Elson Grammar School Literature Part 33

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Locate the scene of this story on your map.

How does the hero account for his apparent age?

What do you learn from Jonas Ramus's description of the whirlpool?

How does the "Encyclopedia Britannica" account for the vortex?

What was the theory of Kircher?



Briefly relate in your own words the hero's story of his experience in the Maelstrom.

What tempted him into the whirlpool?

Account for his miscalculation as to the time of the slack.

What three observations did the hero make?

How did he make his escape?

From this story what do you think of Poe's powers of imagination and description?

What other authors have you read that have similar powers?

Words and Phrases for Discussion.

"circ.u.mstantial"

"bleak-looking"

"double-reefed"

"gyrating"

"prodigious"

"impetuosity"

"promontory"

"encompa.s.sed"

"inevitably"

"deplorably desolate"

"gleaming spray"

"boisterous rapidity"

"fruitless struggles"

"desperate speculation"

"terrific grandeur"

"frenzied convulsions"

"precipitous descents"

"sufficiently plausible"

"belt of foam"

"collision of waves"

"flood of golden glory"

"wild waste of liquid ebony"

"chaos of foam"

"the gyrations of the whirl"

THE RAVEN

EDGAR ALLAN POE

Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore,-- While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door.

"'Tis some visitor," I muttered, "tapping at my chamber door: Only this and nothing more."

Ah, distinctly I remember it was in the bleak December, And each separate dying ember wrought its ghost upon the floor.

Eagerly I wished the morrow;--vainly I had sought to borrow From my books surcease of sorrow--sorrow for the lost Lenore, For the rare and radiant maiden whom the angels name Lenore: Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain Thrilled me--filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating "'Tis some visitor entreating entrance at my chamber door, Some late visitor entreating entrance at my chamber door: This it is and nothing more."

Presently my soul grew stronger; hesitating then no longer, "Sir," said I, "or Madam, truly your forgiveness I implore; But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you"--here I opened wide the door:-- Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortal ever dared to dream before; But the silence was unbroken, and the stillness gave no token, And the only word there spoken was the whispered word, "Lenore?"

This I whispered, and an echo murmured back the word, "Lenore": Merely this and nothing more.

Back into the chamber turning, all my soul within me burning, Soon again I heard a tapping somewhat louder than before.

"Surely," said I, "surely that is something at my window lattice; Let me see, then, what thereat is, and this mystery explore; Let my heart be still a moment and this mystery explore: 'Tis the wind and nothing more."

Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately Raven of the saintly days of yore.

Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door, Perched upon a bust of Pallas just above my chamber door: Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling By the grave and stern decorum of the countenance it wore,-- "Though thy crest be shorn and shaven, thou," I said, "art sure no craven, Ghastly grim and ancient Raven wandering from the Nightly sh.o.r.e: Tell me what thy lordly name is on the Night's Plutonian sh.o.r.e!"

Quoth the Raven, "Nevermore."

Much I marveled this ungainly fowl to hear discourse so plainly, Though its answer little meaning--little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blessed with seeing bird above his chamber door, Bird or beast upon the sculptured bust above his chamber door, With such name as "Nevermore."

But the Raven, sitting lonely on the placid bust, spoke only That one word, as if his soul in that one word he did outpour, Nothing further then he uttered, not a feather then he fluttered, Till I scarcely more than muttered,--"Other friends have flown before; On the morrow he will leave me, as my Hopes have flown before."

Then the bird said, "Nevermore."

Startled at the stillness broken by reply so aptly spoken, "Doubtless," said I, "what it utters is its only stock and store, Caught from some unhappy master whom unmerciful Disaster Followed fast and followed faster till his songs one burden bore: Till the dirges of his Hope that melancholy burden bore Of 'Never--nevermore.'"

But the Raven still beguiling all my fancy into smiling, Straight I wheeled a cus.h.i.+oned seat in front of bird and bust and door; Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy, thinking what this ominous bird of 'yore, What this grim, ungainly, ghastly, gaunt, and ominous bird of yore Meant in croaking "Nevermore."

This I sat engaged in guessing, but no syllable expressing To the fowl whose fiery eyes now burned into my bosom's core; This and more I sat divining, with my head at ease reclining On the cus.h.i.+on's velvet lining that the lamp-light gloated o'er, But whose velvet violet lining with the lamp-light gloating o'er She shall press,' ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer Swung by seraphim whose foot-falls tinkled on the tufted floor.

"Wretch," I cried, "thy G.o.d hath lent thee by these angels he hath sent thee Respite--respite and nepenthe from thy memories of Lenore!

Quaff, oh, quaff this kind nepenthe, and forget this lost Lenore!"

Quoth the Raven, "Nevermore."

"Prophet!" said I, "thing of evil! prophet still, if bird or devil!

Whether Tempter sent, or whether tempest tossed thee here ash.o.r.e, Desolate yet all undaunted, on this desert land enchanted On this home by Horror haunted--tell me truly, I implore: Is there, is there balm in Gilead?--tell me--tell me, I implore!"

Elson Grammar School Literature Part 33

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Elson Grammar School Literature Part 33 summary

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