The Stories of Vladimir Nabokov Part 36

Oh, the first time she had been too tired to mind, and the next had not minded because she was sure I had deserted her; and she apparently considered that such explanations ought to be a kind of consolation prize for me instead of the nonsense and agony they really were. It went on like that for eons, she breaking down every now and then, but soon rallying again, answering my unprintable questions in a breathless whisper or trying with a pitiful smile to wriggle into the semisecurity of irrelevant commentaries, and I crus.h.i.+ng and crus.h.i.+ng the mad molar till my jaw almost burst with pain, a flaming pain which seemed somehow preferable to the dull, humming ache of humble endurance.

And mark, in between the periods of this inquest, we were trying to get from reluctant authorities certain papers which in their turn would make it lawful to apply for a third kind which would serve as a stepping-stone toward a permit enabling the holder to apply for yet other papers which might or might not give him the means of discovering how and why it had happened. For even if I could imagine the accursed recurrent scene, I failed to link up its sharp-angled grotesque shadows with the dim limbs of my wife as she shook and rattled and dissolved in my violent grasp.

So nothing remained but to torture each other, to wait for hours on end in the Prefecture, filling forms, conferring with friends who had already probed the innermost viscera of all visas, pleading with secretaries, and filling forms again, with the result that her l.u.s.ty and versatile traveling salesman became blended in a ghastly mix-up with rat-whiskered snarling officials, rotting bundles of obsolete records, the reek of violet ink, bribes slipped under gangrenous blotting paper, fat flies tickling moist necks with their rapid cold padded feet, new-laid clumsy concave photographs of your six subhuman doubles, the tragic eyes and patient politeness of pet.i.tioners born in s.l.u.tzk, Starodub, or Bobruisk, the funnels and pulleys of the Holy Inquisition, the awful smile of the bald man with the gla.s.ses, who had been told that his pa.s.sport could not be found.

I confess that one evening, after a particularly abominable day, I sank down on a stone bench weeping and cursing a mock world where millions of lives were being juggled by the clammy hands of consuls and commissaires. I noticed she was crying too, and then I told her that nothing would really have mattered the way it mattered now, had she not gone and done what she did.

"You will think me crazy," she said with a vehemence that, for a second, almost made a real person of her, "but I didn't-I swear that I didn't. Perhaps I live several lives at once. Perhaps I wanted to test you. Perhaps this bench is a dream and we are in Saratov or on some star."

It would be tedious to niggle the different stages through which I pa.s.sed before accepting finally the first version of her delay. I did not talk to her and was a good deal alone. She would glimmer and fade, and reappear with some trifle she thought I would appreciate-a handful of cherries, three precious cigarettes, or the like-treating me with the unruffled mute sweetness of a nurse that trips from and to a gruff convalescent. I ceased visiting most of our mutual friends because they had lost all interest in my pa.s.sport affairs and seemed to have turned vaguely inimical. I composed several poems. I drank all the wine I could get. I clasped her one day to my groaning breast, and we went for a week to Caboule and lay on the round pink pebbles of the narrow beach. Strange to say, the happier our new relations seemed, the stronger I felt an undercurrent of poignant sadness, but I kept telling myself that this was an intrinsic feature of all true bliss.

In the meantime, something had s.h.i.+fted in the moving pattern of our fates and at last I emerged from a dark and hot office with a couple of plump visas de sortie cupped in my trembling hands. Into these the U.S.A. serum was duly injected, and I dashed to Ma.r.s.eilles and managed to get tickets for the very next boat. I returned and tramped up the stairs. I saw a rose in a gla.s.s on the table-the sugar pink of its obvious beauty, the parasitic air bubbles clinging to its stem. Her two spare dresses were gone, her comb was gone, her checkered coat was gone, and so was the mauve hairband with a mauve bow that had been her hat. There was no note pinned to the pillow, nothing at all in the room to enlighten me, for of course the rose was merely what French rhymesters call une cheville.

