Studies from Court and Cloister Part 29

The fine ma.n.u.script, designated 2A 20, is a book of prayers and lessons on vellum, of the eighth century. It belonged to the Theyer collection, and several notes are inserted in the handwriting of John Theyer. It is very much stained and spoiled, the binder, as was so often the piteous case, having barbarously cut off some of the edges, and with them a portion of the marginal writing, to the great detriment of the book.

2 A 22 is a magnificent Latin Psalter of the twelfth century, the best period of penmans.h.i.+p. Sir Edward Thompson draws attention to the fact that this volume originated at Westminster, as may be inferred by the prominence given in the calendars and prayers to St. Peter and St.

Edward, even without its identification with an entry in the Abbey Inventory.* A further proof of this is furnished by the miniatures of the two saints, one of which begins the series; the other leads up to the beautiful Salvator Mundi. Between are St. George and St.

Christopher. Instead of being dispersed throughout the book, the ill.u.s.trations are all at the beginning and end, indicating by the colourless faces, and by what for want of a better word may be styled their Gothic outlines, that they are of English origin. Some of the capital letters are very interesting. One of these quaintly represents the Saviour of the world enthroned in glory, on a gold background. His hand is raised in blessing, while a Benedictine monk, floating on the wings of prayer, clasps a scroll, one end of which disappears under the rainbow-hued throne. On the scroll are the words Domine, exandi orationem mean. At the end of the Psalter are Litanies and other prayers.

* English Illuminated MSS., pp. 34, 35.

The broad manner in which these illuminations are treated, with foliage boldly designed, and animals of various kinds disporting themselves among the branches, is indicative of the period. There is a striking contrast between this large, bold treatment and the minute style of the next century, although the period of transition occupied but a few years. The change began with the development of the initial letter, which was the starting-point of the border and of the miniature.

The Royal MS. 1 D 1, a Latin Bible of the middle of the thirteenth century, forms an excellent example of this development. It is written on fine vellum, and in a perfect style of calligraphy. The paintings are few if we except those connected with the initial letter, which serves admirably to ill.u.s.trate the growth of the border from its pendants, cusps, and graceful finials, showing how the initial and miniature came to be combined. Writing about this same MS. Sir Edward Thompson says: "In the large initial we see the combination of the miniature with the initial and partial border, a combination which is typical of book decoration of the thirteenth century. In MSS. of earlier periods the miniature was a painting which usually occupied a page, independently of the text . . . or if inserted in the text it was not connected with the decoration of the page. It was, in fact, an ill.u.s.tration and nothing more. But now, while the miniature is still employed in this manner, independently of the text, the miniature initial also comes into common use, the miniature therein., however, continuing to hold for some time a subordinate place, as a decoration rather than as an ill.u.s.trative feature. In course of time, with the growth of the border, the two-fold function of the miniature, as a means of ill.u.s.tration and also of decoration, is satisfied by allowing it to occupy part or even the whole of a page as an independent picture, but at the same time, set in the border, which has developed from the pendent of the initial. This development of the border it is extremely interesting to follow, and so regular is its growth, and so remarkable are the national characteristics which it a.s.sumes, that the period and place of origin of an illuminated MS. may often be accurately determined from the details of its border alone." *

* English Illuminated MSS., p. 37.

The distinguished writer goes on to show that in tracing this development one sees how the initials first terminate in simple buds or cusps, and how, in the next stage, characteristic of the thirteenth century, they put out little branches, the buds growing into leaves and flowers, and how thus gradually the border comes to surround the whole page.

The Royal MS. 2 B 3, commonly known as Queen Mary's Psalter, is a good specimen of fourteenth century art. This is a large octavo volume of 320 leaves of vellum, almost everyone being magnificently illuminated on both sides, with daintily executed drawings, lightly sketched, and slightly tinted in green, brown, and violet. One richly-decorated page represents the Last Judgement. At the top, a miniature within the border shows forth the judge of all mankind. Angels with green-tipped wings hover on either side. Before the Saviour as judge kneel the Blessed Virgin and St. John, and on the other side is a group of monks.

