Lizzy Glenn; Or, The Trials of a Seamstress Part 10

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"'Never but once, and that after she was three days out.'

"'Is she a good s.h.i.+p?' I next inquired.

"'None better out of this port,' was the prompt answer.

"For ten days I remained in New York, eagerly examining each morning the s.h.i.+pping lists, and referring to all the southern papers to which I could get access. I met during that time but one reference to the Empress, and that was contained in a paragraph alluding to her long pa.s.sage, and expressing great fears for her safety. This thrilled my heart with a more palpable and terrible fear. On the next day but one, I met in a New Orleans paper a further allusion to her, coupled with the remark that a suspicious-looking vessel, clipper-built, with a black hull, had been seen several times during the past few weeks cruising in the Gulf, and expressing a fear lest she had come across the Empress. I thought this would have driven me beside myself. But why prolong this painful narration by attempting to describe my feelings, as day after day, week after week, and month after month pa.s.sed, and no tidings came of the missing s.h.i.+p?

From the day I parted with Eugenia, I have neither seen her nor heard from her. The n.o.ble vessel that bore her proudly away neither reached her destination, nor returned back with her precious freight. All--all found a grave in the dark depths of the ocean.

"It is a terrible thing, my friend, to be _thus_ reft of all you hold dearest in life. If I had seen her touched by the hand of disease, and watched the rose fading from her cheek, leaf after leaf falling away, until death claimed at last his victim, I could have borne the severe affliction with some degree of fort.i.tude. Even if she had been struck down suddenly at my side, there would have been something for the bruised heart to rest upon. But to be taken from me thus! Her fate shrouded in a most fearful mystery! Oh! it is terrible!"

And the young man set his teeth firmly, and clenched his hands, in a powerful struggle with his still o'ermastering feelings. At length he resumed, a calmer voice--

"No matter what terrors or violence attended her death--no matter how deep she lies in the unfathomable sea, her spirit is with the blessed angels, for she was pure and good. This ought to be enough for me. The agonies of a fearful departure are long since over. And why should I recall them, and break up afresh the tender wounds that bleed at the slightest touch? Henceforth I will strive to look away from the past, and onward, in pleasing hope, to that future time when we shall meet where there will be no more parting."

"She must have been a lovely creature indeed," said Milford, some minutes after his friend had ceased, holding, as he spoke, the miniature in his hand, and looking at it attentively.

"She was lovely as innocence itself," was the half abstracted reply.

"Although I never saw her, yet there is an expression in her face that is familiar"--Milford went on to say--"very familiar; but it awakens, I cannot tell why, a feeling of pain. This face is a happy face; and yet t seems every moment as if it would change into a look of sadness--yea, of deep sorrow and suffering."

"This may arise, and no doubt does, from the melancholy history connected with her, that I have just related."

"Perhaps that is the reason," Milford returned, thoughtfully. "And yet I know not how to account for the strangely familiar expression of her face."

"Did you ever see a picture in your life that had not in it some feature that was familiar?" asked Perkins.

"Perhaps not," the friend replied, and then sat in mental abstraction for some moments. He was not satisfied with this explanation, and was searching his memory for the original of that peculiar expression which had struck him so forcibly. He was sure that it did exist, and that he had looked upon it no very long time before. But he tried in vain to fix it. The impression floated still in his mind only as a vague idea.

"There! I have it!" he at length exclaimed, but with something of disappointment in his tones. "I remember that the young seamstress we were speaking of a few days ago, a single glimpse of whose face I obtained, had that very look which strikes me as familiar in this picture. I thought I had seen it somewhere else."

Perkins started, and looked surprised and agitated. But this was only momentary.

"Now you speak of her," he said, calmly, "I remember that I always thought of Eugenia when I saw her, which is no doubt the reason why I have felt strongly interested for the young stranger, who has doubtless seen better days. I related to you, I believe, the adventure I had near the bridge, in which she was concerned?"

"You did. I wonder what in the world takes her over to Charlestown so often? She goes, I believe, almost every day, and usually late in the afternoon. Several persons have spoken of her to me; but none seemed to know her errand there, or to have any knowledge of her whatever."

"There is some mystery connected with her, certainly. This afternoon I went in to make some inquiries in regard to her of Berlaps. I was just in time to hear Michael, his salesman, give her some insulting language, for which I rebuked the fellow sharply."

"Indeed! How did she take it?" said Milford.

"She did not seem to notice him, but glided quickly past, as he bent over the counter toward her, and left the store."

"Did you see her face?"

"No. Her vail was closely drawn, as usual," answered Perkins.

"I don't know why it is, but there is something about this young female that interests me very much. Have you yet learned her name?"

"It is Lizzy Glenn--so I was told at the clothing store for which she works."

"Lizzy Glenn! An a.s.sumed name, in all probability."

"Very likely. It sounds as if it might be," said Perkins.

"If I were you," remarked the friend, "I would learn something certain about this stranger; if for no other reason, on account of the singular a.s.sociation of her, in your involuntary thought, with Miss Ballantine. She may be a relative; and, if so, it would afford a melancholy pleasure to relieve her from her present unhappy condition, for the sake of the one in heaven."

