Bella Donna Part 42

"Oh! And what about tea?"

"We are goin' to take it with us in that bottle that looks all made of silver."

"Silver and--gold," she murmured, looking into the radiant distance where Thebes lay cradled in the arms of the sun-G.o.d.

"And when are we going, Ibrahim?"

He looked at her, and his soft, pale brown lips stretched themselves and showed his dazzling teeth.

"When you are ready, my lady."

She looked up into his face. Ibrahim was twenty, but he was completely a boy, despite his great height and his tried capacities as a dragoman.

Everything in him suggested rather the boy than the young man. His long and slim and flexible body, his long brown neck, his small head, covered with black hair which curled thickly, the expression in his generally smiling eyes, even his quiet gestures, his dreamy poses, his gait, his way of sitting down and of getting up, all conveyed, or seemed to convey, to those about him the fact that he was a boy. And there was something very attractive in this very definite youngness of his.

Somehow it inspired confidence.

"I suppose I am ready now."

Mrs. Armine spoke slowly, always looking up at Ibrahim.

"But is there a felucca to take us over?" she added.

"In four five minutes, my lady."

"Call to me from here when it is ready. I leave all the lunch and tea arrangements to you."

"All what you want you must have, my lady."

Was that a formula of Ibrahim's? To-day he seemed to speak the words with a conviction that was not usual, with some curious under-meaning.

How much of a boy was he really? As Mrs. Armine went upstairs she was wondering about him.

Nigel had said to her, "You are blossoming here." And he had said to her, "You are beautiful, but you do not trust your own beauty." And that was true, perhaps. To-day she would be quite alone with Ibrahim and the Egyptians; she would be in perfect freedom, and downstairs upon the terrace the idea had come to her to fill up the time that must elapse before the felucca arrived in "undoing" her face. She went into her bedroom, and shut and locked the door.

"The felucca is here suttinly, my lady!"

Ibrahim called from the terrace some ten minutes later; then he came round to the front of the house, and cried out the words again.

"I shall be down in a moment."

Another ten minutes went by, and then Mrs. Armine appeared. She had an ivory fly-whisk in her hand, and a white veil was drawn over her face.

"Is everything ready, Ibrahim?"

"Everythin'."

They went to the felucca and crossed the river.

At a point where there was a stretch of flat sandy soil on the western sh.o.r.e, Hamza, the praying donkey-boy, was calmly waiting with two large and splendidly groomed donkeys. Mrs. Armine stepped out of the felucca, helped by Ibrahim, and the felucca at once put off, and began to return across the Nile. The boatmen sang in deep and almost tragic voices as they plied the enormous oars. Their voices faded away on the gleaming waste of water.

Mrs. Armine had stood close to the river listening to them. When the long diminuendo was drawn back into a monotonous murmur which she could scarcely hear, she turned round with a sigh; and she had a strange feeling that a last link which had held her to civilization had snapped, and that she was now suddenly grasped by the dry, hot hands of Egypt. As she turned she faced Hamza, who stood immediately before her, motionless as a statue, with his huge, almond-shaped eyes fixed unsmilingly upon her.

"May your day be happy!"

He uttered softly and gravely the Arabic greeting. Mrs. Armine thanked him in English.

Why did she suddenly to-day feel that she lay in the hot breast of Egypt? Why did she for the first time really feel the intimate spell of this land--feel it in the warmth that caressed her, in the softness of the sand that lay beneath her feet, in the little wind that pa.s.sed like a b.u.t.terfly and in the words of Hamza, in his pose, in his look, in his silence? Why? Was it because she was no longer companioned by Nigel?

On the day of her arrival Nigel had pointed out Hamza to her. Now and then she had seen him casually, but till to-day she had never looked at him carefully, with woman's eyes that discern and appraise.

Hamza was of a perfectly different type from Ibrahim's. He was excessively slight, almost fragile, with little bones, delicate hands and feet, small shoulders, a narrow head, and a face that was like the face of a beautiful bronze, grave, still, enigmatic, almost inhuman in its complete repose and watchfulness--a face that seemed to take all and to give absolutely nothing. As Mrs. Armine looked at him she remembered the descriptive phrase that set him apart from all the people of Luxor.

He was "the praying donkey-boy."