I went to the Veretennikovs, who could tell me nothing; to the h.e.l.lmans, who refused to say anything; and to the Elagins, who were not sure whether to tell me or not. Finally the old lady-and you know what Anna Vladimirovna is like at crucial moments-asked for her rubber-tipped cane, heavily but energetically dislodged her bulk from her favorite armchair, and took me into the garden. There she informed me that, being twice my age, she had the right to say I was a bully and a cad.

You must imagine the scene: the tiny graveled garden with its blue Arabian Nights jar and solitary cypress; the cracked terrace where the old lady's father had dozed with a rug on his knees when he retired from his Novgorod governors.h.i.+p to spend a few last evenings in Nice; the pale-green sky; a whiff of vanilla in the deepening dusk; the crickets emitting their metallic trill pitched at two octaves above middle C; and Anna Vladimirovna, the folds of her cheeks jerkily dangling as she flung at me a motherly but quite undeserved insult.

During several preceding weeks, my dear V., every time she had visited by herself the three or four families we both knew, my ghostly wife had filled the eager ears of all those kind people with an extraordinary story. To wit: that she had madly fallen in love with a young Frenchman who could give her a turreted home and a crested name; that she had implored me for a divorce and I had refused; that in fact I had said I would rather shoot her and myself than sail to New York alone; that she had said her father in a similar case had acted like a gentleman; that I had answered I did not give a hoot for her cocu de pere.

There were loads of other preposterous details of the kind-but they all hung together in such a remarkable fas.h.i.+on that no wonder the old lady made me swear I would not seek to pursue the lovers with a c.o.c.ked pistol. They had gone, she said, to a chateau in Lozere. I inquired whether she had ever set eyes upon the man. No, but she had been shown his picture. As I was about to leave, Anna Vladimirovna, who had slightly relaxed and had even given me her five fingers to kiss, suddenly flared up again, struck the gravel with her cane, and said in her deep strong voice: "But one thing I shall never forgive you-her dog, that poor beast which you hanged with your own hands before leaving Paris."

Whether the gentleman of leisure had changed into a traveling salesman, or whether the metamorphosis had been reversed, or whether again he was neither the one nor the other, but the nondescript Russian who had courted her before our marriage-all this was absolutely inessential. She had gone. That was the end. I should have been a fool had I begun the nightmare business of searching and waiting for her all over again.

On the fourth morning of a long and dismal sea voyage, I met on the deck a solemn but pleasant old doctor with whom I had played chess in Paris. He asked me whether my wife was very much incommoded by the rough seas. I answered that I had sailed alone; whereupon he looked taken aback and then said he had seen her a couple of days before going on board, namely in Ma.r.s.eilles, walking, rather aimlessly he thought, along the embankment. She said that I would presently join her with bag and tickets.

This is, I gather, the point of the whole story-although if you write it, you had better not make him a doctor, as that kind of thing has been overdone. It was at that moment that I suddenly knew for certain that she had never existed at all. I shall tell you another thing. When I arrived I hastened to satisfy a certain morbid curiosity: I went to the address she had given me once; it proved to be an anonymous gap between two office buildings; I looked for her uncle's name in the directory; it was not there; I made some inquiries, and Gekko, who knows everything, informed me that the man and his horsey wife existed all right, but had moved to San Francisco after their deaf little girl had died.

Viewing the past graphically, I see our mangled romance engulfed in a deep valley of mist between the crags of two matter-of-fact mountains: life had been real before, life will be real from now on, I hope. Not tomorrow, though. Perhaps after tomorrow. You, happy mortal, with your lovely family (how is Ines? how are the twins?) and your diversified work (how are the lichens?), can hardly be expected to puzzle out my misfortune in terms of human communion, but you may clarify things for me through the prism of your art.

Yet the pity of it. Curse your art, I am hideously unhappy. She keeps on walking to and fro where the brown nets are spread to dry on the hot stone slabs and the dappled light of the water plays on the side of a moored fis.h.i.+ng boat. Somewhere, somehow, I have made some fatal mistake. There are tiny pale bits of broken fish scales glistening here and there in the brown meshes. It may all end in Aleppo if I am not careful. Spare me, V.: you would load your dice with an unbearable implication if you took that for a t.i.tle.

