Over the Fireside with Silent Friends Part 2

It cannot be to see clothes, because the most you see, as a rule, is a white skirt and blouse and a brown neck all peeling with the heat!

They must go there, then, because to go on the pier is all part and parcel of the seaside habit--and an English seaside, anyway, is one big bunch of habits, from the three-mile promenade of unsympathetic asphalt, with its backing of houses in the Graeco-Surbiton style, to the railway station at the back of the town, where antiquated "flies"

won't take anybody anywhere under half-a-crown. It belongs, I suppose, to that strain of fidelity which runs through the British "soul"--a fidelity which finds expression in facing death sooner than forego roast beef on Sunday, and will applaud an old operatic favourite until her front teeth drop out. It is all very laudable, but it has its "trying" side. One becomes rather tired of the average seaside resort, which is built and designed rather as if the "authorities" believed that G.o.d made Blackpool on the Seventh Day, and it was their religious duty to erect replicas of His handiwork up and down the coast. And under this delusion piers, I suppose, were born.

Well, certainly they are convenient to throw yourself off the end of them. Happily--or unhappily, whichever way you look at it--the town council never seem to know quite what to do with them. Beside the penny fair and the bra.s.s band, they only seem to be the haven of rest for fifth-rate theatrical touring companies, who manage to pay for their summer outing in the theatre erected at the end. Otherwise their importance consists chiefly in being a convenient place for the "flapper" to "meet mother," and to carry on a violent flirtation, without the slightest danger, with any Gay Lothario in lavender socks who kind o' tickles them with his eyes and makes them giggle. But for myself, who have no mamma to meet, nor any desire to flop about with "flappers," piers are deadly things. Their great excitement is when the sea washes half of them away at a moment when, apparently, five thousand people living in boarding-houses had only just vacated them.

And sometimes even that miraculous escape seems a pity! What do you think?

_Visitors_

I always think that visitors are charming "interruptions." They are delightful when they arrive; they are equally delightful--perhaps more so--when they go. Only on the third day of their visit are they tiresome, and their qualities distinctly below the par we expected.

Almost anybody can put up with almost anybody for three days. There is the delight of showing him over the house, bringing out all our treasures and listening the while our visitor shows us his envy (or his hypocrisy) by his compliments; there is the pleasure of taking him round the garden and pointing out our own pet plants and bulbs. Even the servants can keep smiling through three days of extra work. But the second night begins to see us becoming exhausted. We have said everything we wanted to say. We have taken him up to the attic and to the farthest ends of the pig sty, we have laid down the law concerning our own pet enthusiasms and tolerated him while he told us about his own. But a sense of boredom begins to creep into our hearts at the end of the second evening, which, if there were not the pleasure of bidding him "Good-bye" on the morrow to keep our spirits up, would end in exasperation to be fought down and a yawn to be suppressed. The man who invented "long visits" ought to be made to spend them for the rest of his life as a punishment. There is only one thing longer--though it sounds rather like a paradox to say so--and that is a "long day." To "spend a long day" with anyone sees both you and your hostess "sold up"

long before the evening. Happily, that infliction is a country form of entertainment, and is reserved princ.i.p.ally for relations and family friends who might otherwise expect us to ask them for a month.

You see, most of us are creatures possessing habits as well as a liver.

Visitors are a fearful strain on both--after forty-eight hours. The strain of appearing at our most hospitable and best--from the breakfast egg in the morning to the "nightcap" at night--is one which only those who are given a bed-sitting-room and a door with a key in it can come through triumphantly. Visitors usually have nothing to do, while we have our own work--and the two can rarely mate for long. Of course, there are visitors who seem born with a gift for visiting; they give us of their brightest and best for forty-eight hours and have "letters to write" up in their bedroom during most of the subsequent days of their sojourn. Also there are hostesses who seem born with the "smile of cordiality" fixed on to their mouths. They also give of their best and brightest for forty-eight hours and then, metaphorically, give their guests a latch-key and a time-table of meals, and wash their hands of them until they meet again on the door-step of "farewell." But the majority of visitors seem incapable of leading their own lives in any house except their own. They follow you about and wait for you at odd corners, until you are either driven to committing murder or going out to the post-office to send a telegram to yourself killing off a great aunt and giving an early date for her funeral. Also there are some hostesses who cannot let their guests alone; who must always be asking them "What are they going to do to-day," or telling them not to forget that Lady Sploshykins is coming to tea especially to meet them!

Frantic for our entertainment, they invite all the dull people of the neighbourhood to meals, and drag us along with them to the dull people's houses on the exchange visit. They are always terrified that we are "feeling it dull," whereas the dulness really comes of our not being allowed to stupefy in peace.