The background is of pure gold. Underneath, enclosed in a blue and white border, the dead rise to judgment. Angels blow long trumpets and the graves open. Below this again is a lovely initial, with more figures on a gold background. The letter begins the words of the Litany Kyrie eleison. A drawing at the bottom of the page represents Saul receiving the letter to Damascus for the persecution of the Christians.

This page, as elaborate and glowing with colour as it is rich in design and fine in execution, is, however, not more striking than many others in the same ma.n.u.script, which may, without too much praise, be described as a gem of palaeographic art. A note on the last leaf explains that the MS. was on the point of being carried beyond seas, when a customs officer, one Baldwin Smith, in the port of London seized and presented it to the Queen, in October 1553, the first year of her reign.

The writer does not record whether the hapless owner was indemnified for his loss. It was probably Queen Mary herself who caused the book to be bound as we now see it, in the worn crimson velvet binding, with the remains of large pomegranates embroidered at each corner, pomegranates being her own badge.

The MS. 2 B 7 is an extremely beautiful piece of workmans.h.i.+p of the fourteenth century. Its delicate outline drawings, mostly in mauve and green, are reminiscent of the Guthlac roll. They represent mainly an ill.u.s.trated Martyrology of Saints, popular in England. 1 A 18 is the copy of the Latin Gospels presented to Christ Church, Canterbury, by King Athelstan, with the name Lumley on the first page of the Eusebian canons, and Umfridus me fecit on a fly-leaf.

The beautiful French version of the Apocalypse, written in England about 1330 (19 B R5), contains drawings of great refinement, though scarcely to be compared with those which adorn Queen Mary's Psalter.

The very large Bible of the end of the fourteenth century measuring twenty-four by Leventeen inches, is splendidly illuminated and profusely adorned with miniatures.

But choice and variety are infinite, and to the devout lover of these things, the Royal library resembles a goldmine with nuggets of immense value lying in profusion wherever his adventurous footsteps lead him.

If his object be delight he will find that every step leads him there.

VI. THE HARLEIAN COLLECTION OF Ma.n.u.sCRIPTS

When Robert Harley laid the foundation of his magnificent library in t 7o5, so many collectors were already in the field that the prospect of getting together any large number of choice ma.n.u.scripts did not seem promising. But contrary to expectation, this very fact proved fortunate, for whereas Cotton had built up his library, book by book, laboriously, Harley had the advantage of forming his, to a great extent, by the purchase of other well-known collections, either at the death of their original owners, or after the ma.n.u.scripts had pa.s.sed through successive hands. Of these larger acquisitions may be mentioned the library which had belonged to the famous antiquary, Sir Symonds D'Ewes, Cotton's friend; the greater number of the Graevius MSS.; the 23 bulky volumes of the Baker collection; many of the papers originally belonging to Nicholas Charles, Lancaster Herald, which, at his death, Camden had purchased for 690 pounds, and the collection of Stow, the historian of London.

Charles's library consisted chiefly of epitaphs, drawings of monuments and arms, and an historical catalogue of the officers of the College of Arms. Some of these are now at the Herald's College, one of the ma.n.u.scripts is in the Lansdowne collection, and the others were bought by Harley.

On Strype's death in 1737, the majority of the papers, collected by Foxe the martyrologist, which had been in the annalist's possession, also pa.s.sed with others into Harley's hands; they form vols. 416 to 428, and vol. 590 of this collection. Some of Foxe's papers are in the Lansdowne library.

By means of great exertion and a lavish expenditure, Harley became within ten years the possessor of about 2500 old MSS., and in 1721 had collected 6000 volumes, 1400 charters, and 500 rolls, besides about 350,000 pamphlets. His entire library afterwards numbered over 20,000 volumes.

Robert Harley, afterwards Earl of Oxford, was descended from an ancient family, existing, it is pretended, in Shrops.h.i.+re at the time of the Norman Conquest, and closely allied to the French family of de Harlai.

