Bella Donna Part 43
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Hamza hissed, and Mrs. Armine's donkey stopped abruptly. She got down.
She was, or felt as if she was, in the very heart of the mountains, in a fiery place of beetling yellow, and brownish and reddish yellow, precipices and heaped up rocks that looked like strangely-shaped flames solidified by some cruel and mysterious process. The ground felt hot to her feet as she stood still and looked about her. Her first impression was one of strong excitement. This empty place excited her as a loud, fierce, savage noise excites. The look of it was like noise. For a moment she stood, and though she was really only gazing, she felt as if she were listening--listening to hardness, to heat, to gleam, that were crying out to her.
Hamza took down the panniers after laying his wand of sugar-cane upon the burning ground.
"Why have you brought me here?"
The question was in Mrs. Armine's mind, but she did not speak it. She put up her hands, lifted her veil, and let the sun fall upon her "undone" face, but only for an instant. Then she let her veil down again, and said to Ibrahim:
"You must find me some shade, Ibrahim."
"My lady, you come with me!"
He walked on up the tiny, ascending track, that was like a yellow riband which had been let down from the sun, and she followed him round a rock that was thrust out as if to bar the way, and on to a flat ledge over which the mountain leaned. A long and broad shadow fell here, and the natural wall behind the ledge was scooped out into a shape that suggested repose. As she came upon this ledge, and confronted this shadow, Mrs. Armine uttered a cry of surprise. For against the rock there lay a pile of heaped-up cus.h.i.+ons, and over a part of the ledge was spread a superb carpet. In this hot and savage and desolate place it so startled that it almost alarmed her to come abruptly oh these things, which forcibly suggested luxury and people, and she glanced sharply round, again lifting her veil. But she saw only gleaming yellow and amber and red rocks, and s.h.i.+ning tresses of sand among them, and precipices that looked almost like still cascades of fire. And again she seemed to hear hardness, and heat, and gleam that were crying out to her.
"This is the lunchin'-place, my lady."
Ibrahim was looking at the ground where the carpet was spread.
"But--whom do these things belong to?"
"Suttinly they are for you."
"They were put here for me!"
"Suttinly."
Always he looked like a gentle and amiable boy. Mrs. Armine stared at him searchingly for a moment, then, swayed by a sudden impulse, she went to the edge of the great rock that hid Hamza and the donkeys from them, and looked round it to the path by which she had come. On it Hamza was kneeling with his forehead against the ground. He lifted himself up, and with his eyes fast shut he murmured, murmured his prayers. Then he bent again, and laid his forehead once more against the ground. Mrs. Armine drew back. She did not know exactly why, but she felt for an instant chilled in the burning suns.h.i.+ne.
"Hamza is praying," she said to Ibrahim, who stood calmly by the carpet.
"Suttinly!" he replied. "When Hamza stop, him pray. Hamza is very good donkey-boy."
Mrs. Armine asked no more questions. She sat down on the carpet and leaned against the cus.h.i.+ons. Now she was protected from the fierce glare of the sun, and, almost as from a box at a theater, she could comfortably survey the burning pageant that Nature gave to her eyes.
Ibrahim went to and fro in his golden robe over the yellow ground, bringing her food and water with lemon-juice in it, and, when all was carefully and deftly arranged, he said:
"Is there anythin' more, my lady?"
Mrs. Armine shook her head.
"No, Ibrahim. I have everything I want; I am very comfortable here."
"All what you want you must have to-day, my lady."
He looked at her and went away, and was hidden by the rock. It seemed to her that a curious expression, that was unboyish and sharp with meaning, had dawned and died in his eyes.
Slowly she ate a little food, and she sipped the lemon and water.
Ibrahim did not return, nor did she hear his voice or the voice of Hamza. She knew, of course, that the two Egyptians were near her, behind the rock; nevertheless, presently, since she could not see or hear them, she began to feel as if she were entirely alone in the mountains. She drew down one of the cus.h.i.+ons from the rock behind her, and laid and kept her hand upon it. And the sensation the silk gave to her fingers seemed to take her again into the Eastern house of Baroudi. She finished her meal, she put down upon the carpet the empty gla.s.s, and, shutting her eyes, she went on feeling the cus.h.i.+ons. And as she felt them she seemed to see again Hamza, with his beautiful and severe face, praying upon the yellow ground.