A FORGOTTEN POET.

1.

IN 1899, in the ponderous, comfortable padded St. Petersburg of those days, a prominent cultural organization, the Society for the Advancement of Russian Literature, decided to honor in a grand way the memory of the poet Konstantin Perov, who had died half a century before at the ardent age of four-and-twenty. He had been styled the Russian Rimbaud and, although the French boy surpa.s.sed him in genius, such a comparison is not wholly unjustified. When only eighteen he composed his remarkable Georgian Nights, a long, rambling "dream epic," certain pa.s.sages of which rip the veil of its traditional Oriental setting to produce that heavenly draft which suddenly locates the sensorial effect of true poetry right between one's shoulder blades.

This was followed three years later by a volume of poems: he had got hold of some German philosopher or other, and several of these pieces are distressing because of the grotesque attempt at combining an authentic lyrical spasm with a metaphysical explanation of the universe; but the rest are still as vivid and unusual as they were in the days when that queer youth dislocated the Russian vocabulary and twisted the necks of accepted epithets in order to make poetry splutter and scream instead of twittering. Most readers like best those poems of his where the ideas of emanc.i.p.ation, so characteristic of the Russian fifties, are expressed in a glorious storm of obscure eloquence, which, as one critic put it, "does not show you the enemy but makes you fairly burst with the longing to fight." Personally I prefer the purer and at the same time b.u.mpier lyrics such as "The Gypsy" or "The Bat."

Perov was the son of a small landowner of whom the only thing known is that he tried planting tea on his estate near Luga. Young Konstantin (to use a biographical intonation) spent most of his time in St. Petersburg vaguely attending the university, then vaguely looking for a clerical job-little indeed is known of his activities beyond such trivialities as can be deduced from the general trends of his set. A pa.s.sage in the correspondence of the famous poet Nekrasov, who happened to meet him once in a bookshop, conveys the image of a sulky, unbalanced, "clumsy and fierce" young man with "the eyes of a child and the shoulders of a furniture mover."

He is also mentioned in a police report as "conversing in low tones with two other students" in a coffeehouse on Nevsky Avenue. And his sister, who married a merchant from Riga, is said to have deplored the poet's emotional adventures with seamstresses and washerwomen. In the autumn of 1849 he visited his father with the special intent of obtaining money for a trip to Spain. His father, a man of simple reactions, slapped him on the face; and a few days later the poor boy was drowned while bathing in the neighboring river. His clothes and a half-eaten apple were found lying under a birch tree, but the body was never recovered.

His fame was sluggish: a pa.s.sage from the Georgian Nights, always the same one, in all anthologies; a violent article by the radical critic Dobrolubov, in 1859, lauding the revolutionary innuendoes of his weakest poems; a general notion in the eighties that a reactionary atmosphere had thwarted and finally destroyed a fine if somewhat inarticulate talent-this was about all.

In the nineties, because of a healthier interest in poetry, coinciding as it sometimes does with a st.u.r.dy and dull political era, a flurry of rediscovery started around Perov's rhymes while, on the other hand, the liberal-minded were not averse to following Dobrolubov's cue. The subscription for a monument in one of the public parks proved a perfect success. A leading publisher collected all the sc.r.a.ps of information available in regard to Perov's life and issued his complete works in one fairly plump volume. The monthlies contributed several scholarly surveys. The commemorative meeting in one of the best halls of the capital attracted a crowd.

2.

A few minutes before the start, while the speakers were still a.s.sembled in a committee room behind the stage, the door opened gustily and there entered a st.u.r.dy old man, clad in a frock coat that had seen-on his or on somebody else's shoulders-better times. Without paying the slightest heed to the admonishments of a couple of ribbon-badged university students who, in their capacity of attendants, were attempting to restrain him, he proceeded with perfect dignity toward the committee, bowed, and said, "I am Perov."

