Dragonseye Part 9

The kitchen cavern at Telgar Weyr was actually a series of caves, each with an entrance, varying in size, width and height.

As Debera paused at the entrance of the nearest and smallest one, she saw that hearths or ovens were ranged against the outside wall, each with a separate chimney protruding up the cliff face. Inside, the many long tables where last night guests had been entertained were reduced to the number needed by the regular population of the Weyr.

But the interior was busy as men and women went about food preparation tasks.

"Breakfast's over there," a woman said, smiling at Debera and pointing. "Porridge's still hot and the klah's fresh made. Help yourself."

Debera looked to her left to the farthest hearth, which had tables and chairs set invitingly near it.

"There'll be fresh-baked bread soon, too, and I'll bring some over," the woman added and proceeded on her own business.

Debera had only just served herself a heaping of porridge - not a lump in it, nor a fleck of burn - and a cup of klah when two boys, looking bewildered and not at all sure of how to proceed, wandered in.

"The bowls are there, the cups there," Debera said, pointing.

"And use that hunk of towel to hold the pot while you spoon out the cereal. It's hot."

They sent her tentative smiles - they must just be old enough for Impression, she thought, feeling just a trifle older and wiser. They managed - but not without slopping gobs of porridge into the fire and jumping back from the hiss and smell - to get enough in the bowls and to pour klah into their cups.

"C'mon, sit here, I won't bite," she said, tapping her table.

They were certainly not a bit sullen or grouchy, like her younger half brothers "You've a green, haven't you?" the first one asked. He had a crop of black curls that had recently been trimmed very close to his skull.

"Course she has a green, stupid" the other lad said, elbowing the ribs of the first. "I'm M'rak, and Caneth's my bronze," he added with a justifiable smirk of pride.

"My bronze is Tiabeth," the black haired boy said, equally as proud of his dragon, but added modestly, "I'm S'mon."

"What's yours called?"

"Morath," and Debera found herself grinning broadly. Did all new riders feel as besotted as this?

The boys settled into chairs and began to eat, almost as eagerly as dragonets Deliberately Debera slowed the rhythm of her spoon.

This porridge was really too good to gulp down: not a husk nor a piece of grit in it. Obviously Telgar t.i.thed of its best to the Weyr, even with such a staple as oats for porridge. She sighed, grateful for more than Impressing Morath yesterday.

The boys suddenly stopped, spoons half lifted to their mouths and, warned, Debera turned quickly. Bearing down on their table was the unmistakable bulk of Tisha, the head woman of the Lower Cavern. Her broad face was wreathed with a smile as generous as she was.

"How are you today? Settling in all right? Need anything from stores? Parents will pack your Gather best, and you really need your weeding worst," she said, her rich contralto voice bubbling with good humor. "Breakfast all right?"

"Bread's just out of the oven and you can have all you want." She had halted by Debera's chair and her hands, shapely with long strong fingers, patted Debera's shoulders lightly as if imparting a special message to her along with that pressure.

"You lack something, come tell me, or mention it to T'dam. You weyrlings shouldn't worry about anything other than caring for your dragonets. That's hard work enough, I'm telling you, so don't be shy, now." She gave Debera a little extra pat before she removed her hands.

"I didn't think to bring with me the gown you lent me last night," Debera said, wondering if that's what the subtle message was.

"Heavens above, child," said Tisha, big eyes even wider in her round face, "why, that dress was made for you, even if we didn't know you'd be coming." Her deep chuckle made her large b.r.e.a.s.t.s and belly bounce.

But it's far too good a dress... Debera began in protest.

Tisha patted Debera's shoulder again. "And fits you to perfection. I love making new clothes. My pa.s.sion really, and you'll see: I'm always working on something." Pat, pat. "But if I'd no-one in mind when I cut and sewed it last year, I couldn't have worked better for you if I'd tried. The dress is yours. We all like to have something pretty to wear on Seventh Day.

Do you sew?" she asked, eyeing Debera hopefully.