"Never outstay your welcome" is one of the social adages I would impress upon all young people; and "Be extremely modest concerning the length to which that welcome would be likely to extend" is an addenda to it. Failing any other calculation, forty-eight hours of being a "fixture" and twelve hours of packing up are generally the safe limit.

Following that advice, you will generally enjoy the dullest visit and will want to come again; following that advice, also, your hostess will enjoy seeing you and hope you will. Not to follow it is to risk losing a friend. Everybody hates the visitor who comes whenever he is asked and stays far too long when he arrives.

_The Unimpa.s.sioned English_

I have just been to see the latest musical comedy. Of course, I feel in love with the heroine. Could I help myself? Even women have fallen in love with her--so what chance has a mere male, and one at the dangerous age at that? But what struck me almost as much as the youthful charm and cleverness of the new American "star" and the invigoratingly "catchy" music, was the way in which _all the young men on the stage put both their hands into their trouser pockets the moment they put on evening clothes_! They didn't do it in their glad day-rags . . . or, at least, only one hand at a time, anyway. But immediately they appeared _en grande tenue_, both their hands disappeared as if by magic! _C'etait bien drole, j'vous a.s.sure!_ Perhaps . . . who knows?

. . . they were but counting their "moneys." . . . For the chorus ladies are certainly rather attractive, and even a svelte figure _has been known_ to hold a big dinner! But the fact still remains . . . if one night some wicked dresser takes it into his evil head to st.i.tch up their trouser pockets, every one of the young men will have to come on and do physical "jerks," or go outside and cut his own arms off!

But then, most Englishmen seem at a loss to know what to do with their limbs when they are not using them for anything very special at the moment. Have you ever sat and watched the "niggly" things which people--especially Englishmen--do with their hands when they don't know what to do with them otherwise? It is very instructive, I a.s.sure you.

I suppose our language does not lend itself to anything except being spoken out of our mouths. Unlike Frenchmen, we have not learnt to talk also with our hands. We consider it "bad form" . . . _like scratching in public where you itch_! Well, perhaps our decision in this respect has added to the general fun of existence. In life's everyday, one doesn't notice these things, maybe. One has become so habituated to "Father" drumming "Colonel Bogey" on the chair-arm; or "Little Willee"

playing "shakes" with two ha'pennies and a pen-knife--that one has ceased to pay any attention to these minor irritations. And, when we are among strangers, we are so busy watching that people don't put _their_ hands into _our_ pockets, that we generally put our own hands into them for safety. . . . Which, perhaps, accounts for the Englishman's habit . . . who knows?

But on the stage, this custom is an almost mesmeric one to watch. We certainly do see other people at a disadvantage when they are strutting the Boards of Illusion . . . men especially. But to a foreigner, who is not used to seeing a man's hands disappear the moment he is asked to stand up, the sight must come with something of a shock. For my own part, I think his amazement is justified. Surely G.o.d gave a man two hands for other needs than to pick things up with or hide them?

Personally, I always think that it is a thousand pities that men are not expected to knit. They grew up to be idle in the drawing-room, I suppose, in times when every other woman was a "Sister Susie." But the "Sister Susie" species is nowadays almost extinct. It requires a German offensive to drive the modern woman towards her darning needles.

In a recent literary compet.i.tion in EVE, the subject was "Bores, and how to make the best of them." Well, personally, I could suffer them--if not more gladly, at least with a greater resignation--if I were allowed to recite, "Two plain; one purl" so long as their infliction lasted. As it is, I am left with nothing else to do except furtively to watch the clock, and secretly to ring up "OO Heaven" to send down a bombing party to deliver me.

Men of the Latin races are far more wise in this respect. If you tied the hands of a Frenchman, or an Italian, or even a Spaniard, up behind his back, the odds are he would be struck dumb! But we Englishmen--we only seem able to become eloquent when, as it were, we have voluntarily placed our own hands into the handcuffs of our own trouser pockets.

Even Englishwomen are singularly un-self-revealing with anything except their tongues. You have only to watch an Englishwoman singing to realise how extremely limited are her powers of expression. She places both hands over her heart to represent "Love," and opens them wide to ill.u.s.trate every other emotion.

And this self-restriction--especially when you can't hear what she is singing about, which is not seldom--leads more quickly to the wrinkles of perplexity than even does the problem of how to circ.u.mvent the culinary soarings of Mrs. Beaton, and yet obtain the same results . . .

with eggs at the price they are! If some producing genius had not conceived the idea of ending off nearly every musical-comedy song with a dance, and yet another genius of equally enviable parts had not created the beauty chorus, I don't know how many a prima donna of the lighter stage would ever be able to get through her own numbers. For, to dance at the end of her little ditty, and to have the chorus girls relieve her of further action at the end of the first verse, brings as great a relief to her as well as to the audience, as do his trouser pockets to the young man who makes-believe to love her for ever and for ever . . . and then some, on the stage.

