The Street Called Straight Part 35

Davenant turned away. "I wasn't in a hurry."

"No; but he is. That's the point. That's where the beauty of it comes in for Olivia and you."

Peter looked blank. "Olivia and--_me_?"

"He's doing right," the old man explained, taking hold of the lapel of Davenant's coat, "or what he conceives to be right; and no one man can do that without putting us into a better position all round. Doing right," he continued, emphasizing his words by shaking the lapel and hammering on Peter's breast--"doing right is the solution of all the difficulties into which we get ourselves tied up by s.h.i.+lly-shallying and doing wrong. If Ashley were to hang fire you wouldn't know where the devil you were. But now that he's going straight, it leaves you free to do the same."

"It leaves me free to cut and run." He made little effort to conceal his bitterness.

"Then cut and run, if that's what you feel impelled to do. You won't run far before you see you're running to a purpose. I'll cut and run, too,"

he added, cheerfully. "I'll be off to see Olivia, and tell her she's made a catch."

Davenant was glad to be able to resume his tramp. "Poor old chap," he said to himself; "a lot he knows about it! It's d.a.m.ned easy to do right when you've got everything your own way."

Having everything his own way was the happy position in which he placed Rupert Ashley, seeing he was able to marry Olivia Guion by the simple process of selling an estate. There was no more to that in Davenant's estimation than to his own light parting with his stocks and bonds.

Whatever sacrifice the act might entail would have ample compensation, since the giving up of the temporal and non-essential would secure supreme and everlasting bliss. He would gladly have spared a hand or an eye for a mere chance at the same reward.

Arrived in Boston there was nothing for him to do but to eat an expensive dinner at a restaurant and go back again. He did not return on foot. He had had enough of his own thoughts. They led him round and round in a circle without end. He was ashamed, too, to perceive that they concerned themselves chiefly, not with his love for Olivia Guion, but with his enmity to Rupert Ashley. It was the first time in his life that he was ever possessed by the fury to kill a man. He wouldn't have been satisfied to be rid of Ashley; he wanted to leap on him, to strike him, to choke him, to beat him to death. Sitting with his eyes fixed on the table-cloth, from which the waiter had removed everything but the finger-bowl and the bill, and allowing the cigar that protruded between his knuckles to burn uselessly, he had already indulged in these imaginary exercises, not a little to his relief, before he shook himself and muttered: "I'm a d.a.m.ned fool."

The repet.i.tion of this statement, together with the dull belief that repet.i.tion engenders, braced him at last to paying his bill and taking the tram-car to Waverton. He had formed a resolution. It was still early, scarcely later than the hour at which he usually dined. He had a long evening before him. He would put it to use by packing his belongings. Then he would disappear. He might go at once to Stoughton, or he might travel no farther than the rooms he had engaged, and which he had occupied in former years, on the less attractive slope of Beacon Hill. It would be all the same. He would be out of the circle of interests that centered round Olivia Guion, and so free to come back to his senses.

He got so much elation out of this resolve that from the electric car to Rodney Temple's house he walked with a swinging stride, whistling tunelessly beneath his breath. He tried to think he was delivered from an extraordinary obsession and restored to health and sanity. He planned to initiate Ashley as the new _charge d'affaires_ without the necessity on his part of seeing Miss Guion again.

And yet, when he opened the door with his latch-key and saw a note lying on the table in the hail, his heart bounded as though it meant to stop beating. It was sheer premonition that made him think the letter was for him. He stooped and read the address before he had taken off his hat and while he was still tugging at his gloves:

Peter Davenant, Esq., 31 Charlesbank.

It was premonition again that told him the contents before he had read a line:

DEAR MR. DAVENANT,--If you are quite free this evening, could you look in on me again? Don't come unless you have really nothing else to do. Yours sincerely,

OLIVIA GUION.

He looked at his watch. It was only half-past eight. "I've no excuse for not going," he said to himself. He made it clear to his heart that he regretted the necessity. After the brave decisions to which he had come, decisions which he might have put into execution, it was a call backward, a retrogression. He began already to be afraid that he might not be so resolute a second time. But he had no excuse for not going.

That fact took the matter out of his hands. There was nothing to do but to crumple the letter into his pocket, take down his evening overcoat from its peg, and leave the house before any one knew he had entered.

