The Wishing Moon Part 22

There was much that might have increased her mother's concern for her in her face, if you could interpret it fully; sometimes the eyes suggested a fair proportion of the hundred years her mother had credited her with, sometimes there was dawning fear in them, and sometimes an inconsequent, gipsy light; sometimes her soft lips trembled pitifully, and sometimes they smiled. Always it was a lovely face, rose flushed and eager in the rosy light, and always something was evident which was enough to account for her mother's concern and for more concern than her mother was capable of feeling; Miss Judith Devereux Randall was growing up.

Whatever questions occupied her answered themselves in a satisfactory way at last, even an amusing way, for her smile had come to stay and her eyes were dancing, when she jumped up from the chaise-longue at last, turned on more lights, opened closets and bureau drawers all at once, dropped various hastily chosen and ill-a.s.sorted articles on the immaculate counterpane of her bed, and began to dress.

She dressed without a glance into the mirror, and without need of it, it appeared, when she stood before it at last, pulling a left-over winter tam over rebellious curls which she had made no attempt to subdue. She had b.u.t.toned herself hastily into the dress she had taken off last, a tumbled organdy, and thrown a disreputable polo coat over it, white like the cap, but of more prehistoric date, but on her slender person these incongruous garments had acquired a harmony of their own, and become a costume somehow. It might not have withstood a long or critical inspection, but it was not subjected to one. Youth, in its divinely suited garb of white, regarded itself with grave eyes for one breathless minute, flushed and coquetted with itself for another, and then was gone from the mirror. Judith turned off the lights and stole out of the room, and downstairs.

There was nothing in the dark and empty house to frighten her. It must have been fear of whatever was before her that made her slip so softly across the hall, and tremble and stand still when the door chain rattled. The door was open at last. With a soft, inarticulate gasp of excitement, she stepped out into the May night.

Colonel Everard had an ideal night for the little dance in his garden, warm, but with a quiver of new life in the air. The May moon was in its last quarter, but lanterns were to supplement it. But the Colonel's guest of honour, pausing at the corner of Main Street and looking sharply to left and right, and then turning quickly off it, found very little light on the narrow and tree-fringed cross-street through which she was hurrying now but the moon.

It hung slender and pale and low above the ragged row of little houses, and seemed to go with her through the dark, but she took no notice of its companions.h.i.+p. The street was deserted, and the tap of her little heels sounded disconcertingly loud in the emptiness of it as she hurried on, turning from the narrow street into a narrower one.

This street had only one real end; pending the appropriation needed to carry it straight through, witheld by agencies which could only be connected by guess with Colonel Everard, it led feebly past a few houses which were nearly all untenanted and looked peculiarly so to-night, to a clump of alders at the edge of an unpenetrated wood lot, where it had paused. Just in front of it the girl paused, too.

Her small, white-coated figure was only dimly to be seen in the dark of the street; the group in the shadow of the trees was harder to see, but it moved; a horse pawed the ground impatiently, the boy in the buggy leaned forward and spoke to him. Then Judith started uncertainly toward him, and spoke softly, in the arrogant phrasing of lovers, to whom there is only one "you" in the world:

"Is that you?"

"Is it you?" the boy's voice came hoa.r.s.e through the dark. "I thought you weren't coming. I waited an hour for you yesterday on the Rock."

"I couldn't help it. I oughn't to be here now, and I almost didn't come, but I thought we'd have to-night. Neil, you hurt my hand. Be nice to me."

She was standing close beside him now, and they could see each other's faces, white and strange in the dark, but the boy's looked whiter, and his breath came oddly, in irregular gasps. He held both her hands in his, but he did not bend down to her, nor kiss her.

"What makes you look so queer? I don't like you. Be nice to me." There was something terribly wrong with the smug little phrases, or with any words at all just then, there in the heart of the silent dark, and facing the strangeness of the boy's eyes; words failed her suddenly, and she pulled her hands away, and hid her face in them. "I won't go with you--I'll go home, if you aren't nice to me--if----"

"You can't go home now." There was something in the boy's voice that was like the fierce clasp of his hands, something from which it was not so easy to escape. "It might be better if you hadn't come, better for both of us, but you can't go back now. It's too late. Yes, we'll have to-night. Get in, Judith."

CHAPTER ELEVEN

"Get in, Judith."

"I won't go. You can't make me."

The boy did not answer or move. Boy and buggy and horse--Charlie Brady's ancient chestnut mare, not such a dignified creature by daylight, but high shouldered and mysterious now against the dark of the grove--might all have been part of the surrounding dark, they were so still, and Judith's little white figure was motionless, too.