And, because we have taken the well-dressed "poker" as our ideal of masculine "good form" in society, English men and women always seem to exude an atmosphere of "slouching" indifference to everything except their G.o.d--and football. It has such a very chilling effect upon exuberant foreigners when they run up against it. Emotionally, I am sure we are as developed as any other nation . . . look at our poetry, for example! But we have so long denied the right to express it, that we have forgotten how it should be done.

"_I shall love you on and on . . . throughout life; after death; until the end of eternity . . . !_" declares the impa.s.sioned Englishman, the while he carelessly shakes the dead-end off his cigarette on to somebody else's carpet.

"_And for you, Egbert, the world will be only too well lost. I will willingly die with you . . . at any time most convenient to yourself,_"

answers his equally-impa.s.sioned mistress, gently replacing an errant kiss-curl behind her left ear.

Well, I suppose it does take another Englishman to realise that these two are preparing for a _crime pa.s.sionel_. But a simple foreigner, more used to the violence of the "movies" in everyday life than we are, might be excused if he merely believed them to be protesting a preference for prawns in aspic over prawns without.

Not, however, that it really matters . . . so long as the lovers, like Maisie, "get right there" at the finish. For, after all, does not pa.s.sion mostly end in the same kind of old "tripe" . . . either here in England or . . . well, let us say . . . the tropics?

_Relations_

Our Relations are a race apart. They are not often our friends; rarer still are they our enemies. They are just "relations"--men and women who treat our endeavours towards righteousness with all the outspoken hostility of those who dislike us, whom yet we do not want to quarrel with because then there may be n.o.body left except the village doctor to bury us.

Relations always seem to know us too little, and too well. The good in us is continually warped by the bad in us--which, in parenthesis, is the only one of our secrets relatives ever seem able to keep. To tell the world of our faults would be like throwing mud at the family tree.

Moreover, relations always seem born with long memories. There is no one in this world who remembers quite so far back, nor quite so vividly, as a mother-in-law. And one's relations-in-law are but one's own relations in a concentrated and more virulent form. And yet everybody is somebody's relation. You consider that remark trite, perhaps? Well, "trite" it undoubtedly is, and yet it is extremely difficult to realise. The middle-aged woman whom you find so charming, so sympathetic, so very "understanding," may send her nephews and nieces fleeing in all directions the moment she appears among them.

The man you look upon as being an insufferable bore may still be Miss Somebody-or-other's best beloved Uncle John. It is so hard to explain.

It is almost as hard to explain as the charm of the man your closest woman-friend marries. What she can see in him you cannot for the life of you perceive, while he, on his part, secretly wonders why the woman he loves ever sought friends.h.i.+p with such a pompous, dull a.s.s as you are. Love is blind, so they say. Well, so is friends.h.i.+p--so are relations--blind to everything except your faults.

Another odd thing about relations is that only very rarely can you ever make friends with them. At best, your intimacy amounts to nothing more than a truce. You are extremely lucky if it isn't open warfare. They know at once too little about you and too much. They never by any chance acknowledge that you have changed, that you are a better man than once you were. What you have once been, in their opinion, you will always be--so help-them-heaven-to-hide-the-wine-cellar-key! You may change your friends as you "grow out" of them, or they "grow out"

of you; but your relations are for ever immutable. The friends of your youth you have sometimes nothing in common with later on, except "memories"; and except for these "memories" there is little or no tie between you. But the "memories" of friends centre around pleasant things, whereas the "memories" of relations seem to specialise at all times in the disagreeable. Moreover, relations will never acknowledge that you have ever really _grown up_. This is one of their most tiresome characteristics. To them you will always be the little boy who forgot to write profusive thanks for the half-a-crown they gave you when you first went to school. You can always tell the man or woman who live among their relatives. They possess no individuality, no "vision"; they are narrow, self-centred, pompous, clannish--with that clannishness which means only complete self-satisfaction with the clan.

They take their mental and moral "cue" from the oldest generation among them. The younger members are, metaphorically speaking, patted on the head and told to believe in grandpapa as they believe in G.o.d.

No, the great benefit of having relations is to come back to them. To visit them is like stirring up once more the memories of your lost youth, which time and distance have rendered faint. And to return once more to one's youth is good for every man. It makes him realise himself, and the "thread" which has been running through his life linking all the incidents together. And, as I said before, relations are agreeable adjuncts at your own funeral, since you may always depend upon them saying nice things about you when it's too late for you to hear them. Friends will never do that. They don't need to. They carry your epitaph with them written on their own hearts. The "nice"

things have been said--they have been said to YOU.