A friend of mine, almost twice my age and now the only surviving witness of the event, tells me that the chairman (who as a newspaper editor had a great deal of experience in the matter of extravagant intruders) said without even looking up, "Kick him out." n.o.body did-perhaps because one is apt to show a certain courtesy to an old gentleman who is supposedly very drunk. He sat down at the table and, selecting the mildest-looking person, Slavsky, a translator of Longfellow, Heine, and Sully-Prudhomme (and later a member of the terrorist group), asked in a matter-of-fact tone whether the "monument money" had already been collected, and if so, when could he have it.

All the accounts agree on the singularly quiet way in which he made his claim. He did not press his point. He merely stated it as if absolutely unconscious of any possibility of his being disbelieved. What impressed one was that at the very beginning of that weird affair, in that secluded room, among those distinguished men, there he was with his patriarchal beard, faded brown eyes, and potato nose, sedately inquiring about the benefits from the proceedings without even bothering to produce such proofs as might have been faked by an ordinary impostor.

"Are you a relative?" asked someone.

"My name is Konstantin Konstantinovich Perov," said the old man patiently. "I am given to understand that a descendant of my family is in the hall, but that is neither here nor there."

"How old are you?" asked Slavsky.

"I am seventy-four," he replied, "and the victim of several poor crops in succession."

"You are surely aware," remarked the actor Yermakov, "that the poet whose memory we are celebrating tonight was drowned in the river Oredezh exactly fifty years ago."

"Vzdor" ("Nonsense"), retorted the old man. "I staged that business for reasons of my own."

"And now, my dear fellow," said the chairman, "I really think you must go."

They dismissed him from their consciousness and flocked out onto the severely lighted platform where another committee table, draped in solemn red cloth, with the necessary number of chairs behind it, had been hypnotizing the audience for some time with the glint of its traditional decanter. To the left of this, one could admire the oil painting loaned by the Sheremetevski Art Gallery: it represented Perov at twenty-two, a swarthy young man with romantic hair and an open s.h.i.+rt collar. The picture stand was piously camouflaged by means of leaves and flowers. A lectern with another decanter loomed in front and a grand piano was waiting in the wings to be rolled in later for the musical part of the program.

The hall was well packed with literary people, enlightened lawyers, schoolteachers, scholars, eager university students of both s.e.xes, and the like. A few humble agents of the secret police had been delegated to attend the meeting in inconspicuous spots of the hall, as the government knew by experience that the most staid cultural a.s.semblies had a queer knack of slipping into an orgy of revolutionary propaganda. The fact that one of Perov's first poems contained a veiled but benevolent allusion to the insurrection of 1825 suggested taking certain precautions: one never could tell what might happen after a public mouthing of such lines as "the gloomy sough of Siberian larches communicates with the underground ore" ("sibirskikh pikht oogrewmyi shorokh s podzemnoy snositsa roodoy").

As one of the accounts has it, "soon one became aware that something vaguely resembling a Dostoyevskian row [the author is thinking of a famous slapstick chapter in The Possessed] was creating an atmosphere of awkwardness and suspense." This was due to the fact that the old gentleman deliberately followed the seven members of the jubilee committee onto the platform and then attempted to sit down with them at the table. The chairman, being mainly intent upon avoiding a scuffle in full view of the audience, did his best to make him desist. Under the public disguise of a polite smile he whispered to the patriarch that he would have him ejected from the hall if he did not let go the back of the chair which Slavsky, with a nonchalant air but with a grip of iron, was covertly wresting from under the old man's gnarled hand. The old man refused but lost his hold and was left without a seat. He glanced around, noticed the piano stool in the wings, and coolly pulled it onto the stage just a fraction of a second before the hands of a screened attendant tried to s.n.a.t.c.h it back. He seated himself at some distance from the table and immediately became exhibit number one.

Here the committee made the fatal mistake of again dismissing his presence from their minds: they were, let it be repeated, particularly anxious to avoid a scene; and moreover, the blue hydrangea next to the picture stand half concealed the obnoxious party from their physical vision. Unfortunately, the old gentleman was most conspicuous to the audience, as he sat there on his unseemly pedestal (with its rotatory potentialities hinted at by a recurrent creaking), opening his spectacle case and breathing fishlike upon his gla.s.ses, perfectly calm and comfortable, his venerable head, shabby black clothes, and elastic-sided boots simultaneously suggesting the needy Russian professor and the prosperous Russian undertaker.

