In the Mountains Part 19

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There's no safety in love. You risk the whole of life. But the great thing _is_ to risk--to believe, and to risk everything for your belief.

And if there wasn't anything there, if it was you all by yourself who imagined the beautiful kind things in the other one, the wonderful, generous, beautiful kind things, what does it matter? They weren't there, but _you_ for once were capable of imagining them. You _were_ up among the stars for a little, you _did_ touch heaven. And when you've had the tumble down again and you're scrunched all to pieces and are just a miserable heap of blood and brokenness, where's your grit that you should complain? Haven't you seen wonders up there past all telling, and had supreme joys? It's because you were up in heaven that your fall is so tremendous and hurts so. What you've got to do is not to be killed. You've got at all costs to stay alive, so that for the rest of your days you may go gratefully, giving thanks to G.o.d that once ... you see,' I finished suddenly, 'I'm a great believer in saying thank you.'

'Oh,' said Dolly, laying her hand on my knee and looking at me very kindly, 'I'm so glad!'

'Now what are you glad about, Dolly?' I asked, turning on her and giving my hat a pull straight. And I added, my chin in the air, 'Those dead women of yours in their dead world, indeed! Ashamed of themselves--that's what they ought to be.'

'You're cured,' said Dolly.

'Cured,' I echoed.

I stared at her severely. 'Oh--I see,' I said. 'You've been drawing me out.'

'Of course I have. I couldn't bear to think of you going on being unhappy--hankering--'

'Hankering?'

Dolly got up. 'Now let's go home,' she said. 'It's my turn to carry the basket. Yes, it's a horrid word. n.o.body should ever hanker. I couldn't bear it if you did. I've been afraid that perhaps--'

'Hankering!'

I got up too and stood very straight.

'Give me those grapes,' said Dolly.

'Hankering!' I said again.

And the rest of the way home, along the cool path where the dusk was gathering among the bushes and the gra.s.s was damp now beneath our dusty shoes, we walked with heads held high--hankering indeed!--two women surely in perfect harmony with life and the calm evening, women of wisdom and intelligence, of a proper pride and self-respect, kind women, good women, pleasant, amiable women, contented women, pleased women; and at the last corner, the last one between us and Mrs. Barnes's eye on the terrace, Dolly stopped, put down the basket, and laying both her arms about my shoulders kissed me.

'Cured,' she said, kissing me on one side of my face. 'Safe,' she said, kissing me on the other.

And we laughed, both of us, confident and glad. And I went up to my room confident and glad, for if I felt cured and Dolly was sure I was cured, mustn't it be true?

Hankering indeed.

_September 21st._

But I'm not cured. For when I was alone in my room last night and the house was quiet with sleep, a great emptiness came upon me, and those fine defiant words of mine in the afternoon seemed poor things, poor dwindled things, like kaisers in their night-gowns. For hours I lay awake with only one longing: to creep back,--back into my shattered beliefs, even if it were the littlest corner of them. Surely there must be some corner of them still, with squeezing, habitable? I'm so small. I need hardly any room. I'd curl up. I'd fit myself in. And I wouldn't look at the ruin of the great splendid s.p.a.ces I once thought I lived in, but be content with a few inches. Oh, it's cold, cold, cold, left outside of faith like this....

For hours I lay awake; and being ashamed of myself did no good, because love doesn't mind about being ashamed.

_Evening._

All day I've slunk about in silence, watching for a moment alone with Dolly. I want to tell her that it was only one side of me yesterday, and that there's another, and another--oh, so many others; that I meant every word I said, but there are other things, quite different, almost opposite things that I also mean; that it's true I'm cured, but only cured in places, and over the rest of me, the rest that is still sick, great salt waves of memories wash every now and then and bite and bite....

But Dolly, who seems more like an unruffled pool of clear water to-day than ever, hasn't left Mrs. Barnes's side; making up, I suppose, for being away from her all yesterday.

Towards tea-time I became aware that Mrs. Barnes was watching me with a worried face, the well-known worried, anxious face, and I guessed she was wondering if Dolly had been indiscreet on our picnic and told me things that had shocked me into silence. So I cast about in my mind for something to rea.s.sure her, and, as I thought fortunately, very soon remembered the grapes.

'I'm afraid I ate too many grapes yesterday,' I said, when next I caught her worried, questioning eye.

Her face cleared. I congratulated myself. But I didn't congratulate myself long; for Mrs. Barnes, all motherly solicitude, inquired if by any chance I had swallowed some of the stones; and desiring to rea.s.sure her to the utmost as to the reason of my thoughtfulness, I said that very likely I had; from the feel of things; from the kind of heaviness.... And she, before I could stop her, had darted into the kitchen--these lean women are terribly nimble--and before I could turn round or decide what to do next, for by this time I was suspicious, she was back again with Mrs. Antoine and all the dreadful paraphernalia of castor oil. And I had to drink it. And it seemed hard that because I had been so benevolently desirous to rea.s.sure Mrs. Barnes I should have to drink castor oil and be grateful to her as well.

