Men And Machines Part 13

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"Then listen." He told the whole story, watching incredulity struggle with reluctant belief on Martha's face. Presently she said, "I can't quite-"

"If Kerry takes out a cigarette, the thing will light it for him. Want to see how it works?"

"N-no. Yes. I suppose so." Martha's eyes were wide.

Fitzgerald gave Kerry a cigarette. The expected happened.

Martha didn't say a word. When the console had returned to its place, she s.h.i.+vered and went over to Kerry. He looked at her vaguely.



"He needs a doctor, Fitz."

"Yes." Fitzgerald didn't mention that a doctor might be quite useless.

"What is that thing?"

"It's more than a robot. And it's been readjusting Kerry. I told you what's happened. When I checked Kerry's psychology patterns, I found that they'd altered. He's lost most of his initiative."

"n.o.body on earth could have made that-"

Fitzgerald scowled. "I thought of that. It seems to be the product of a well-developed culture, quite different from ours. Martian, perhaps. It's such a specialized thing that it naturally fits into a complicated culture. But I do not understand why it looks exactly like a Mideastern console radio."

Martha touched Kerry's hand. "Camouflage?"

"But why? You were one of my best pupils in psych, Martha. Look at this logically. Imagine a civilization where a gadget like that has its place. Use inductive reasoning."

"I'm trying to. I can't think very well. Fitz, I'm worried about Kerry."

"I'm all right," Kerry said.

Fitzgerald put his fingertips together. "It isn't a radio so much as a monitor. In this other civilization, perhaps every man has one, or maybe only a few-the ones who need it. It keeps them in line."

"By destroying initiative?"

Fitzgerald made a helpless gesture. "I don't know! It worked that way in Kerry's case. In others-I don't know."

Martha stood up. "I don't think we should talk any more. Kerry needs a doctor. After that we can decide upon that." She pointed to the console.

Fitzgerald said, "It'd be rather a shame to wreck it, but-" His look was significant.

The console moved. It came out from its corner with a sidling, rocking gait and walked toward Fitzgerald. As he sprang up, the whip-like tentacles flashed out and seized him. A pale ray shone into the man's eyes.

Almost instantly it vanished; the tentacles withdrew, and the radio returned to its place. Fitzgerald stood motionless. Martha was on her feet, one hand at her mouth.

"Fitz!" Her voice shook.

He hesitated. "Yes? What's the matter?"

"Are you hurt? What did it do to you?"

Fitzgerald frowned a little. "Eh? Hurt? I don't-"

"The radio. What did it do?"

He looked toward the console. "Something wrong with it? Afraid I'm not much of a repair man, Martha."

"Fitz." She came forward and gripped his arm. "Listen to me." Quick words spilled from her mouth. The radio. Kerry. Their discussion- Fitzgerald looked at her blankly, as though he didn't quite understand. "I guess I'm stupid today. I can't quite understand what you're talking about."

"The radio-you know! You said it changed Kerry-" Martha paused, staring at the man.

Fitzgerald was definitely puzzled. Martha was acting strangely. Queer! He'd always considered her a pretty level-headed girl. But now she was talking nonsense. At least, he couldn't figure out the meaning of her words-there was no sense to them.

And why was she talking about the radio? Wasn't it satisfactory? Kerry had said it was a good buy, with a fine tone and the latest gadgets in it. Fitzgerald wondered, for a fleeting second, if Martha had gone crazy.

In any case, he was late for his cla.s.s. He said so. Martha didn't by to stop him when he went out. She was pale as chalk.

Kerry took out a cigarette. The radio walked over and held a match.

"Kerry!"

"Yes, Martha?" His voice was dead.

She stared at the . . . the radio. Mars? Another world-another civilization? What was it? What did it want? What was it trying to do?

Martha let herself out of the house and went to the garage. When she returned, a small hatchet was gripped tightly in her hand.

Kerry watched. He saw Martha walk over to the radio and lift the hatchet. Then a beam of light shot out, and Martha vanished. A little dust floated up in the afternoon sunlight.

"Destruction of life-form threatening attack," the radio said, slurring the words together.

Kerry's brain turned over. He felt sick, dazed and horribly empty. Martha- His mind-churned. Instinct and emotion fought with something that smothered them. Abruptly the dams crumbled, and the blocks were gone, the barriers down. Kerry cried out hoa.r.s.ely, inarticulately, and sprang to his feet.

"Martha!, he yelled.

She was gone. Kerry looked around. Where- What had happened? He couldn't remember.

He sat down in the chair again, rubbing his forehead. His free hand brought up a cigarette, an automatic reaction that brought instant response. The radio walked forward and held a lighted match ready.

Kerry made a choking, sick sound and flung himself out of the chair. He remembered now. He picked up the hatchet and sprang toward the console, teeth bared in a mirthless rictus.

