Filipino Popular Tales Part 48

Some of the answers to these questions are clever; others are only less stupid than the persons who asked the questions. The solutions to the twelve just given are: (1) "A tun."--"How can you prove that?"--"Just order all the streams which flow into the sea to stand still." This reply is not unlike the counter-demand to the third question in our story. (2) "Seven; and when they come to an end, they begin again." (3) "Where my church stands: let your servants measure with a cord, and if there is the breadth of a blade of gra.s.s more on one side than on the other, I have lost my church." (4) "Just so far as a man's voice can easily be heard." (5) "A thousand fathoms and a thousand ells: then take away the sun and moon and all the stars, and press all together, and it will be no broader." (6) This question is answered exactly as the second in out story. (7) "If you set out with the Sun and ride with him, you will get around the earth in twenty-four hours." (8) "The king thinks I'm an abbot, and I'm only a shepherd (or miller)." With this question and answer compare the last task in our No. 25. (9) "Only one night, for yesterday I was a shepherd, and to-day I am an abbot." (10) "A day's journey." (11) "A quarter (of a pound): if the king doesn't believe it, let him weigh the moon himself." (12) "A stone's throw."

The method of answering the questions asked in this cycle of stories, and the obscure origin of the clever subst.i.tute, form a direct connection, I believe, between this group and the "Clever La.s.s" cycle. Not only do we find in both the situation of a person out of favor required to answer difficult riddles, and the task a.s.sumed voluntarily by some one humbler but more clever than he, but even some of the questions themselves, and the same style of answers, are found in both cycles. For example, compare questions and answers 1, 3, 5, 7, above, with tasks 1, 2, 4, in the notes to our No. 7. In Grimm, No. 152, "The Shepherd Boy," the hero is asked three questions impossible to answer,--How many drops of water are there in the sea? How many stars are in the heavens? How many seconds has eternity? He gets out of his difficulty just as the "Clever La.s.s"

gets out of hers,--by making equally impossible counter-demands, or else giving answers that cannot be proved incorrect.

TALE 39

ALBERTO AND THE MONSTERS.

Narrated by Pacita Cordero of Pagsanjan, Laguna. She says, "This story is common among the Tagalogs. It was told to me by my nurse when I was a little girl."

Once there was a king in Casiguran named Luis. King Luis had three beautiful daughters, but the youngest was the fairest of all. One day the three princesses went to the orchard to amuse themselves. It happened that on that day the wind blew very hard, and they were swept away. The king felt very sad over the loss of his daughters; and he issued proclamations in all parts of his kingdom, saying that any one who could find his daughters within three days would be allowed to choose one of the three for his wife.

At that time there was also in the neighboring kingdom of Sinucuan a king who had a brave son named Alberto. When Alberto heard of the matter, he went to the king, and said that he would look for his lost daughters. King Luis accepted his offer. Prince Alberto now began his search. He walked and walked until he came to a large forest where he found two boys fighting. "What are you fighting about?" he said. The one answered that the other boy was taking his boot away from him. Alberto then said to the other boy, "Why don't you give the boy his boot? The boot is old." The boy said that the boot, if worn by any one, would carry him to whatever place he wanted to go, provided he kicked the ground. To settle the contest between the two, Prince Alberto took the boot from them, and said, "Go over by that large tree, and the one who can run here first shall have the boot." While the boys were walking towards the tree, the prince put on the boot and kicked the ground. He was at once carried far away. When the boys got back to the original place, Alberto had disappeared.

At the place where the boot carried him Alberto found two young men fighting over a rusty key. He said to them, "Why do you fight for such an old rusty key? You are not children: you are young men. You ought to be ashamed of yourselves." The elder of them answered that the key, if it were knocked against a stone, would open the stone, however hard it might be. The prince took the key from them, and said, "Go to a certain place, and face back here. The one to reach here first shall have the key." The two agreed, and started away. While they were gone, Alberto kicked the ground, and the boot carried him to another place. When the young men came back, the prince was no longer there.

This time Prince Alberto found two old men fighting. He asked them the same question as he had asked the others; and one of them answered, "If that hat is worn by any one, his body will be invisible; he will not be seen." The prince secured the hat from these old men by telling them the same thing he had told the others. While they were running their race, he put the hat on and kicked the ground.