Why had Ibrahim engaged him for their expedition to-day? She had never had him in her service before.

In a low voice she asked Ibrahim the question.

"He is a very good donkey-boy, but he is not for my lord Arminigel."

Mrs. Armine wondered why, but she asked nothing more. To-day she felt herself in the hands of Egypt, and of Egypt Ibrahim and Hamza were part.

If she were to enjoy to-day to the utmost, she felt that she must be pa.s.sive. And something within her seemed to tell her that in all that Ibrahim was doing he was guided by some very definite purpose.

He helped her on to her donkey. Upon the beast he was going to ride were slung two ample panniers. The fragile-looking Hamza, whose body was almost as strong and as flexible as mail, would run beside them--to eternity, if need be--on naked feet.

"Where are we going, Ibrahim?"

"We are goin' this way, my lady."

He gave a loud, an almost gasping, sigh. Instantly his donkey started forward, followed by Mrs. Armine's. The broad river was left behind; they set their course toward the arid mountains of Libya. Ibrahim kept always in front to lead the way. He had pushed his tarbush to the back of his curly head, and as he rode he leaned backwards from his beast, sticking out his long legs, from which the wrinkling socks slipped down, showing his dark brown skin. He began to sing to himself in a low and monotonous voice, occasionally interrupting his song to utter the loud sigh that urged the donkey on. Hamza ran lightly beside Mrs. Armine. He was dressed in white, and wore a white turban. In his right hand he grasped a long piece of sugar-cane. As he ran, holding himself quite straight, his face never changed its expression, his eyes were always fixed upon the mountains of Libya.

Upon the broad, flat lands that lay between the Nile and the ruins of Thebes the young crops shed a sharp green that looked like a wash of paint. Here and there the miniature forests of doura stood up almost still in the suns.h.i.+ne. Above the st.u.r.dy brakes of the sugar-cane the crested hoopoes flew, and the larks sang, fluttering their little wings as if in an almost hysterical ecstasy. Although the time was winter, and the Christians' Christmas was not far off, the soft airs seemed to be whispering all the sweet messages of the ardent spring that smiles over Eastern lands. This was a world of young rapture, not careless, but softly intense with joy. All things animate and inanimate were surely singing a love-song, effortless because it flowed from the very core of a heart that had never known sorrow.

"You are blossoming here!"

Nigel had said that to Mrs. Armine, and she thought of his words now, and she felt that to-day they were true. Where was she going? She did not care. She was going under this singing sky, over this singing land, through this singing suns.h.i.+ne. That was surely enough. Once or twice she looked at Hamza, and, because he never looked at her, presently she spoke to him, making some remark about the weather in English. He turned his head, fixed his unyielding eyes upon her, said "Yes," and glanced away. She asked him a question which demanded "No" for an answer. This time he said "Yes," but without looking at her. Like a living bronze he ran on, lightly, swiftly, severely, towards the tiger-coloured mountains. And something in Hamza now made Mrs. Armine wonder where they were going. Already she had seen the ruins on the western sh.o.r.e of the Nile; she was familiar with Medinat-Habu, with Deir-al-Bahari, with Kurna, with the Ramesseum, with the tombs of the Kings and of the Queens. They had landed at a point that lay to the south of Thebes, and now seemed to be making for Medinat-Habu.

"Where are we going, Hamza?" she asked.

"Yes," he replied.

And he ran on, holding the piece of sugar-cane, like some hieratic figure holding a torch in a procession. Ibrahim stopped his song to sigh, and struck his donkey lightly under the right ear, causing it to turn sharply to the left. In the distance Mrs. Armine saw the great temple of Medinat-Habu, but it was not their destination. They were leaving it on their right. And now Ibrahim struck his donkey again, and they went on rapidly towards the Libyan mountains. The heat increased as the day wore on towards noon, but she did not mind it--indeed, she had the desire that it might increase. She saw the drops of perspiration standing on the face of the living bronze who ran beside her. Ibrahim ceased from singing. Had the approach of the golden noontide laid a spell upon his lips?

They went on, and on, and on.

"This is the lunchin'-place, my lady."

At last Ibrahim pulled up his donkey, and slid off, drawing his djelabieh together with his brown hands.

"Ss--ss--ss--ss!"