He was the eldest son of Sir Edward Harley, member for the county of Hereford, in the Parliament which restored Charles I I.; was born in 1661, rose to a high position in public affairs, and was created, by Queen Anne, a peer of the realm by the style and t.i.tle of Baron Wigmore, in the county of Hereford, Earl of Oxford, and Mortimer.* Soon afterwards he was made Lord High Treasurer of Great Britain, and Prime Minister. He was twice married--first to Elizabeth, daughter of Thomas Foley of Whitley Court, Worcesters.h.i.+re, by whom he had three children--a son, Edward, who succeeded him, and two daughters. His second wife was Sarah, daughter of Simon Middleton, of Hurst Hill, Edmonton, who survived him some years.

* The Earldom of Mortimer was added, because, although Aubrey de Vere, twentieth Earl of Oxford had died without leaving male issue in 1702, it was necessary to guard against possible claimants among remote descendants of the de Veres.

Swift drew attention to the circ.u.mstance that Robert Harley was educated at s.h.i.+lton, a private school in Oxfords.h.i.+re, remarkable for having produced at the same time a Lord High Treasurer (the Earl of Oxford), a Lord High Chancellor (Lord Harcourt), a Lord Chief Justice of the Common Pleas (Lord Trevor), and ten members of the House of Commons, who were all contemporaries as well at school as in Parliament. From both his father and grandfather he had inherited a taste for books, and as Speaker of the House of Commons, had taken considerable part in organising the Cottonian library when it was bequeathed to the nation. It was on this occasion that his notice was first drawn to Humphrey Wanley, who offered some valuable hints in regard to the arrangement of the Cotton ma.n.u.scripts, and subsequently proved himself to be the model of librarians.

Humphrey Wanley was the son of a country parson; he had received a university education, and had already achieved success and some fame as a scholar by his catalogue of the Anglo-Saxon MSS., preserved in the princ.i.p.al libraries of Great Britain. He would gladly have undertaken the custody of the Cotton library vice Dr. Smith, and wrote to Robert Nelson, a learned writer and philanthrophist, who apparently possessed some influence with the government, to solicit his good offices in procuring him that post. Nelson's answer, interpolated by a remark in Wanley's beautiful, scholarly hand, is interesting as an ill.u.s.tration of the rivalry that existed between the two foremost librarians of the day.

"Were I as able to advise Mr. Wanley as I am desirous to offer what might be most advantageous for his interest," wrote Nelson, "I should immediately have answered your last letter which requires some queries to be resolved before I can well determine how you ought to proceed.

For if there is any friends.h.i.+p between you and the Dr. [Smith] it will give a different aspect to your endeavours to supplant him."

Here there is a mark in the original letter referring to a note written across the margin by Wanley as follows:

"This is about the Cottonian Library, the custody whereof I did then, and many years after, most ardently desire. As to friends.h.i.+p between Dr. Thomas Smith [here meant] and me there was but little, his conversation being not suitable to mine, by reason of his jealousies and peevishness extreme. I always allowed the Doctor's pretensions to be much better grounded than mine; but if he, being a non-juror, could not swear to the Queen's government, or being much in years should happen to decease, as he did after some time, I desired that employment when the trustees should please to regulate that n.o.ble collection.

"Otherwise," continues Nelson, "I can see no reason why a man that is qualified for an employment may not fairly offer himself as a candidate for it, without injury to others that may pretend to it, and if you should want success, it no way diminishes those qualifications you were endowed with, for the discharge of the employment. If the Sir Robert Cotton you mention be of the Post Office, I believe I can find a way of applying to him,--I am your faithful friend and servant, Wanley's ardent desire was not destined to be satisfied, but a still more honourable position was in store for the distinguished scholar and man of letters, for he not only became ultimately custodian of the Harleian ma.n.u.scripts, but as we shall presently see, he deserved by his zeal, learning, and discrimination to be considered together with Lord Oxford, the joint-founder of the Harleian library.

"Nelson.