The boot now brought him before a huge rock which had a small hole in it. Alberto put the key in the hole, and the rock suddenly opened. When he entered it, he found a street leading to a palace. He went up to the palace; and when he entered the door, a beautiful princess met him. Before Alberto could say a word, the princess told him to go away; for she said that a seven-headed monster was living with her. "If that is the case," said the prince, "show me his sword, and I will kill him." The princess pointed to the sword, which was hanging on the wall. The prince went to get it, but it was too heavy for him: he could not even move it. Then the princess gave him a pail of water to drink. She said that that was the water the monster always drank before touching his sword. The prince drank the water, and then sat down on an iron chair, and the chair broke. The princess now told him that he was strong. Soon steps were heard on the stairs. Prince Alberto put on his hat, and stood by the door, sword in hand. When the monster came up, he thrust one of his heads through a window near the door, and said, "I smell something human!" The prince cut off that head. "Somebody must be here!" cried the monster; but the princess answered that there was no one there with her. The prince then cut off the monster's heads one after another until only the main one was left. The monster waved his arms, but he could not grasp anything. At last he entered the door. The prince cut off his last head, and he fell dead.

Inexpressible was the joy of the princess when she saw the monster lying dead on the floor. She embraced the prince, and thanked him for her deliverance. Then she told him how she happened to be there. When the prince knew that she was one of the daughters of King Luis, he said to her that she was the very one for whom he was looking. The princess then told the prince about her two sisters, who were kept prisoners in the same way. So Prince Alberto left her, saying that he would go save her two sisters and then return.

He went outside and kicked the ground, and was brought before another huge rock. He entered it, and another princess met him. After asking him a few questions, she told him to go away, for the ten-headed monster who was living with her would soon return. But the prince said that he did not fear anything, and he told her to give him the monster's sword. Before he could lift the sword he had to drink two pails of water, which the princess gave him. Then he sat down on an iron bed, and the bed broke in two, so he thought he was strong enough. When the ten-headed monster came home, Alberto killed him in the same way he had killed the other. The princess rejoiced, and told the prince that he had saved her life. Then she embraced him and thanked him. Her joy was increased when Alberto told her that he had saved her younger sister. She begged him to save her eldest sister, who was in the next rock. The prince answered that that was what he had come for. So he left her without further talk, for it was already the night of the second day.

He then kicked the ground, and found himself in front of another huge rock, which he opened. Here the third princess greeted him. After asking him several questions as to how he had come there, she begged him to go away, for she said that it was time for the twelve-headed monster to come home. But he did not go away. He asked for the sword of the monster, but of course he could not move it. So the princess gave him three pails of water to drink. When the monster came home, the prince cut his heads off one after another, as he had done to the other two. The main head was now the only one left. Then the prince removed his hat, and presented himself before the monster, who thought that he could easily kill him, now that he could see him. He said, "Wait, I'll go and get my sword." But he could not find it, for the prince had already taken it. When he returned, he said to the prince, "You have my sword." He had scarcely spoken these words when Alberto cut off his remaining head. When Alberto told the princess that he had already saved her two sisters, she jumped with joy and embraced him.

Alberto now took the princess in his arms, kicked the ground, and they were brought to the palace of the second sister. Then the prince kicked the ground again, and all three were carried to the palace of the youngest sister. But there was no time for delay, as the third day was nearly gone. So he quickly brought all three princesses back to their father's kingdom. When they arrived at the palace, King Luis was overjoyed to see his daughters again. He told the prince to decide which one he wanted for a wife. While the three princesses were talking about their life with the monsters, Alberto managed, without being noticed, to give his handkerchief to the youngest.

The next day Alberto called at the palace. "Have you decided whom you are going to take for a wife?" said the king. The prince answered, "The one who has a handkerchief just like mine shall be my wife." Now, all three were anxious to have the brave prince for their husband, so they hastened to their rooms to get their handkerchiefs. The two older sisters first presented theirs, but neither resembled Alberto's. Then the youngest showed the one which Alberto had given her the day before, and so she was married to him. For three days banquets of thanksgiving were held, and the marriage festivities lasted for two days. The other two princesses were also married to kings' sons.

Notes.

There is a striking a.n.a.logy between the opening of our story and that of a Servian tale (Wuk, No. 5), where a Kaiser has three daughters whom he rears in close confinement, but whom he permits one day, after they have become of marriageable age, to dance the kolo. While they are dancing, a storm blows up, and carries them all away. The rest of the story is a variant of our No. 18, with which our present story, too, has some points of contact.

For the magic articles secured by the hero from certain persons quarrelling over them, and for the "Fee-fi-fo-fum" formula, see notes to No. 18.

The hero's drinking a pail of magic water, and becoming so strong that when he sits in an iron chair it breaks down under him, recalls the similar feat of Strong Hans (Grimm, No. 166).

The three monsters of increasingly greater formidability--Seven-Heads, Ten-Heads, Twelve-Heads--which are slain by the hero, who uses their own Weapons on them, recall the underworld monsters killed by the hero in the "Bear's Son" cycle (cf. our notes to No. 17).