"No, I'm afraid not," Debera answered, lowering her eyes for she remembered her mother with work in her hands in the evenings, embroidering or sewing fine seams in Gather clothes. Gisa barely managed to mend rips, and certainly neither of her daughters was learning how to mend or make garments.

"Well, I don't know what holder women are doing with their young these days. Why, I had a needle in my hand by the time I was three -", Tisha went on.

The boys' eyes were glazing over at the turn of the conversation.

"And you'll learn to sew harness, my fine young friends," she said, wagging a finger at them. "And boots and jackets, too, if you've a mind to design your own flying wear."

"Huh?" was M'rak's astonished reaction. "Sewing's fer women. "

"Not in the Weyr, it isn't," Tisha said firmly. "As you'll see soon enough. It's all part of being a dragon rider. You'll learn."

"Ah, now, here's the bread, b.u.t.ter and a pot of jam."

Sure enough, another ample woman, grinning with the pleasure of what she was about to bestow on them, deposited the laden tray on the table.

"That should help, thank you, Allie," Tisha said as Debera added a murmur of appreciation and S'mon remembered his manners, too. M'rak made no such delay in grabbing up a piece of the steaming bread and cramming it into his mouth.

"Wow! Great!"

"Well, just be sure you don't lose it, preparing your dragonet's next meal," Tisha said and moved off before the astonished bronze rider had absorbed her remark.

"What'd she mean by that?" he asked the others.

Debera grinned. "Hold-bred?"

"Naw, m'family's weavers," M'rak said. "From Keroon Hold."

"We have to cut up what our dragonets eat, though, don't we?" S'mon asked in a slightly anxious voice.

"From the bodies they got hung up?"

"You mean cut it off the things that wore the meat?" M'rak turned a little pale and swallowed.

"That's what we mean," Debera said. "If you like, I'll do your carving and you can just cut up. Deal?"

"You bet," M'rak agreed fervently. And gulped again, no longer attacking the rest of the bread that hung limply from his fingers. He put the slice down. "I didn't know that was part of being a dragon rider too."

Debera chuckled. "I think we're all going to find out that being a dragon rider is not just sitting on its neck and going wherever we want to."

A prophecy she was to learn was all too accurate. She didn't regret making the bargain with the two youngsters - it was a fair distribution of effort - but it did seem that she spent her next weeks either butchering or feeding or bathing her dragonet with no time for anything else but sleeping. She had dealt with orphaned animals, true, but none the size nor with the appet.i.te capacity of dragonets. Morath seemed to grow overnight, as if instantly transferring what she ate to visible increase - which meant more to scrub, oil AND feed.

"It's worth it, I keep telling myself," Sarra murmured one day as she wearily sprawled onto her bed.

"Does it help?" Grasella asked, groaning as she turned on her side.

"Does it matter?" put in Mesla, kicking her boots off.

"All that oil is softening my hands," Debera remarked in pleased surprise, noticing the phenomenon for the first time.

"And matting my hair something wicked," said Jule, regarding the end of the fuzzy plait she kept her hair in. "I wonder when I'll have time to wash it again."

"If you ask Tisha, she'll give you the most marvelous ma.s.sage," Angie said, stretching on her bed and yawning.

"My leg's all better."

She and her Plath had tripped each other up, and she'd pulled all the muscles in her right leg so badly that at first they feared she'd broken a bone in the tumble. Plath had been beside herself with worry until Maranis had p.r.o.nounced the damage only a bad wrenching. The other girls had helped Angie tend Plath.

All part of being a dragon rider T'dam had said, but he exhibited sympathy in making sure he was at hand to a.s.sist her. too. Nothing you won't grin about later.

Although the room in which Lord Chalkin sat so that the newly-certified Artist Iantine could paint his portrait of the Lord Holder was warmer than any other chamber in Bitra that Iantine had occupied, he sighed softly in weariness. His hand was cramped and he was very tired, though he was careful not to reveal anything to his odious subject. He also had to do a bang-up job of this portrait as fast as possible, or he might not leave this miserable Hold until the spring.

Fortunately this first snow was melting and, if he finished the painting, he'd leave before the paint was dry. And with the marks he'd been promised!

