The Banquet Part 4
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But, because in each manner of speech the speaker especially ought to look to persuasion, that is, to the pleasing of the audience, as that which is the beginning of all other persuasions, as do the Rhetoricians, and the most powerful persuasion to render the audience attentive is to promise to say new and wonderful things, I add to the prayer made for attention, this persuasion, or embellishment, announcing to them my intention to speak of new things, that is, the division which is in my mind; and great things, namely, the power of their star; and I say this in those last words of this first part:
To you I'll tell the heart's new cares: always The sad Soul weeps within it, and there hears Voice of a Spirit that condemns her tears, A Spirit that descends through your star's rays.
And to the full understanding of these words, I say that this Spirit is no other than a frequent thought how to commend and beautify this new Lady. And this Soul is no other than another thought, accompanied with acquiescence, which, repudiating that Spirit, commends and beautifies the memory of that glorious Beatrice. But, again, because the last sentiment of the mind, acquiescence, is held by that thought which memory a.s.sisted, I call it the Soul, and the other the Spirit; as we are accustomed to call the City those who hold it, and not those who fight it, although the one and the other may be citizens. I say also, that this Spirit comes on the rays of the star, because one desires to know that the rays of each Heaven are the way by which their virtue descends into things here below. And since the rays are no other than a light which comes from the source of Light through the air even to the thing illuminated, and the light has no source except the star, because the other Heaven is transparent, I say not that this Spirit, this thought, comes from their Heaven entirely, but from their star. And their star, through the n.o.bility of its Movers, is of such virtue that in our souls, and in other things, it has very great power, notwithstanding that it is so far from us, about one hundred and sixty-seven times farther than it is to the centre of the Earth, which is three thousand two hundred and fifty miles. And this is the Literal exposition of the first part of the Song.
CHAPTER VIII.
What I have said shows clearly enough the Literal meaning of the first part. In the second, there is to be understood how it makes manifest what I experienced from the struggle within me; and this part has two divisions. In the first place it describes the quality of these oppositions, according as their cause was within me. Then I narrate what the one and the other voice of opposition said; and upon that firstly which described what was being lost, in the pa.s.sage which is the second of that part and the third of the Song. In evidence, then, of the meaning of the first division, it is to be known that things must be named by that part of their form which is the n.o.blest and best, as Man by Reason, and not by Sense, nor by aught else which is less n.o.ble; therefore, when one speaks of the living man, one should understand the man using Reason, which is his especial Life, and is the action of his n.o.blest part. And, therefore, whoso departs from Reason and uses only the Senses is not a living man, but a living beast, as says that most excellent Boethius, "Let the a.s.s live."
Rightly I speak, because thought is the right act of reason, wherefore the beasts who have it not do not think; and I speak not only of the lesser beasts, but of those who have a human appearance with the spirit of a sheep or of some other abominable beast. I say then: "Thought that once fed my grieving heart"--thought, that is, of the inner life--"was sweet" (sweet, insomuch as it is persuasive, that is, pleasing, or beautiful, gentle, delightful); this thought often sped away to the feet of the Father of those Spirits to whom I speak, that is, G.o.d; that is to say, that I in thought contemplated the realm of the Blessed. "Thought that once fled up to the Father's feet." And I name the final cause immediately, because I ascended there above in thought when I say, "There I beheld a Lady glorified," to let you understand that I was certain, and am certain by its gracious revelation, that she was in Heaven; wherefore I, thinking many times how this was possible for me, went thither, rapt, as it were. Then subsequently I speak of the effect of this thought, in order to let you understand its sweetness, which was such that it made me desirous of Death, that I also might go where she was gone. And of this I speak there: "Of whom so sweetly it discoursed to me That the Soul said, 'With her would I might be!'" And this is the root of one of the struggles which was in me. And it is to be known that here one terms Thought, and not Soul, that which ascended to see that Blessed Spirit, because it was an especial thought sent on that mission; the Soul is understood, as is stated in the preceding chapter, as thought in general, with acquiescence.
