Famous Affinities of History Part 15

"All these men you mention shall be guillotined in the next few days!"

As he spoke Charlotte flashed out the terrible knife and with all her strength she plunged it into his left side, where it pierced a lung and a portion of his heart.

Marat, with the blood gus.h.i.+ng from his mouth, cried out:

"Help, darling!"

His cry was meant for one of the two women in the house. Both heard it, for they were in the next room; and both of them rushed in and succeeded in pinioning Charlotte Corday, who, indeed, made only a slight effort to escape. Troops were summoned, she was taken to the Prison de l'Abbaye, and soon after she was arraigned before the revolutionary tribunal.

Placed in the dock, she glanced about her with an air of pride, as of one who gloried in the act which she had just performed. A written charge was read. She was asked what she had to say. Lifting her head with a look of infinite satisfaction, she answered in a ringing voice:

"Nothing-except that I succeeded!"

A lawyer was a.s.signed for her defense. He pleaded for her earnestly, declaring that she must he regarded as insane; but those clear, calm eyes and that gentle face made her sanity a matter of little doubt. She showed her quick wit in the answers which she gave to the rough prosecutor, Fouquier-Tinville, who tried to make her confess that she had accomplices.

"Who prompted you to do this deed?" roared Tinville.

"I needed no prompting. My own heart was sufficient."

"In what, then, had Marat wronged you?"

"He was a savage beast who was going to destroy the remains of France in the fires of civil war."

"But whom did you expect to benefit?" insinuated the prosecutor.

"I have killed one man to save a hundred thousand."

"What? Did you imagine that you had murdered all the Marats?"

"No, but, this one being dead, the rest will perhaps take warning."

Thus her directness baffled all the efforts of the prosecution to trap her into betraying any of her friends. The court, however, sentenced her to death. She was then immured in the Conciergerie.

This dramatic court scene was the beginning of that strange, brief romance to which one can scarcely find a parallel. At the time there lived in Paris a young German named Adam Lux. The continual talk about Charlotte Corday had filled him with curiosity regarding this young girl who had been so daring and so patriotic. She was denounced on every hand as a murderess with the face of a Medusa and the muscles of a Vulcan. Street songs about her were dinned into the ears of Adam Lux.

As a student of human nature he was anxious to see this terrible creature. He forced his way to the front of the crowded benches in the court-room and took his stand behind a young artist who was finis.h.i.+ng a beautiful sketch. From that moment until the end of the trial the eyes of Adam Lux were fastened on the prisoner. What a contrast to the picture he had imagined!

A ma.s.s of regal chestnut hair crowned with the white cap of a Norman peasant girl; gray eyes, very sad and serious, but looking serenely forth from under long, dark lashes; lips slightly curved with an expression of quiet humor; a face the color of the sun and wind, a bust indicative of perfect health, the chin of a Caesar, and the whole expression one of almost divine self-sacrifice. Such were the features that the painter was swiftly putting upon his canvas; but behind them Adam Lux discerned the soul for which he gladly sacrificed both his liberty and his life.

He forgot his surroundings and seemed to see only that beautiful, pure face and to hear only the exquisite cadences of the wonderful voice. When Charlotte was led forth by a file of soldiers Adam staggered from the scene and made his way as best he might to his lodgings. There he lay prostrate, his whole soul filled with the love of her who had in an instant won the adoration of his heart.

Once, and only once again, when the last scene opened on the tragedy, did he behold the heroine of his dreams.

On the 17th of July Charlotte Corday was taken from her prison to the gloomy guillotine. It was toward evening, and nature had given a setting fit for such an end. Blue-black thunder-clouds rolled in huge ma.s.ses across the sky until their base appeared to rest on the very summit of the guillotine. Distant thunder rolled and grumbled beyond the river. Great drops of rain fell upon the soldiers' drums. Young, beautiful, unconscious of any wrong, Charlotte Corday stood beneath the shadow of the knife.

At the supreme moment a sudden ray from the setting sun broke through the cloud-wrack and fell upon her slender figure until she glowed in the eyes of the startled spectators like a statue cut in burnished bronze. Thus illumined, as it were, by a light from heaven itself, she bowed herself beneath the knife and paid the penalty of a n.o.ble, if misdirected, impulse. As the blade fell her lips quivered with her last and only plea:

"My duty is enough-the rest is nothing!"

Adam Lux rushed from the scene a man transformed. He bore graven upon his heart neither the mob of tossing red caps nor the glare of the sunset nor the blood-stained guillotine, but that last look from those brilliant eyes. The sight almost deprived him of his reason. The self-sacrifice of the only woman he had ever loved, even though she had never so much as seen him, impelled him with a sort of fury to his own destruction.

He wrote a bitter denunciation of the judges, of the officers, and of all who had been followers of Marat. This doc.u.ment he printed, and scattered copies of it through every quarter in Paris. The last sentences are as follows:

The guillotine is no longer a disgrace. It has become a sacred altar, from which every taint has been removed by the innocent blood shed there on the 17th of July. Forgive me, my divine Charlotte, if I find it impossible at the last moment to show the courage and the gentleness that were yours! I glory because you are superior to me, for it is right that she who is adored should be higher and more glorious than her adorer!

