That Little Girl of Miss Eliza's Part 1
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That Little Girl of Miss Eliza's.
by Jean K. Baird.
CHAPTER I.
"The poorest farming land in all the country," someone called it. "The best crop of stones and stumps, I ever saw," someone else had said.
Everyone smiled and drove on, and s.h.i.+ntown and its people pa.s.sed from their knowledge.
"s.h.i.+ntown? Where in the name of goodness did they get such a name?" the elderly gentleman in the touring car asked his companion.
"Have to use your s.h.i.+ns to get here. It used to be that Shank's mare was the only one that could travel the miserable roads. They were mere foot-paths. Even the railroads have shot clear of it. See over there."
There was truth in the words. s.h.i.+ntown, which was no town at all, but a few isolated farmhouses, looked down from its heights on one side upon the main line of the Susquehanna Valley, five miles away. On the other side, at a little more than half the distance, the branch of the W. N.
P. and P. wound along the edge of the river. Both roads avoided s.h.i.+ntown as though it had the plague. The name was quite enough to discourage anyone. Nature had done its best for the place, the people had done their worst. It stood in the valley, and yet on a higher elevation than the country adjacent, the mountain being twenty miles distant. It was as though a broad table had been set in a wide country, with the mountain peaks as decorous waiters standing at the outer edge.
The houses were sagging affairs. They were well enough at one time, but were now like a good intention gone wrong. The storm had beaten upon them for so many years that all trace of paint was gone. The chimneys sloped as far as the law of gravity allowed. Gates hung on one hinge, and the fences had the same angle as an old man suffering with lumbago.
The corners of the fields were weed-ridden. The farmers never had time to plow clear to the corners and turn plumb. The soil had as many stones as it had had twenty years before. The whole countryside was suffering from lack of ambition. Crops were small, and food and clothes were meager. The stock showed the same attributes. It was stunted, dwarfed, far from its natural efficiency in burden bearing, milk-giving or egg-laying.
There was one place not quite like this-the old Wells place at the cross roads. The house was neither so large, nor so rambling as the others. It stood deep among some old purple beeches, and in summer it had yellow roses clambering over one entire side. The color was peculiar, and marked its occupant and owner just a little different from other people in the community. Everyone conceded that point without a question. She was just a little different. The house was all in shades of golden brown; brown that suggested yellow when the sun shone. It was a color that not a man in s.h.i.+ntown or a painter at the Bend or Port would have thought of putting on a house. Who ever thought of painting a house anything but white with green shutters or a good, serviceable drab?
Golden browns in several shades! Why, of course, the woman must be peculiar. She did the work herself too. She arose at daylight to paint the upper portion and she quit work when travel on the highway began.
That was another peculiarity which the countryside could not understand; a woman who could be independent enough to choose what color she would, in defiance of all set laws, and yet afraid to let folks see her climbing a ladder to the second story.
If peculiar means being different, Eliza Wells was that. She was thirty, and never blushed at it. She had even been known to mention her birthdays as "I was twenty-nine yesterday. How time does fly!" And she said it after the manner of one who might have said, "To-morrow I set the old Plymouth Rock on a settin' of Dominick eggs."
But the country folk were kind enough and overlooked her not being as themselves. There was a knowing smile now and then, a sage nodding of the head. Now and then someone went as far as to say, "That's Liza's way. She never did act like other folks."
Eliza knew she was peculiar and tried her best to be like those about her. She had never known any other kind of people; for she had been born and bred in the little place. But do as she could, her own self would break loose every now and then. In spite of her effort to be like other people, there were times when she could be nothing but her own unusual, individual self.
It was not that she admired the ways of life of the people about her.
Had she done so, it might have been easier to have become like them. But she argued in this fas.h.i.+on: if all these hundred souls lived in one way and declared that to be the right way, then surely she was wrong, and her ideas had all gone awry somewhere; for one could not stand against a hundred.
The old Wells place had all the finger-marks of having a peculiar occupant. Hollyhocks all along the walk to the milk-house, nasturtiums climbing over a pile of rock; wistaria clinging to the trunk of a dead tree; wild cuc.u.mber vines on a trellis s.h.i.+elding the wood-pile and chip yard. In the recess of the old-fas.h.i.+oned front entrance were old blue bowls filled with nasturtiums.
The old blue delft had been in the family of Eliza's grandmother Sampson for generations. Everybody knew it; but Eliza paraded them and seemed as proud of them as though they had just been purchased from Griffith's "five and ten." But she couldn't fool the people of s.h.i.+ntown. They knew a thing or two and they were certain that the bowls were over a hundred years old.
On hot days, she ate on her kitchen porch, which she had enclosed with cotton fly-net, and she stuck a bunch of pansies in a teacup and had them beside her plate.
That was quite enough to show that she was peculiar. No one else in the country put flowers on the table. Indeed, no one raised them. What was the use? They weren't good to eat.
But Eliza's place was not a farm, else she could not have wasted so much time on worthless things. Two acres was all she owned, and she kept half of that in yard and flowers.
She would have had more room for garden if she would have cut down one or more of her purple beeches, but she would not do that. When Sam Houston suggested it to her, saying in his blunt way, "If you'd plant less of the 'dern foolishness,' you'd have more room for cabbages," she replied, with a merry glint in her eye, "Sometimes, I think cabbages is the worst foolishness of all."