Then, when I say, "Now One appears that drives the thought aside," I touch the root of the other struggle, saying how that previous thought was wont to be the life of me, even as another appears, which makes that one cease to be. I say, "drives the thought aside," in order to show that one to be antagonistic, for naturally the opposing one drives aside the other, and that which is driven appears to yield through want of power. And I say that this thought, which newly appears, is powerful in taking hold of me and in subduing my Soul, saying that it "masters me with such effectual might" that the heart, that is, my inner life, trembles so much that my countenance shows it in some new appearance.
Subsequently I show the power of this new thought by its effect, saying that it makes me "fix my regard" on a Lady, and speaks to me words of allurement, that is to say, it reasons before the eyes of my intelligent affection, in order the better to induce me, promising me that the sight of her eyes is its salvation. And in order to make this credible to the Soul experienced in love, it says that it is for no one to gaze into the eyes of this woman who fears the anguish of laboured sighs. And it is a beautiful mode of rhetoric when externally it appears that you disembellish a thing, and yet really embellish it within. This new thought of love could not induce my mind to consent, except by discoursing of the virtue of the eyes of this fair Lady so profoundly.
CHAPTER IX.
Now that it is shown how and whereof Love is born, and the antagonist that fought with me, I must proceed to open the meaning of that part in which different thoughts contend within me. I say that, firstly, one must speak on the part of the Soul, that is, of the former thought, and then of the other; for this reason, that always that which the speaker intends most especially to say he ought to reserve in the background, because that which is said finally, remains most in the mind of the hearer. Therefore, since I mean to speak further, and to discourse of that which performs the work of those to whom I speak, rather than of that which undoes this work, it was reasonable first to mention and to discourse of the condition of the part which was undone, and then of that which was generated by the other.
But here arises a doubt, which is not to be pa.s.sed over without explanation. It would be possible for any one to say: Since Love is the effect of these Intelligences, to whom I speak, and that of the first Love might be the same as that of the new Love, why should their virtue destroy the one, and produce the other? since it ought to preserve the first, for the reason that each cause loves its effect, and ought to protect what it loves. To this question one can easily reply, that the effect of those Spirits, as has been said, is Love: and since they could not save it except in those who are subject to their revolution, they transfer it from that part which is beyond their power to that which is within reach, from the soul departed out of this life, into that which is yet living; as human nature transfers in the human form its preservation of the father to the son, because it cannot in this father preserve perpetually its effect: I say effect in as far as soul and body are united, and not effect in as far as that soul, which is divided from the body, lasts for ever, in a nature more than human. And thus is the question solved.
But since the immortality of the Soul is here touched upon, I will make a digression upon that; because to discourse of that will make a fit conclusion to the mention I have made of that living and blessed Beatrice, of whom I do not intend to speak further in this book.
For proposition I say that, amongst all the b.e.s.t.i.a.lities, that is the most foolish, the most vile, and most d.a.m.nable which believes no other life to be after this life; wherefore, if we turn over all books, whether of philosophers or of the other wise writers, all agree in this, that in us there is some everlasting principle. And this especially Aristotle seems to desire in that book on the Soul; this especially each stoic seems to desire; this Tullius seems to desire, especially in that book on Old Age. This each of the Poets who have spoken according to the faith of the Gentiles seems to desire; this the law seems to desire, among Jews, Saracens, and Tartars, and all other people who live according to some civil law. And if all these could be deceived, there would result an impossibility which even to describe would be horrible. Each man is certain that human nature is the most perfect of all natures here below. This no one denies: and Aristotle affirms it when he says, in the twelfth book On Animals, that man is the most perfect of all the animals. Therefore, since many who live are entirely mortal, as are the brute animals, and all may be, whilst they live, without that hope of the other life; if our hope should be in vain, our want would be greater than that of any other animal. There have been many who have given this life for that: and thus it would follow that the most perfect animal, man, would be the most imperfect, which is impossible; and that that part, namely, reason, which is his chief perfection, would be in him the cause of the chief defect: which seems strange to say of the whole. And again it would follow that Nature, in contradiction to herself, could have put this hope in the human mind; since it is said that many have hastened to death of the body that they might live in the other life; and this also is impossible. Again, we have continual experience of our immortality in the divination of our dreams, which could not be if there were no immortal part in us, since immortal must be the revelation. This part may be either corporeal or incorporeal if one think well and closely. I say corporeal or incorporeal, because of the different opinions which I find concerning this. That which is moved, or rather informed, by an immediate informer, ought to have proportion to the informer; and between the mortal and the immortal there is no proportion. Again, we are a.s.sured of it by the most truthful doctrine of Christ, which is the Way, the Truth, and the Light: the Way, because by it without impediment we go to the happiness of that immortality; the Truth, because it endures no error; the Light, because it enlightens us in the darkness of worldly ignorance. This doctrine, I say, which above all other reasons makes us certain of it; for it has been given to us by Him who sees and measures our immortality, which we cannot perfectly see whilst our immortal is mingled with the mortal. But we see it by faith perfectly; and by reason we see it with the cloud of obscurity which grows from the mixture of the mortal with the immortal. This ought to be the most powerful argument that both are in us: and I thus believe, thus affirm; and I am equally certain, after this life, to pa.s.s to that other and better life--there where that glorious Lady lives, with whom my soul was enamoured when it was struggling, as will be set forth in the next chapter.
