The Stolen Singer Part 24

"All right, Sallie; thank you. I'll not stay long." She called Danny and started out through the pasture, with the hound, sober and dignified and happy, at her heels.

The wood was cool and dim, with an uneven wagon road winding in and out between stumps. Enormous sugar-maples reared their forms here and there; occasionally a lithe birch lifted a tossing head; and, farther within, pines shot their straight trunks, arrow-like, up to the canopy above.

Farther along, the road widened into a little clearing, beyond which the birch and maple trees gave place entirely to pines and hemlocks.

The underbrush disappeared, and a brown carpet of needles and cones spread far under the shade. The leafy rustle of the deciduous trees ceased, and a majestic stillness, deeper than thought, pervaded the place. At the clearing just within this deeper wood Agatha paused, sat down on a stone and took Danny's head in her lap. The dog looked up into her face with the wistful, melancholy gaze of his kind, inarticulate yet eloquent.

The sun was nearly at zenith, and bright flecks of light lay here and there over the brown earth. As Agatha grew accustomed to the shade, it seemed pleasant and not at all uncheerful--the gaiety of sunlight subdued only to a softer tone. The resolution which had brought her thither returned. She stood up under the dome of pines and began softly to sing, trying her voice first in single tones, then a scale or two, a trill. At first her voice was not clear, but as she continued it emerged from its sheath of huskiness clear and flutelike, and liquid as the notes of the thrushes that inhabited the wood. The pleasure of the exercise grew, and presently, warbling her songs there in the otherwise silent forest, Agatha became conscious of a strange accompaniment. Pausing a moment, she perceived that the grove was vocal with tone long after her voice had ceased. It was not exactly an echo, but a slowly receding resonance, faint duplications and multiplications of her voice, gently floating into the thickness of the forest.

Charmed, like a child who discovers some curious phenomenon of nature, Agatha tried her voice again and again, listening, between whiles, to the ghostly tones reverberating among the pines. She sang the slow majestic "Lascia ch'io pianga," which has tested every singer's voice since Handel wrote it; and then, curious, she tried the effect of the aerial sounding-board with quick, brilliant runs up and down the full range of the voice. But the effect was more beautiful with something melodious and somewhat slow; and there came to her mind an old-fas.h.i.+oned song which, as a girl, she had often sung with her mother:

"Oh! that we two were maying Down the stream of the soft spring breeze."

She sang the stanza through, softly, walking up and down among the pines. Danny, at first, walked up and down beside her gravely, and then lay down in the middle of the path, keeping an eye on Agatha's movements. Her voice, pitched at its softest, now seemed to be infinitely enlarged without being made louder. It carried far in among the trees, clear and soft as a wave-ripple. Entranced, Agatha began the second part of the song, just for the joy of singing:

"Oh! that we two sat dreaming On the sward of some sheep-trimmed down--"

when suddenly, from the distance, another voice took up the strain.

Danny was instantly up and off to investigate, but presently came back wagging and begging his mistress to follow him.

In spite of her surprise in hearing another voice complete the duet, Agatha went on with the song, half singing, half humming. It was a woman's voice that joined hers, singing the part quite according to the book:

"With our limbs at rest on the quiet earth's breast And our souls at home with G.o.d!"

The pine canopy spread the voices, first one and then the other, until the wood was like a vast cathedral filled with the softest music of the organ pipes.

There was n.o.body in sight at first, but as Agatha followed the path, she presently saw a white arm and skirt projecting from behind the trunk of a tree. Danny, wagging slowly, appeared to wish to make friends, and before Agatha had time to wonder, the stranger emerged and came toward her with outstretched hand.

"Ah, forgive me! I hid and then startled you; but I was tempted by the song. And this forest temple--isn't it wonderful?"

Agatha looked at the stranger, suddenly wondering if she were not some familiar but half-forgotten acquaintance of years agone. She was a beautiful dark woman, probably two or three years older than herself, mature and self-poised as only a woman of the cosmopolitan world can be. It might be that compared to her Agatha was a bit crude and unfinished, with the years of her full blossoming yet to come. She had no words at the moment, and the older woman, still holding Agatha's hand, explained.

"I did not mean to steal in upon you; but as I came into the grove I heard you singing Handel, and I couldn't resist listening. Your voice, it is wonderful! Especially here!" As she looked into Agatha's face, her sincere eyes and voice gave the praise that no one can resist, the tribute of one artist to another.

"This is, indeed, a beautiful hall. I found it out just now by accident, when I came up here to practice and see if I had any voice left," said Agatha. She paused, as it suddenly occurred to her that the visitor might be James Hambleton's sister and that she was being delinquent as a hostess. "But come back to the house," she said.

"This is not a hospitable place, exactly, to receive a guest."

The stranger laughed gently. "Have you guessed who I am, then? No?