Why he had ever thought himself able to handle any problem that could occur on a commission, he did not know.

Certainly he had been warned: more about not gambling with any Bitrans, to be sure, had he had any marks to wager. But the warnings had been too general. Why hadn't Ussie told him how many other people had been defrauded by the Bitran Lord Holder? The contract had seemed all right, sounded all right and was as near to a total disaster as made no never mind. Inexperienced and arrogant, that's what he was.

Too self-a.s.sured to listen to the wisdom of the years of experience Master Domaize had tried to get through his thick head.

But Master Domaize had a reputation for letting you deal with your own mistakes - especially the ones unconnected with Art.

"Please, Lord Chalkin, would you hold still just a moment longer? The light is too good to waste," Iantine said, aware of the twitching muscles in Chalkin's fat cheeks. The man didn't have a tic or anything, but he could no more be still in his fancy chair than his children.

Impishly, Iantine wondered if he could paint a twitch - a muscle rictus - but it was hard enough to make Chalkin look good as it was.

The man's muddy brown, close-set eyes seemed to cross towards the bridge of his rather fleshy, bulbous nose - which Iantine had deftly refined.

Master Domaize had often told his students that one had to be discreet in portraying people, but Iantine had argued the matter: that realism was necessary if the subject wanted a true portrait.

True portraits are never realistic, his master had told him -and the other students in the vast barn of a place where cla.s.ses were held.

Save realism for landscapes and historical murals, not for portraits.

No-one wants to see themselves as others see them. The successful portraitist is one who paints with both tact and sympathy.

Iantine remembered railing about dishonesty and pandering to egos.

Master Domaize had looked over the half spectacles he now had to wear if he wanted to see beyond his nose and smiled that gentle, knowing smile of his.

"Those of us who have learned that the portraitist must also be the diplomat make a living. Those of us who wish to portray truth end up in a craft Hall, painting decorative borders." When the commission to do miniatures of Lord Chalkin's young children had been received at Hall Domaize, there had been no immediate takers.

"What's wrong with it?" Iantine demanded when the notice had stayed on the board for three weeks with no-one's initials.

He would shortly sit his final exams at Hall Domaize and had hopes to pa.s.s them creditably.

"Chalkin's what's wrong with it," Ussie said with a cynical snort.

"Oh, I know his reputation," Iantine replied, blithely flicking a paint-stained hand, everyone does. But he sets out the conditions," and he tapped the doc.u.ment, "and they're all the ones we're supposed to ask for."

Ussie smothered a derogatory laugh in his hand and eyed him in the patronizing way that irritated Iantine so. He knew he was a better draughts man and colorist than Ussie would ever be, and yet Ussie always acted so superior. Iantine knew his general skills were better, and improving, because of course, in the studio, everyone had a chance to view everyone else's work. Ussie's anatomical sketches looked as if a mutant had posed as the life model... and his use of color was bizarre. Ussie did much better with landscapes and was a dab hand at designing heraldry s.h.i.+elds and icons and such peripheral art work.

"Yes, but you'll have to live in Bitra Hold while you're doing it, and coming into winter is not the time to live there."

"What? To do four miniatures? How long could it take?" Iantine had a seven-day in mind. "Even for very small and active children, that should be sufficient."

"All right, all right, so you've always managed to get kids to sit still for you. But these are Chalkin's and if they're anything like him, you'll have the devil's own time getting them to behave long enough to get an accurate likeness. Only, I sincerely doubt that an 'accurate' likeness is what is required. And I know you, Ian..." Ussie waggled a finger at him, grinning more broadly now. "You'll never be able to glamorize the little darlings enough to satisfy doting papa."

"But, The last time a commission came in from Chalkin," said Chomas, joining in the conversation, "Macartor was there for nine months before his work was deemed satisfactory".

Chomas jabbed his finger at the clause that began "on the completion of satisfactory work". "He came back a ghost of himself and poorer than he'd started out."

"Macartor?" Iantine knew of the painter. a capable man with a fine eye for detail, now doing murals for the new Hall at Nerat Hold.