CHAPTER X.
Returning to the proposition, I say that in that verse which begins "A foe so strong I find him that he destroys," I intend to make manifest that which was discoursing in my Soul, the ancient thought against the new; and first briefly I show the cause of its lamentation, when I say: "This opposite now breaks the humble dream Of the crowned angel in the glory-beam." This one is that especial thought of which it is said above that it was wont to be the life of the sorrowing heart.
Then when I say, "Still, therefore, my Soul weeps," it is evident that my Soul is still on its side, and speaks with sadness; and I say that it speaks words of lamentation, as if it might wonder at the sudden transformation, saying: "'The tender star,' It says, 'that once was my consoler, flies.'" It can well say consoler, for in the great loss which I sustained in the death of Beatrice this thought, which ascended into Heaven, had given to my Soul much consolation.
Then afterwards I say, that all my thought, my Soul, of which I say, "That troubled one," turns in excuse of itself, and speaks against the eyes; and this is made evident there: "That troubled one asked, 'When into thine eyes Looked she?'" And I say that she speaks of them and against them three things: the first is, she blasphemes the hour when this woman saw them. And here you must know, that although many things in one hour can come into the eyes, truly that which comes by a straight line into the point of the pupil, that truly one sees, and that only is sealed in the imaginative part. And this is, because the nerve by which the visible spirit runs is directed to that part, and thereupon truly one eye cannot look on the eye of another so that it is not seen by it; for as that which looks receives the form of the pupil by a right line, so by that same line its form pa.s.ses into that eye which gazes. And many times in the direction of that line a shaft flies from the bow of Love, with whom each weapon is light. Therefore, when I ask, "When first into mine eyes looked she?" it is as much as to ask, "When did her eyes and mine look into each other?"
The second point is in that which reproves their disobedience, when it says, "Of her, why doubted they my words?" Then it proceeds to the third thing and says that it is not right to reprove them for precaution, but for their disobedience; for it says that, sometimes, when speaking of this woman, it might be said, "Her eyes bear death to such as I," if she could have opened the way of approach. And indeed one ought to believe that my Soul knew of its own inclination ready to receive the operation of this power, and therefore dreaded it; for the act of the agent takes full effect in the patient who has the inclination to receive it, as the Philosopher says in the second book on the Soul. And, therefore, if wax could have the spirit of fear, it would fear most to come into the rays of the Sun, which would not turn it into stone, since its disposition is to yield to that strong operation.
Lastly, the Soul reveals in its speech that their presumption had been dangerous when it says, "Yet vainly warned, I gazed on her and die."
And thus it closes its speech, to which the new thought replies, as will be declared in the following chapter.
CHAPTER XI.