Although the events of our story are located in the Philippines, the Casiguran mentioned probably being the town in Tayabas on the west toast of Luzon, the tale as a whole appears to have been imported. The Sinucuan referred to is probably the famous legendary King of Pampanga, of whom the Pampangans have a rich oral literature. He is said to have lived on Mount Arayat. He figures in our No. 79 (b).

TALE 40

JUAN AND MARIA.

Narrated by Anicio Pascual of Arayat, Pampanga, who says, "This story is often told by Pampangan grandmothers to their grandchildren. I have heard it many times. Lately it was told to me again by an old woman."

Once there lived in a barrio an old beggar couple. They had a son named Juan, and a daughter Maria. The proceeds from their begging were hardly enough to support the family. One day, after the old man had returned home from town, he ordered his wife to cook the rice that had been given him. The old woman obeyed him. When he saw that the rice was not enough for him and his wife and children, he angrily said to her, "From now on, don't let me see our children in this house. Chase them as far as you can, and let them find their own food." The old mother wept when she heard the words of her cruel husband. She did not want to be separated from her children; but she feared that she would be whipped if she kept them, so she obeyed the cruel order. At first the poor children did not want to go away; but, when they saw that their bad father was going to kick them, they ran off crying.

Soon the children came to a wild forest. "Maria, what will become of us here?" said Juan. "I am very hungry," said the little girl. "I don't think that I can get you any food in this wilderness," said the kind brother, "but let me see!" He then looked around. By good luck he found a guava-tree with one small fruit on it. He immediately climbed up for the guava, and gave it to his hungry sister. Then the two children resumed their journey.

As they were walking along, Maria found a hen's egg on the gra.s.s. She picked it up and carried it along with her in her dirty ragged skirt. At last they saw a very small hut roofed with dry talahib (coa.r.s.e, long gra.s.s). An old woman in the hut welcomed them, and asked them where they were going. After Juan had told her their story, she invited the tired children to stay in the hut with her. She promised that she would treat them as her little son and daughter. From that time on, Juan and Maria lived with the kind old woman. Juan grew to be a strong fine man, and Maria became a beautiful young woman. Juan spent almost all his time hunting in the mountains and woods.

One morning he caught a black deer. While he was taking the animal home, the deer said to him, "Juan, as soon as you reach your home, kill me, eat my flesh, and put my hide in your trunk. After three days open your trunk, and you will see something astonis.h.i.+ng." When Juan reached home, he did as the deer had told him to do. On the third day he found in the trunk golden armor. He was greatly delighted by the precious gift.

Maria had not been living long with the old woman when she found that the egg had hatched into a chick, which soon grew into a fine fighting c.o.c.k. One morning the c.o.c.k crowed, "Tok-to-ko-kok! Take me to the c.o.c.kpit. I'll surely win!" Maria told the old woman what the c.o.c.k had said, and the next Sunday Juan took the fighting c.o.c.k to the c.o.c.kpit. There the rooster was victorious, and won much money for Juan.

One day Juan heard that a tournament would be held in front of the king's palace. The winner of the contest was to become the husband of the princess, and would inherit the throne. Juan quickly put on his golden armor, and hastened to the palace to try his skill. He defeated all his opponents. The next day his bridal ceremony was celebrated, and the crown was placed on his head. That very day he ascended the throne to rule over the kingdom. Although Juan was now king, he was not proud. He and the queen visited Maria to get her to live in the palace; but the old woman would not allow her to go with her brother, as she had no other companion in the hut.

One day a prince was lost in the forest. He happened to come across the hut in which Maria was living. He fell in love with her, and wanted to marry her. As the old woman offered no objections to the proposal of the prince, the following day Maria became a queen, just as her brother had become king. Although the parents of Juan and Maria had been very cruel, yet the king and queen did not forget them. The brother and sister visited their father and mother, whom they found in the most wretched condition. When the father saw that his children had become king and queen, he wept greatly for his former cruelty to them.

Notes.

A Tagalog folk-tale printed in the "Journal of American Folk-Lore"

(20 : 306), "Tagalog Babes in the Woods," is related to our story.

"There the twins Juan and Maria are driven to the forest by their cruel father. After days of wandering, Juan climbs a tree, and sees in the distance a house. They approach it, and, having asked permission to enter, are invited in; but there is no one to be seen in this magic house, although food and drink and clothing are supplied the two wanderers in abundance." The story is evidently incomplete. It is based on a metrical romance, "The Life of the Brother and Sister, Juan and Maria, in the Kingdom of Spain," of which I will give a brief synopsis, since the chap-book version contains details which are lacking in the fragment cited above.

