Jerome, A Poor Man Part 40
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It was one day when she was out riding with her father that Lucina made her opportunity to speak with Jerome. Now she had her horse, Jerome was finding it harder to avoid the sight of her. The night before, returning from Dale by moonlight, he had heard the quick tramp of horses' feet behind him, and had had a glimpse of Lucina and her father when they pa.s.sed. Lucina turned in her saddle, and her moon-white face looked over her shoulder at Jerome. She nodded; Jerome made a stiff inclination, holding himself erect under his load of shoes. Lucina was too shy to ask her father to stop that she might speak to Jerome. However, before they reached home she said to her father, in a sweet little contained voice, "Does he go to Dale every night, father?"
"Who?" said the Squire.
"Jerome Edwards."
"No, I guess not every day; not more than once in three days, when the shoes are finished. He told me so, if I remember rightly."
"It is a long walk," said Lucina.
"It won't hurt a young fellow like him," the Squire said, laughing; but he gave a curious look at his daughter. "What set you thinking about that, Pretty?" he asked.
"We pa.s.sed him back there, didn't we, father?"
"Sure enough, guess we did," said the Squire, and they trotted on over the moonlit road.
"Looks just like the back of that dapple-gray I had when you were a little girl, Pretty," said the Squire, pointing with his whip at the net-work of lights and shadows.
He never thought of any significance in the fact that for the two following days Lucina preferred riding in the morning in another direction, and on the third day preferred riding after sundown on the road to Dale. He also thought nothing of it that they pa.s.sed Jerome Edwards again, and that shortly afterwards Lucina professed herself tired of riding so fast, though it had not been fast for him, and reined her little white horse into a walk. The sorrel plunged and jerked his head obstinately when the Squire tried to reduce his pace also.
"Please ride on, father," said Lucina; her voice sounded like a little silver flute through the Squire's ba.s.s whoas.
"And leave you? I guess not. Whoa, d.i.c.k; whoa, can't ye!"
"Please, father, d.i.c.k frightens me when he does so."
"Can't you ride a little faster, Pretty? Whoa, I tell ye!"
"In just a minute, father, I'll catch up with you. Oh, father, please! Suppose d.i.c.k should frighten f.a.n.n.y, and make her run, I could never hold her. Please, father!"
The Squire had small choice, for the sorrel gave a fierce plunge ahead and almost bolted. "Follow as fast as you can, Pretty!" he shouted back.
There was a curve in the road just ahead, the Squire was out of sight around it in a flash. Lucina reined her horse in, and waited as motionless as a little equestrian statue. She did not look around for a moment or two--she hoped Jerome would overtake her without that. A strange terror was over her, but he did not.
Finally she looked. He was coming very slowly; he scarcely seemed to move, and was yet quite a distance behind. "I can't wait," Lucina thought, piteously. She turned her horse and rode back to him. He stopped when she came alongside. "Good-evening," said she, tremulously.
"Good-evening," said Jerome. He made such an effort to speak that his voice sounded like a harsh trumpet.
Lucina forgot her pretty little speech. "I wanted to say that I was sorry if I offended you," she said, faintly.
Jerome had no idea what she meant; he could, indeed, scarcely take in, until later, thinking of them, the sense of her words. He tried to speak, but made only an inarticulate jumble of sounds.
"I hope you will pardon me," said Lucina.
Jerome fairly gasped. He bowed again, stiffly.
Lucina said no more. She rode on to join her father. That night, after she had gone to bed, she cried a long while. She reflected how she had never even referred to the matter in question, in her suit for pardon.
Chapter XXVII
Lucina in those days was occupied with some pieces of embroidery in gay wools on cloth. There were varied designs of little dogs with bead eyes, baskets of flowers, wreaths, and birds on sprays. She had an ambition to embroider a whole set of parlor-chairs, as some young ladies in her school had done, and there was in her mind a dim and scarcely admitted fancy that these same chairs might add state to some future condition of hers.
Lucina had always innocently taken it for granted that she should some day be married and have a house of her own, and very near her father's. When she had begun the embroidery she had furnished a shadowy little parlor of a shadowy house with the fine chairs, and admitted at the parlor door a dim and stately presence, so shadowy to her timid maiden fancy that there was scarcely a suggestion of substance.
Now, however, the shadow seemed to deepen and clear in outline.
Lucina fell to wondering if Jerome Edwards thought embroidered chairs pretty or silly. Often she would pause in her counting and setting even cross-barred st.i.tches, lean her soft cheek on her slender white hand, and sit so a long while, with her fair curls drooping over her gentle, brooding face. Her mother often noticed her sitting so, and thought, partly from quick maternal intuition, partly from knowledge gained from her own experience, that if it were possible, she should judge her to have had her heart turned to some maiden fancy. But she knew that Lucina had cared for none of her lovers away from home, and at home there were none feasible, unless, perhaps, Lawrence Prescott.