This pamphlet, spread broadcast among the people, was soon reported to the leaders of the rabble. Adam Lux was arrested for treason against the Republic; but even these men had no desire to make a martyr of this hot-headed youth. They would stop his mouth without taking his life. Therefore he was tried and speedily found guilty, but an offer was made him that he might have pa.s.sports that would allow him to return to Germany if only he would sign a retraction of his printed words.

Little did the judges understand the fiery heart of the man they had to deal with. To die on the same scaffold as the woman whom he had idealized was to him the crowning triumph of his romantic love. He gave a prompt and insolent refusal to their offer. He swore that if released he would denounce his darling's murderers with a still greater pa.s.sion.

In anger the tribunal sentenced him to death. Only then he smiled and thanked his judges courteously, and soon after went blithely to the guillotine like a bridegroom to his marriage feast.

Adam Lux! Spirit courts.h.i.+p had been carried on silently all through that terrible cross-examination of Charlotte Corday. His heart was betrothed to hers in that single gleam of the setting sun when she bowed beneath the knife. One may believe that these two souls were finally united when the same knife fell sullenly upon his neck and when his life-blood sprinkled the altar that was still stained with hers.

NAPOLEON AND MARIE WALEWSKA

There are four women who may be said to have deeply influenced the life of Napoleon. These four are the only ones who need to be taken into account by the student of his imperial career. The great emperor was susceptible to feminine charms at all times; but just as it used to be said of him that "his smile never rose above his eyes," so it might as truly be said that in most instances the throbbing of his heart did not affect his actions.

Women to him were the creatures of the moment, although he might seem to care for them and to show his affection in extravagant ways, as in his affair with Mlle. Georges, the beautiful but rather tiresome actress. As for Mme. de Stael, she bored him to distraction by her a.s.sumption of wisdom. That was not the kind of woman that Napoleon cared for. He preferred that a woman should be womanly, and not a sort of owl to sit and talk with him about the theory of government.

When it came to married women they interested him only because of the children they might bear to grow up as recruits for his insatiate armies. At the public b.a.l.l.s given at the Tuileries he would walk about the gorgeous drawing-rooms, and when a lady was presented to him he would snap out, sharply:

"How many children have you?"

If she were able to answer that she had several the emperor would look pleased and would pay her some compliment; but if she said that she had none he would turn upon her sharply and say:

"Then go home and have some!"

Of the four women who influenced his life, first must come Josephine, because she secured him his earliest chance of advancement. She met him through Barras, with whom she was said to be rather intimate. The young soldier was fascinated by her-the more because she was older than he and possessed all the practised arts of the creole and the woman of the world. When she married him she brought him as her dowry the command of the army of Italy, where in a few months he made the tri-color, borne by ragged troops, triumphant over the splendidly equipped hosts of Austria.

She was his first love, and his knowledge of her perfidy gave him the greatest shock and horror of his whole life; yet she might have held him to the end if she had borne an heir to the imperial throne. It was her failure to do so that led Napoleon to divorce Josephine and marry the thick-lipped Marie Louise of Austria. There were times later when he showed signs of regret and said:

"I have had no luck since I gave up Josephine!"

Marie Louise was of importance for a time-the short time when she entertained her husband and delighted him by giving birth to the little King of Rome. Yet in the end she was but an episode; fleeing from her husband in his misfortune, becoming the mistress of Count Neipperg, and letting her son-l'Aiglon-die in a land that was far from France.

Napoleon's sister, Pauline Bonaparte, was the third woman who comes to mind when we contemplate the great Corsican's career. She, too, is an episode. During the period of his ascendancy she plagued him with her wanton ways, her sauciness and trickery. It was amusing to throw him into one of his violent rages; but Pauline was true at heart, and when her great brother was sent to Elba she followed him devotedly and gave him all her store of jewels, including the famous Borghese diamonds, perhaps the most superb of all gems known to the western world. She would gladly have followed him, also, to St. Helena had she been permitted. Remaining behind, she did everything possible in conspiring to secure his freedom.

But, after all, Pauline and Marie Louise count for comparatively little. Josephine's fate was interwoven with Napoleon's; and, with his Corsican superst.i.tion, he often said so. The fourth woman, of whom I am writing here, may be said to have almost equaled Josephine in her influence on the emperor as well as in the pathos of her life-story.

On New-Year's Day of 1807 Napoleon, who was then almost Emperor of Europe, pa.s.sed through the little town of Bronia, in Poland. Riding with his cavalry to Warsaw, the ancient capital of the Polish kingdom, he seemed a very demiG.o.d of battle.

True, he had had to abandon his long-cherished design of invading and overrunning England, and Nelson had shattered his fleets and practically driven his flag from the sea; but the naval disaster of Trafalgar had speedily been followed by the triumph of Austerlitz, the greatest and most brilliant of all Napoleon's victories, which left Austria and Russia humbled to the very ground before him.

Then Prussia had dared to defy the over-bearing conqueror and had put into the field against him her armies trained by Frederick the Great; but these he had shattered almost at a stroke, winning in one day the decisive battles of Jena and Auerstadt. He had stabled his horses in the royal palace of the Hohenzollerns and had pursued the remnant of the Prussian forces to the Russian border.