The night was mild. It was so soft and scented that it might have been in June. From the stars and the street-lamps and the line of electrics along the water's edge there was just light enough to show the surface of the river, dim and metallic, and the wisps of vapor hovering above the marshes. In the east, toward Cambridge and beyond Boston, the sky was bright with the simulation of the dawn that precedes the moonrise.

His heart was curiously heavy. If he walked rapidly it was none the less reluctantly. For the first time since he had taken part and lot in the matter in hand he had no confidence in himself. He had ceased to be able to say, "I'm not in love with her," while he had no other strengthening formula to put in its place.

Algonquin Avenue, which older residents still called Rodney Lane, was as still and deserted as a country road. The entry gate to Tory Hill clicked behind him with curious, lonely loudness. The gravel crunched in the same way beneath his tread. Looking up at the house, he saw neither light nor sign of living. There was something stricken and sinister about the place.

He was half-way toward the front door when a white figure came forward beneath the Corinthian portico. If it had not been so white he couldn't have seen it.

"I'm here, Mr. Davenant."

The voice, too, sounded lonely, like a voice in a vast, empty house. He crossed the lawn to the portico. Olivia had already reseated herself in the wicker chair from which she had risen at his approach.

"Aren't you afraid of taking cold?" She had not offered him her hand; both hands were hidden in the folds of her voluminous wrap. He said the simplest thing he could think of.

"No. I'm wearing a very warm fur-lined cloak. It's very long, too. I couldn't stay indoors. The house seemed so--so dead."

"Is there n.o.body with you?"

"Colonel Ashley went back to town before dinner. Papa wasn't quite so well. He's trying to sleep. Will you sit down on the step, or go in and bring out a chair? But perhaps you'll find it chilly. If so, we'll go in."

She half rose, but he checked her. "Not at all. I like it here. It's one of our wonderful, old-fas.h.i.+oned Octobers, isn't it? Besides, I've got an overcoat."

He threw the coat over his shoulders, seating himself on the floor, with his feet on the steps below him and his back to one of the fluted Corinthian pilasters. The shadow was so deep on this side of the house--the side remote from the approaching moonrise--that they could see each other but dimly. Of the two she was the more visible, not only because she was in white, but because of the light coming through the open sitting-room behind her from the hail in the middle of the house.

In this faint glimmer he could see the pose of her figure in the deep wicker arm-chair and the set of her neat head with its heavy coil of hair.

"I asked you to come," she said, simply, "because I feel so helpless."

"That's a very good reason," he responded, guardedly. "I'm glad you thought of me, rather than of any one else."

He was pleased to note that even to his own ears his accent was polite, but no more. At the same minute he found the useful formula he had been in search of--"I mustn't let her know I'm in love with her."

"There's no one else for me to think of," she explained, in self-excuse.

"If there were, I shouldn't bother you."

"That's not so kind," he said, keeping to the tone of conventional gallantry.

"I don't mean that I haven't plenty of friends. I know lots of people--naturally; but I don't know them in a way to appeal to them like this."

"Then so much the better for me."

"That's not a reason for my imposing on your kindness; and yet I'm afraid I must go on doing it. I feel like a person in such desperate straits for ready money that he's reckless of the rate of interest. Not that it's a question of money now--exactly."

"It doesn't matter what it's a case of. I'm at your service, Miss Guion--"

"I know. That's why I asked you to come. I want you to keep Colonel Ashley from doing what he proposed this afternoon."

She spoke more abruptly, more nervously, than was her habit.

"I would if I could; but I don't know that I've any way of dissuading him."

"You needn't dissuade him. You've simply to refuse to take his money."

"It's not quite so easy as that, because there's no direct business between him and me. If Mr. Guion wanted to pay me what I've lent him, I couldn't decline to accept it. Do you see?"

In the dim light he noticed her head nodding slowly. "Oh, so that's the way it is? It would have to be done through papa?"

"It would have to be done through him. And if he preferred to use Colonel Ashley's money rather than mine, I should have nothing at all to say."

"I see; I see," she commented, thoughtfully. "And I don't know how papa would feel about it, or how far I could count on him."

For a few minutes Davenant said nothing. When he spoke it was with some amazement at his own temerity. "I thought you didn't want my help, if you could possibly get any other?"

The words took her by surprise. He could see her draw her cloak more tightly about her, her hands still within its folds.