The meaning of that part in which the Soul speaks, that is, the old thought which is undone, has been shown. Now, in due order, the meaning must be shown of the part in which the new antagonistic thought speaks; and this part is contained entirely in the verse or stanza which begins, "Thou art not dead," which part, in order to understand it well, I will divide into two; that in the first part, which begins "Thou art not dead," it then says, continuing its last words, "It is not true that thou art dead; but the cause wherefore thou to thyself seemest to be dead is a deadly dismay into which thou art vilely fallen because of this woman who has appeared to thee." And here it is to be observed that, as Boethius says in his Consolation, each sudden change of things does not happen without some flurry of mind. And this is expressed in the reproof of that thought which is called "the spirit voice of tenderness," when it gave me to understand that my consent was inclining towards it; and thus, one can easily comprehend this, and recognize its victory, when it already says, "Dear Soul of ours," therein making itself familiar. Then, as is stated, it commands where it ought to rebuke that Soul, in order to induce it to come to her; and therefore it says to her: "See, she is lowly, Pitiful, courteous, though so wise and holy."
These are two things which are a fit remedy for the fear with which the Soul appeared impa.s.sioned; for, firmly united, they cause the individual to hope well, and especially Pity, which causes all other goodness to s.h.i.+ne forth by its light. Wherefore Virgil, speaking of aeneas, in his greater praise calls him compa.s.sionate, pitiful; and that is not pity such as the common people understand it, which is to lament over the misfortunes of others; nay, this is an especial effect which is called Mercy, Pity, Compa.s.sion; and it is a pa.s.sion. But compa.s.sion is not a pa.s.sion; rather a n.o.ble disposition of mind, prepared to receive Love, Mercy, and other charitable pa.s.sions. Then it says: "See also how courteous, though so wise and holy."
Here it says three things which, according as they can be acquired by us, make the person especially pleasing. It says Wise. Now, what is more beautiful in a woman than knowledge? It says Courteous. Nothing in a woman can be more excellent than courtesy. And neither are the wretched common people deceived even in this word, for they believe that courtesy is no other than liberality; for liberality is an especial, and not a general courtesy. Courtesy is all one with honesty, modesty, decency; and because the virtues and good manners were the custom in Courts anciently, as now the opposite is the custom, this word was taken from the Courts; which word, if it should now be taken from the Courts, especially of Italy, would and could express no other than baseness. It says Holy. The greatness which is here meant is especially well accompanied with the two afore-mentioned virtues; because it is that light which reveals the good and the evil of the person clearly. And how much knowledge and how much virtuous custom does there not seem to be wanting by this light! How much madness and how much vice are seen to be by this light! Better would it be for the wretched madmen high in station, stupid and vicious, to be of low estate, that neither in the world nor after this life they should be so infamous. Truly for such Solomon says in Ecclesiastes: "There is a sore evil that I have seen under the Sun; namely, riches kept for the owners thereof to their hurt."
Then subsequently it lays a command on it, that is, on my Soul, that it should now call this one its Lady: "Think thou to call her Mistress evermore," promising my Soul that it will be quite content with her when it shall have clear perception of all her wonderful accomplishments; and then this one says: "Save thou delude thyself, then shall there s.h.i.+ne High miracles before thee;" neither does it speak otherwise even to the end of that stanza. And here ends the Literal meaning of all that which I say in this Song, speaking to these Celestial Intelligences.
CHAPTER XII.
Finally, according to that which the letter of this Commentary said above, when I divided the princ.i.p.al parts of this Song, I turn back with the face of my discourse to the same Song, and I speak to that.
And in order that this part may be understood more fully, I say that generally in each Song there is what is called a Tornata, because the Reciters, who originally were accustomed to compose it, so contrived that when the song was sung, with a certain part of the song they could return to it. But I have rarely done it with that intention; and, in order that others may perceive, this I have seldom placed it with the sequence of the Song, so long as it is in the rhythm which is necessary to the measure. But I have used it when it was requisite to express something independent of the meaning of the Song, and which was needful for its embellishment, as it will be possible to perceive in this and in the other Songs.
And, therefore, I say at present, that the goodness and the beauty of each discourse are parted and divided; for the goodness is in the meaning, and the beauty in the ornament of the words. And the one and the other are with delight, although the goodness is especially delightful. Wherefore, since the goodness of this Song might be difficult to perceive, because of the various persons who are led to speak in it, where so many distinctions are required; and the beauty would be easy to see, it seemed to me, of the nature of the Song that by some men more attention might be paid to the beauty of the words than to the goodness of matter. And this is what I say in that part.
