Demetrius: A Play Part 11

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BORIS in Moscow. He still maintains his position as absolute ruler, and has faithful servants around him; but already he is discomposed by evil tidings. He is withheld from joining the army by apprehension of a rebellion in Moscow. He is also ashamed as Czar to enter the field in person against a traitor. Scene between him and the archbishop.

Bad news pours in from all sides, and Boris' danger grows momently more imminent. He hears of the revolt of the peasantry and the provincial towns,--of the inactivity and mutiny of the army,--of the commotions in Moscow,--of the advance of Demetrius. Romanow, whom he has deeply wronged, arrives in Moscow. This gives rise to new apprehensions. Now come the tidings that the Boiars are flying to the camp of Demetrius, and that the whole army has gone over to him.

BORIS and AXINIA. The Czar appears in a touching aspect as father, and in the dialogue with his daughter unfolds his inmost nature.

BORIS has made his way to the throne by crime, but undertaken and fulfilled all the duties of a monarch; to the country he is a valuable prince and a true father of his people. It is only in his personal dealings with individuals that he is cunning, revengeful, and cruel. His spirit as well as his rank elevates him above all that surround him. The long possession of supreme power, the habit of ruling over men, and the despotic form of government, have so nursed his pride that it is impossible for him to outlive his greatness. He sees clearly what awaits him; but still he is Czar, and not degraded, though he resolves to die.

He believes in forewarnings, and in his present mood things appear to him of significance which, on other occasions, he had despised. A particular circ.u.mstance, in which he seems to hear the voice of destiny, decides him.

Shortly before his death his nature changes; he grows milder, even towards the messengers of evil, and is ashamed of the bursts of rage with which he had received them before. He permits the worst to be told to him, and even rewards the narrator.

So soon as he learns the misfortune that seals his fate, he leaves the stage without further explanation, with composure and resignation.

Shortly afterwards he returns in the habit of a monk, and removes his daughter from the sight of his last moments. She is to seek protection from insult in a cloister; his son, Feodor, as a child, will perhaps have less to fear. He takes poison, and enters a retired chamber to die in peace.

General confusion at the tidings of the Czar's death. The Boiars form an imperial council and rule in the Kremlin. Romanow (afterwards Czar, and founder of the now ruling house) enters at the head of an armed force, swears, on the bosom of the Czar, an oath of allegiance to his son Feodor, and compels the Boiars to follow his example. Revenge and ambition are far from his soul; he pursues only justice. He loves Axinia without hope, and is, without knowing it, beloved by her in return.

ROMANOW hastens to the army to secure it for the young Czar.

Insurrection in Moscow, brought about by the adherents of Demetrius.

The people drag the Boiars from their houses, make themselves masters of Feodor and Axinia--put them in prison, and send delegates to Demetrius.

DEMETRIUS in Tula, at the pinnacle of success. The army is his own; the keys of numerous towns are brought to him. Moscow alone appears to offer resistance. He is mild and amiable, testifies a n.o.ble emotion at the intelligence of the death of Boris, pardons a detected conspiracy against his life, despises the servile adulations of the Russians, and is for sending them away. The Poles, on the other hand, by whom he is surrounded, are rude and violent, and treat the Russians with contempt.

Demetrius longs for a meeting with his mother, and sends a messenger to Marina.

Among the mult.i.tude of Russians who throng around Demetrius in Tula appears a man whom he at once recognizes; he is greatly delighted to see him. He bids all the rest withdraw, and so soon as he is alone with this man he thanks him, with full heart, as his preserver and benefactor.

This person hints that Demetrius is under especial obligations to him, and to a greater extent than he is himself aware. Demetrius urges him to explain, and the a.s.sa.s.sin of the genuine Demetrius thereupon discloses the real facts of the case. For this murder he had received no recompense, but on the contrary had nothing but death to antic.i.p.ate from Boris. Thirsting for revenge, he stumbled upon a boy, whose resemblance to the Czar Ivan struck him. This circ.u.mstance must be turned to account. He seized the boy, fled with him from Uglitsch, brought him to a monk, whom he succeeded in gaining over for his ends, and delivered to him the trinkets which he had himself taken from the murdered Demetrius.

By means of this boy, whom he had never lost sight of, and whose steps he had attended upon all occasions without being observed, he is now revenged. His tool, the false Demetrius, rules over Russia in Boris'

room.

During this narration a mighty change comes over Demetrius. His silence is awful. In the moment of the highest rage and despair, the a.s.sa.s.sin drives him to the extreme of endurance, when with a defying and insolent air he demands his reward. Demetrius strikes him to the earth.

Soliloquy of Demetrius. Internal conflict; but the feeling of the necessity for maintaining his position as Czar is triumphant.

The delegates from Moscow arrive, and submit themselves to Demetrius.

They are received gloomily, and with a menacing demeanor. Among them is the Patriarch. Demetrius deposes him from his dignity, and soon afterwards sentences to death a Russian of rank, who had questioned the authenticity of his birth.