_Polite Conversation_

A man may live to be a hundred; he may have learnt to speak twelve different languages--all badly; he may know, in fact, everything a man ought to know, and have done everything a man ought to have done; but one thing he probably won't have learnt--or, if he has done so, then he ought to be counted among the Twelve Apostles and other "wonders"--and that is the fact that, what interests him enormously to talk about won't necessarily be anything but a bore for other people to listen to.

Most people talk a great deal and tell you absolutely nothing you want particularly to know. The man or woman who can talk _impersonally_ is as rare as a psychic phenomenon when you want to see it but won't _pay for_ a manifestation! Most people can talk of nothing but themselves because nothing else really interests them. I don't mean to say that they boast, but, what they talk about is purely their own personal affair--ranging from golf to grandchildren. That is what makes dogs the most sympathetic listeners in the world. Could they speak, I fear me they would only tell us about their puppies, or of their new bone, or of the rat they worried to death the last time they scampered through the wood. Cats are far more egotistical, and consequently far more human. They can't talk, it is true; neither can they listen. By their manner we know exactly what interests them at the moment, and if they appear to sympathise with us, it is only because what we want at the moment fits in admirably with their own desires. And so many people are just like cats in this. They invite us to their houses, presumably because they desire our company, but, in reality, in order that they may relate to us at length the incidents, big or small, which have marked the calendar of their recent very everyday existence.

But we, on our side, are not without our means of revenge. We invite them back again, under protestations of friends.h.i.+p, and, when we have got them, and, as it were, chained them down with the fetters of politeness, we relate to them in our turn everything which has happened to us and ours. We never ask ourselves if our children, or our cook, or our new hat, or our next summer holiday can interest anybody outside the radius of their influence. We demand another human being to smile when we smile, show anger when we show anger, echo our own admiration for our new hat, and generally retrace with us our life in retrospect and journey with us into the problematical future. For, as I said before, the wisdom which realises that the incidents of our own life need not--very probably do not, although they may be too polite to show it--interest other people, is the rarest wisdom of all. Most people will never, never learn it. And the more people love their own affairs, the more they seek the world for listeners whom, as it were, they may devour. They usually have hundreds of intimates, and boast at Christmas of having sent off a thousand cards! As a matter of fact, they very probably have not one real friend. But that does not trouble them. They don't require friends.h.i.+p. They only need, as it were, a perpetual pair of ears into which to pour the trivialities of their daily life. Personally, I get so tired of listening to stories of children I have never seen; golfing "yarns" which I have heard before; servants--all as bad as each other; Lloyd George; new clothes; ailments; what Aunt Emily intends to do with last year's frock, and of little Flora's cough. I wish it were the fas.h.i.+on for people to ask their friends to _do_ something, instead of securing their society, with nothing to do with it when they've got it, except to offer hours for conversation with literally nothing to say on either side. I should like to read a book in company, it is nice to work in company; a visit to a theatre with a congenial companion is delightful--and this, of course, applies to concerts, lectures, picture galleries, even shopping. But the usual form of friendly entertainment is a deadly thing. Only a cook, who at the same time is an artist, can make them possible. For you can endure hours of little other than the personal note in conversation with the compensation of a culinary _chef'

d'oeuvre_ in front of you. That is why you so often hear of a "perfectly charming woman with a simply wonderful cook." It's the cook, I fancy, who is the real charmer.

_Awful Warnings_

Old Age is bad enough, but a dyspeptic Old Age--that surely is fate hitting us below the belt! For with advancing years the love of adventure leaves us; the "Love of a Lifetime" becomes to us of more real consequence than our pet armchair--but the _love of a good dinner_, that, at least, can make the everyday of an octogenarian well worth living. Young people little realise the awful prophecy implied in that irritating remark--"Don't gobble!" There is another one, almost equally irritating to youth--"Go and change your socks!" But, if the truth must be told, you regret the "No" you said to Edwin when he asked you to "fly with him"; the louis you failed to place _en plein_ on thirty-six, which you _felt_ was coming up, infinitely less than that you still persisted to "gobble" when you were warned not to, and you failed to change your socks while there was yet time. Now it is too late, alas! How true it is, the saying--"If Youth knew how, and Age only could." The trouble is that, when elderly people would warn youth, they rarely ever give concrete examples. They always imply some _moral_ loss which will happen to young people if they do not follow their elders' advice. But youth would be far more impressed if age drew a vivid picture of their own physical and digestive decrepitude.

But, of course, age won't do that. Why should it? No one likes to think that their "every movement tells a story."

Personally, I can foresee a new profession open to those elderly people who are the victims of their own early indiscretions. Why should they not tour the country as a collection of _awful warnings_! Fancy the joy there would be in the hearts of all those who, as it were, stand bawling at the cross-roads that the "narrow path" is the broader one in the long run, if they woke up and saw on the h.o.a.rdings some such announcement as this:--

Coming! Coming!! Coming!!!