Hamza, Ibrahim, Baroudi. They were all of Eastern blood, they were all of the same faith, of the faith from the bosom of which emanated the words which were written upon the _Loulia_:
"The fate of every man have we bound about his neck."
Of every man! And what of the fate of woman? What of her fate?
She opened her eyes, and saw Baroudi standing near her, leaning against a rock and looking steadily at her.
For an instant she did not know whether she was startled or not. She seemed to be aware of two selves, the conscious self and the subconscious self, to know that they were in a sharp conflict of sensation. And because of this, conflict she could not say, to herself even, that the sum total of her was this or that. For the conscious self had surely never expected to see Baroudi here; and the subconscious self had surely known quite well that he would come into this hard and yellow place of fire to be alone with her.
"Thank you so much for the carpet and the cus.h.i.+ons."
The subconscious self had gained the victory. No, she was not surprised.
Baroudi moved from the rock, and, without smiling, came slowly up to her over the s.h.i.+ning ground that looked metal in the fierce radiance of the sun. He wore a suit of white linen, white shoes, and the tarbush.
"_Puisque votre mari n'y est plus, parlons Francais_," he said.
"_Comme vous voulez_," she replied.
She did not ask him why he preferred to speak in French. Very few whys stood just then between her and this man whom she scarcely knew. They went on talking in French. At first Baroudi continued to stand in the sun, and she looked up at him with composure from her place of shadow.
"Armant is in this direction?" she said.
"I do not say that, but it is not so far as the Fayyum."
"I know so little of Egypt. You must forgive my ignorance."
"You will know more of my country, much more than other Englishwomen--some day."
He spoke with an almost brutal composure and self-possession, and she noticed that he no longer closed his sentences with the word "madame."
His great eyes, as they looked steadily down to her, were as direct, as cruelly direct, in their gaze as the eyes of a bird of prey. They pierced her defences, but to-day did not permit her, in return, to pierce his, to penetrate, even a little way, into his territory of thought, of feeling. She remembered the eyes of Meyer Isaacson. They, too, were almost cruelly penetrating; but whereas they distinctly showed his mind at work, the eyes of Baroudi now seemed to hide what his mind was doing while they stared at the working of hers. And this combination of refusal and robbery, blatantly selfish and egoistic, conveyed to her spirit an extraordinary sense of his power. For years she had dominated men. This man could dominate her. He knew it. He had always known it, from the first moment when his eyes rested on hers. Was it that which was Greek or that which was Egyptian in him which already overcame her? the keenly practical and energetic or the mysterious and fatalistic? As yet she could not tell. Perhaps he had a double lure for the two sides of her nature.
"Do you think so?" she said. "I doubt it. I'm not sure that I shall spend another winter in Egypt."
His eyes became more sombre, looked suddenly as if even their material weight must have increased.
"That is known, but not to you," he said.
"And not to you!" she said, with a sudden sharpness, very womanly and modern.
With a quick and supple movement he was beside her, stretching his length upon the ground in the shadow of the mountain. He turned slightly to one side, raising himself up a little on one strong arm, and keeping in that position without any apparent effort.
"Please don't try the old hypnotic fakir tricks upon me, Baroudi," she added, pus.h.i.+ng up the cus.h.i.+ons against the rock behind her. "I know quant.i.ties of hysterical European women make fools of themselves out here, but I am not hysterical, I a.s.sure you."
"No, you are practical, as I am, and something else--as I am."
He bent back his head a little. The movement showed her his splendid throat, which seemed to announce all the concentrated strength that was in him--a strength both calm and fiery, not unlike that of the rocks, like petrified flames which hemmed them in.
"Something else? What is it?"
Bella Donna Part 43
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Bella Donna Part 43 summary
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