The Witch of Prague Part 33

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"How perfect it all was at first!" she exclaimed. "How smooth it seemed! How easy! You slept before me, out there by the river that very afternoon. And in your sleep I bade you forget. And you forgot wholly, your love, the woman, her very name, even as Israel Kafka forgot to-day what he had suffered in the person of the martyr. You told him the story, and he believes you, because he knows me, and knows what I can do. You can believe me or not; as you will. I did it."

"You are dreaming," the Wanderer repeated, wondering whether she were not out of her mind.

"I did it. I said to myself that if I could destroy your old love, root it out from your heart and from your memory and make you as one who had never loved at all, then you would love me as you had once loved her, with your whole free soul. I said that I was beautiful--it is true, is it not? And young I am, and I loved as no woman ever loved. And I said that it was enough, and that soon you would love me, too. A month has pa.s.sed away since then. You are of ice--of stone--I do not know of what you are. This morning you hurt me. I thought it was the last hurt and that I should die then--instead of to-night. Do you remember? You thought I was ill, and you went away. When you were gone I fought with myself. My dreams--yes, I had dreamed of all that can make earth Heaven, and you had waked me. You said that you would be a brother to me--you talked of friends.h.i.+p. The sting of it! It is no wonder that I grew faint with pain. Had you struck me in the face, I would have kissed your hand.

But your friends.h.i.+p! Rather be dead than, loving, be held a friend! And I had dreamed of being dear to you for my own sake, of being dearest, and first, and alone beloved, since that other was gone and I had burned her memory. That pride I had still, until that moment. I fancied that it was in my power, if I would stoop so low, to make you sleep again as you had slept before, and to make you at my bidding feel all I felt. I fought with myself. I would not go down to that depth. And then I said that even that were better than your friends.h.i.+p, even a false semblance of love inspired by my will, preserved by my suggestion. And so I fell.

You came back to me and I led you to that lonely place, and made you sleep, and then I told you what was in my heart and poured out the fire of my soul into your ears. A look came into your face--I shall not forget it. My folly was upon me, and I thought it was for me. I know the truth now. Sleeping, the old memory revived in you of her whom waking you will never remember again. But the look was there, and I bade you awake. My soul rose in my eyes. I hung upon your lips. The loving word I longed for seemed already to tremble in the air. Then came the truth. You awoke, and your face was stone, calm, smiling, indifferent, unloving. And all this Israel Kafka had seen, hiding like a thief almost beside us. He saw it all, he heard it all, my words of love, my agony of waiting, my utter humiliation, my burning shame. Was I cruel to him? He had made me suffer, and he suffered in his turn. All this you did not know. You know it now. There is nothing more to tell. Will you wait here until he comes? Will you look on, and be glad to see me die? Will you remember in the years to come with satisfaction that you saw the witch killed for her many misdeeds, and for the chief of them all--for loving you?"



The Wanderer had listened to her words, but the tale they told was beyond the power of his belief. He stood still in his place, with folded arms, debating what he should do to save her. One thing alone was clear.

She loved him to distraction. Possibly, he thought, her story was but an invention to excuse her cruelty and to win his commiseration. It failed to do either at first, but yet he would not leave her to her fate.

"You shall not die if I can help it," he said simply.

"And if you save me, do you think that I will leave you?" she asked with sudden agitation, turning and half rising from her seat. "Think what you will be doing, if you save me. Think well. You say that Israel Kafka is desperate. I am worse than desperate, worse than mad with my love."

She sank back again and hid her face for a moment. He, on his part, began to see the terrible reality and strength of her pa.s.sion, and silently wondered what the end would be. He, too, was human, and pity for her began at last to touch his heart.

"You shall not die, if I can save you," he said again.

She sprang to her feet very suddenly and stood before him.