'This is petty,' I thought, sombrely eyeing the bottle,--I alluded in my mind to Fate.

But as I had to drink the stuff I might as well do it gallantly. And so I did; tossing it off with an air, after raising the gla.s.s and wis.h.i.+ng the onlookers health and happiness in what I tried to make a pleasant speech.

Mrs. Barnes, Mrs. Antoine and Dolly stood watching me spellbound. A shudder rippled over them as the last drops slid down.

Then I came up here.

_September 22nd._

Let me draw your attention, O ancient woman sitting at the end of my life, to the colour of the trees and bushes in this place you once lived in, in autumns that for you are now so far away. Do you remember how it was like flames, and the very air was golden? The hazel-bushes, do you remember them? Along the path that led down from the terrace to the village? How each separate one was like a heap of light? Do you remember how you spent to-day, the 22nd of September, 1919, lying on a rug in the sun close up under one of them, content to stare at the clear yellow leaves against the amazing sky? You ve forgotten, I daresay. You re only thinking of your next meal and being put to bed. But you did spend a day to-day worth remembering. You were very content. You were exactly balanced in the present, without a single oscillation towards either the past, a period you hadn't then learned to regard with the levity for which you are now so remarkable, or to the future, which you at that time, however much the att.i.tude may amuse you now, thought of with doubt and often with fear. Mrs. Barnes let you go to-day, having an appreciation of the privileges due to the dosed, and you took a cus.h.i.+on and a rug--active, weren't you--and there you lay the whole blessed day, the sun warm on your body, enfolded in freshness, thinking of nothing but calm things. Rather like a baby you were; a baby on its back sucking its thumb and placidly contemplating the nursery ceiling. But the ceiling was the great sky, with, two eagles ever so far up curving in its depths, and when they sloped their wings the sun caught them and they flashed.

It seems a pity to forget these things. They make up, after all, the real preciousness of life. But I'm afraid my writing them down won't make you _feel_ any joy in them again, you old thing. You'll be too brittle and rheumaticky to be able to think of lying on the gra.s.s for a whole day except with horror. I'm beginning to dislike the idea of being forced into your old body; and, on reflection, your philosophical detachment, your incapacity to do anything but laugh at the hopes and griefs and exultations and disappointments and bitter pains of your past, seems to me very like the fixed grimace of fleshless death.

_September 23rd._

Mrs. Barnes can't, however hard she tries, be with us absolutely continuously. Gaps in her attendance do inevitably occur. There was one of them to-day; and I seized it to say to Dolly across the momentarily empty middle chair--we were on the terrace and the reading was going on,--'I've not seen you alone since the grape day. I wanted to tell you that I'm not cured. I had a relapse that very night. I meant all I said to you, but I meant too, all I said to myself while I was having the relapse. You'd better know the worst. I simply intolerably hankered.'

Dolly let Merivale fall on her lap, and gazed pensively at the distant mountains across the end of the valley.

'It's only the last growlings,' she said after a moment.

'Growlings?' I echoed.

'It's only the last growlings and mutterings of a thunderstorm that's going away. Whatever it was that happened to you--you've never told me, you know, but I'm quite good at somehow knowing--was very like a thunderstorm. A violent one. It was rather brief, it raged incredibly, and then it rumbled off. Though you were flattened out while it was going on, like some otherwise promising crop--'

'Oh,' I protested; but I had to laugh.

'--still when it took itself off you missed it. I wouldn't talk like this,' she said, turning her sweet eyes to me, 'I wouldn't make fun if I weren't sure you are on the road, anyhow, to being cured. Presently you'll reach the stage when you begin to realise that falling out of love is every bit as agreeable as falling in. It is, you know. It's a wonderful feeling, that gradual restoration to freedom and one's friends.'

'You don't understand after all,' I said.

Dolly said she did.

'No. Because you talk of falling out of love. What has happened to me is far worse than that. That? That's nothing. It's what everybody is doing all the time. What has happened to me is that I've lost my faith. It has been like losing G.o.d, after years of trust in Him. I believed with all my heart. And I am desolate.'

But Dolly only shook her head. 'You're not as desolate as you were,'

she said. 'n.o.body who loves all this as you do--' and she turned up her face to the warm sun, blinking her eyes,--'can go on being desolate long. Besides--really, you know--look at that.'

And she pointed to the s.h.i.+ning mountains across the valley's eastern end.

Yes. That is eternal. Beauty is eternal. When I look at that, when I am in the clear mood that, looking at the mountains, really _sees_ them, all the rest, the bewilderment and crying out, the clinging and the hankering, seem indeed unworthy. Imagine, with the vast landscape of the splendid world spread out before you, not moving freely in it on and on rejoicing and praising G.o.d, but sitting quite still lamenting in one spot, stuck in sediment.

In the Mountains Part 19

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In the Mountains Part 19 summary

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