Again the light beam flashed out.

Kerry vanished. The hatchet thudded onto the carpet.

The radio walked back to its place and stood motionless once more. A faint clicking proceeded from its radioatomic brain.

"Subject basically unsuitable," it said, after a moment. "Elimination has been necessary." Click! "Preparation for next subject completed."

Click.

"We'll take it," the boy said.

"You won't be making a mistake," smiled the rental agent. "It's quiet, isolated, and the price is quite reasonable."

"Not so very," the girl put in. "But it is just what we've been looking for."

The agent shrugged. "Of course an unfurnished place would run less. But-"

"We haven't been married long enough to get any furniture," the boy grinned. He put an arm around his wife. "Like it, hon?"

"Hm-m-m. Who lived here before?"

The agent scratched his cheek. "Let's see. Some people named Westerfield, I think. It was given to me for listing just about a week ago. Nice place. If I didn't own my own house, I'd jump at it myself."

"Nice radio," the boy said. "Late model, isn't it?" He went over to examine the console.

"Come along," the girl urged. "Let's look at the kitchen again."

"O. K., hon."

They went out of the room. From the hail came the sound of the agent's smooth voice, growing fainter. Warm afternoon sunlight slanted through the windows.

For a moment there was silence. Then- Click!

THE HUNTING LODGE.

by Randall Garrett.

This story, like the one that precedes it and Fred Saberhagen's "Without a Thought," shows the machine in hostile guise. But where Padgett's twonky is an impersonal enemy and Saberhagen's berserker is a vast cosmic ent.i.ty, the mechanized huntsman in Garrett's story is a dedicated, vindictive pursuer. The tense chase that is the heart of this story is derived entirely from the nature of that pursuer; the protagonist must deal with a super-machine that has a machine's limitations as well as a machine's capabilities, and so while on one level "The Hunting Lodge" is a fast-paced action story, on another it is a shrewd and convincing a.n.a.lysis of a probable future.

Randall Garrett, a burly, jovial ex-marine now living in Texas, has written uncountable science-fiction stories and a number of novels, including the well-liked Too Many Magicians, a runner-up for the 1967 Hugo award.

"We'll help all we can," the Director said, "but if you're caught, that's all there is to it."

I nodded. It was the age-old warning: If you're caught, we disown you. I wondered, fleetingly, how many men had heard that warning during the long centuries of human history, and I wondered how many of them had asked themselves the same question I was asking: Why am I risking my neck?

And I wondered how many of them had had an answer.

"Ready, then?" the Director asked, glancing at his watch. I nodded and looked at my own. The shadow hands pointed to 2250.

"Here's the gun."

I took it and checked its loading. "Untraceable, I suppose?"

He shook his head. "It can be traced, all right, but it won't lead to us. A gun which couldn't be traced almost certainly would be a.s.sociated with us. But the best thing to do would be to bring the gun back with you; that way, it's in no danger of being traced."

The way he said it gave me a chill. He wanted me back alive, right enough, but only so there would be no evidence.

"O.K." I said. "Let's go."

I put a nice, big, friendly grin on my face. After all, there was no use making him feel worse than necessary. I knew he didn't like sending men out to be killed. I slipped the sleeve gun into its holster and then faced him.

"Blaze away!"

He looked me over, then touched the hypno controls. A light hit my eyes.

I was walking along the street when I came out of it, heading toward a flitter stand. An empty flitter was sitting there waiting, so I climbed in and sat down.

Senator Rowley's number was ORdway 63-911. I dialed it and leaned back, just as though I had every right to go there.

The flitter lifted perfectly and headed northwest, but I knew perfectly well that the scanners were going full blast, sorting through their information banks to find me.

A mile or so out of the city, the flitter veered to the right, locked its controls, and began to go around in a tight circle.

The viewphone lit up, but the screen stayed blank. A voice said: "Routine check. Identify yourself, please."

Routine! I knew better. But I just looked blank and stuck my right forearm into the checker. There was ashort hum while the ultrasonic scanners looked at the tantalum ident.i.ty plate riveted to the bone.

"Thank you, Mr. Gifford," said the voice. The phone cut off, but the flitter was still going in circles.

Then the phone lit again, and Senator Rowley's face-thin, dark, and bright-eyed-came on the screen.

"Gifford! Did you get it?"

"I got it, sir," I answered quietly.

He nodded, pleased. "Good! I'll be waiting for you."

Again the screen went dark, and this time the flitter straightened out and headed northwest once more.

I tried not to feel too jittery, but I had to admit to myself that I was scared. The senator was dangerous. If he could get a finger into the robot central office of the flitters, there was no way of knowing how far his control went.

He wasn't supposed to be able to tap a flitter any more than he was supposed to be able to tap a phone. But neither one was safe now.

Men And Machines Part 13

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Men And Machines Part 13 summary

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