Lawrence had not been to see her lately; could it be possible the child was hurt by it? Abigail sounded cautiously the depths of her daughter's heart, and found to her satisfaction no image of Lawrence Prescott therein.
"Lawrence is a good boy," said Lucina; "it is a pity he is no taller, and looks so like his father; but he is very good. I do think, though, he might go to ride with me sometimes and save father from going. I would rather have father, but I know he does not like to ride. Lawrence had been planning to go to ride with me all through the summer. It was strange he stopped--was it not, mother?"
"Perhaps he is busy. I saw him driving with his father the other day," said Abigail.
"Well, perhaps he is," a.s.sented Lucina, easily. Then she asked advice as to this or that shade in the ears of the little poodle-dog which she was embroidering.
"Lucina is as transparent as gla.s.s," her mother thought. "She could never speak of Lawrence Prescott in that way if she were in love with him, and there is no one else in town."
Abigail Merritt, acute and tender mother as she was, settled into the belief that her daughter was merely given to those sweetly melancholy and wondering reveries natural to a maiden soul upon the threshold of discovery of life. "I used to do just so, busy as I always was, before Eben came," she thought, with a little pang of impatient shame for herself and her daughter that they must yield to such necessities of their natures. Abigail Merritt had never been a rebel, indeed, but there had been unruly possibilities within her. She remembered well what she had told her mother when her vague dreams had ended and Eben Merritt had come a-wooing. "I like him, and I suppose, because I like him I've got to marry him, but it makes me mad, mother."
Looking now at this daughter of hers, with her exceeding beauty and delicacy, which a touch would seem to profane and soil as much as that of a flower or b.u.t.terfly, she had an impulse to hide her away and cover her always from the sight and handling of all except maternal love. She took much comfort in the surety that there was as yet no definite lover in Lucina's horizon. She did not reflect that no human soul is too transparent to be clouded to the vision of others, and its own, by the sacred intimacy with its own desires. Her daughter, looking up at her with limpid blue eyes, replying to her interrogation with sweet readiness, like a bird that would pipe to a call, was as darkly unknown to her as one beyond the grave. She could not even spell out clearly her hieroglyphics of life with the key in her own nature.
The day after Lucina had met Jerome on the Dale road, and had failed to set the matter right, she took her embroidery-work over to her Aunt Camilla's. She had resolved upon a plan which was to her quite desperate, involving, as it did, some duplicity of manoeuvre which shocked her.
The afternoon was a warm one, and she easily induced, as she had hoped, her Aunt Camilla to sit in the summer-house in the garden.
Everything was very little changed from that old summer afternoon of years ago. If Miss Camilla had altered, it had been with such a fine conservation of general effect, in spite of varying detail, that the alteration was scarcely visible. She wore the same softly spreading lilac gown, she wrote on her portfolio with the same gold pencil presumably the same thoughts. If her softly drooping curls were faded and cast lighter shadows over thinner cheeks, one could more easily attribute the dimness and thinness to the lack of one's own memory than to change in her.
The garden was the same, sweetening with the ardor of pinks and mignonette, the tasted breaths of thyme and lavender, like under-thoughts of reason, and the pungent evidence of box.
Lucina looked out of the green gloom of the summer-house at the same old carnival of flowers, swarming as lightly as if untethered by stems, upon wings of pink and white and purpling blue, blazing out to sight as with a very rustle of color from the hearts of green bushes and the sides of tall green-sheathed stalks, in spikes and plumes, and soft rosettes of silken bloom. Even the yellow cats of Miss Camilla's famous breed, inheriting the love of their ancestors for following the steps of their mistress, came presently between the box rows with the soft, sly glide of the jungle, and established themselves for a siesta on the arbor bench.
Lucina was glad that it was all so like what it had been, even to the yellow cats, seeming scarcely more than a second rendering of a tune, and it made it possible for her to open truthfully and easily upon her plan. She herself, whose mind was so changed from its old childish habit of simple outlook and waiting into personal effort for its own ends, and whose body was so advanced in growth of grace, was perhaps the most altered of all. However, there was much of the child left in her.
"Aunt Camilla," said she, in almost the same tone of timid deprecation which the little Lucina of years before might have used.
Camilla looked up, with gentle inquiry, from her portfolio.
"I have been thinking," said Lucina, bending low over her embroidery that her aunt might not see the pink confusion of her face, which she could not, after all, control, "how I came here and spent the afternoon, once, years ago; do you remember?"
"You came here often--did you not, dear?"
"Yes," said Lucina, "but that once in particular, Aunt Camilla?"
"I fear I do not remember, dear," said Camilla, whose past had been for years a peaceful monotone as to her own emotions, and had so established a similar monotone of memory.
"Don't you remember, Aunt Camilla? I came first with a stent to knit on a garter, and we sat out here. Then the yellow cats came, and father had been fis.h.i.+ng, and he brought some speckled trout, and--then--the Edwards boy--"
"Oh, the little boy I had to weed my garden! A good little boy,"
Jerome, A Poor Man Part 40
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Jerome, A Poor Man Part 40 summary
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