"I have already tried to find her; but she was not at the number where Michael said she resided."

"She may not have given him the right direction," said Milford.

"So he pretends to infer. But I would rather believe that Michael has purposely deceived me than that she would be guilty of falsehood."

"If I see her again," said Milford, "I will endeavor, by all means, to discover her place of residence."

"Do, if you would oblige me. It is my purpose not to lose sight of her at our next meeting, be it where it may. Our present conversation has awakened a deeper interest, and stimulated a more active curiosity. I am no blind believer in chance, Milford. I do not regard this meeting with the stranger as something only fortuitous. There is a Providence in all the events of life, and I am now firmly a.s.sured that these encounters with the seamstress are not merely accidental, as the world regards accidents, but events in a chain of circ.u.mstances that, when complete, will result in positive good. Of the nature of that good--as to who will be blessed or benefitted--I do not pretend to divine. I only feel ready to act my part in the drama of life. I must and will know more about this stranger."

CHAPTER VII.

HENRY GASTON LEAVES HOME WITH SHARP.

AS little Henry, after parting with his mother, hurried on by the side of Mr. Sharp, who took his way directly across the bridge leading over to Charlestown, where he had left the chaise in which he had ridden from Lexington, a handsome carriage, containing a mother and three happy children, about the age of himself, Emma, and the sister who had just died, drove rapidly by. The children were full of spirits, and, in their thoughtless glee, called out gayly, but with words of ridicule, to the poor, meanly-clan child, who was hurrying on at almost a run beside the man who had become his master. Their words, however, were heeded not by the full-hearted boy. His thoughts were going back to his home, and to his much-loved mother.

This incident is mentioned here, as a striking ill.u.s.tration of the practical working of that system of grinding the poor, especially poor females, by which many men make fortunes, or at least acquire far more than a simple competence for life. That carriage belonged to Berlaps, and those happy children were his. But how could he buy a carriage and horses, and build fine houses, and yet not be able to pay more than the meagre pittance for his work that the reader has seen doled out to his half-starving workwomen? How could his children be fed and clothed sumptuously every day, and the widow, who worked for him from early dawn until the silent watches of midnight, not be able to get wholesome bread and warm garments for her little ones, _unless he took more than his just share_ of the profits upon his goods? If he could only afford to pay seven cents for coa.r.s.e s.h.i.+rts, and so on, in proportion, up through the entire list of articles made, how came it that the profits on these very articles enabled him to live in elegance, build houses, and keep his own carriage and horses?

Such questions apply not alone to, the single instance of Berlaps, here introduced. They are pertinent in their application to all who add to their profits for the purpose of a grand aggregate, at the expense of reducing the pay, even a few cents, upon the hard-toiling workwoman, whose slender income, at best, is barely sufficient to procure the absolute necessaries of life. This cutting down of women's wages, until they are reduced to an incompetent pittance, is a system of oppression too extensive, alas! in this, as well as many other countries. It is one of the quiet and safe means by which the strong oppress the weak--by which the selfish build themselves up, cruelly indifferent to the sufferings of those who are robbed of a just compensation for their labor. The record of a conversation overheard between two of the cla.s.s alluded to will ill.u.s.trate this matter. They were tailors--or, rather, what are sometimes called slop-shop, or clothing men. Let it not be supposed that tailors alone are the oppressors of workwomen. In most of the employments at which females engage, especially such as admit of a compet.i.tion in labor, advantage is taken of the eager demand for work, and prices reduced to the lowest possible standard. In the eager scramble for monopolizing more than a just share of custom, or to increase the amount of sales by the temptation of extremely moderate rates, the prices of goods are put down to the lowest scale they will bear. If, in doing this, the dealer was content with a profit reduced in some proportion to the increase of his sales, no one would have a right to complain. He would be free to sell his goods at cost, or even below cost, if that suited his fancy. Instead of this, however, the profits on his articles are often the same that they were when prices were ten or fifteen per cent. higher, and he reaps the advantage of a greatly increased sale, consequent upon the more moderate rates at which he can sell. The evil lies in his cutting down his operatives' wages; in taking off of them, while they make no party to his voluntary reduction of prices, the precise amount that he throws in to his customer as a temptation to buy more freely. But to the promised dialogue--

"Money don't come in hand-over-fist, as it ought to come," remarked Grasp, of the flouris.h.i.+ng firm of Grasp & Co., Merchant Tailors, of Boston, to the junior partner of the establishment. "The nimble sixpence is better than the slow s.h.i.+lling, you know. We must make our shears eat up cloth a little faster, or we sha'n't clear ten thousand dollars this year by one-third of the sum."

"Although that would be a pretty decent business these times."

"I don't call any business a decent one that can be bettered,"

replied Grasp, contemptuously.

"But can ours be bettered?"

"Certainly!"

"How?"

"By selling more goods."

"How are we to do that?"

"By putting down the prices, and then making a confounded noise about it. Do you understand?"

Lizzy Glenn; Or, The Trials of a Seamstress Part 10

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