Well, you see I had the advantage of you from the first. You are Miss Redmond, and I followed you here from the house, where your servant gave me the directions. I am Miss Reynier, Melanie Reynier, and I am staying at the Hillside. Mr. Van Camp--" and to her own great surprise, Melanie blushed crimson at this point--"that is, we, my aunt and I, were Mr. Van Camp's guests on board the _Sea Gull_. When he heard of the wreck of the _Jeanne D'Arc_ we put in to Charlesport; though he has probably explained all this to you. It was such a relief and pleasure to Mr. Van Camp to find his cousin, ill as he was; for he had feared the worst."

Agatha had not heard Miss Reynier's name before, but she knew vaguely that Mr. Van Camp had been with a yachting party when he arrived at Charlesport. Now that she was face to face with Miss Reynier, a keen liking and interest, a quick confidence, rose in her heart for her.

"Then perhaps you know Mr. Hambleton," said Agatha impulsively. "The fever turned last night. Were you told that he is better?"

"No, I don't know him," said Melanie, shaking her head. "Nevertheless, I am heartily glad to hear that he is better. _Much_ better, they said at the house."

They had been standing at the place where Agatha had first discovered her visitor, but now they turned back into the clearing.

"Come and try the organ pipes again," she begged. They walked about the wood, singing first one strain and then another, testing the curiously beautiful properties of the pine dome. They were quickly on a footing of friendliness. It was evident that each was capable of laying aside formality, when she wished to do so, and each was, at heart, frank and sincere. Melanie's talent for song was not small, yet she recognized in Agatha a superior gift; while, to Agatha, Melanie Reynier seemed increasingly mature, polished, full of charm.

They left the wood and wandered back through the pasture and over the stile, each learning many things in regard to the other. They spoke of the place and its beauty, and Agatha told Melanie of the childhood memories which, for the first time, she had revived in their living background.

"How our thoughts change!" she said at last. "As a child, I never felt this farm to be lonely; it was the most populous and entertaining place in all the world. I much preferred the wood to anything in the city.

I love it now, too; but it seems the essence of solitude to me."

"That is because you have been where the pa.s.sions and restlessness of men have centered. One is never the same after that."

"Strangely enough, the place now belongs to me," went on Agatha.

"Parson Thayer, the former owner and resident, was my mother's guardian and friend, and left the place to me for her sake."

"Ah, that is well!" cried Melanie. "It will be your castle of retreat, your Sans-Souci, for all your life, I envy you! It is charming.

Pastor--Parson, do you say?--Parson Thayer was a man of judgment."

"Yes, and a man of strange and dominating personality, in his way.

Everything about the house speaks of him and his tastes. Even Danny here follows me, I really believe, because I am beginning to appreciate his former master."

Agatha stooped and patted the dog's head. Youth and health, helped by the sympathy of a friend, were working wonders in Agatha. She beamed with happiness.

"Come into the house," she begged Melanie, "and look at some of his books with me. But first we'll find Sallie and get luncheon, and perhaps Mr. Van Camp will appear by that time. Poor man, he was quite worn out. Then you shall see Parson Thayer's books and flowers, if you will."

They strolled over the velvet lawn toward the front of the house, where the door and the long windows stood open. Down by the road, and close to the lilac bushes that flanked the gateway, stood a large silver-white automobile--evidently Miss Reynier's conveyance. The driver of the machine had disappeared.

"I mustn't trespa.s.s on your kindness for luncheon to-day, thank you,"

Melanie was saying; "but I'll come again soon, if I may." Meantime she was moving slowly down the walk. But Agatha would not have it so. She clung to this woman friend with an unwonted eagerness, begging her to stay.

"We are quite alone, and we have been so miserable over Mr. Hambleton's illness," she pleaded quite illogically. "Do stay and cheer us up!"

And so Melanie was persuaded; easily, too, except for her compunctions about abusing the hospitality of a household whose first care must necessarily be for the sick.

"I want to stay," she said frankly. "The house breathes the very air of restfulness itself; and I haven't seen the garden at all!" She walked back over the lawn, looked admiringly out toward the garden, with its purple and yellow flowers, then gazed into the lofty thicket above her head, where the high elm spread its century-old branches.

Agatha, standing a little apart and looking at Melanie, was again struck by some haunting familiarity about her face and figure. She wondered where she could have seen Miss Reynier before.

Aleck Van Camp, appearing round the corner of the house, made elaborate bows to the two ladles.

"Good morning, Miss Redmond!" He greeted her cordially, plainly glad to see her. "I slept the sleep of the blest up there in your fragrant loft. Good morning, Miss Reynier!" He walked over and formally took Melanie's hand for an instant. "I knew it was decreed that you two should be friends," he went on, in his deliberate way. "In fact, I've been waiting for the moment when I could have the pleasure of introducing you myself, and here you have managed to dispense with my services altogether. But let me escort you into the house. Sallie says her raised biscuits are all ready for luncheon."

Agatha, looking at her new friend's vivid face, saw that Mr. Van Camp was not an unwelcome addition to their number. She had a quick superst.i.tious feeling of happiness at the thought that the old red house, gathering elements of joy about its roof, was her possession and her home.

"I've promised to show Miss Reynier some queer old books after luncheon," she said.

Aleck wrinkled his brow. "I'll try not to be jealous of them."

CHAPTER XIX

MR. CHAMBERLAIN, SLEUTH