He tried to think of a reason why Macartor had not been able to deal well with Chalkin. "Great man for detail, but not for portraiture," he said.

Ussie's eyebrows rose high in his long face and his grey eyes danced with mischief.

"So, take the commission and learn for yourself. I mean, some of us need some extra marks before Turn's End, but not so badly as we'd go to Bitra Hold to earn 'em. You know the reputation there for gambling? They'd sooner stop breathing than stop gambling."

"Oh, it can't be half as bad as they say it is," Iantine replied.

The sixteen marks, plus keep and travel expenses, is scale.

Ussie ticked the points off on fingers. "Travel? Well, you'd have to pay your own way there."

"But he specifies travel" Iantine protested, tapping that phrase impatiently.

"Hmmm, but you have to pay out for the travel there and account for every quarter mark you spent. Take you a few days to sort out right there. Chalkin's so stingy no decent cook stays with him, ditto for housekeeper, steward and any other staff, so you may end up having to cook your own meals if he doesn't charge you for the fuel to cook with. The Hold's not got central heating, and you'd want a room fire this time of the year in that region. Oh, and bring your own bed-furs, he doesn't supply them to casual workers."

"Casual? A portraitist from Hall Domaize is not cla.s.sified as a casual worker," Iantine said indignantly.

"At Bitra, my friend, everyone's casual," Chomas put in. "Chalkin's never issued a fair service contract in his life. And read EVERY SINGLE WORD on the page if you are foolish enough to take the commission. Which, if you had the sense of little green apples, you won't." Chomas gave a final decisive nod of his head and continued on his way to his own work station, where he was doing fine marquetry on a desk.

However, Iantine had a particular need for the marks the commission would bring him. With his professional diploma all but in his hand, he wanted to start repaying what he owed his parents. His father wanted to avail himself of Iantine's land allotment to extend his pasturage, but he didn't have the marks to pay the Council transfer fees; never a huge amount, but sufficient so that Iantine's large family would have to cut back on what few luxuries they had to save the sum. It was therefore a matter of self-esteem and pride for Iantine to earn the fee.

His parents had given him a good start, more than he deserved considering how seldom he had been at the hold since his twelfth birthday. His mother had wished him to be a teacher, as she had been before her marriage. She had taught all the basics to him, his nine siblings and the children in the other nearby Benden mountain sheep and farm holds. And because he had shown not only a keen interest in learning but also discernible skill in sketching - filling every inch of a precious drawing book with studies of every aspect of life on the hillside hold - it had been decided to send him to the College. His help would be missed, but his father had reluctantly agreed that the lad showed more apt.i.tude with pen and pencil than shepherd crook. His next youngest brother, who had the temperament for the work, had been ecstatic to be promoted to Iantine's tasks.

Once at the College, his unusual talent and insights were instantly recognized and encouraged. Master Clisser had insisted that he do a portfolio of sketches: animal, mineral and floral. That had been easy to collect since Iantine constantly sketched and had many vignettes of unsuspecting cla.s.smates: some done at times when he should have been doing other lessons. One in particular - a favorite with Master Cliss.e.x - was of Bethany playing her guitar, bending over the instrument for intricate chording. Everyone had admired it, even Bethany.

His portfolio was submitted to several private craft Halls which taught a variety of skills, from fine leather tooling to wood, gla.s.s and stone workings. None of those on the West Coast had places for another student, but the woman who was master weaver in Southern Boll had said she would contact Master Domaize in Keroon, one of the foremost portraitists on Pern, for she felt the boy's talent lay in that direction.

To Iantine's astonishment, a green dragon had arrived one morning at the College, available to convey him back for a formal interview with Domaize himself. Iantine wasn't quite sure what excited him most: the ride on the dragon between, the prospect of meeting Master Domaize or the thought of being able to continue with art as a possible profession. He had been in a worse state on his return because Master Domaize, having set him the task of sketching himself, had accepted him as a student and sent off a message to his parents that very day, arranging terms.

Iantine's family had been astounded to receive such a message.