Sam could make no reply to that. A man couldn't reason with a woman who had no more sense than that.
Eliza Wells could afford to be a little different from anybody else. In the vernacular of the country, "she was well-fixed." This meant not that she had millions, or even a hundred thousand, but there was money enough out at interest to bring her in fifteen dollars each month. This, with her garden truck and home, made her independent.
To have money in the bank was a distinguis.h.i.+ng mark of rank. Not a soul at s.h.i.+ntown except Eliza could boast so much. Sam Houston was the only one in the countryside who had tales to tell of a father and a grandfather who lived on interest money.
Her financial independence made Eliza's peculiarities a little more bearable. They were the idiosyncracies of the bloated capitalist.
Eliza drove to the Bend the first of each quarter to draw her interest money. She wore a black silk dress and a little bonnet. How she hated the stiff s.h.i.+niness of black silk. How miserably awkward she felt with the caricature of black lace and purple pansies, which custom called a bonnet, on her head. But she had been reared to believe that black silk was the only proper dress for a woman, no longer young, and the days after twenty years were always placed to the credit of age.
So she wore her black silk, although she saw nothing pretty in it. The women of s.h.i.+ntown envied her the possession of such a mark of gentility and declared that Eliza had a good bit of style for a woman of her age, and after a fas.h.i.+on all their own were proud of her.
She always drove Old Prince when she went to the Bend. There was always a little shopping before she came home. Quarter day fell on the first of July. The sun was fairly blazing upon the stretch of dusty road which knew no shadow of tree.
Miss Eliza was anxious to get home. Her hands were sweating in their heavy gloves. Not a breeze was stirring. The stiff black silk was not an easy or comfortable dress for a hot day. Yet she let Old Prince take his time. The flies bothered him considerably, and he s.h.i.+ed like a young colt at every object in the road. He had not been out of the stable-yard for a week and what energy had been left to him had been bottled up for this trip to town.
In his youth, some years before, he had been a vicious animal which only a man with a steady nerve and strong hand could manage. But age had made him tractable. He went home at a steady gait with the reins hanging loose on his back, except when Eliza shook them to dislodge an annoying fly.
As they turned the bend of the road at Farwell, Old Prince s.h.i.+ed suddenly and turned the wheels deep in the ditch. Eliza steadied herself and seized the reins. "There, old fellow, go quiet. There hain't nothing here to disturb you."
Her words sounded brave enough, yet she glanced apprehensively about.
The new railroads had brought their following of tramps, and Eliza was fearful. She peered into the clump of elder bushes which grew up along the hillside. It was a beautiful rather than a fearful sight which met her eyes. A big woman with great braids of yellow hair sat in the shade of the underbrush. Eliza did not notice that her dress was exceedingly shabby. She did notice, however, that a little child lay in her arms.
Both were sound asleep as though utterly exhausted by their travels.
They were strangers. Eliza knew that at a glance. She knew all the residents of the valley. A small traveling bag lay beside the woman. Her hand resting lightly upon it, as though even in sleep she would keep it in custody.
Miss Eliza spoke to Prince who would persist in frolicking and garotting about like a colt. The public road was not a safe sleeping place for a woman and child. Eliza recognized her duty. Leaning forward, she touched the woman's hand lightly with her whip. She did this several times before the woman's eyes opened.
"I've been trying to waken you," said Eliza. "The road is not a safe place to sleep."
The woman looked wonderingly about, yawned and rubbed her eyes. It was some minutes before she could get her bearings. When her eyes fell on the child, she smiled and nodded back at Eliza and then got upon her feet and began to put herself to rights.
"Where are you going?" asked Eliza.
The woman hesitated, puckered her brows and at last said, "I-I bane gone to Yameston."
"Foreign," said Eliza mentally. She had no idea where 'Yameston' was, but it was reasonable to suppose that the woman was cutting across country to take the flyer at the Port where it stopped to change engine and crews.
"It's no place for a woman to rest. Tramps are thicker than huckleberries. Climb in and I'll drive you and your baby part of the way."
The woman could not understand, but she did grasp the meaning of Miss Eliza's moving to the opposite side of the seat and reaching forth her hand to help her get into the carriage.
When they were safely seated, Miss Eliza touched Old Prince with the whip. At that instant, the oncoming flyer, as it entered the yard, whistled like a veritable demon. The two were too much for the old horse, who had been a thoroughbred in his time and had never known the touch of a whip. He reared on his hind feet, and then with a mad plunge went tearing down the road which was hemmed in on one side by the hills, and whose outer edge lay on the rocky bluffs of the river.
Miss Eliza held to the reins until they cut into the flesh. Bracing herself against the dash board, she kept Old Prince to the middle of the road. Just as she felt sure that she could manage him, the rein on the hillside snapped. The tension on the other side turned the animal toward the edge of the bank. Eliza dropped the useless rein, seized the child in her arms and held it close to her breast, hoping by her own body to protect it from the fall. It was all the work of a second. She shut her eyes even as she did this.
CHAPTER II.
That Little Girl of Miss Eliza's Part 1
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That Little Girl of Miss Eliza's Part 1 summary
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