Marmion Part 22

'But hollow men, like horses hot at hand, Make gallant show and promise of their METTLE.'

'Metal' in the same sense is frequent in Shakespeare. See Meas. for Meas. i. I; Julius Caesar, i. 2; Hamlet, iii 2.

line 35. palisade (Fr. paliser, to enclose with pales), a firm row of stakes presenting a sharp point to an advancing party.

line 38. hasted, Elizabethanism = hastened. Cp. Merch. of Venice, ii. 2. 104--'Let it be so hasted that supper be ready at the farthest by five of the clock.'

line 42. sewer, taster; squire, knight's attendant; seneschal, steward. See 'Lay of the Last Minstrel,' vi. 6, and note on Par.

Lost, ix. 38, in Clarendon Press Milton:--

'Then marshalled feast Served up in hall with sewers, and seneschals.'

Stanza IV. line 43. Malvoisie = Malmsey, from Malvasia, now Napoli di Malvasia, in the Morea.

line 55. portcullis, a strong timber framework within the gateway of a castle, let down in grooves and having iron spikes at the bottom.

Stanzas V and VI. Marmion, strenuous in arms and prudent in counsel, has a kins.h.i.+p in spirit and achievement with the Homeric heroes.

Compare him also with the typical knight in Chaucer's Prologue and the Red Cross Knight at the opening of the 'Faerie Queene.' Scott annotates 'Milan steel' and the legend thus:--

'The artists of Milan were famous in the middle ages for their skill in armoury, as appears from the following pa.s.sage, in which Froissart gives an account of the preparations made by Henry, Earl of Hereford, afterwards Henry IV, and Thomas, Duke of Norfolk, Earl Marischal, for their proposed combat in the lists at Coventry:-- "These two lords made ample provisions of all things necessary for the combat; and the Earl of Derby sent off messengers to Lombardy, to have armour from Sir Galeas, Duke of Milan. The Duke complied with joy, and gave the knight, called Sir Francis, who had brought the message, the choice of all his armour for the Earl of Derby.

When he had selected what he wished for in plated and mail armour, the Lord of Milan, out of his abundant love for the Earl, ordered four of the best armourers in Milan to accompany the knight to England, that the Earl of Derby might be more completely armed."-- JOHNES' Froissart, vol. iv. p.597.

'The crest and motto of Marmion are borrowed from the following story:--

Sir David de Lindsay, first Earl of Cranford, was, among other gentlemen of quality, attended, during a visit to London in 1390, by Sir William Dalzell, who was, according to my authority, Bower, not only excelling in wisdom, but also of a lively wit. Chancing to be at the Court, he there saw Sir Piers Conrtenay, an English knight, famous for skill in tilting, and for the beauty of his person, parading the palace, arrayed in a new mantle, bearing for device an embroidered falcon, with this rhyme,--

"I bear a falcon, fairest of night, Whoso pinches at her, his death is dight1 In graith2."

----------------------------------------------------- 1prepared. 2armour.

----------------------------------------------------- 'The Scottish knight, being a wag, appeared next day in a dress exactly similar to that of Courtenay, but bearing a magpie instead of the falcon, with a motto ingeniously contrived to rhyme to the vaunting inscription of Sir Piers:--

"I bear a pie picking at a piece, Whoso picks at her, I shall pick at his nese3, In faith."

----------------------------------------------------- 3nose ----------------------------------------------------- 'This affront could only be expiated by a just with sharp lances. In the course, Dalzell left his helmet unlaced, so that it gave way at the touch of his antagonist's lance, and he thus avoided the shock of the encounter. This happened twice:--in the third encounter, the handsome Courtenay lost two of his front teeth. As the Englishman complained bitterly of Dalzell's fraud in not fastening his helmet, the Scottishman agreed to run six courses more, each champion staking in the hand of the King two hundred pounds, to be forfeited, if, on entering the lists, any unequal advantage should be detected.

This being agreed to, the wily Scot demanded that Sir Piers, in addition to the loss of his teeth, should consent to the extinction of one of his eyes, he himself having lost an eye in the fight of Otterburn. As Courtenay demurred to this equalisation of optical powers, Dalzell demanded the forfeit; which, after much altercation, the King appointed to be paid to him, saying, he surpa.s.sed the English both in wit and valour. This must appear to the reader a singular specimen of the humour of that time. I suspect the Jockey Club would have given a different decision from Henry IV.'

lines 85-6. 'The arms of Marmion would be Vairee, a fesse gules--a simple bearing, testifying to the antiquity of the race. The badge was An ape pa.s.sant argent, ringed and chained with gold. The Marmions were the hereditary champions of England. The office pa.s.sed to the Dymokes, through marriage, in the reign of Edward III.'--'Notes and Queries,' 7th S. III. 37.

Stanza VII. line 95. 'The princ.i.p.al distinction between the independent esquire (terming him such who was attached to no knight's service) and the knight was the spurs, which the esquire might wear of silver, but by no means gilded.'--Scott's 'Essay on Chivalry,' p.64.