Judith stood looking up at the boy for one long, silent minute. Such minutes are really longer than other minutes, if you measure them by heartbeats, and how else are you to measure them? Strange, breathless minutes, that settle grave questions irrevocably by the mere fact of their pa.s.sing, whether you watch them pa.s.s with open eyes or are helpless and young and vaguely afraid before them; helpless, but full of the untaught strength of youth, which works miracles without knowing how or why.

"Get in," said the boy, very softly this time, so that his voice just made itself heard through the dark; it was like part of the dark, caressing and hushed and secret, and not to be denied. With a soft little laugh that was attuned to it, Judith yielded suddenly, and slipped into the carriage beside him, drawing the robe tight round her, and settling into her corner, all with one quick, nestling motion, like a bird perching.

"Where are we going?" she said rather breathlessly, "Hurry. Let's go a long, long way."

"All right. Don't be frightened, Judith."

"Frightened?"

He did not answer. Charlie's horse, debarred from its destined career by bad driving, that broke its wind in its first race, but of sporting ancestry and unable to forget it, especially when Charlie's adventures in the Green River under-world cheated it of exercise too long, was remembering it now, and bolting down the hilly little street, settled at last into a jerky and tentative gait with the air of accepting their guidance until it could arrange further plans, but remembering its ancestry still.

"Splendid," Judith breathed. "Keep off Main Street."

"Yes."

The ancient vehicle, well oiled, but rattling faintly still, swung alarmingly close to one street corner lamp-post and then another. Judith nestled almost out of sight in her corner. Neil leaned forward, gripping the reins with an ungloved hand that whitened at the knuckles, his dark eyes looking straight ahead. His brooding eyes and quiet mouth, and even the whiteness of his face had something unfamiliar about them, something that did not all come from the unhealthy light of the street lamps, something strange but unaccountably charming, too. Judith had no eyes for it just then.

"This is silly. I ought not to have come. Who's that?"

"n.o.body. Just a tree. Sit still. We'll go under the railroad bridge and out over Grant's Hill. There won't be any more lights."

"It looked like some one."

"What do you care?"

"It looked like your cousin Maggie."

"She's at home in bed. She was tired to-night."

"Oh. Well, it looked like her. It was silly to come. I never shall come again."

As if this were not a new threat, or had for some reason lost it terrors to-night, the boy did not contradict her. They had left track and railroad bridge behind now, darker blots against the surrounding dark, with the lights of the station showing faintly far down the track. They were pa.s.sing the last of the houses that straggled along the unfas.h.i.+onable quarter above the railroad track. Most of the houses here were dark now. In the Nashs' windows the last light puffed suddenly out as they went by.

Down in the town behind them other sleepy little lights were burning faintly, or going out, but ahead of them the faintly moonlit road looked wide-awake. It was an alluring road. It dipped into wooded hollows, it broke suddenly into arbitrary curves and windings but found its way out again, and kept on somehow, and gradually lifted itself higher and higher toward the crest of the hill five miles away that you reached without ever seeming to climb it, to be confronted all at once with the only real view between Wells and Green River.

"I used to think Grant's Hill was the end of the world," said Judith softly. "Maybe it is. It's funny I can say things like that to you, when you only laugh and won't answer. Listen. Isn't it still, so still it almost makes a noise."

It was very still. You could feel the pulse of the night here. There was a whisper and stir of life in the rustling trees when the road crossed some belt of woods; there was a look of blind, creeping life about the cl.u.s.tering shadows in stretches of moonlight, and the low-hanging moon above the dark fields they pa.s.sed was a living thing, too, the most alive of all. Judith stirred in her corner, and turned and looked at it.

"It's sweet," she said. "And it's ours. It's still May. But we can't wish on the moon now; it's too late. And I don't want to wish, I'm so comfortable. Aren't you? Well, you needn't answer, then, and you needn't hold my hand." She had felt for a hand that avoided hers. With a sleepy, satisfied laugh, like a petted kitten purring, she settled herself again, with her head against an unresponsive shoulder, and pulled an unresponsive arm round her waist.

"You aren't as soft as the cus.h.i.+ons--not nearly. You're pretty hard, but I like you. I was afraid to come, but now----"

"Now what?"

"There's nothing to be afraid of. I'm so happy. There's n.o.body in the world but you and me. Neil, I'm going to sleep."

"All right. Shut your eyes, then, and don't keep staring at me. What makes your eyes so bright?"

[Ill.u.s.tration: "'_Shut your eyes_'"]

"You."

"Shut your eyes."

"All right. n.o.body but you and me."

They were really alone in the world now, alone in the heart of the night. Their little murmur of talk, so low that they could just hear it themselves, had been such a tiny trickle of sound that it did not quite break the silence, and now it had died away. Asleep or awake, the girl was quite still, with her cheek pressed against the boy's shoulder, and her long-lashed eyes tight shut. The horse carried them over the moonlit road at a rate of speed that did not seem possible from its strange, loping gait. The effect of it was uncanny.