Fifty Famous People Part 24

"Caedmon, the keeper of the cows," answered the chief cook.

"Yes, Caedmon! Caedmon!" all shouted together. "A song from Caedmon!"

But when they looked, they saw that his seat was vacant.

"The poor, timid fellow!" said the blacksmith. "He was afraid and has slipped away from us."

II

In his safe, warm place in the straw, Caedmon soon fell asleep. All around him were the cows of the abbey, some chewing their cuds, and others like their master quietly sleeping. The singing in the kitchen was ended, the fire had burned low, and each man had gone to his place.

Then Caedmon had a strange dream. He thought that a wonderful light was s.h.i.+ning around him. His eyes were dazzled by it. He rubbed them with his hands, and when they were quite open he thought that he saw a beautiful face looking down upon him, and that a gentle voice said,--

"Caedmon, sing for me."

At first he was so bewildered that he could not answer. Then he heard the voice again.

"Caedmon, sing something."

"Oh, I cannot sing," answered the poor man." I do not know any song; and my voice is harsh and unpleasant. It was for this reason that I left my fellows in the abbey kitchen and came here to be alone."

"But you _must_ sing," said the voice. "You _must_ sing."

"What shall I sing?" he asked.

"Sing of the creation," was the answer.

Then Caedmon, with only the cows as his hearers, opened his mouth and began to sing. He sang of the beginning of things; how the world was made; how the sun and moon came into being; how the land rose from the water; how the birds and the beasts were given life.

[Ill.u.s.tration: Caedmon signing in the cow byre]

All through the night he sat among the abbey cows, and sang his wonderful song. When the stable boys and shepherds came out in the morning, they heard him singing; and they were so amazed that they stood still in the drifted snow and listened with open mouths.

At length, others of the servants heard him, and were entranced by his wonderful song. And one ran quickly and told the good abbess, or mistress of the abbey, what strange thing had happened.

"Bring the cowherd hither, that I and those who are with me may hear him," said she.

So Caedmon was led into the great hall of the abbey. And all of the sweet-faced sisters and other women of the place listened while he sang again the wonderful song of the creation.

"Surely," said the abbess, "this is a poem, most sweet, most true, most beautiful. It must be written down so that people in other places and in other times may hear it read and sung."

So she called her clerk, who was a scholar, and bade him write the song, word for word, as it came from Caedmon's lips. And this he did.

Such was the way in which the first true English poem was written. And Caedmon, the poor cowherd of the abbey, was the first great poet of England.

THE LOVER OF MEN

In the Far East there was once a prince whose name was Gautama. He lived in a splendid palace where there was everything that could give delight. It was the wish of his father and mother that every day of his life should be a day of perfect happiness.

So this prince grew up to be a young man, tall and fair and graceful.

He had never gone beyond the beautiful gardens that surrounded his father's palace. He had never seen nor heard of sorrow or sickness or poverty. Everything that was evil or disagreeable had been carefully kept out of his sight. He knew only of those things that give joy and health and peace.

But one day after he had become a man, he said: "Tell me about the great world which, you say, lies outside of these palace walls. It must be a beautiful and happy place; and I wish to know all about it."

"Yes, it is a beautiful place," was the answer. "In it there are numberless trees and flowers and rivers and waterfalls, and other things to make the heart glad."

"Then to-morrow I will go out and see some of those things," he said.

His parents and friends begged him not to go. They told him that there were beautiful things at home--why go away to see other things less beautiful? But when they saw that his mind was set on going, they said no more.

The next morning, Gautama sat in his carriage and rode out from the palace into one of the streets of the city. He looked with wonder at the houses on either side, and at the faces of the children who stood in the doorways as he pa.s.sed. At first he did not see anything that disturbed him; for word had gone before him to remove from sight everything that might be displeasing or painful.

Soon the carriage turned into another street--a street less carefully guarded. Here there were no children at the doors. But suddenly, at a narrow place, they met a very old man, hobbling slowly along over the stony way.

"Who is that man?" asked Gautama, "and why is his face so pinched and his hair so white? Why do his legs tremble under him as he walks, leaning upon a stick? He seems weak, and his eyes are dull. Is he some new kind of man?"

"Sir," answered the coachman, "that is an old man. He has lived more than eighty years. All who reach old age must lose their strength and become like him, feeble and gray."

"Alas!" said the prince. "Is this the condition to which I must come?"

"If you live long enough," was the answer.

"What do you mean by that? Do not all persons live eighty years--yes, many times eighty years?"

The coachman made no answer, but drove onward.

They pa.s.sed out into the open country and saw the cottages of the poor people. By the door of one of these a sick man was lying upon a couch, helpless and pale.

"Why is that man lying there at this time of day?" asked the prince.

"His face is white, and he seems very weak. Is he also an old man?"

"Oh, no! He is sick," answered the coachman. "Poor people are often sick." "What does that mean?" asked the prince. "Why are they sick?"

The coachman explained as well as he was able; and they rode onward.

Soon they saw a company of men toiling by the roadside. Their faces were browned by the sun; their hands were hard and gnarly; their backs were bent by much heavy lifting; their clothing was in tatters.

"Who are those men, and why do their faces look so joyless?" asked the prince. "What are they doing by the roadside?"

"They are poor men, and they are working to improve the king's highway," was the answer.

"Poor men? What does that mean?"