This metrical romance is printed in both Tagalog and Pampangan. My Tagalog copy, which contains 1836 lines, bears the date 1910, but is clearly a reprint. The Pampangan text is slightly shorter, with 1812 lines. Retana (No. 4164) cites a Pampangan version some time between the years 1860 and 1898, and a later reprint of 1902 (No. 4349). The summary that follows is based on the Tagalog.

Juan and Maria.

During the reign of King Charles the Fifth there lived in Spain a poor couple, Fernando and Juana. They had a son Juan, ten years old, and a daughter Maria, but eight months in age. Fernando was very cruel to his wife and children. He was also very selfish. During meal-times he ate alone, without inviting the rest of his family to eat with him.

One day Fernando said to his wife, "You must send our two children away. If my command is not executed, your life shall answer for your disobedience." The broken-hearted mother summoned her children, and with tears in her eyes told them of the cruel order of their father. The children had to obey their father, for they feared him, and so set off for the mountains. For many days they wandered around, living on wild fruits, and sleeping under trees.

One day Juan was greatly surprised to hear Maria ask for some water to drink, for she had never spoken before. They were far from any stream, and Juan did not know what to do to satisfy his sister. At last he climbed a tree to see whether there was any water near by, and he saw in a valley not far off a beautiful house surrounded with flowers. Juan quickly came down the tree, and the two children set out for the house. When they reached it, they knocked at the door, but no one answered. After knocking again in vain, the boy decided to enter. He pushed open the door, and found himself in a golden salon, luxuriously furnished with gold and silver chairs. On the silver wall hung an image of the Immaculate Conception. The two children knelt down in front of the image and prayed. Then they went to the dining-room, where they found a golden table with exquisite dishes of all kinds.

Several years pa.s.sed by. Under the care of the Virgin, Maria grew to be a beautiful young woman. One day, as Maria was praying, the Virgin spoke to her through the image. She said that the gallant prince of Borgona would come to the mountains to hunt deer, and that he would lose his way in the woods. He would come to their house to ask for some water, and would fall in love with Maria. Everything turned out as had been predicted. The gallant prince was so attracted by the beauty and grace of Maria, that he could not help saying to her, "I love you." With the consent of her guardian the Virgin, Maria accepted the Prince of Borgona, and the day for their wedding was set. The king, his son, and all the n.o.bility of Borgona, set out for the mountains to get Maria, and on their arrival were surprised at the magnificence of her house. The bishop who was with the company married the couple, and all the retinue went back to the capital.

When Juan now found himself left all alone in the house, he knelt before the image and complained to the Virgin of his situation. The Virgin said to him, "Don't worry! To-morrow mount the horse which is in the stable, clothe yourself in iron, and go to the kingdom of Moscobia to help the king drive the Moors away." Juan did so, and upon his arrival in Moscobia he found thousands of Moors threatening the king. With his sword he killed half the enemy: the rest were routed. Because of his great services, the king married his daughter to Juan, and the new couple were proclaimed king and queen.

Some time afterwards, Juan wrote to his sister, suggesting that they visit their parents. The two couples, accompanied by many of the n.o.bles of their kingdoms, set out for Spain. Their cruel father was astounded to see his children raised to such a lofty position, and he begged their pardon for his former harsh treatment of them. They forgave him, and then returned to their respective kingdoms, where they lived peacefully for many years.

The connection between our folk-tale and the romance is not very clear. In both we have the abandoned children, the discovery of the house in the woods where the children are reared to manhood and womanhood, and the marriage of Maria with a prince who loses his way in the forest. In both Juan becomes a king, and in both the two children seek again their cruel parents and forgive them. On the other hand, there is much in the folk-tale that is lacking in the romance; e.g., the incident of the egg that hatches into a fighting c.o.c.k, and the incident of the black deer with the miraculous hide. In the folk-tale Juan becomes king because of his skill in a tournament; in the romance, because, with the help of the Virgin, he defeats a large Moorish army. In the one, the shelter in the woods is but a thatch-roofed hut inhabited by a kindly old woman; in the other, it is a magnificent house occupied by no one except the image of the Virgin. The correspondences as well as the differences between the two versions, neither of which appears to be new, suggest that the source of the folk-tale and the romance is one and the same, but that the folk-tale went its own way, the way of the people, and thus acquired its more native appearance. That the common source was some European story, can hardly be doubted, I think.

The opening of our story is not unlike that of the German "Hansel und Gretel" (Grimm, No. 15). Bolte and Polivka (1 : 123) note that various different Marchen have this beginning "of children whom their father, either because of bitter necessity or because he is forced by their step-mother, takes to the woods and there abandons." One of the most widespread cycles in which it occurs is "Hop o' my Thumb,"