The chairman went up to the lectern and launched upon his introductory speech. Whisperings rippled all over the audience, for people were naturally curious to know who the old fellow was. Firmly bespectacled, with his hands on his knees, he peered sideways at the portrait, then turned away from it and inspected the front row. Answering glances could not help shuttling between the s.h.i.+ny dome of his head and the curly head of the portrait, for during the chairman's long speech the details of the intrusion spread, and the imagination of some started to toy with the idea that a poet belonging to an almost legendary period, snugly relegated to it by textbooks, an anachronistic creature, a live fossil in the nets of an ignorant fisherman, a kind of Rip van Winkle, was actually attending in his drab dotage the reunion dedicated to the glory of his youth.

"... let the name of Perov," said the chairman, ending his speech, "be never forgotten by thinking Russia. Tyutchev has said that Pushkin will always be remembered by our country as a first love. In regard to Perov we may say that he was Russia's first experience in freedom. To a superficial observer this freedom may seem limited to Perov's phenomenal lavishness of poetical images which appeal more to the artist than to the citizen. But we, representatives of a more sober generation, are inclined to decipher for ourselves a deeper, more vital, more human, and more social sense in such lines of his as When the last snow hides in the shade of the cemetery wall

and the coat of my neighbor's black horse

shows a swift blue sheen in the swift April sun,

and the puddles are as many heavens cupped in the Negro-hands

of the Earth,

then my heart goes out in its tattered cloak

to visit the poor, the blind, the foolish,

the round backs slaving for the round bellies,

all those whose eyes dulled by care or l.u.s.t do not see

the holes in the snow, the blue horse, the miraculous puddle.

A burst of applause greeted this, but all of a sudden there was a break in the clapping, and then disharmonious gusts of laughter; for, as the chairman, still vibrating with the words he had just uttered, went back to the table, the bearded stranger got up and acknowledged the applause by means of jerky nods and awkward wavings of the hand, his expression combining formal grat.i.tude with a certain impatience. Slavsky and a couple of attendants made a desperate attempt to bundle him away, but from the depth of the audience there arose the cries of "Shame, shame!" and "Astavte starika!" ("Leave the old man alone!") I find in one of the accounts the suggestion that there were accomplices among the audience, but I think that ma.s.s compa.s.sion, which may come as unexpectedly as ma.s.s vindictiveness, is sufficient to explain the turn things were taking. In spite of having to cope with three men the "starik" managed to retain a remarkable dignity of demeanor, and when his halfhearted a.s.sailants retired and he retrieved the piano stool that had been knocked down during the struggle, there was a murmur of satisfaction. However, the regrettable fact remained that the atmosphere of the meeting was hopelessly impaired. The younger and rowdier members of the audience were beginning to enjoy themselves hugely. The chairman, his nostrils quivering, poured himself out a tumbler of water. Two secret agents were cautiously exchanging glances from two different points of the house.

3.

The speech of the chairman was followed by the treasurer's account of the sums received from various inst.i.tutions and private persons for the erection of a Perov monument in one of the suburban parks. The old man unhurriedly produced a bit of paper and a stubby pencil and, propping the paper on his knee, began to check the figures which were being mentioned. Then the granddaughter of Perov's sister appeared for a moment on the stage. The organizers had had some trouble with this item of the program since the person in question, a fat, popeyed, wax-pale young woman, was being treated for melancholia in a home for mental patients. With twisted mouth and all dressed up in pathetic pink, she was shown to the audience for a moment and then whisked back into the firm hands of a buxom woman delegated by the home.

When Yermakov, who in those days was the darling of theatergoers, a kind of beau tenor in terms of the drama, began delivering in his chocolate-cream voice the Prince's speech from the Georgian Nights, it became clear that even his best fans were more interested in the reactions of the old man than in the beauty of the delivery. At the lines If metal is immortal, then somewhere

there lies the burnished b.u.t.ton that I lost

upon my seventh birthday in a garden.

Find me that b.u.t.ton and my soul will know

that every soul is saved and stored and treasured