MARFA and OLGA await Demetrius under a magnificent tent. Marfa speaks of the approaching interview with more doubt and fear than hope, and trembles as the moment draws near which should a.s.sure her highest happiness. Olga speaks to her, herself without faith. During the long journey they have both had time to recall the whole circ.u.mstances; the first exultation had given place to reflection. The gloomy silence and the repulsive glances of the guards who surround the tent serve still further to augment their despondency.

The trumpets sound. Marfa is irresolute whether she shall advance to meet Demetrius. Now he stands before her alone. The little that was left of hope in her heart altogether vanishes on seeing him. An unknown something steps between them--Nature does not speak--they are separated forever. The first impulse is an endeavor to approach; Marfa is the first to make a movement to recede. Demetrius observes it, and remains for a moment paralyzed. Significant silence.

DEMETRIUS. Does thy heart say nothing? Dost thou not recognize thy blood in me?

MARFA is silent.

DEMETRIUS. The voice of nature is holy and free; I will neither constrain nor belie it. Had thy heart spoken at the first glance then had mine answered it; thou shouldst have found a pious, loving son in me.

The claim of duty would have concurred with inclination and heartfelt affection. But if thou dost not feel as a mother for me, then, think as a princess, command thyself as a queen! Fate unexpectedly gave me to thee as a son; accept me as a gift of heaven. Though even I were not thy son, which I now appear to be, still I rob thy son of nothing. I stripped it from thy foe. Thee and thy blood have I avenged; I have delivered thee from the grave in which thou went entombed alive, and led thee back into the royal seat. That thy destiny is linked with mine thou knowest. With me thou standest, and with me must fall. All the people's eyes are upon us. I hate deception, and what I do not feel I may not show; but I do really feel a reverence for thee, and this feeling, which bends my knee before thee, comes from my heart.

[Dumb show of MARFA, to indicate her internal emotion.

DEMETRIUS. Make thy resolve! Let that which nature will not prompt be the free act of thy will! I ask no hypocrisy--no falsehood, from thee; I ask genuine feelings. Do not seem to be my mother, but be so. Throw the past from thee--grasp the present with thy whole heart! If I am not thy son yet I am the Czar--I have power and success upon my side. He who lies in his grave is dust; he has no heart to love thee, no eye to smile upon thee. Turn to the living.

[MARFA bursts into tears.

DEMETRIUS. Oh, these golden drops are welcome to me. Let them flow!

Show thyself thus to the people!

[At a signal from DEMETRIUS the tent is thrown open, and the a.s.sembled Russians become spectators of this scene.

Entrance of Demetrius into Moscow. Great splendor, but of a military kind. Poles and Cossacks compose the procession. Gloom and terror mingle with the demonstrations of joy. Distrust and misfortune surround the whole.

Romanow, who came to the army too late, has returned to Moscow to protect Feodor and Axinia. It is all in vain; he is himself thrown into prison.

Axinia flies to Marfa, and at her feet implores protection against the Poles. Here Demetrius sees her, and a violent and irresistible pa.s.sion is kindled in his breast. Axinia detests him.

DEMETRIUS as Czar. A fearful element sustains him, but he does not control it: he is urged on by the force of strange pa.s.sions. His inward consciousness betokens a general distrust; he has no friend on whom he can rely. Poles and Cossacks, by their insolent licentiousness, injure him in the popular opinion. Even that which is creditable to him--his popular manners, simplicity, and contempt of stiff ceremonial, occasions dissatisfaction. Occasionally he offends, through inadvertency, the usages of the country. He persecutes the monks because he suffered severely under them. Moreover, he is not exempt from despotic caprices in the moments of offended pride. Odowalsky knows how to make himself at all times indispensable to him, removes the Russians to a distance, and maintains his overruling influence.

DEMETRIUS meditates inconstancy to Marina. He confers upon the point with the Archbishop Iob, who, in order to get rid of the Poles, falls in with his desire, and puts before him an exalted picture of the imperial power.

MARINA appears with a vast retinue in Moscow. Meeting with Demetrius.

Hollow and cold meeting on both sides; she, however, wears her disguise with greater skill. She urges an immediate marriage. Preparations are made for a magnificent festival.

By the orders of Marina a cup of poison is brought to Axinia. Death is welcome to her; she was afraid of being forced to the altar with the Czar.

Violent grief of Demetrius. With a broken heart he goes to the betrothal with Marina.

After the marriage Marina discloses to him that she does not consider him to be the true Demetrius, and never did. She then coldly leaves him in a state of extreme anguish and dismay.

Meanwhile SCHINSKOI, one of the former generals of the Czar Boris, avails himself of the growing discontent of the people, and becomes the head of a conspiracy against Demetrius.

Demetrius: A Play Part 11

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Demetrius: A Play Part 11 summary

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