"2nd October 1702."

Thus, it was entirely owing to Wanley that the D'Ewes collection, purchased for 6000 pounds, was secured by Sir Robert Harley, and it formed the basis of what is now one of our greatest national collections of ma.n.u.scripts. The acquisition of this celebrated library was the determining point in Wanley's career and in that of the Harleian library itself.

Sir Symonds D'Ewes, the antiquary, had by his will left all his books and ma.n.u.scripts to his grandson, another Sir Symonds, but without antiquarian or literary tastes. Wanley, having discovered that although, according to the antiquary's will, his collection might not be dispersed, it might still possibly be bought, wrote to Harley and suggested that he should be the purchaser:

"Sir Symonds D'Ewes, being pleased to honour me with a peculiar kindness of esteem, I have taken the liberty of inquiring of him whether he will part with his library; and I find that he is not unwilling to do so, and that at a much easier rate than I could think for. I dare say that it would be a n.o.ble addition to the Cotton Library; perhaps the best that could be had anywhere at present . . . .

If your Honour should judge it impracticable to persuade Her Majesty to buy them for the Cotton Library--in whose coffers such a sum as will buy them is scarcely conceivable--then Sir, if you have a mind of them yourself, I will take care that you shall have them cheaper than any other person whatsoever. I know that many have their eyes on this collection. I am desirous to have this collection in town for the public good, and rather in a public place than in private hands, but of all private gentlemen's studies first in yours. I have not spoken to anybody as yet, nor will not till I have your answer, that you may not be forestalled."

The D'Ewes collection was a curiously miscellaneous one, containing much trivial matter side by side with learned treatises, transcripts of important cartularies, monastic registers, public and private muniments of the most varied description. A list of them is to be found in the Harleian MS. 775. No subject seems to have been void of interest for the great antiquary: he treasured up his school exercises as carefully as he did any ancient Greek or Roman charter, or mediaeval paleographic gem.

With the purchase of this rich medley of books begins Wanley's term of office as librarian to Lord Oxford, which continued till his death in 1726. By his knowledge and literary ac.u.men the librarian supplied what was lacking in his patron, for like Sir Robert Cotton, Harley, despite his love of books, was by no means a scholar or man of letters. Even the insignificant pamphlets, once ascribed to his pen, have since been proved to be the work of others. His verses, some of which were printed in the sixteenth volume of Swift's works, were condemned by Macaulay as being "more execrable than the bellman's." But with Wanley at his side he surpa.s.sed even Cotton as a collector, for the librarian possessed an intimate acquaintances.h.i.+p with the contents of every foreign library of note, and Harley was always ready to spend in princely fas.h.i.+on whenever Wanley considered that a ma.n.u.script was worth buying. On the sumptuous bindings with which he adorned these acquisitions he expended as much as 18,000 pounds. His princ.i.p.al binders were Thomas Elliott and Christopher Chapman, of Duck Lane, who called forth some severe remarks in Wanley's Diary, on the subject of their negligence and extravagant prices. On inspecting Mr. Elliott's bill he finds him "exceeding dear in all the works of Morocco, Turkey, and Russia leather, besides those of velvet," and he is constantly reprimanding both book-binders for their "negligence in executing my Lord's work."

Perhaps the best-merited praise that has ever been bestowed on the founder of this celebrated library is Macaulay's tribute to his "sincere kindness for men of genius." And, however much the first Earl of Oxford may have transgressed politically (he is accused of having been unscrupulous, weak, and incapable as a minister), his services to literature in the protection which he accorded to the learned, have won for him a high place in the estimation of his countrymen. Even as a politician he acquired some literary fame, as being the first minister who employed the Press for ministerial purposes; and it redounds to his honour that, amid the cares and pa.s.sions of public life, and aims more or less worthy of a statesman, he occupied his scanty leisure with the altogether laudable endeavour to gather together under his own roof for the benefit of students and scholars as much as possible of the lore and erudition of past ages.

