for the wind to change?'

Jeers and laughter drowned his voice. A man pointed a trembling finger at him. 'Aye, talk of peace, Guthrie, you weak-limbed fool. With your wife even now shaming your bed with a stranger. We'll have new blood in the island, I reckon.' A chorus of voices joined in, laughing, and they pointed at him. 'Aye, Guthrie, look to your wife!'

He leapt at them with a cry of rage, smas.h.i.+ng their faces. But they were too many for him, they threw him from the chapel, flinging him onto the rough quayside. He lay stunned for a moment, then shook himself like a dog and rose to his feet. So Jane was a wanton. Jane had deceived him. He remembered his wife's body, white and slim. A haze of madness came over him, mingled with hatred and desire. He stumbled through the darkness, up the hill to the cottage. There was no light in any of the windows; the rooms were empty.

'Jane,' he called, 'Jane, where be ye hidin' with your d.a.m.ned cur lover?' No one answered. Sobbing with rage, he tore an axe from the wall a great clumsy tool, used for chopping firewood. 'Jane,' he called once more, 'come out, will ye?'

His voice was powerless against the wind that shook the walls of the cottage. He crouched by the door and waited, the axe in his hands. Hours pa.s.sed and he sat in a stupor, awaiting her return. Before dawn she came, pale and trembling, like a lost thing. He heard her footfall on the path. A twig snapped under her feet. The axe uplifted.

'Guthrie,' she screamed, 'Guthrie, let me alone, let me alone.' She spread her hands in supplication, but he pushed them aside and brought the axe down upon her head, crumpling her, smas.h.i.+ng her skull. She fell to the ground, twisted, unrecognisable, ghastly. He leant over her, peering at her body, breathing heavily. The blood ran before his eyes. He sat down by her side, his senses swimming, his mind vacant. He fell into a drunken sleep, his head pillowed on her breast.

When he awoke, sober, himself again, he found her dead body at his feet. He gazed at it in horror, not understanding. The axe was still upon the floor. He lay stunned, sick and frightened, unable to move. Then he listened, as if for an accustomed sound. All was silent. Something had changed. The wind. He could no longer hear the wind.

He staggered to his feet and looked out upon the island. The air was cool. Rain had fallen while he slept. From the southwest blew a cool, steady breeze. The sea was grey and calm. Far on the horizon lay a black dot, her white sails outlined against the sky.

The brig had gone with the morning tide.

The Doll.

Foreword.

The following pages were found in a shabby pocket book, very much sodden and discoloured by salt water, tucked away between the crevices of a rock in - Bay.

Their owner has never been traced, and the most diligent enquiries have failed to discover his ident.i.ty. Either the wretched man drowned himself near the spot where he hid his pocket book, and his body has been lost at sea; or he is still wandering about the world trying to forget himself and his tragedy.

Some of the pages of his story were so damaged by exposure as to render them completely illegible; thus there are many gaps, and much of it seems without sequence, including the abrupt and unsatisfactory termination.

I have placed three dots between sentences when words or lines were undecipherable. Whether the wild improbabilities of the story are true, or whether the whole is but the hysterical product of a diseased mind, we shall never know. My sole reason for publis.h.i.+ng these pages is to satisfy the entreaties of many friends who have been interested in my discovery.

Signed. DR E. STRONGMAN.

- BAY.

S. ENGLAND.

Iwant to know if men realise when they are insane. Sometimes I think that my brain cannot hold together, it is filled with too much horror too great a despair.

And there is no one; I have never been so unutterably alone. Why should it help me to write this? . . . Vomit forth the poison in my brain.

For I am poisoned, I cannot sleep, I cannot close my eyes without seeing his d.a.m.ned face . . .

If only it had been a dream, something to laugh over, a festered imagination.

It's easy enough to laugh, who wouldn't crack their sides and split their tongues with laughing. Let's laugh till the blood runs from our eyes there's fun, if you like. No, it's the emptiness that hurts, the breaking up of everything inside me.

If I could feel, I should have followed her to the ends of the earth, no matter how she pleaded or how she loathed me. I should have taught her what it is to be loved by a man yes a man, and I would have thrown his filthy battered body from the window, watched him disappear for ever, his evil scarlet mouth distorted . . .

It's the hot feeling that has filled me, the utter incapacity to reason.

And I am deceiving myself when I say she would have come to me. I did not follow her because I knew that it was hopeless. She would never have loved me she will never love any man.