With the squire's 'courteous precepts' compare those of Chaucer's squire in the Prologue,--

'He cowde songes make and wel endite, Juste and eek daunce, and wel purtreye and write.

Curteys he was, lowely, and servysable, And carf byforn his fader at the table.'

Stanza VIII. line 108. Him listed is an Early English form. Cp.

Chaucer's Prologue, 583,--

'Or lyve as scarsly as HYM LIST desire.'

In Elizabethan English, which retains many impersonal forms, LIST is mainly used as a personal verb, as in Much Ado, iii. 4,--

'I am not such a fool to think what I LIST,'

and in John iii. 8, 'The wind bloweth where it listeth.' Even then, however, it was sometimes used impersonally, as in Surrey's translation of AEneid ii. 1064,--

'By sliding seas ME LISTED them to lede.'

line 116. Hosen = hose, tight trousers reaching to the knees. The form hosen is archaic, though it lingered provincially in Scotland till modern times. For a standard use of the word, see in A. V., Daniel iii. 21, 'Then these men were bound in their coats, their hosen, and their hats, and their other garments.'

line 121. The English archers under the Tudors were famous.

Holinshed specially mentions that at the battle of Blackheath, in 1496, Dartford bridge was defended by archers 'whose arrows were in length a full cloth yard.'

Stanza IX. line 130. morion (Sp. morra, the crown of the head), a kind of helmet without a visor, frequently surmounted with a crest, introduced into England about the beginning of the sixteenth century.

line 134. linstock (lont, a match, and stok, a stick), 'a gunner's forked staff to hold a match of lint dipped in saltpetre.'

yare, ready; common as a nautical term. Cp. Tempest, i. I. 6, 'Cheerly, my hearts! Yare, yare!' and see note to Clarendon Press edition of the play.

Stanza X. line 146. The angel was a gold coin struck in France in 1340, and introduced into England by Edward IV, 1465. It varied in value from 6s. 8d, to 10s. The last struck in England were in the reign of Charles I. The name was due to the fact that on one side of the coin was a representation of the Archangel Michael and the dragon (Rev. xii. 7). Used again, St. xxv. below.

line 149. brook (A. S. brucan, to use, eat, enjoy, bear, discharge, fulfil), to use, handle, manage. Cp. Chaucer, 'Nonnes Prestes Tale,'

line 479,--

'So mote I BROUKEN wel min eyen twey,'

and 'Lady of the Lake,' I. xxviii--

'Whose stalwart arm might BROOK to wield A blade like this in battle-field. '

For other meaning of the word see xiii. and xvi. below.

Stanza XI. line 151. Pursuivants, attendants on the heralds, their TABARD being a sleeveless coat. Chaucer applies the name to the loose frock of the ploughman (Prologue, 541). See Clarendon Press ed. of Chaucer's Prologue, &c.

line 152. scutcheon = escutcheon, s.h.i.+eld.

line 156. 'Lord Marmion, the princ.i.p.al character of the present romance, is entirely a fict.i.tious personage. In earlier times, indeed, the family of Marmion, Lords of Fontenay, in Normandy, was highly distinguished. Robert de Marmion, Lord of Fontenay, a distinguished follower of the Conqueror, obtained a grant of the castle and town of Tamworth, and also of the manor of Scrivelby, in Lincolns.h.i.+re. One, or both, of these n.o.ble possessions was held by the honourable service of being the royal champion, as the ancestors of Marmion had formerly been to the Dukes of Normandy. But after the castle and demesne of Tamworth had pa.s.sed through four successive barons from Robert, the family became extinct in the person of Philip de Marmion, who died in 20th Edward I without issue male. He was succeeded in his castle of Tamworth by Alexander de Freville, who married Mazera, his grand-daughter. Baldwin de Freville, Alexander's descendant, in the reign of Richard I, by the supposed tenure of his castle of Tamworth, claimed the office of royal champion, and to do the service appertaining; namely, on the day of coronation, to ride, completely armed, upon a barbed horse, into Westminster Hall, and there to challenge the combat against any who would gainsay the King's t.i.tle. But this office was adjudged to Sir John Dymoke, to whom the manor of Scrivelby had descended by another of the co-heiresses of Robert de Marmion; and it remains in that family, whose representative is Hereditary Champion of England at the present day. The family and possessions of Freville have merged in the Earls of Ferrars. I have not, therefore, created a new family, but only revived the t.i.tles of an old one in an imaginary personage.'--SCOTT.

'The last occasion on which the Champion officiated was at the coronation of George IV.'--'Notes and Queries,' 7th S. III, 236.

line 161. mark, a weight for gold and silver, differing in amount in different countries. The English coin so called was worth 13s. 4d.

sterling.

line 163. 'This was the cry with which heralds and pursuivants were wont to acknowledge the bounty received from the knights. Stewart of Lorn distinguishes a ballad, in which he satirises the narrowness of James V and his courtiers by the ironical burden--

"Lerges, lerges, lerges, hay, Lerges of this new year day.

First lerges of the King, my chief, Quhilk come als quiet as a theif, And in my hand slid schillingis tway1, To put his lergnes to the preif2, For lerges of this new-yeir day."

1two 2proof