"You pity me!" she cried. "What lie is that which says that there is a kins.h.i.+p between pity and love? Think well--beware--be warned. I have told you much, but you do not know me yet. If you save me, you save me but to love you more than I do already. Look at me. For me there is neither G.o.d, nor h.e.l.l, nor pride, nor shame. There is nothing that I will not do, nothing I shall be ashamed or afraid of doing. If you save me, you save me that I may follow you as long as I live. I will never leave you. You shall never escape my presence, your whole life shall be full of me--you do not love me, and I can threaten you with nothing more intolerable than myself. Your eyes will weary of the sight of me and your ears at the sound of my voice. Do you think I have no hope? A moment ago I had none. But I see it now. Whether you will, or not, I shall be yours. You may make a prisoner of me--I shall be in your keeping then, and shall know it, and feel it, and love my prison for your sake, even if you will not let me see you. If you would escape from me, you must kill me, as Israel Kafka means to kill me now--and then, I shall die by your hand and my life will have been yours and given to you. How can you think that I have no hope! I have hope--and certainty, for I shall be near you always to the end--always, always, always! I will cling to you--as I do now--and say, I love you, I love you--yes, and you will cast me off, but I will not go--I will clasp your feet, and say again, I love you, and you may spurn me--man, G.o.d, wanderer, devil,--whatever you are--beloved always! Tread upon me, trample on me, crush me--you cannot save yourself, you cannot kill my love!"

She had tried to take his hand and he had withdrawn his, she had fallen upon her knees, and as he tried to free himself had fallen almost to her length upon the marble floor, clinging to his very feet, so that he could make no step without doing her some hurt. He looked down, amazed and silent, and as he looked she cast one glance upward to his stern face, the bright tears streaming like falling gems from her unlike eyes, her face pale and quivering, her rich hair all loosened and falling about her.

And then, neither body, nor heart, nor soul, could bear the enormous strain that was laid upon them. A low cry broke from her lips, a stormy sob, another and another, like quick short waves breaking over the bar when the tide is low and the wind is rising suddenly.

The Wanderer was in sore straits, for the minutes were pa.s.sing quickly and he remembered the last look on Kafka's face, and how he had left the Moravian standing before the weapons on the wall. And nothing had been done yet, not so much as an order given not to admit him if he came to the house. At any moment he might be upon them. And the storm showed no signs of being spent. Her wild, convulsive sobbing was painful to hear.

If he tried to move, she dragged herself frantically at his feet so that he feared lest he should tread upon her hands. He pitied her now most truly, though he guessed rightly that to show his pity would be but to add fuel to the blazing flame.

Then, in the interval of a second, as she drew breath to weep afresh, he fancied that he heard sounds below as of the great door being opened and closed again. With a quick, strong movement, stooping low he put his arms about her and raised her from the floor. At his touch, her sobbing ceased for a moment, as though she had wanted only that to soothe her.

In spite of him she let her head rest upon his shoulder, letting him still feel that if he did not support her weight with his arm she would fall again. In the midst of the most pa.s.sionate and real outburst of despairing love there was no artifice which she would not use to be nearer to him, to extort even the semblance of a caress.

"I heard some one come in below," he said, hurriedly. "It must be he.

Decide quickly what to do. Either stay or fly--you have not ten seconds for your choice."

She turned her imploring eyes to his.

"Let me stay here and end it all--"

"That you shall not!" he exclaimed, dragging her towards the end of the hall opposite to the usual entrance, and where he knew that there must be a door behind the screen of plants. His hold tightened upon her yielding waist. Her head fell back and her full lips parted in an ecstasy of delight as she felt herself hurried along in his arms, scarcely touching the floor with her feet.

"Ah--now--now! Let it come now!" she sighed.

"It must be now--or never," he said almost roughly. "If you will leave this house with me now, very well. But leave this room you shall. If I am to meet that man and stop him, I will meet him alone."

"Leave you alone? Ah no--not that----"

They had reached the exit now. At the same instant both heard some one enter at the other end and rapid footsteps on the marble pavement.

"Which is it to be?" asked the Wanderer, pale and calm. He had pushed her through before him and seemed ready to go back alone.

With violent strength she drew him to her, closed the door and slipped the strong steel bolt across below the lock. There was a dim light in the pa.s.sage.

"Together, then," she said. "I shall at least be with you--a little longer."

"Is there another way out of the house?" asked the Wanderer anxiously.

"More than one. Come with me."

As they disappeared in the corridor, they heard behind them the noise of the door-lock as some one tried to force it open. Then a heavy sound as though a man's shoulder struck against the solid panel. Unorna led the way through a narrow, winding pa.s.sage, illuminated here and there by small lamps with shades of soft colours, blown in Bohemian gla.s.s.