Sometimes I can think of it all dispa.s.sionately, and I pity her. She misses so much so much and no one will ever know the truth. What was her life before I knew her, what is it now?

Rebecca Rebecca, when I think of you with your pale earnest face, your great wide fanatical eyes like a saint, the narrow mouth that hid your teeth, sharp and white as ivory, and your halo of savage hair, electric, dark, uncontrolled there has never been anyone more beautiful. Who will ever know your heart, who will ever know your mind?

Intense, restrained, and soul-less; for you must be soulless to have done what you have done. You have that fatal quality of silence of a tight repression that suggests a hidden fire yes, a burning fire unquenchable. What have I not done with you in dreams, Rebecca?

You would be fatal to any man. A spark that lights, and does not burn itself, a flame fanning other flames.

What did I love in you but your indifference, and the suggestions that lay beneath your indifference?

I loved you too much, wanted you too much, had for you too great a tenderness. Now all of this is like a twisted root in my heart, a deadly poison in my brain. You have made of me a madman. You fill me with a kind of horror, a devastating hate that is akin to love a hunger that is nausea. If only I could be calm and clear for one moment one moment only . . .

I want to make a plan an orderly arrangement of dates.

It was at Olga's studio first, I think. I can remember how it rained outside, and the rain made dirty streaks on the window-pane. The room was full, a lot of people were talking by the piano Vorki was there, they were trying to make him sing, and Olga was screaming with laughter.

I always hated the hard thin reed of her laugh. You were sitting Rebecca was sitting on a stool by the fire.

Her legs were twisted under her, and she looked like an elf, a sort of boy.

Her back was turned to me, and she wore a funny little fur cap on her head. I remember being amused at her position, I wanted to see her face. I called out to Olga to introduce me.

'Rebecca,' she said, 'Rebecca, show yourself.' . . . flinging off her cap as she turned. Her hair sprung from her head like a savage, her eyes opened wide and she smiled at me, biting her lip.

I can remember sitting down on the floor beside her, and talking, talking what does it matter what I said, dull stuff, nonsense of course, but she spoke breathlessly, with a sort of constrained eagerness. She did not say much, she smiled . . . eyes of a visionary, of a fanatic they saw too much, demanded too much one lost oneself in them, and became incapable of resistance. It was like drowning. From the moment I saw her then I was doomed. I left her, and came away, and walked down the embankment like a drunkard. Faces spluttered up at me, and shoulders brushed me, I was aware of dim lights reflected on wet pavements, and the hazy throb of traffic through it all were her eyes and her wild impossible hair, her slim body like a boy . . . all coming clear now, I can see each event as it happened, each moment of the game. I went to Olga's again and she was there.

She came right up to me and said 'Do you care for music?' gravely, like a child. Why did she say this, I don't know, there was no one at the piano I answered vaguely, and noticed the colour of her skin, pale coffee, and clear, clear as water.

She was dressed in brown, some sort of velvet I think, with a red scarf round her neck.

Her throat was very long and thin, like a swan's. I remember thinking how easy it would be to tighten the scarf and strangle her. I imagined her face when dying her lips parted, and the enquiring look in her eyes they would show white, but she would not be afraid. All this in the s.p.a.ce of a moment, and while she was talking to me. I could drag very little from her. She was a violinist apparently, an orphan, and lived alone in Bloomsbury.

Yes, she had travelled much, she said, and especially in Hungary. She had lived in Budapest for three years, studying music. She did not care for England, she wanted to go back to Budapest. It was the only city in the world.

'Rebecca,' someone called, and she glanced over her shoulder with a smile. How much could I write about Rebecca's smile! It was so vivid, so intensely alive, and yet apart, unearthly, it had no relation to anything one said. Her eyes would be transfigured as if by a shaft of silver.

She left early that day, and I crossed the room to ask Olga about her. I was in an agony of impatience to know everything. Olga could tell me little. 'She comes from Hungary,' she said, 'no one knows who were her parents, Jewish, I imagine. Vorki brought her here. He found her in Paris, playing the violin in one of those Russian cafes. She won't have anything to do with him though, she lives entirely alone. Vorki says her talent is marvellous, if she only goes on there will be no one to touch her. But she won't work, she doesn't seem to care. I heard her at Vorki's flat it sent cold s.h.i.+vers down my spine. She stood at the end of the room, looking like something off another planet, her hair sticking out, a sort of fur bush round her head, and she played. The notes were weird, haunting, I've never known anything quite like it, it's impossible to describe.'