The correspondence between Harley and Defoe, preserved at Welbeck Abbey, and now published by the Historical MSS. Commission, reveals the intimate relations which existed for public purposes between these two remarkable men.

Of Edward, second Earl of Oxford, much praise and very little blame have been recorded. He has been quaintly described as " indeed rich but thankful, charitable without ostentation, and that in so good-natured a way as never to give pain to the person whom he obliged in that respect." He was, in truth, indolent and extravagant, faults which did not, however, detract from his popularity. He was the prey of adventurers, and the providence of impecunious poets such as Pope and Swift. All the literati of the day were allowed access to his library.

Oldys drew therefrom the materials for his Life of Sir Walter Raleigh; Joseph Ames and Samuel Palmer had recourse to it in their black-letter studies. Pope was his adored friend and kept up a lively correspondence with him; Swift was always welcome at his table. He had many tastes, of which book-collecting was not the least expensive, and of the fortune of 500,000 pounds which his wife brought him, the greater part is said to have been sacrificed to "indolence, good-nature, and want of worldly wisdom."

In 1740 he was obliged to sell his estate of Wimpole, in order to clear off a debt of 100,000 pounds, a sacrifice which failed to appease his creditors, and a prey to carking care, he found the downward path from conviviality to inebriety a rapid one.

It was during the lifetime of the second Lord Oxford that the Rev.

Thomas Baker bequeathed his works in ma.n.u.script to the Harleian library. A memorandum prefixed to these papers states that, in consideration of one guinea (to satisfy an original copy of Baston's verses on the battle of Bannockburn; a fine one of the Chronicle of Mailros; the Life of King David, written by the Abbot of Rievaulx; copies of charters between Scottish and French kings; and transcripts overlooked by Rymer and John Harding touching the lords.h.i.+p of England over Scotland. A contemporaneous doc.u.ment relates to the marriage of Mary Queen of Scots to the Dauphin, and there are various letters from the same queen. We also notice Papal Bulls, enjoining the Scottish bishops to render obedience to the Archbishop of York as their metropolitan, and the king's recognition of that archbishop's rights; besides many other important papers too numerous to mention. Wales and Ireland are also well represented.

But like the Cottonian, the Harleian library spread its borders far beyond the limits of British history. As early as 1697 it had been Wanley's opinion that it would conduce very much to the welfare of learning in this country if some fit person or persons were sent abroad to make it their business to visit the libraries of France, Italy, and Germany, and to give a good account of the most valued ma.n.u.scripts in them. "The Papists," he adds in his memorandum to this effect, "are communicative enough, for love or money, of any book that does not immediately concern their controversies with Protestants,"* a somewhat cryptic utterance which Wanley does not concern himself to explain, controversy not being one of the sciences to which his attention was turned. But his letter of instructions to Mr. Andrew Hay, who was commissioned by Lord Oxford 1720 to proceed to France and Italy in order to purchase MSS. for him, shows such an intimate knowledge of the contents of the great continental libraries, that long as it is we cannot forbear transcribing the whole:--

"Mr. Andrew Hay, you being upon your departure towards France and Italy by my n.o.ble Lord's order, I give you this commission, not now expecting that you can execute every part of it in this journey, but yet hoping that you will dispatch those articles which are of the greatest importance, and put the others into a proper posture against the time of your next return thither.

*Marl. MS., Harl. M.S., vol. 5911, f. 2.

"In Paris Fr. Bernard Montfaucon has some Coptic, Syriac, and other MSS. worth the buying. Among them is an old leaf of the Greek Septuagint, written in uncial or capital letters. Buy these and the leaden book he gave to Cardinal Bouillon if he can procure it for you or direct you to it. In the archives of the Cistercian monastery of Clervaulx, I am told there are some original letters or epistles written by the hand of St. Hierome upon phylira or bark. One or more of these will be acceptable if not too outrageously valued. The Duke of Savoy has many Greek MSS., as also the Egyptian board or table of Isis, adorned with hieroglyphics, being those which have been explained by Pignorius, Richerus, etc. Let me have some account of these.