Pus.h.i.+ng aside a curtain they came out into a small room. The Wanderer uttered an involuntary exclamation of surprise as he recognised the vestibule and saw before him the door of the great conservatory, open as Israel Kafka had left it. That the latter was still trying to pursue them through the opposite exit was clear enough, for the blows he was striking on the panel echoed loudly out into the hall. Swiftly and silently Unorna closed the entrance and locked it securely.

"He is safe for a little while," she said. "Keyork will find him there when he comes, an hour hence, and Keyork will perhaps bring him to his senses."

She had regained control of herself, to all appearances, and she spoke with perfect calm and self-possession. The Wanderer looked at her in surprise and with some suspicion. Her hair was all falling about her shoulders, but saving this sign, there was no trace of the recent storm, nor the least indication of pa.s.sion. If she had been acting a part throughout before an audience, she would have seemed less indifferent when the curtain fell. The Wanderer, having little cause to trust her, found it hard to believe that she had not been counterfeiting. It seemed impossible that she should be the same woman who but a moment earlier had been dragging herself at his feet, in wild tears and wilder protestations of her love.

"If you are sufficiently rested," he said with a touch of sarcasm which he could not restrain, "I would suggest that we do not wait any longer here."

She turned and faced him, and he saw now how very white she was.

"So you think that even now I have been deceiving you? That is what you think. I see it in your face."

Before he could prevent her she had opened the door wide again and was advancing calmly into the conservatory.

"Israel Kafka!" she cried in loud clear tones. "I am here--I am waiting--come!"

The Wanderer ran forward. He caught sight in the distance of a pair of fiery eyes and of something long and thin and sharp-gleaming under the soft lamps. He knew then that all was deadly earnest. Swift as thought he caught Unorna and bore her from the hall, locking the door again and setting his broad shoulders against it, as he put her down. The daring act she had done appealed to him, in spite of himself.

"I beg your pardon," he said almost deferentially. "I misjudged you."

"It is that," she answered. "Either I will be with you or I will die, by his hand, by yours, by my own--it will matter little when it is done.

You need not lean against the door. It is very strong. Your furs are hanging there, and here are mine. Let us be going."

Quietly, as though nothing unusual had happened, they descended the stairs together. The porter came forward with all due ceremony, to open the shut door. Unorna told him that if Keyork Arabian came while she was out, he was to be shown directly into the conservatory. A moment later she and her companion were standing together in the small irregular square before the Clementinum.

"Where will you go?" asked the Wanderer.

"With you," she answered, laying her hand upon his arm and looking into his face as though waiting to see what direction he would choose.

"Unless you send me back to him," she added, glancing quickly at the house and making as though she would withdraw her hand once more. "If it is to be that, I will go alone."

There seemed to be no way out of the terrible dilemma, and the Wanderer stood still in deep thought. He knew that if he could but free himself from her for half an hour, he could get help from the right quarter and take Israel Kafka red-handed and armed as he was. For the man was caught as in a trap and must stay there until he was released, and there would be little doubt from his manner, when taken, that he was either mad or consciously attempting some crime. There was no longer any necessity, he thought, for Unorna to take refuge anywhere for more than an hour. In that time Israel Kafka would be in safe custody, and she could re-enter her house with nothing to fear. But he counted without Unorna's unyielding obstinacy. She threatened if he left her for a moment to go back to Israel Kafka. A few minutes earlier she had carried out her threat and the consequence had been almost fatal.

"If you are in your right mind," he said at last, beginning to walk towards the corner, "you will see that what you wish to do is utterly against reason. I will not allow you to run the risk of meeting Israel Kafka to-night, but I cannot take you with me. No--I will hold you, if you try to escape me, and I will bring you to a place of safety by force, if need be."

"And you will leave me there, and I shall never see you again. I will not go, and you will find it hard to take me anywhere in the crowded city by force. You are not Israel Kafka, with the whole Jews' quarter at your command in which to hide me."

The Wanderer was perplexed. He saw, however, that if he would yield the point and give his word to return to her, she might be induced to follow his advice.

The Witch of Prague Part 33

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The Witch of Prague Part 33 summary

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