But, because it often happens that to admonish seems presumptuous in certain conditions, it is usual for the Rhetorician to speak indirectly to others, directing his words, not to him for whom he speaks, but towards another. And truly this method is maintained here; for to the Song the words go, and to the men the meaning of them. I say then: "My Song, I do believe there will be few Who toil to understand thy reasoning." And I state the cause, which is double.
First, because thou speakest with fatigue--with fatigue, I say, for the reason which is stated; and then because thou speakest with difficulty--with difficulty, I say, as to the novelty of the meaning.
Now afterwards I admonish it, and say:
But if thou pa.s.s perchance by those who bring No skill to give thee the attention due, Then pray I, dear last-born, let them rejoice At least to find a music in my voice.
For in this I desire to say no other according to what is said above, except "Oh, men, you who cannot see the meaning of this Song, do not therefore refuse it; but pay attention to its beauty, which is great, both for construction, which belongs to the Grammarians; and for the order of the discourse, which belongs to the Rhetoricians; as well as for the rhythm of its parts, which belongs to the Musicians." For which things he who looks well can see that there may be beauty in it.
And this is the entire Literal meaning of the first Song which is prepared for the first dish in my Banquet.
CHAPTER XIII.
Since the Literal meaning has been sufficiently explained, we must now proceed to the Allegorical and true exposition. And, therefore, beginning again from the first head, I say that when I had lost the chief delight of my Soul in former time, I was left so stung with sadness that no consolation whatever availed me. Nevertheless, after some time, my mind, reasoning with itself to heal itself, took heed, since neither my own nor that of another availed to comfort it, to turn to the method which a certain disconsolate one had adopted when he looked for Consolation. And I set myself to read that book of Boethius, not known to many, in which, when a captive exile, he had consoled himself. And, again, hearing that Tullius had written another book, in which, treating of Friends.h.i.+p, he had spoken words for the consolation of Laelius, a most excellent man, on the death of his friend Scipio, I set myself to read it. And although at first it was difficult to me to enter into their meaning, yet, finally, I entered into it so much as the knowledge of grammar that I possessed, together with some slight power of intellect, enabled me to do: by which power of intellect I formerly beheld many things almost like a person in a dream, as may be seen in the Vita Nuova. And as it is wont to be that a man goes seeking for silver, and beyond his purpose he finds gold, whose hidden cause appears not perhaps without the Divine Will; I, who sought to console myself, found not only a remedy for my tears, but words of authors and of sciences and of books; reflecting on which I judged well that Philosophy, who was the Lady of these authors, of these sciences, and of these books, might be a supreme thing. And I imagined her in the form of a gentle Lady; and I could imagine her in no other att.i.tude than a compa.s.sionate one, because if willingly the sense of Truth beheld her, hardly could it turn away from her. And with this imagination I began to go where she is demonstrated truthfully, that is, to the Schools of the Religious, and to the disputations of the Philosophers; so that in a short time, perhaps of thirty months, I began to feel her sweetness so much that my love for her chased away and destroyed all other thought. Wherefore I, feeling myself to rise from the thought of the first Love to the virtue of this new one, as if wondering at myself, opened my mouth in the speech of the proposed Song, showing my condition under the figure of other things: for of the Lady with whom I was enamoured, no rhyme of any Vernacular was worthy to speak openly, neither were the hearers so well prepared that they could have easily understood the words without figure: neither would faith have been given by them to the true meaning, as to the figurative; since if the truth of the whole was believed, that I was inclined to that love, it would not be believed of this. I then begin to speak: "Ye who, intent of thought, the third Heaven move."
And because, as has been said, this Lady was the daughter of G.o.d, the Queen of all, the most n.o.ble and most beautiful Philosophy, it remains to be seen who these Movers were, and what this third Heaven. And firstly of the third Heaven, according to the order which has been gone through. And here it is not needful to proceed to division, and to explanation of the letter, for, having turned the fict.i.tious speech away from that which it utters to that which it means, by the exposition just gone through, this meaning is sufficiently made evident.
CHAPTER XIV.
The Banquet Part 4
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The Banquet Part 4 summary
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